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UPLOAD! description of Forman'S CASSETTE DEBRIS, F0056b-F0610
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Frank Forman
Jul 5, 2016, 5:06:48 AM7/5/16
to
UPLOAD! description of Forman'S CASSETTE DEBRIS, F0056b-F0610
Key:
@ acoustic
# monaural long playing
$ stereophonic long playing
¢ compact disc
[...] Ignore, as a better copy is elsewhere among my cassettes, not
involving an intermediate tape.
-> exists on a CD transfer
Mset: Should be in the Columbia and Victor M set collections
[My UPLOAD! message for June contained only information for F0056b through
F0063b. The descriptions for F006a through F0610 are new.]
F0056B
Mset BRAHMS: Quintet 1, HOBDAY, 2 vc., BUDAPEST, V.M 466
F0057-58 CORTOT American Recordings did not list the contents of these
four cassette sides, which I got from the late Allen Mackler (who
dilligently collected them), which were later issued on more completely on
Biddulph LHW 014-15 and included four previously unrecorded titles. I do
recall that one of Allen's had one that had a different take that any of
those on Biddulph, but I could have copied down Allen's take information
incorrectly. Someone will have to do a dilligent comparison. I cannot
locate the Cortot supplement in one of Jim Cartwright's catalogs.
F0061, GLENN GOULD, from a cassette I paid Western Sound Archives to make
for me.
BACH: PC 1, Mitropolous, COA, undated [?1958]
BACH: BBC 5, Paray, Detroit SO, 1960,13.13
Side B
STRAUSS: Burlesque, Adler, Baltimore SO, undated, and
BACKHAUS: BEETHOVEN: Son. 26, Florence, 1969.5.3
F0062, cassette made for me by the late Donald Hodgman
ROSBAUD, HANS: ALBERT Tiefland selections, Decca 25278
->SAMUEL, HAROLD: SCHUBERT MM 94n3, Waltz in A (op. 50n13), Waltz in F,
op. 99n3
and ->GLUCK-BRAHMS: Gavotte
->SZIGETI: Columbia D 1527 MILHAUD: Corcovado
Side B
->SZIGETI MILHAUD: Tijuca D 1527
KEMPFF: P. 62900 (10") (his first recording, unknown date (some suggest
1920)
BEETHOVEN: Bagatelle in C, Op. 33n5 (Kempff makes a mistake at the return
of the main theme and exclaimes "Donnerwetter," but he does not make
another take.
BEETHOVEN: Ecossaisses
P. 66180:
SCHUMANN: Toccata, Op. 7 in C
BRAHMS: Rhapsody in Eb, Op. 119n4
P. 66045:
GLUCK: Gavotte
BACH: Siciliano, Kempff's arrangement the slow movement of a flute sonata
P. 95108: Edward ERDMAN
(These were all the Kempff acoustics, except the first Beethoven Concerto,
which is the only Kempff acoustic to come out on CD (which is in my
collection.)
ERDMAN: FOXTROT
KRENEK: Kleine Suite
BACKHAUS: DB 1125: Triana
DB 6810/11
MOZART: Sonata 11, m. 1,2
F0063, from Don Hogdman
BACKHAUS: MOZART Son. 11, m. 3, from G.DB 6860/11 (this late 78 is better
than his early stereo LP: Backhaus at his best)
BACKHAUS: BEETHOVEN: Sonata 18, from G.DB 6788/90
BACKHAUS: SCHUBERT Impromptu, filler
LEHMANN, FRITZ: BEETHOVEN: Sym. 8, Orh de Cent Soli, from #Club du Disc
28, mvt. 1-3
Side B
mvt. 4
->DUBOIS AND MAAS: BEETHOVEN: VS 7, C.CFX 195/7
->GEYER, STEFI: BACH: Partita 3: 2, Louve from C.LZX 1 and
->HAYDN: Con. 1:2, Adagio
[My UPLOAD! message for June contained only information for F0056b through
F0063b. The descriptions for F006a through F0610 are new.]
F0064, from Don Hodgman
->THIBAUD and CORTOT, FRANCK VnSon. acoustic, GDB 785/8 (best recording of
the greatest of all violin sonatas
LEON KARTUN: Poem Rapsodie pour Piano et Orch de Jazz sous le Dirde M.
Cariuen, L-1031 Mx 2LA-1530/1-1
plus a stereo recordings of BWV 1087, 14 Canons (extra Goldberg
Variations)
Side B
FLONZALEY: BEETHOVEN: Quartet 3, m. 4, Presto. V.74792
->COATES: WAGNER: Meistersinger in English
->G.D 756 Quintete [Side 38, 1923.7.18]
->??? Procession of the Guilds [s. 36, 1923.7.13
->D 757 Dance of the apprentices, s. 39 [1923.7.20]
The town people render praise, s. 26 [1922.12.5]
GOMEZ: Salvator Rosa iii: Di sposo, di padre
Mark Rizen, bass, COATES, piano 1929.4.12 London [mx Bb1845-1, unissued
(on 78s, that is).
From 13#G.EX 2901693
SCHERCHEN, Winterthur Municipal Orch. c. 1946, G.DB 6096. Consists of
CPE BACH: Sym.1, side 3 (Largo Presto)
PURCELL: Dido and Aeneas: Overture
F0066A/B
MAHLER: Sym. 4., Prince HIDEMARO KONOYE, cond.; Eiko Kitazawa, sop., Tokyo
New Symphony Orchestra. rec. 1930 May 28-30 in the Parlophone studio.
(bars 287-314 of the third movement cut). Original issue on Japanese
Parlophone E 10009-14. I do not know where my cassette came from! The next
known recording is the 1939 Mengleberg and is complete and is the best
recording of the work. The first complete studio recording is the Bruno
Walter from 1945. The performance has been equated to that of a high
school band. It is better than that. Konoye made a few other recordings
including a Beethoven 1st, iirc.
F0067, recorded at the late Allen Mackler's apartment
KELL: MOZART: Clarintet concerto, Sargent, LPO; G.C 3167/80A
KELL: SCHUMANN: Fantasy Pieces, Moore, p., G.C3170B and 3228
Side B
Mset PRAGUE Q.: DVORAK: Q. 8 in G, Op. 106, V.M 195 (8 ss.). Also on CD
GOODMAN: DEBUSSY: First Rhapsody. Barbirolli, NYP, C.11517-D
F0079A
Toscanini Final Concert (as broadcast. His missed his place and NBC
broadcast the beginning of the Brahms first symphony for a few seconds
until Toscanini got back in control. What has been reissued on LP and/or
CD is what transpired in the studio. The cassette begins with
announcements and includes WAGNER: Tannhauser Ov., Meistersing Ov., and
maybe something else.
F0094
MENCKEN interviewed by Donald Howe Kirkley, Sr., at the Library of
Congress, 1948.6.30, #Caedmon TC 1082
Side B is the end of the interview.
BACH: Cantata 78, sung in English. IFOR JONES, Bethlehem Bach Choir. Mr.
Mencken regularly went to Bethlehem, Pa., to hear the choir and wrote
lovingly of it. Afaik, this is the first and only recording of the choir
on 78s. Nothing on mono LP, but there is a stereo recording of the b Mass.
F0178B, from Western Sound Archive through David Glass
SCHERCHEN: WAGNER: Rienzi
Raina Kabaiwanska,, Guisseppe De Stefano, Gianfranco Cacchele, Alfredo
Giacometti, Piero de Palma, Nino Puglise
La Scala O &Ch, ive at La Scale, 1964.6
F0179A/B, from Western Sound Archive through David Glass
continued
F0180, from Western Sound Archive through David Glass
Rienzi, end
MALIPIERO: Setti Canzone, in Florence, 1966.6.18. SCHERCHEN DIED
LATER THAT EVENING.
Magda Olivero (rest of cast unknown)
Maggio Musicalle of Florence
Side B
SCHOENBERG: Piano Concerto. E. Steurman, Hessian RO 1955
F0181, from Western Sound Archive through David Glass
Interview with SCHERCHEN on Mahler 7
HAYDN 49 (not sure of other data)
MAHLER 5, to m. 3, beg., Philapa Orch, 1964.11.22
Side B
end of MAHLER 5
F0182, from David Glass
MAHLER 5: 1-3, ?orch, year, place. Rococo 2056
Side B
MAHLER 5: 4-5
[Beethoven 4, PSOL, #W.XWN 18312 (ignore: turntable to .mp3, bypassing
cassette, elsewhere)]
F0183B
[Rossini: Thieving Magpie O., VSOO, #W.WM 1021
[Tch: March Slav, VSOO, $MCA West MCA 1423]
GLUCK-Scherchen. Willi Ufer,fl., Winterthur Municipal O. G.DB 6083/4A
RAMEAU: Platee: Menuet dans le gout de viele AND Acantha et Cephise:
Menuet, G.DB 6084B
F0184B, from David Glass
[->SCHERCHEN CPeb: Sinfonia. Ars-Viva Orch. #Amadeo AVRA 6256
[->RICHTER: Sinfonia]
MENDELSSOHN: MSND Ov., VSOO. #World's Greatest Music XTC 81445
F0186
SCHERCHEN: BACH: BBC 3-4. Cento Soli O. of Paris. #Omega OML 1040
Side B
ditto, BBC 5-6
F0222, from Hank Schmoll
KRAUS: SCHUBERT: Son. 14 in a, D. 784, Op. 143. Parlophone.R 20388/90a
(17) Länder, Op. 18a, D. 145: 1-9,11 (filler)
Side B
KRAUS: MOZART: Con. 18, Parlophone R 20404/7
MOZART: Son. 31 in C, K. 404, with Goldberg, filler
F0223B only, from Hank Schmoll
JOYCE: MOZART Son. 12, m. 3. EngC.DX 105b
+ Romance in Ab, K.A. 205 (not by Mozart)
Mset Con. 20, FISCHER (cadenza by Fischer). V.M 223
F0242
SCHERCHEN, WINTERTHUR MUNICIPAL ORCHESTRA
RAMEAU: Acanthe et Céphise: Gavotte and Musette
and RAMEAU: Platee: Menuet dans le gout de viele, Rigaudon and Tambourin,
G.DB 6082
MOZART: Petits Riens, Les, K. 299b: Overture, Nos. 2-4, 6, 7, 8, 10 and
12, G.DB 6080/1
Side B
ABENDROTH: HANDEL: Concerto Grosso in D, Op. 6, No. 5: mvts. 2,5. Cologne
Ch.O. GerC.G17035-D. This may have been reissued on ¢Tahra.
[Bach b mass exc., Klemperer]
F0255, recorded at Allen Mackler's
KRAUS, GOLDBERG: MOZART: Son. 27 in G, K. 379. Japanese Victor.8523/4
MARCEL & LOUIS MOYSE: HANDEL: Son. for two flutes. V.12492~G.DB 5080
MARCEL MOYSE and BLANCHE HONEGER: FRANZ CHRISTIAN NEUBAEUER (1760-95):
Adagio for flute and viola
GUSTAVE BRET, orch. BACH: Con. 2 for 3 pfs in C, S. 1064. Helene Pignari,
Lydia Schavelson, Lucette Descaves. G.W 864/5
Out to Old Aunt Mary's from the Lockerbie Book of Riley Verse., V.70078
Side B
LENER Q.: TCH: Q.1, m.2. mx CAX 7478/9. Japanese C.J 8444
STOKY, Philapa O.: BACH: Christmas Pastorale (Xmas Or. 10) ("Shepherd's
Christmas Music"). V.7142
PRISCA SQ: HAYDN: Q, Op 76#3: 2, Andante Cantabile. D.25013
STRADIVARIUS SQ (Wolfinsohn, Pochon, Dick, D'Archambeau): PADEREWSKI:
Theme Varie, Op. 16#3. C.68933-D
GOLSCHMANN, SO: SHOSTAKOVICH Sym. 5, m.2. V DISC 737 (both sides)
F0296, from Tom Clear, who brought them on a visit and let me tape them
DUBOIS, Alfred, and Marcel Mass. FRANCK Son.
MOZART: Bassoon and Cello Son.:
PARTS REVERSED: KOHON AND SCHUSTER
PARTS NOT REVERSED: DUBRADOS, Ferdinand, and Etienne Pasquier.
L'Anthologie Sonore No. 44. (The Gramophone Shop)
TRACK B
MENGELBERG, Conrad HANSEN, studio rec. of 1940. Tel.SK 3092/5. MUCH THE
BEST REC. OF THE WORK.
BACKHAUS: BEETHOVEN Son. 32. G.DB 3218-20A
BACH: WTC 1. G.DB 3220B (filler)
F0297, from Western Sound Archive (live)
NOTE: I added irrelevant material at the ends of Track B of F0297-F0301.
SCHERCHEN: MAHLER 9:1,3 BBC 1952.20.2
TRACK B
SCHERCHEN: MAHLER 10:1 BBC 1952.9.27
F0298, from Western Sound Archive (live)
SCHERCHEN: MAHLER 7. Toronto SO, 1964 (Canadian Premiere)
F0299, from Western Sound Archive (live)
SCHERCHEN: BRUCKNER 2, Toronto SO, 1964
F0300, from Western Sound Archive (live)
SCHERCHEN: MOZART. Mozarteum (Salsburg) Orch., recorded during a Mozart
Festival, 1961. Broadcast of the Austrian Radio
Sym. 1 in Eb., K. 16
Paris Ov. in Bb (spurious)
Serenade 10 in Bb, K.361: 5,6,3
SIDE B
Symphony 41
F0301, from Western Sound Archive (live)
SCHERCHEN, OSR 1958:
NANO, Luigi (1924- ): Y Su Sargre ya vienne Cotando
LIEBERMAN: ("Musik") (Scenes Symphoniques
SIDE B
HARTMANN, Karl Amadeus (1905-63: Sym. 1
F0319, from Western Sound Archive (live)
SCHERCHEN, Toronto SO, 1964
MOZART: Serenade 6 (Night)
HAYDN: Seven Last Words: Adagio (which one?)
BEETHOVEN: An die HOffnung
Track B
BERG: Lulu: Adagio
XENAKIS: Paula Tadine
[SHOSTAKOVICH-SCHUMANN: Cello Con. in a, Op. 129 (Dmitri Dmitrivich's opus
number)
F. Lusanov, Gennadi Rozhestvansky, USSR Ministry of Culture S). $Melodyia
A10-00107]
F0326B
FISCHER: MOZART: Serenade 10 in Bb, K. 361 (13 wind inst.): 1,3,4,6,7
only. His Chamber Orchestra. V.M 743
FISCHER: BEETHOVEN: Son. 23. V.M 279
NOTE: These items are already in the M-sets section.
---
A Record of Singers, Part 1. #G.RLS 7705
MORESCHI, Alessandro (the only castrato to make records) (1858-1922)
BACH-GOUNOD: Ave Maria, rec. Rome, 1904 [2187h3] G.54777
HENSCHEL, George (1850-1934)
[Ak 17388e] SCHUMANN: Dicherliebe: Ich grolle nicht rel. on G.7-42006
Lied eines Schmiedes (unpublished)
C.4128-M [A 6892/3]
SCHUBERT: Winterreise 24: Liermann
Schöne Müllerin 11, Wanderen
V.87514, take 2. Old Folks at Home (Sawanee River). Violin obbligato,
DVOARK's Humoresque. Alma GLUCK,
Efrem ZIMBALIST, Sam CHOTZINOFF
Roycroft 189. The English Singers
John of Fornsete: Summer Is Incomen in (c. 1226)
Anon: A Farmer's Son arr. VW (precded by a reading of the poem)
NOTE: Except for capitalizing performers and composers, I just retyped
what I penned in my cassette listings. I am not at all sure what's what,
or rather what's on what disc.
