Maybe I am missing something, but are you suggesting that the LOTR
trilogy was not successful in it's effects work and that it was
somehow hurt by that? People flocked to see the LOTR films multiple
times in the theater because it was an immersive and fascinating
world. Much like Star Wars (I am told; obviously I was not alive yet
to see that one in the theater let alone multiple times). And please
don't misunderstand me, I love the effects in the Original Trilogy,
but there are flaws there too. As humans we are acclimated to reality
and something which looks fake will look fake no matter what technique
is used to create it. The Death Star Trench sequence holds up as well
as it does now some... let me count because you folks made fun of me
for my bad math in an earlier thread... 34 years after the fact
because the Dykstraflex did its job perfectly, and the ILM model team
paid attention to the details to the point that those ships WERE real
as far as the eye is concerned. (Lucas basing the fight on WW2 footage
helps this as well.) That the asteroid field in Empire looks like
garbage is because of the technique being used was not perfected at
the time and there was no other way to achieve it with the Dykstraflex
without the traveling matte. (By comparison, watch The Black Hole,
which features similar shots of objects moving across each other --
the use of the ACES camera and the Mattescan device allowed this to be
smoothly done without the need for the travelling matte from Empire).
So it stands out because it breaks "reality" in a way the ships or the
suits or animatronics do not.
Regarding visual vocabulary, I think my claim is valid. Afterall,
this is an age where entertainment media pundits fall all over
themselves to elevate video games to high art or "true"
entertainment. Obviously the rendered, ful CGI style visual image is
an accepted one for the masses, since video gaming has become not just
accepted but now mainstream and "hip."
Folks won't go see Green Lantern multiple times in the theater
nowadays because of the nature of the Hollywood tentpole cycle. Like
you say, Cars 2 is right on it's heels, and more afterwards. The
filmgoer today is conditioned to think that what's hot and new this
week is old next week, because there is something else wihch is now
hot and new. It takes something outrageously out of the ordinary to
break that, and the LOTR films are like that. This summer, the only
film I predict will be like that is HP 7.2, just because ITS THE LAST
ONE DUN DUN DUNNNN! and all that. The fact that 7.1 was a marked
improvement over the snoozefests that were 5 and 6 helps, too.
In any event I am probably going to go see the film. For one thing I
would like to see a DC movie in the theater which is not a snoozer
like Superman Returns nor Super Serious And Important! like Batman
Begins and The Dark Knight. Plus my buddy Joe is a huge GL fan (being
an Air Force brat will do that to you) and obviously he is jazzed for
it.
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