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Happy Mondays: Isn’t It Fantastic? Posted: 28 Nov 2016 04:01 AM PST
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Posted: 30 Nov 2016 03:46 AM PST
Leeann Hamilton https://www.patreon.com/Peannlui It’s a great way to help out some creators for a low price and you get some nice stuff in return like sketches, previews and WIP pieces. The post Become An Irish Comics Patron appeared first on Irish Comic News. |
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ComicCityCast 29 with special guest Leeann Hamilton Posted: 02 Dec 2016 07:27 AM PST
Download from the bottom of the page or click here Twitter @coimiccitycast @freebirdswing (Flanagan) @ciaronious ( Marcantonio) @misanthrobert (Bobby) The post ComicCityCast 29 with special guest Leeann Hamilton appeared first on Irish Comic News. |
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Posted: 05 Dec 2016 06:13 AM PST
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Posted: 05 Dec 2016 03:58 AM PST
Check out the Cadence Comic Art website for details. The post Declan Shalvey Holiday Sale appeared first on Irish Comic News. |
Happy Mondays: Kevin Keane’s Commission List Posted: 05 Dec 2016 03:01 AM PST
I can’t wait to see more. The post Happy Mondays: Kevin Keane’s Commission List appeared first on Irish Comic News. |
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The ICN Hall Of Fame Ceremony: Leeann Hamilton Posted: 12 Dec 2016 06:46 AM PST Welcome to the first post in our week-long Hall of Fame ceremony. For each Hall of Fame induction, I’ve taken a different approach. For Leeann Hamilton, I turned to fellow Hall of Fame Class of 2016 member Stephen Mooney to say a few words: Stephen Mooney: Leeann is always drawing; always working. She quietly and methodically goes about her business, consistently demonstrating how it could and should be done. Not afraid to criticise where it’s due, but always fairly and even-handedly. Leeann knows the good stuff. I’m honoured to be nominated for the ICN Hall Of Fame in the same year as somebody of her quality. Maybe I can trick folks into thinking I’m anywhere near as capable as she is. The post The ICN Hall Of Fame Ceremony: Leeann Hamilton appeared first on Irish Comic News. |
Happy Mondays: Pubcast Christmas Hootnanny (Whole Lotta HOOT Little Bit Of Nanny) Posted: 12 Dec 2016 05:26 AM PST
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The ICN Hall Of Fame Ceremony: Stephen Mooney Posted: 13 Dec 2016 02:49 AM PST
Declan Shalvey: Mooney hooked me up with my first proper comics gig, replacing him on Freak Show. A kindness I’ve been trying to return ever since. While it’s clearly currently something of a golden age for Irish comic artists, I believe Stephen dropped a game-changer on us all with Half Past Danger a couple of years back, a book I’m very glad is returning next year. So many of us work in American publishing now, dropping an Irish nod here and there into our work wherever we can sneak it in but I feel that Mooney was the one who really took a risk and did his own thing; making an Irish-produced comic that represented the culture in an affectionate way. Not only that, but he released it on a world’s stage; release it though all the mainstream American outlets to great success. It’s my opinion that in the years to come we’ll be treading on the ground he broke for us all. I have huge respect for Mooney. Yes, you heard me; respect. His drive, work ethic and good nature should be an example to us all and I mean that sincerely. I’ve never met an artist more professional and dedicated than him and have always been able to rely on him for an honest opinion, something I truly value. The post The ICN Hall Of Fame Ceremony: Stephen Mooney appeared first on Irish Comic News. |
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The ICN Hall Of Fame Ceremony: Anthea West Posted: 14 Dec 2016 03:08 AM PST
Leeann Hamilton: Katie Fleming: Triona Farrell: The post The ICN Hall Of Fame Ceremony: Anthea West appeared first on Irish Comic News. |
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The ICN Hall Of Fame Ceremony: PJ Holden Posted: 15 Dec 2016 02:35 AM PST
