As part of our study on poetry and how it works, we will assume the role of poet ourselves and create fragments of poetry, using different poetic devices in the process. As a first step we want to identify potential speakers, those individuals (or types of individuals) who would seem to have something interesting to say and the emotion behind that voice to make it meaningful. Moreover, we want our speakers to come from our studies, so think of the poeple we have encountered whose stories you want to hear. Consider the spectrum of voices: the child in Africa who escapes the conflict area with a diamond concealed in his pocket, the Pakistani woman who flees her abusive husband in the middle of the night, or the disappointed suicide bomber who finds not seventy virgins awaiting him, but instead an already-opened box of stale America's Choice raisins (not even a name brand!). These potential speakers represent only three out of a countless number of possibilities.
You are responsible for proposing three speakers who come from our studies of current events, Africa, the Middle East, or Russia.
-Steven Wood
1. A Japanese teenage girl coming to grips with the tragic nuclear
disaster, that took friends and family, while forever changing her
life. Through poetry she could either re-tell the events, or look back
at those momentous events.
2. A Syrian ten-year-old with a father in Bashar Al-Assad's
government, the boy's parents religiously shield from his outdoor
surroundings, he hears awful booms in the night and ponders why he
can't see his friends anymore and what's really going on.
3. An older Russian man living in Moscow, contemplating his life and
the growths and changes he's seen in his homeland. A proud view,
that's unhappy with protesters, or a deeply cynical, angered view fed
up with the sham of a democracy.
On Mon, Mar 12, 2012 at 2:11 PM, Mr. Neary <tjn...@gmail.com> wrote: