I read this group with interest, and like the attention to technical detail I find.
Although a bit off-topic, I thought I would ask my question here.
I like simplicity, and have a grand total of 3 antennas, 160-60M short vertical (nearing completion), 60-6M short vertical ( http://www.eham.net/articles/29052 ), and a 220-4.5GHz Vivaldi variation of my design soon to be on the market. The last bit of pectrum to fill in is the 2 meter antenna, to be used primarily for WSPR and satellite.
Q – do you find horizontal polarization to be adequate for FM repeater work, especially in regard to distant non-LOS over-the-hills repeaters?
Like I said, I like things simple, and would prefer to stay with pure horizontal polarization. However, if there is a too big a performance hit for nominally vertically polarized links, I may have to go with something else, perhaps tilting at 45 degrees?
I read this group with interest, and like the attention to technical detail I find.
�
Although a bit off-topic, I thought I would ask my question here.
�
I like simplicity, and have a grand total of 3 antennas, 160-60M short vertical (nearing completion), 60-6M short vertical ( http://www.eham.net/articles/29052 ), and a 220-4.5GHz Vivaldi variation of my design soon to be on the market. The last bit of pectrum to fill in is the 2 meter antenna, to be used primarily for WSPR and satellite.
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Q � do you find horizontal polarization to be adequate for FM repeater work, especially in regard to distant non-LOS over-the-hills repeaters?
�
Like I said, I like things simple, and would prefer to stay with pure horizontal polarization. �However, if there is a too big a performance hit for nominally vertically polarized links, I may have to go with something else, perhaps tilting at 45 degrees?
�
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Thanks for the replies.
As a result, I threw a 4 el yagi into EZNec, and fooled around with various tilts and rotations.
What I already knew, is that simply pointing up a horiz polarized yagi by 30 degs or so gets rid of the deep elevation nulls one sees when working satellites. We lose about 2 dB at the first lobe (about 5 degs elevation), but the severe 20 or 30 dB nulls as we go up in elevation drop way down to 2 to 5 dB nulls as the satellite rises. Very workable.
Thanks Leigh, I started thinking about changing polarization around – I started with a yagi, rotated it 45 about it’s axis to give 45 deg polarization. Then point up by 25 degs or so, and we end up with the nice null fill-ins for sat work, and retains most of the horizontal polarized low-angle lobe for WSPR and other terrestial weak signal work. And still end up with 9 dB or so gain vertically polarized for repeater work (a few dB better than a ¼ wave vert at the same height).
So, the good news is that sat and repeaters are workable. The mediocre news is that low angle horiz gain drops from 14 dB of so to around 11 dB for WSPR work.
Just might be good enough in a “Jack of all trades, master of none” sense :)
The multiple angles and rotations look a bit funky to my eye, but that’s life. A corner fed quad would look much better.
Anyway, thanks again all for the real-world info. Can’t wait to get the Efratoms up and running and get some stable hardware on the air.
Glenn – kudos on the wideband antenna. Decades ago, I recall how mysterious it was that a single conductor could be used as a transmission line. It wasn’t until I went through the course work at UCB that it finally started making sense. You have a very cool design.
Not sure how to post pix here, but my Vivaldi design is something I discovered when working with another antenna design entirely that turned out to be muuuuch broader band than it should have been, and ended up finding the “easy-button” way of feeding and constructing a useful, low cost and marketable Vivaldi. VSWR is below 1.6 or so from 220 MHz through 4 GHz, gain starts out around 7 dB and goes quickly up to 12 dB+ and is pretty flat out to 4 GHz. No matching networks or cavities normally associated with standard Vivaldi designs. Am getting the mechanicals finished up so that I can start selling it.