Michael Carroll: His career began, as so many do, in the small-press scene. With writer Malachy Coney he created the acclaimed graphic novels The Moon Looked Down and Laughed, Holy Cross, The Dandylion and The Simply Incredible Hunk. He soon branched out into other small-press titles like Violent, Black Seal and Solar Wind, for which he drew a variety of strips in different styles. And then – after gracing titles such as Warhammer Monthly and Toxic – he reached the pages of 2000 AD. Now, most newcomers to that august publication are expected to start with a Future Shock story. These are standalone tales, four pages long (used to be five pages back in my day!) that test the creator’s artistic and story-telling skills. It’s the standard proving-ground. Most creators will do a good handful of Future Shocks before they’re allowed to move on to a multi-part story, or work on one of the regular strips. After several years, a particularly talented creator might be offered a chance to tackle the comic’s flagship strip, Judge Dredd. So it’s notable, I think, that PJ Holden’s first ever strip in 2000 AD was Judge Dredd. He came in at the top, guys! That was in March 2001, a one-shot tale called “Sino-Town” written by Gordon Rennie. It was the start of something special, because a strip like Judge Dredd needs artists who are a cut above the ordinary. Judge Dredd stories can be bleak, intense, horrifying, dark, insane… and – just as often – hilarious, camp, bombastic, touching and sometimes heart-rendingly tragic. There are very few artists in this world who possess the skills to depict all of that with absolute conviction and without compromise. PJ Holden is one of them. In person, PJ is a non-stop powerhouse of energy, ideas, jokes, reflections, insights and endless crazy ideas that are either utterly brilliant or utterly stupid (yet utterly brilliant in their utter stupidity, and always hilarious). His generosity is matched only by his wit, which is considerable, and he is a wellspring of wisdom and good advice: any artist (of any level of experience or skill) would be well-served to sit down with him for a few minutes and pick his brains. I’ve been lucky enough to collaborate with PJ a few times (to date: six different stories, totalling 139 pages), and he is a pleasure to work with. He has an instinct for comic-book art that is so ingrained I suspect it’s now part of his DNA. I know that if I give him far-too- complex (or far-too-vague) panel descriptions he will always draw exactly what needs to be there: he understands the flow of the story, and knows that it’s the reader’s experience of a comic that is paramount, not the whims or foibles of its creators. I’m honoured to have been asked to induct Paul Jason Holden into the Irish Comic News Hall of Fame. I’m sure you’ll agree that he’s more than earned the right to be here! But don’t just take my word for it: I contacted some of his other collaborators and asked them to contribute a few words… Arthur Wyatt: Al Ewing: Rob Williams: Simon Spurrier: One of the best visual storytellers out, any other artist would kill to’ve mastered any one of the several styles in which he’s accomplished. From razor-sharp war stories to uber-approachable ‘all ages’ fare, his obsessive perfectionism always shines through. He’s also, infuriatingly, a bloody nice bloke. Gordon Rennie: I first met PJ in 1999, at the Bristol Comic Con. He was kinda desperate and pathetic – exactly the qualities I look for in a creative collaborator if you want to dominate them and bend them to your implacable will – and followed me around the con like a sad little puppy that hadn’t been kicked quite hard enough yet. I knew then that, no matter how many times I would later secretly try changing my email address, he and I were destined to keep on working together. We made a bargain, he and I. I got him work for 2000AD, and he would endure the subsequent long years of ridicule, torment, rudeness, disparagement, belittlement and cruel mockery that I’ve heaped upon him ever since. And, I must say, it’s worked out rather well for both of us. I’ve no complaints, certainly, but I’ve never really thought to ask PJ what he thinks on the matter. The thing I most admire about PJ – other than his complete inability to draw attractive women, which makes him somewhat unique among comic artists – is how he just keeps on hanging in there, no matter what you throw at him. He breezed through countless comedy Dredd stories, some of which, in rare moments of weakness, I allowed him to think he had a hand in with coming up with some of the funnies for. He gritted his teeth on Rogue Trooper, and just slogged on through all the Nu Earth mayhem I demanded fill every panel of every page. There was one glorious time on Department of Monsterology when I thought I might have finally broken him – a splash page was sent back, with a completely reasonable authorial demand that all the hundreds of subterranean goblin creatures be redrawn to have eyes like multi-faceted jewels. I went to bed happy that night, secure in the knowledge that I’d finally achieved my life’s work. But there, in the next morning’s email, was the page, re-drawn exactly as requested. So I give up, and release him into the wild, for other, better writers than I to try and break the force that finally defeated me. I’ll move on to an easier, more vulnerable target. Hmmm… what’s Eoin Coveney up to these days, I wonder? The post The ICN Hall Of Fame Ceremony: PJ Holden appeared first on Irish Comic News. |