F0420 SCHERCHEN SUPRAPHONS
MOZART 36, VSO, LPM 131 (10")
MOZART 35, VSO, LPV 378
BEETHOVEN: German Dances: 2,8,10
SIDE B
Dance 12
MOZART EKN. CLPV 271
SCHUBERT 8. LPV 42
F0469, from David Glass
KEMPFF: BEETHOVEN Son. 30-1. Live Vienna. Broadcast of 1980.3.25
SIDE B
Son. 32
[Irrelevant]
F0480B
Archiv 198316: IV. Researc Period: The High Renaissance Series C:
Evangelical Church Music: 10 Christmas Carols (see files under HELMUT
KREBS.
KREBS parts first: Caspar OTHMAYER (s.2,b2 p.6);
Joh. Herm. SCHEIN (s.1,b3).
Then side 1: bb.1,2,4-6 and all of s.2)
F0485
SCHERCHEN, VSOO. SCHUBERT 8. Urania LPV 42 (w. 1 mil stylus)
Marching Along. Frederick FENNELL, Eastman Symphonic Wind Ensemble. Mer.MW
55-14 (½ track stereophonic tape)
SOUSA: The U.S. Field Artillery, The Thunderer, Washington Post, King
Cotton, El Captain, The Stars and Stripes Forever (This is identical to
the first side of the LP.)
<<A Mercury Living Presence "Seeing Ear" Stereophonic Tape Recording>>
I wore out this record, which my dad gave me and also another Mercury of
the 1812 Overture, Deems Taylor's commentary on it and Beethoven's
Coriolan Over.
NOTE: At the end of F0507, I noted "END OF HEAVY DUTY TAPING, 1987 July 5
P.M. 6:42:17." In fact, I went on for another 2000 or so cassettes.
Ultimately, my swapping of tapes with collectors from six continents (none
from Anarctica, alas) wound down. I continued to C2464 in 1997. I
continued to buy compact discs, even a few after my cochlear implant
operation in 2007. After Bill Lampe's death, I asked for and got a couple
of thousand cassettes from his estate and carried out my promise to make
them available to the world. I concentrated mostly on the M-sets and those
that were not "fixed in sound" past 1976 (meaning LP and CD transfers).
Since then I learned that European copyright dates to the original music
making and so I could have uploaded a bunch of things Bill purchases on CD
and make cassettes. (His CDs were already gone by the time I wrote to his
estate.) Anyone who is "fit, willing, and able" to work with his cassettes
is welcome to them for the price of postage AND can give me assurance that
he will actually work through Bill's tapes. Too many times, someone is all
eager and gets tired by the fifth transfer.
F0514A
various M-sets
Last item is Conan Doyle Speaking, 1928. G.C 1983. Deals with his
paranormal experiences.
SIDE B
LANDOWSKA: BACH: English Suite 2, 4 ss. of B.M 447
VICTOR 10"
STOKOWSKI: BRAHMS: Serenade 1: Minuet
BACH: Great Fantasy and Fugue in G, S. 542: 2, Fugue. V.1728
LANDOWSKA (prob.): HANDEL; H. B. Smith Var, V.1193a
": MOZART: Son. 11: 3, Rondo a la Turk, V.1103b
": MOZART: Don Juan minuet. V.1199a
": Rameau: La Tambourin. V.1199b1
": DAUQUIN: Le Coucou: Rondo. V.1199b2
": BYRD: Wolsey's Wilde. V.1599a
": BACH: English Suite 2 in g: Gavotte. V.1599b
F0531
Homage to Henry Purcell. #Vanguard BG 570/1a
Through side 2, band 1
SIDE B
Through side 3
I have the contents of these recordings, and but 4 (BG 571b) is missing.
An excellent anthology for its day. I can do the tedious job of typing in
the contents but will not do so unless someone asks!
F0534 MISSING (sorrow button)
Side B *had*: KREBS: BACH: Can. 140 (first of two Krebs recordings) and
TELEMANN: Can. 160 (once attrib. to Bach) (only Krebs recording): 1-3.
#Erato LDE 5058.
F0535A
Telemann: Can. 160 for tenor solo: m.4-5
KREBS: KODALY: Psalmus Hungaricus. Rother, Berlin RSO&Ch (Berlin Radio
Symphony Orchestra and Chorus). #Urania URLP 7104
[Irrelevant: Bach: St. Mark Passion, S. 247 (conjectured reconstruction):
1-5
SCHNABEL TAPES FROM DAVID BLOESCH. See his "Artur Schnabel: A
Discography," Association for Recorded Sound Collections Journal, vol. 18
(1986, all parts (1-3, that is, received 1987.12.14), pp. 33-143).
C0541
BACH: Con. in C, K.U. Schnabel, Boult, BBC. 1936.10.28 studio (Bloesch 9)
BEETHOVEN: Bagatelles (7), Op. 33, Frick Museum live, 1943.11.14 (Bloesch
12)
BEETHOVEN: Bagatelles (6), Op. 126: 4 in b. Armed Forces Recording, 1944?
(Bloesch 15)
SIDE B
BEETHOVEN: Bagatelles (11), Op. 119. 1938.11.10 studio, unissued (Bloesch
13)
BEETHOVEN: Bagatelle in a (Für Elise). 1938.11.10 studio (Bloesch 17)
BEETHOVEN: Bagatelle in a (Für Elise). 1932.5.9 studio (Bloesch 16)
ROLL! BRAHMS: Intermezz in C, Op. 119#3. 1905 Freiburg. Welte-Mignon
(Bloesch 86)
ROLL! BRAHMS: Rhapsody in 79: 2 in g. 1922 New York. Ampico 62353 (Bloesch
88)
BRAHMS: Liebestreu, Op. 3#1. Therese Behr Schnabel. 1932 Studio (Bloesch
95)
BRAHMS: Nicht mehr su dir zu gehen, Op. 32#2. Therese Behr Schnabel. 1932
Studio (Bloesch 96)
ROLL! LANNER: Old Vienna Waltz. 1905 Freiburg. Welte-Mignon 384 (Bloesch
103)
C0542
BRAHMS: Piano Trio 1 in B, Op. 8. Joseph SZIGETI, v., Pierre Fournier, c.
Live Edinburgh 1947.8.30: mvts. 1-2 (first 9 bars missing) (Bloesch 91)
" mov. 3, Live London 1947.9.29 (Bloesch 92)
BRAHMS: Son. 1 in G, Op. 78. Joseph Szigeti, v.: LIVE London 1947.9.22
(Bloesch 93)
SIDE B
mov. 2-3
DVORAK: Quintet in A, Op. 81. Pro Arte Quartet. Studio 1934. V.M 219
(Bloesch 102)
C0543
DVORAK, mvt. 4
MOZART: Son. 9 (old no. 8) in a, K. 310. Studio 1939 (Bloesch 106)
MOZART: Son. 15 (old no. unnumbered): 1-2, K. 533. Live Frick Museum
?1943.11.13 (Bloesch 110)
SIDE B
MOZART: Son. 15 (old no. unnumbered): 3, K. 494. Live Frick Museum
1943.11.13 (Bloesch 110)
MOZART: Con. 21. Sargent, LSO. Studio 1937 (Bloesch 116)
MOZART: Con. 17 in G, K. 453: mvt. 2 FRAGMENT. Fritz Stiedry, New Friends
of Music Orchestra. Live 1942.3.22, Town Hall, NYC. STUPENDOUS!
