On Tue, 10 Jan 2017 13:25:57 -0800 (PST), Oscar
<
oscaredwar...@gmail.com> wrote:
>3. Haydn and Mozart. These two composers belong together because Böhm’s approach was much the same: relaxed, genial, graceful, “big band” classical. They couldn’t be less stylish by today’s standards, but again, the performances have aged well if only for the care and integrity that characterize the interpretations. I have never found them dull if you focus on phrasing and articulation rather than just tempo. You get Haydn Symphonies Nos. 88-92 plus the Sinfonia concertante (check out the wonderful and rarely heard No. 90), and Mozart’s Symphonies Nos. 29, 35, 38-41, Eine kleine Nachtmusik, the Sinfonia concertante K297b, the Masonic Funeral Music, and a first rate account of the Requiem (the quartet of soloists led by Edith Mathis)–all with the Vienna Philharmonic.
Too bad they didn't include his account of "The Seasons". Still the
No. 1 pick despite much HIP competition.