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John McCrea Deviates Judge Dredd Posted: 16 Dec 2016 04:57 AM PST Cover art by John McCrea In March, IDW is launching another five-week Deviations event (their version of What If? stories), and it’s kicking off with a Judge Dredd story where John McCrea asks what Mega City One would be like if Judge Dredd never recovered from that time he was briefly a werewolf. The original story, “Cry of the Werewolf,” ran from 2000 AD progs #322 to #328 back in 1983, from John Wagner, Alan Grant, Steve Dillon and Tom Frame. It told the story of a werewolf invasion of Mega City One. Cover art by Ryan Brown
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The ICN Hall Of Fame Ceremony: The Books Posted: 16 Dec 2016 02:48 AM PST All week we’ve been inducting the Hall of Fame class of 2016. As is keeping with previous years, we will also be adding some books to the Hall of Fame. Here are this year’s inductees. Preacher: Lightning Strike Presents: The Holy Numbers: Stray Lines Volume One: The post The ICN Hall Of Fame Ceremony: The Books appeared first on Irish Comic News. |
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Posted: 18 Dec 2016 03:44 AM PST
Happy Christmas The post ComicCityCast 30 : The Liqour appeared first on Irish Comic News. This posting includes an audio/video/photo media file: Download Now |
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Posted: 19 Dec 2016 04:55 AM PST
You can follow the updates on the Buttonpress Publications Facebook page. The post Happy Mondays: Tomte appeared first on Irish Comic News. |
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A Word On The ICN Twitter Polls Posted: 20 Dec 2016 01:59 PM PST
I want people to give us feedback and I assure people that the 2016 ICN Awards will be highlighting the excellent female creators we have in Ireland. If you want to let us know who your favourites are, you can e-mail us or you can respond the polls on Twitter. Apologies if I offended anyone. The post A Word On The ICN Twitter Polls appeared first on Irish Comic News. |
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Irish Comic Art Picks December Posted: 23 Dec 2016 03:29 AM PST Irish Comic Art Picks. Pages, commissions, doodles, works in progress and everything in between, this feature shows you some of the best work by Irish Comic Artists from around the web every month. Feel free to submit work and links through any ICN links on social media (Facebook or Twitter) or Stephen on Twitter. Remember, support artists and follow their links.
Nick Roche – Art for Transformers: Lost Light cover. PJ Holden – Macbeth. Triona Farrell – Moana fanart. Matt Griffin – cover for ‘The Spiral Path’. Patrick Mulholland – Motor Crush fanart. Ian Fay – Nick Fury (winning submission to Red Cube Studio competition). David Thomas – Mad Hatter. Tara O’Connor – Roots cover art. Eoin Marron (line art) – Sons of Anarchy: Redwood Original #5 (colours by Adam Metcalfe) Pete Marry (line art) and Dee Cunniffe (colour art) – Fort Night Comics. Adam Law – Bucky O’Hare. Cian Tormey – Ghost Rider (colours by Timothy Brown). Eoin Barclay – Link. Chris O’Halloran (colour art) – John Carter – The End #1 (line art by Hayden Sherman). John Devlin – Skull Knight commission. Julie Nick – Julie Nick’s Pulp Stories. Eoin Coveney – Future Shocks strip in 2000AD. John McCrea (line art) and Dee Cunniffe (colour art) – Tales from the Crypt. Will Sliney – Daredevil and Casey Jones vs Bebop and Rocksteady commission. Stephen Byrne – The Tenth Ducktor. John McGuinness – Nick Fury (entry for Red Cube Studio art competition). Becca Carey – Lydia Martin (Teen Wolf fan art). Olly Cunningham – Black Lines Comics. Alfie Gallagher – Art from Judge Anderson ‘Zarjaz’ strip. Rapha Lobosco – James Bond (which Lobosco will be drawing for Dynamite comics!).
Stuart McCune – Epilogue. Kevin Keane – Deadpool and Spider-man. Phil Murphy – cover art for Angry Birds – Flight School #1. Ruairí Coleman – Kylo Ren. Tommie Kelly – Art for the cover of Bloodlines & Black Magick. Alan Ryan – Faraday the Blob. John McFarlane – Ghost Rider. Jim Lavery – Judge Dredd. Anthea West – Fate / Pokemon mashup. Stefanie Reville – Yuri On Ice fanart. John Cullen – gramfel33. Declan Shalvey (line art) + Jordie Bellaire (colour art) – Doctor Strange and the Sorcerers Supreme #3 cover. Jason Browne – Tomte. Nate Stockman (line art) – page from Gwenpool Holiday Special (Colour art by Jim Campbell). Phil Dunne – ’36/63′. John McCrea – cover art for Judge Dredd : Deviations.
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