C0544
SCHUBERT: 3 Piano Pieces, D. 946: 1-2. Live, Town Hall, NYC 1942.1.18
(Bloesch 131)
SCHUBERT: Son. 13 in A, D. 664 FRAGMENTS. Live Town Hall, NYC 1942.1.4
(Bloesch 137)
SCHUBERT: Son. 9 in B, Op. Posth. 120, D. 664:3 FRAGMENTS (bar 77
(immediately before trio-end) Live Town Hall 1942.1.11 (Bloesch 136)
SCHUBERT: Son. 17 in a, Op. 42, D. 845: 3. Armed Forces recording LP 16.
?NYC, 1944 (Bloesch 138)
SCHUBERT: 6 Musical Moments, Op. 94, D. 780. Studio 1937. V.M 684 (Bloesch
134)
SIDE B
end
SCHUBERT: Piano Quintet in A, Op. 114, D. 667 (Trout). Pro Arte Quartet.
V.M 312. Studio 1935 (Bloesch 149)
C0545
SCHUMANN: Der Schatzgrüber, Op. 45#1. Teresa Behr Schnabel. Studio 1932
(Bloesch 163)
SCHUMANN: Concerto in a, Op. 54. Alfred Wallenstein, LAPO. Live Hoover
High School, Glendale, CA (Bloesch 160)
ROLL! JOSEPH STRAUSS: Dorfschwalben aus Österreich (Waltz). 1905 Freiberg.
Welte-Mignon 382 (Bloesch 166)
SHORT SPEECH BY SCHNABEL, c. 1944
END OF SCHNABEL
SIDE B
[DOHNANYI: SCHUBERT: Son in G, Op. 78, D. 894. Rec. in Florida, 1959.3.24]
C0546B
SCHUBERT: String Quintet, Op. 163, D. 956. BBC live, 1952, beginning
measures missing.
Clifford Curzon, p.; Joseph SZIGETI, vn., William Primrose, va., Pierre
Fournier, c., Andre Gerrett, c.
C0561B
TOSCANINI TEST PRESSING (identification FINALLY made by Paul Miller)
BELLINI: Norma: Act i: Introduction and Druid's Chorus ("Ite sul colle, O
Druidi") ?broadcaset of 1945.12.2 with Nocile Mascona Bass, with chorus
under Peter Wiklousky, acc. to Brian Bailey's discography
René le ROI, flute, and Kathleen Long, pf. NATIONAL GRAMOPHONIC SOCIETY
137
+ irrelevant
C0579
SCHERCHEN: SCHUBERT 5, VSO. #Supraphon LPM 118 (10")
SIDE B
SCHERCHEN: HAYDN 94. Stadtorchester Winterthur. G.DB 10000/2
C0581B STOKOWSKI, Philapa Orch.
[Brahms 3, V.M 42]
WEBER: Invitation. V.6643
C0582
[Wagner: Tann: Ov & Venusburg, V.M 98]
[Wagner: Siegfried Sym. Syn., V.M 441]
WAGNER: Tannhänhauser: Festival March, V.6478@
SIDE B
[Debussy: Sacred and Profane Dances + Thomas: Mignon: Gavotte filler. V.M
116]
[Bach: Ich ruf zu dir; P&F 3 in e, S. 555; John Passion: It is finished;
Trio son 1 in Eb for organ, S. 525: mvt. 1. All from V.M 963]
J. STRAUSS, JR. Blue Danube and Tales from the Vienna Woods. V.15423
C0584 SCHERCHEN
MAHLER 3, VSO, 1953. Studio, later issued on CD. THE 1960 LIVE RECORDING
ISSUED ON TAHRA IS VASTLY SUPERIOR. IT IS MAHLER'S GREATEST WORK, THE
GREATEST PERFORMANCE OF MAHLER, AND SCHERCHEN'S GREATEST RECORDING!
SIDE B
mov. 2-3
C0585 SCHERCHEN
mvt. 4-5
VARESE: Ionization, Darnstadt Theater Orch. Live 1950
SIDE B
HARTMANN: Sym. 1. Bavarian RSO? live
C0586 SCHERCHEN
MAHLER 7, VSO 1950.6.22
SIDE B
mov. 3-5
C0587 SCHERCHEN
BEETHOVEN: Wellington's Victory, Stuttgart RSO live, 1962.9.7
BLACHER: Piano Con. 2, Gerty Herzog, Berlin RSO 1958 live
SIDE B
HARTMANN: Sym. 6. Hessian RO 1954.6.10 in Frankfurt live
[Betthoven 7, OSR 1965 in Lugano live in STEREO (better copy elsewhere)
C0588
mov. 3-4
BEETHOVEN 2, Orchestre de Paris, 1953.10.29
SIDE B
BEETHOVEN 6, ORTF Orch. 1964.1.20 live, from ¢Stradivarius STR 13592
F0600
WALCHA'S LAST RECITAL. 1981 Spring. Spoken parts in English
F0601-0610
THIBAUD: I put my entire collection of his recordings on these ten
cassette tapes. I'll try to find out, as best, as I can, what is on these
tapes. I have gotten small number of other recordings by him, most notably
nearly all his Pathé and Fontipia acoustics.
My notes say:
1a. ALBENIZ (2), BACH BBC 5 & Con. 2@
1b. Bach BBC 4; BEETHOVEN Con. (cond. by Thibaud, Szryng, v.; VIVALDI mvt.
1
2a. mov. 2-3; Beethoven Romance, Son 9:1
2b. :2-3; Archduke
3a. :3-4; Kakadu
3b. BRAHMS VC
4a. BRAHMS Double; Waltz 15
4b. CHAUSSON: Con.
5a. CHAUSSON: Poem; DEBUSSY (4)
5b. ECCLES; FALLA (2); FAURE (2), PQ2:1-3
6a. :3-4; Son. 1; FRANCK Son. @:1-2
6b. :3-4; FRANCK Son. (electric); GRANADOS (2)
7a. GRANADOS (2); HAYDN; LALO: 1-3
7b. LALO (4); LECALIR; MARSICK; MENDELSSOHN
8a. MOZART: Con. 3, Con. 5:1-2
8b. :3, Con. 6, Haffner: Rondo
9a. MOZART: Son. 26,34; PARADIES; PALDINI; RAVEL
9b. RIMSKY; RODE, S-S (2); SCHUBERT (2)
10a. SCHUBERT Trio 1; SCHUMANN Trio 1:1
10b. :2-4; SYZMANKOWSKI; VARACINI (2); VIEUXTEMPS; VITALI
This follow the order in Creighton pretty much exactly (except for the
Szyering, v., Thibaud, cond.), but I can't put my hands on the particular
sources that went into thses tapes.
8:45 spent on typing so far.
116 sides so far
102 sides to go
I'll be removing further items that consist of only Columbia and Victor
M-sets.
Key:
@ acoustic
# monaural long playing
$ stereophonic long playing
¢ compact disc
[...] Ignore, as a better copy is elsewhere among my cassettes, not
involving an intermediate tape.
-> exists on a CD transfer
Mset: Should be in the Columbia and Victor M set collections
[My UPLOAD! message for June contained only information for F0056b through
F0063b. The descriptions for F006a through F0610 are new.]
