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"...The early piano sonatas of Ludwig van Beethoven...became a point of reference" and "starting point" for the original score [of the 2005 movie PRIDE AND PREJUDICE]."
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gggg...@gmail.com
Oct 3, 2015, 5:49:00 PM10/3/15
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John W Kennedy
Oct 4, 2015, 2:02:56 PM10/4/15
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On 2015-10-03 21:48:58 +0000, gggg...@gmail.com said:
> https://en.wikipedia.org/wiki/Pride_%26_Prejudice_(2005_film)#cite_note-FOOTNOTEGoldwasser2006-64
>
The score is certainly dominated by piano, although the sound is
completely false for the period, as it seems to have been recorded with
a Bösendorfer Imperial Grand or something else of the extremely
post-Liszt school of piano making.
--
John W Kennedy
"The bright critics assembled in this volume will doubtless show, in
their sophisticated and ingenious new ways, that, just as /Pooh/ is
suffused with humanism, our humanism itself, at this late date, has
become full of /Pooh./"
-- Frederick Crews. "Postmodern Pooh", Preface
> https://en.wikipedia.org/wiki/Pride_%26_Prejudice_(2005_film)#cite_note-FOOTNOTEGoldwasser2006-64
>
The score is certainly dominated by piano, although the sound is
completely false for the period, as it seems to have been recorded with
a Bösendorfer Imperial Grand or something else of the extremely
post-Liszt school of piano making.
--
John W Kennedy
"The bright critics assembled in this volume will doubtless show, in
their sophisticated and ingenious new ways, that, just as /Pooh/ is
suffused with humanism, our humanism itself, at this late date, has
become full of /Pooh./"
-- Frederick Crews. "Postmodern Pooh", Preface
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