This is a good and useful thing, and I hope those in the area will 
support it.
Kevin Gallimore
I just sent a message- it works for me (the button says "submit").
As far as the web page goes, Gui is an ME, not an ECE :)
I met Gui (my son's classmate) when his family and mine ended up at the 
Charles River Museum of Industry on Parent's Weekend.
The museum, as you probably know, has a working shop in the back. The 
kids had never seen a shaper, and a little bench shaper was on two 4x4s 
on the floor. The Docent (bless him), seeing that the kids were 
interested, fired up the shaper. So Eric and Gui were down on the floor, 
watching the metal curl.
Anyway, the young men and women that go/went to Olin do interesting 
things, and this is one of them.
Kevin Gallimore
A similar shop opened up here in the Boston area 5 to 10 years ago but 
it closed down pretty quickly.
The rumors were that the liability issues were too difficult to avoid 
and/or the insurance premiums were sky high.
Jeff
-- 
Jeffry Wisnia
(W1BSV + Brass Rat '57 EE)
The speed of light is 1.8*10e12 furlongs per fortnight.
-- 
        "Steamboat Ed" Haas         :  Didja see my stuff  
        Hacking the Trailing Edge!  :  at 2010 Maker Faire??
                         www.nmpproducts.com
                   ---Decks a-wash in a sea of words---
The big difference appears to be that the Asylum is set up as a 
nonprofit. Hopefully the kids (young men and women, I'm showing my age) 
will make a success of it.
How has your experience been with the TechShop? What would you change?
Kevin Gallimore
If someone is looking for woodworking and painting experience they
might consider joining a community theatre group. I was the master
carpenter for one for a while and taught quite a few people the
relatively simple skills involved.
There can be considerable room for creativity if the set design is a
scribble on an envelope -- and I've gotten those from New York
professionals.
The painting is crude, sloppy and fun. The nearest audience member who
can see your work is maybe 50 feet away. The art director and I did a
fake Jackson Pollack that we quartered after the show (it looks the
same all over) and one panel has been moving around the art scene at a
decent price.
jsw
+1 from Jersey. Learn construction, illusion, and working to a deadline. 
If the production needs it, work in metal, too. Get experience with 
lights and sound, if one is so inclined.
Kevin Gallimore