F0056B
Mset BRAHMS: Quintet 1, HOBDAY, 2 vc., BUDAPEST, V.M 466
F0057-58 CORTOT American Recordings did not list the contents of these
four cassette sides, which I got from the late Allen Mackler (who
dilligently collected them), which were later issued on more completely on
Biddulph LHW 014-15 and included four previously unrecorded titles. I do
recall that one of Allen's had one that had a different take that any of
those on Biddulph, but I could have copied down Allen's take information
incorrectly. Someone will have to do a dilligent comparison. I cannot
locate the Cortot supplement in one of Jim Cartwright's catalogs.
F0061, GLENN GOULD, from a cassette I paid Western Sound Archives to make
for me.
BACH: PC 1, Mitropolous, COA, undated [?1958]
BACH: BBC 5, Paray, Detroit SO, 1960,13.13
Side B
STRAUSS: Burlesque, Adler, Baltimore SO, undated, and
BACKHAUS: BEETHOVEN: Son. 26, Florence, 1969.5.3
F0062, cassette made for me by the late Donald Hodgman
ROSBAUD, HANS: ALBERT Tiefland selections, Decca 25278
->SAMUEL, HAROLD: SCHUBERT MM 94n3, Waltz in A (op. 50n13), Waltz in F,
op. 99n3
and ->GLUCK-BRAHMS: Gavotte
->SZIGETI: Columbia D 1527 MILHAUD: Corcovado
Side B
->SZIGETI MILHAUD: Tijuca D 1527
KEMPFF: P. 62900 (10") (his first recording, unknown date (some suggest
1920)
BEETHOVEN: Bagatelle in C, Op. 33n5 (Kempff makes a mistake at the return
of the main theme and exclaimes "Donnerwetter," but he does not make
another take.
BEETHOVEN: Ecossaisses
P. 66180:
SCHUMANN: Toccata, Op. 7 in C
BRAHMS: Rhapsody in Eb, Op. 119n4
P. 66045:
GLUCK: Gavotte
BACH: Siciliano, Kempff's arrangement the slow movement of a flute sonata
P. 95108: Edward ERDMAN
(These were all the Kempff acoustics, except the first Beethoven Concerto,
which is the only Kempff acoustic to come out on CD (which is in my
collection.)
ERDMAN: FOXTROT
KRENEK: Kleine Suite
BACKHAUS: DB 1125: Triana
DB 6810/11
MOZART: Sonata 11, m. 1,2
F0063, from Don Hogdman
BACKHAUS: MOZART Son. 11, m. 3, from G.DB 6860/11 (this late 78 is better
than his early stereo LP: Backhaus at his best)
BACKHAUS: BEETHOVEN: Sonata 18, from G.DB 6788/90
BACKHAUS: SCHUBERT Impromptu, filler
LEHMANN, FRITZ: BEETHOVEN: Sym. 8, Orh de Cent Soli, from #Club du Disc
28, mvt. 1-3
Side B
mvt. 4
->DUBOIS AND MAAS: BEETHOVEN: VS 7, C.CFX 195/7
->GEYER, STEFI: BACH: Partita 3: 2, Louve from C.LZX 1 and
->HAYDN: Con. 1:2, Adagio
[My UPLOAD! message for June contained only information for F0056b through
F0063b. The descriptions for F006a through F0610 are new.]
F0064, from Don Hodgman
->THIBAUD and CORTOT, FRANCK VnSon. acoustic, GDB 785/8 (best recording of
the greatest of all violin sonatas
LEON KARTUN: Poem Rapsodie pour Piano et Orch de Jazz sous le Dirde M.
Cariuen, L-1031 Mx 2LA-1530/1-1
plus a stereo recordings of BWV 1087, 14 Canons (extra Goldberg
Variations)
Side B
FLONZALEY: BEETHOVEN: Quartet 3, m. 4, Presto. V.74792
->COATES: WAGNER: Meistersinger in English
->G.D 756 Quintete [Side 38, 1923.7.18]
->??? Procession of the Guilds [s. 36, 1923.7.13
->D 757 Dance of the apprentices, s. 39 [1923.7.20]
The town people render praise, s. 26 [1922.12.5]
GOMEZ: Salvator Rosa iii: Di sposo, di padre
Mark Rizen, bass, COATES, piano 1929.4.12 London [mx Bb1845-1, unissued
(on 78s, that is).
From 13#G.EX 2901693
SCHERCHEN, Winterthur Municipal Orch. c. 1946, G.DB 6096. Consists of
CPE BACH: Sym.1, side 3 (Largo Presto)
PURCELL: Dido and Aeneas: Overture
F0066A/B
MAHLER: Sym. 4., Prince HIDEMARO KONOYE, cond.; Eiko Kitazawa, sop., Tokyo
New Symphony Orchestra. rec. 1930 May 28-30 in the Parlophone studio.
(bars 287-314 of the third movement cut). Original issue on Japanese
Parlophone E 10009-14. I do not know where my cassette came from! The next
known recording is the 1939 Mengleberg and is complete and is the best
recording of the work. The first complete studio recording is the Bruno
Walter from 1945. The performance has been equated to that of a high
school band. It is better than that. Konoye made a few other recordings
including a Beethoven 1st, iirc.
F0067, recorded at the late Allen Mackler's apartment
KELL: MOZART: Clarintet concerto, Sargent, LPO; G.C 3167/80A
KELL: SCHUMANN: Fantasy Pieces, Moore, p., G.C3170B and 3228
Side B
Mset PRAGUE Q.: DVORAK: Q. 8 in G, Op. 106, V.M 195 (8 ss.). Also on CD
GOODMAN: DEBUSSY: First Rhapsody. Barbirolli, NYP, C.11517-D
F0079A
Toscanini Final Concert (as broadcast. His missed his place and NBC
broadcast the beginning of the Brahms first symphony for a few seconds
until Toscanini got back in control. What has been reissued on LP and/or
CD is what transpired in the studio. The cassette begins with
announcements and includes WAGNER: Tannhauser Ov., Meistersing Ov., and
maybe something else.
F0094
MENCKEN interviewed by Donald Howe Kirkley, Sr., at the Library of
Congress, 1948.6.30, #Caedmon TC 1082
Side B is the end of the interview.
BACH: Cantata 78, sung in English. IFOR JONES, Bethlehem Bach Choir. Mr.
Mencken regularly went to Bethlehem, Pa., to hear the choir and wrote
lovingly of it. Afaik, this is the first and only recording of the choir
on 78s. Nothing on mono LP, but there is a stereo recording of the b Mass.
F0178B, from Western Sound Archive through David Glass
SCHERCHEN: WAGNER: Rienzi
Raina Kabaiwanska,, Guisseppe De Stefano, Gianfranco Cacchele, Alfredo
Giacometti, Piero de Palma, Nino Puglise
La Scala O &Ch, ive at La Scale, 1964.6
F0179A/B, from Western Sound Archive through David Glass
continued
F0180, from Western Sound Archive through David Glass
Rienzi, end
MALIPIERO: Setti Canzone, in Florence, 1966.6.18. SCHERCHEN DIED
LATER THAT EVENING.
Magda Olivero (rest of cast unknown)
Maggio Musicalle of Florence
Side B
SCHOENBERG: Piano Concerto. E. Steurman, Hessian RO 1955
F0181, from Western Sound Archive through David Glass
Interview with SCHERCHEN on Mahler 7
HAYDN 49 (not sure of other data)
MAHLER 5, to m. 3, beg., Philapa Orch, 1964.11.22
Side B
end of MAHLER 5
F0182, from David Glass
MAHLER 5: 1-3, ?orch, year, place. Rococo 2056
Side B
MAHLER 5: 4-5
[Beethoven 4, PSOL, #W.XWN 18312 (ignore: turntable to .mp3, bypassing
cassette, elsewhere)]
F0183B
[Rossini: Thieving Magpie O., VSOO, #W.WM 1021
[Tch: March Slav, VSOO, $MCA West MCA 1423]
GLUCK-Scherchen. Willi Ufer,fl., Winterthur Municipal O. G.DB 6083/4A
RAMEAU: Platee: Menuet dans le gout de viele AND Acantha et Cephise:
Menuet, G.DB 6084B
F0184B, from David Glass
[->SCHERCHEN CPeb: Sinfonia. Ars-Viva Orch. #Amadeo AVRA 6256
[->RICHTER: Sinfonia]
MENDELSSOHN: MSND Ov., VSOO. #World's Greatest Music XTC 81445
F0186
SCHERCHEN: BACH: BBC 3-4. Cento Soli O. of Paris. #Omega OML 1040
Side B
ditto, BBC 5-6
F0222, from Hank Schmoll
KRAUS: SCHUBERT: Son. 14 in a, D. 784, Op. 143. Parlophone.R 20388/90a
(17) Länder, Op. 18a, D. 145: 1-9,11 (filler)
Side B
KRAUS: MOZART: Con. 18, Parlophone R 20404/7
MOZART: Son. 31 in C, K. 404, with Goldberg, filler
F0223B only, from Hank Schmoll
JOYCE: MOZART Son. 12, m. 3. EngC.DX 105b
+ Romance in Ab, K.A. 205 (not by Mozart)
Mset Con. 20, FISCHER (cadenza by Fischer). V.M 223
F0242
SCHERCHEN, WINTERTHUR MUNICIPAL ORCHESTRA
RAMEAU: Acanthe et Céphise: Gavotte and Musette
and RAMEAU: Platee: Menuet dans le gout de viele, Rigaudon and Tambourin,
G.DB 6082
MOZART: Petits Riens, Les, K. 299b: Overture, Nos. 2-4, 6, 7, 8, 10 and
12, G.DB 6080/1
Side B
ABENDROTH: HANDEL: Concerto Grosso in D, Op. 6, No. 5: mvts. 2,5. Cologne
Ch.O. GerC.G17035-D. This may have been reissued on ¢Tahra.
[Bach b mass exc., Klemperer]
F0255, recorded at Allen Mackler's
KRAUS, GOLDBERG: MOZART: Son. 27 in G, K. 379. Japanese Victor.8523/4
MARCEL & LOUIS MOYSE: HANDEL: Son. for two flutes. V.12492~G.DB 5080
MARCEL MOYSE and BLANCHE HONEGER: FRANZ CHRISTIAN NEUBAEUER (1760-95):
Adagio for flute and viola
GUSTAVE BRET, orch. BACH: Con. 2 for 3 pfs in C, S. 1064. Helene Pignari,
Lydia Schavelson, Lucette Descaves. G.W 864/5
Out to Old Aunt Mary's from the Lockerbie Book of Riley Verse., V.70078
Side B
LENER Q.: TCH: Q.1, m.2. mx CAX 7478/9. Japanese C.J 8444
STOKY, Philapa O.: BACH: Christmas Pastorale (Xmas Or. 10) ("Shepherd's
Christmas Music"). V.7142
PRISCA SQ: HAYDN: Q, Op 76#3: 2, Andante Cantabile. D.25013
STRADIVARIUS SQ (Wolfinsohn, Pochon, Dick, D'Archambeau): PADEREWSKI:
Theme Varie, Op. 16#3. C.68933-D
GOLSCHMANN, SO: SHOSTAKOVICH Sym. 5, m.2. V DISC 737 (both sides)
F0296, from Tom Clear, who brought them on a visit and let me tape them
DUBOIS, Alfred, and Marcel Mass. FRANCK Son.
MOZART: Bassoon and Cello Son.:
PARTS REVERSED: KOHON AND SCHUSTER
PARTS NOT REVERSED: DUBRADOS, Ferdinand, and Etienne Pasquier.
L'Anthologie Sonore No. 44. (The Gramophone Shop)
TRACK B
MENGELBERG, Conrad HANSEN, studio rec. of 1940. Tel.SK 3092/5. MUCH THE
BEST REC. OF THE WORK.
BACKHAUS: BEETHOVEN Son. 32. G.DB 3218-20A
BACH: WTC 1. G.DB 3220B (filler)
F0297, from Western Sound Archive (live)
NOTE: I added irrelevant material at the ends of Track B of F0297-F0301.
SCHERCHEN: MAHLER 9:1,3 BBC 1952.20.2
TRACK B
SCHERCHEN: MAHLER 10:1 BBC 1952.9.27
F0298, from Western Sound Archive (live)
SCHERCHEN: MAHLER 7. Toronto SO, 1964 (Canadian Premiere)
F0299, from Western Sound Archive (live)
SCHERCHEN: BRUCKNER 2, Toronto SO, 1964
F0300, from Western Sound Archive (live)
SCHERCHEN: MOZART. Mozarteum (Salsburg) Orch., recorded during a Mozart
Festival, 1961. Broadcast of the Austrian Radio
Sym. 1 in Eb., K. 16
Paris Ov. in Bb (spurious)
Serenade 10 in Bb, K.361: 5,6,3
SIDE B
Symphony 41
F0301, from Western Sound Archive (live)
SCHERCHEN, OSR 1958:
NANO, Luigi (1924- ): Y Su Sargre ya vienne Cotando
LIEBERMAN: ("Musik") (Scenes Symphoniques
SIDE B
HARTMANN, Karl Amadeus (1905-63: Sym. 1
F0319, from Western Sound Archive (live)
SCHERCHEN, Toronto SO, 1964
MOZART: Serenade 6 (Night)
HAYDN: Seven Last Words: Adagio (which one?)
BEETHOVEN: An die HOffnung
Track B
BERG: Lulu: Adagio
XENAKIS: Paula Tadine
[SHOSTAKOVICH-SCHUMANN: Cello Con. in a, Op. 129 (Dmitri Dmitrivich's opus
number)
F. Lusanov, Gennadi Rozhestvansky, USSR Ministry of Culture S). $Melodyia
A10-00107]
F0326B
FISCHER: MOZART: Serenade 10 in Bb, K. 361 (13 wind inst.): 1,3,4,6,7
only. His Chamber Orchestra. V.M 743
FISCHER: BEETHOVEN: Son. 23. V.M 279
NOTE: These items are already in the M-sets section.
---
A Record of Singers, Part 1. #G.RLS 7705
MORESCHI, Alessandro (the only castrato to make records) (1858-1922)
BACH-GOUNOD: Ave Maria, rec. Rome, 1904 [2187h3] G.54777
HENSCHEL, George (1850-1934)
[Ak 17388e] SCHUMANN: Dicherliebe: Ich grolle nicht rel. on G.7-42006
Lied eines Schmiedes (unpublished)
C.4128-M [A 6892/3]
SCHUBERT: Winterreise 24: Liermann
Schöne Müllerin 11, Wanderen
V.87514, take 2. Old Folks at Home (Sawanee River). Violin obbligato,
DVOARK's Humoresque. Alma GLUCK,
Efrem ZIMBALIST, Sam CHOTZINOFF
Roycroft 189. The English Singers
John of Fornsete: Summer Is Incomen in (c. 1226)
Anon: A Farmer's Son arr. VW (precded by a reading of the poem)
NOTE: Except for capitalizing performers and composers, I just retyped
what I penned in my cassette listings. I am not at all sure what's what,
or rather what's on what disc.
F0420 SCHERCHEN SUPRAPHONS
MOZART 36, VSO, LPM 131 (10")
MOZART 35, VSO, LPV 378
BEETHOVEN: German Dances: 2,8,10
SIDE B
Dance 12
MOZART EKN. CLPV 271
SCHUBERT 8. LPV 42
F0469, from David Glass
KEMPFF: BEETHOVEN Son. 30-1. Live Vienna. Broadcast of 1980.3.25
SIDE B
Son. 32
[Irrelevant]
F0480B
Archiv 198316: IV. Researc Period: The High Renaissance Series C:
Evangelical Church Music: 10 Christmas Carols (see files under HELMUT
KREBS.
KREBS parts first: Caspar OTHMAYER (s.2,b2 p.6);
Joh. Herm. SCHEIN (s.1,b3).
Then side 1: bb.1,2,4-6 and all of s.2)
F0485
SCHERCHEN, VSOO. SCHUBERT 8. Urania LPV 42 (w. 1 mil stylus)
Marching Along. Frederick FENNELL, Eastman Symphonic Wind Ensemble. Mer.MW
55-14 (½ track stereophonic tape)
SOUSA: The U.S. Field Artillery, The Thunderer, Washington Post, King
Cotton, El Captain, The Stars and Stripes Forever (This is identical to
the first side of the LP.)
<<A Mercury Living Presence "Seeing Ear" Stereophonic Tape Recording>>
I wore out this record, which my dad gave me and also another Mercury of
the 1812 Overture, Deems Taylor's commentary on it and Beethoven's
Coriolan Over.
NOTE: At the end of F0507, I noted "END OF HEAVY DUTY TAPING, 1987 July 5
P.M. 6:42:17." In fact, I went on for another 2000 or so cassettes.
Ultimately, my swapping of tapes with collectors from six continents (none
from Anarctica, alas) wound down. I continued to C2464 in 1997. I
continued to buy compact discs, even a few after my cochlear implant
operation in 2007. After Bill Lampe's death, I asked for and got a couple
of thousand cassettes from his estate and carried out my promise to make
them available to the world. I concentrated mostly on the M-sets and those
that were not "fixed in sound" past 1976 (meaning LP and CD transfers).
Since then I learned that European copyright dates to the original music
making and so I could have uploaded a bunch of things Bill purchases on CD
and make cassettes. (His CDs were already gone by the time I wrote to his
estate.) Anyone who is "fit, willing, and able" to work with his cassettes
is welcome to them for the price of postage AND can give me assurance that
he will actually work through Bill's tapes. Too many times, someone is all
eager and gets tired by the fifth transfer.
F0514A
various M-sets
Last item is Conan Doyle Speaking, 1928. G.C 1983. Deals with his
paranormal experiences.
SIDE B
LANDOWSKA: BACH: English Suite 2, 4 ss. of B.M 447
VICTOR 10"
STOKOWSKI: BRAHMS: Serenade 1: Minuet
BACH: Great Fantasy and Fugue in G, S. 542: 2, Fugue. V.1728
LANDOWSKA (prob.): HANDEL; H. B. Smith Var, V.1193a
": MOZART: Son. 11: 3, Rondo a la Turk, V.1103b
": MOZART: Don Juan minuet. V.1199a
": Rameau: La Tambourin. V.1199b1
": DAUQUIN: Le Coucou: Rondo. V.1199b2
": BYRD: Wolsey's Wilde. V.1599a
": BACH: English Suite 2 in g: Gavotte. V.1599b
F0531
Homage to Henry Purcell. #Vanguard BG 570/1a
Through side 2, band 1
SIDE B
Through side 3
I have the contents of these recordings, and but 4 (BG 571b) is missing.
An excellent anthology for its day. I can do the tedious job of typing in
the contents but will not do so unless someone asks!
F0534 MISSING (sorrow button)
Side B *had*: KREBS: BACH: Can. 140 (first of two Krebs recordings) and
TELEMANN: Can. 160 (once attrib. to Bach) (only Krebs recording): 1-3.
#Erato LDE 5058.
F0535A
Telemann: Can. 160 for tenor solo: m.4-5
KREBS: KODALY: Psalmus Hungaricus. Rother, Berlin RSO&Ch (Berlin Radio
Symphony Orchestra and Chorus). #Urania URLP 7104
[Irrelevant: Bach: St. Mark Passion, S. 247 (conjectured reconstruction):
1-5
SCHNABEL TAPES FROM DAVID BLOESCH. See his "Artur Schnabel: A
Discography," Association for Recorded Sound Collections Journal, vol. 18
(1986, all parts (1-3, that is, received 1987.12.14), pp. 33-143).
C0541
BACH: Con. in C, K.U. Schnabel, Boult, BBC. 1936.10.28 studio (Bloesch 9)
BEETHOVEN: Bagatelles (7), Op. 33, Frick Museum live, 1943.11.14 (Bloesch
12)
BEETHOVEN: Bagatelles (6), Op. 126: 4 in b. Armed Forces Recording, 1944?
(Bloesch 15)
SIDE B
BEETHOVEN: Bagatelles (11), Op. 119. 1938.11.10 studio, unissued (Bloesch
13)
BEETHOVEN: Bagatelle in a (Für Elise). 1938.11.10 studio (Bloesch 17)
BEETHOVEN: Bagatelle in a (Für Elise). 1932.5.9 studio (Bloesch 16)
ROLL! BRAHMS: Intermezz in C, Op. 119#3. 1905 Freiburg. Welte-Mignon
(Bloesch 86)
ROLL! BRAHMS: Rhapsody in 79: 2 in g. 1922 New York. Ampico 62353 (Bloesch
88)
BRAHMS: Liebestreu, Op. 3#1. Therese Behr Schnabel. 1932 Studio (Bloesch
95)
BRAHMS: Nicht mehr su dir zu gehen, Op. 32#2. Therese Behr Schnabel. 1932
Studio (Bloesch 96)
ROLL! LANNER: Old Vienna Waltz. 1905 Freiburg. Welte-Mignon 384 (Bloesch
103)
C0542
BRAHMS: Piano Trio 1 in B, Op. 8. Joseph SZIGETI, v., Pierre Fournier, c.
Live Edinburgh 1947.8.30: mvts. 1-2 (first 9 bars missing) (Bloesch 91)
" mov. 3, Live London 1947.9.29 (Bloesch 92)
BRAHMS: Son. 1 in G, Op. 78. Joseph Szigeti, v.: LIVE London 1947.9.22
(Bloesch 93)
SIDE B
mov. 2-3
DVORAK: Quintet in A, Op. 81. Pro Arte Quartet. Studio 1934. V.M 219
(Bloesch 102)
C0543
DVORAK, mvt. 4
MOZART: Son. 9 (old no. 8) in a, K. 310. Studio 1939 (Bloesch 106)
MOZART: Son. 15 (old no. unnumbered): 1-2, K. 533. Live Frick Museum
?1943.11.13 (Bloesch 110)
SIDE B
MOZART: Son. 15 (old no. unnumbered): 3, K. 494. Live Frick Museum
1943.11.13 (Bloesch 110)
MOZART: Con. 21. Sargent, LSO. Studio 1937 (Bloesch 116)
MOZART: Con. 17 in G, K. 453: mvt. 2 FRAGMENT. Fritz Stiedry, New Friends
of Music Orchestra. Live 1942.3.22, Town Hall, NYC. STUPENDOUS!
C0544
SCHUBERT: 3 Piano Pieces, D. 946: 1-2. Live, Town Hall, NYC 1942.1.18
(Bloesch 131)
SCHUBERT: Son. 13 in A, D. 664 FRAGMENTS. Live Town Hall, NYC 1942.1.4
(Bloesch 137)
SCHUBERT: Son. 9 in B, Op. Posth. 120, D. 664:3 FRAGMENTS (bar 77
(immediately before trio-end) Live Town Hall 1942.1.11 (Bloesch 136)
SCHUBERT: Son. 17 in a, Op. 42, D. 845: 3. Armed Forces recording LP 16.
?NYC, 1944 (Bloesch 138)
SCHUBERT: 6 Musical Moments, Op. 94, D. 780. Studio 1937. V.M 684 (Bloesch
134)
SIDE B
end
SCHUBERT: Piano Quintet in A, Op. 114, D. 667 (Trout). Pro Arte Quartet.
V.M 312. Studio 1935 (Bloesch 149)
C0545
SCHUMANN: Der Schatzgrüber, Op. 45#1. Teresa Behr Schnabel. Studio 1932
(Bloesch 163)
SCHUMANN: Concerto in a, Op. 54. Alfred Wallenstein, LAPO. Live Hoover
High School, Glendale, CA (Bloesch 160)
ROLL! JOSEPH STRAUSS: Dorfschwalben aus Österreich (Waltz). 1905 Freiberg.
Welte-Mignon 382 (Bloesch 166)
SHORT SPEECH BY SCHNABEL, c. 1944
END OF SCHNABEL
SIDE B
[DOHNANYI: SCHUBERT: Son in G, Op. 78, D. 894. Rec. in Florida, 1959.3.24]
C0546B
SCHUBERT: String Quintet, Op. 163, D. 956. BBC live, 1952, beginning
measures missing.
Clifford Curzon, p.; Joseph SZIGETI, vn., William Primrose, va., Pierre
Fournier, c., Andre Gerrett, c.
C0561B
TOSCANINI TEST PRESSING (identification FINALLY made by Paul Miller)
BELLINI: Norma: Act i: Introduction and Druid's Chorus ("Ite sul colle, O
Druidi") ?broadcaset of 1945.12.2 with Nocile Mascona Bass, with chorus
under Peter Wiklousky, acc. to Brian Bailey's discography
René le ROI, flute, and Kathleen Long, pf. NATIONAL GRAMOPHONIC SOCIETY
137
+ irrelevant
C0579
SCHERCHEN: SCHUBERT 5, VSO. #Supraphon LPM 118 (10")
SIDE B
SCHERCHEN: HAYDN 94. Stadtorchester Winterthur. G.DB 10000/2
C0581B STOKOWSKI, Philapa Orch.
[Brahms 3, V.M 42]
WEBER: Invitation. V.6643
C0582
[Wagner: Tann: Ov & Venusburg, V.M 98]
[Wagner: Siegfried Sym. Syn., V.M 441]
WAGNER: Tannhänhauser: Festival March, V.6478@
SIDE B
[Debussy: Sacred and Profane Dances + Thomas: Mignon: Gavotte filler. V.M
116]
[Bach: Ich ruf zu dir; P&F 3 in e, S. 555; John Passion: It is finished;
Trio son 1 in Eb for organ, S. 525: mvt. 1. All from V.M 963]
J. STRAUSS, JR. Blue Danube and Tales from the Vienna Woods. V.15423
C0584 SCHERCHEN
MAHLER 3, VSO, 1953. Studio, later issued on CD. THE 1960 LIVE RECORDING
ISSUED ON TAHRA IS VASTLY SUPERIOR. IT IS MAHLER'S GREATEST WORK, THE
GREATEST PERFORMANCE OF MAHLER, AND SCHERCHEN'S GREATEST RECORDING!
SIDE B
mov. 2-3
C0585 SCHERCHEN
mvt. 4-5
VARESE: Ionization, Darnstadt Theater Orch. Live 1950
SIDE B
HARTMANN: Sym. 1. Bavarian RSO? live
C0586 SCHERCHEN
MAHLER 7, VSO 1950.6.22
SIDE B
mov. 3-5
C0587 SCHERCHEN
BEETHOVEN: Wellington's Victory, Stuttgart RSO live, 1962.9.7
BLACHER: Piano Con. 2, Gerty Herzog, Berlin RSO 1958 live
SIDE B
HARTMANN: Sym. 6. Hessian RO 1954.6.10 in Frankfurt live
[Betthoven 7, OSR 1965 in Lugano live in STEREO (better copy elsewhere)
C0588
mov. 3-4
BEETHOVEN 2, Orchestre de Paris, 1953.10.29
SIDE B
BEETHOVEN 6, ORTF Orch. 1964.1.20 live, from ¢Stradivarius STR 13592
F0600
WALCHA'S LAST RECITAL. 1981 Spring. Spoken parts in English
F0601-0610
THIBAUD: I put my entire collection of his recordings on these ten
cassette tapes. I'll try to find out, as best, as I can, what is on these
tapes. I have gotten small number of other recordings by him, most notably
nearly all his Pathé and Fontipia acoustics.
My notes say:
1a. ALBENIZ (2), BACH BBC 5 & Con. 2@
1b. Bach BBC 4; BEETHOVEN Con. (cond. by Thibaud, Szryng, v.; VIVALDI mvt.
1
2a. mov. 2-3; Beethoven Romance, Son 9:1
2b. :2-3; Archduke
3a. :3-4; Kakadu
3b. BRAHMS VC
4a. BRAHMS Double; Waltz 15
4b. CHAUSSON: Con.
5a. CHAUSSON: Poem; DEBUSSY (4)
5b. ECCLES; FALLA (2); FAURE (2), PQ2:1-3
6a. :3-4; Son. 1; FRANCK Son. @:1-2
6b. :3-4; FRANCK Son. (electric); GRANADOS (2)
7a. GRANADOS (2); HAYDN; LALO: 1-3
7b. LALO (4); LECALIR; MARSICK; MENDELSSOHN
8a. MOZART: Con. 3, Con. 5:1-2
8b. :3, Con. 6, Haffner: Rondo
9a. MOZART: Son. 26,34; PARADIES; PALDINI; RAVEL
9b. RIMSKY; RODE, S-S (2); SCHUBERT (2)
10a. SCHUBERT Trio 1; SCHUMANN Trio 1:1
10b. :2-4; SYZMANKOWSKI; VARACINI (2); VIEUXTEMPS; VITALI
This follow the order in Creighton pretty much exactly (except for the
Szyering, v., Thibaud, cond.), but I can't put my hands on the particular
sources that went into thses tapes.
8:45 spent on typing so far.
116 sides so far
102 sides to go
I'll be removing further items that consist of only Columbia and Victor
M-sets.
denis.b...@free.fr
Aug 6, 2017, 9:38:34 AM8/6/17
to
Hello Frank !
I'm Corentin Boissier, young French composer and musicologist. I'm studying at the National Superior Conservatory of Paris. I'm currently writing a thesis titled "The Mini Piano Concerto from the years 40-60 : a trend triggered by Richard Addinsell’s Warsaw Concerto". For this thesis, I'm searching for a sound recording of the "Poème rapsodique for piano and Jazz orchestra" (1935) by French composer and pianist Léon Kartun, conducted by Marcel Cariven (not Cariuen !). I see you have this rare recording. Could you please send me it ? If it's not the case, I would need to know the duration of the "Poème rapsodique".
I hope you'll be able to help me for my searches,
From Paris with Music,
Corentin Boissier
P.-S. My personnal e-mail addresses : denis.b...@free.fr OR corentin...@free.fr
I'm Corentin Boissier, young French composer and musicologist. I'm studying at the National Superior Conservatory of Paris. I'm currently writing a thesis titled "The Mini Piano Concerto from the years 40-60 : a trend triggered by Richard Addinsell’s Warsaw Concerto". For this thesis, I'm searching for a sound recording of the "Poème rapsodique for piano and Jazz orchestra" (1935) by French composer and pianist Léon Kartun, conducted by Marcel Cariven (not Cariuen !). I see you have this rare recording. Could you please send me it ? If it's not the case, I would need to know the duration of the "Poème rapsodique".
I hope you'll be able to help me for my searches,
From Paris with Music,
Corentin Boissier
P.-S. My personnal e-mail addresses : denis.b...@free.fr OR corentin...@free.fr
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