anim8rfsk <
anim...@cox.net> wrote:
>"Adam H. Kerman" <
a...@chinet.com> wrote:
>>I have resumed watching these.
>>I just watched two particularly weak episodes. They're attempting comedy
>>for no good reason and not pulling it off. This one is a waste of an
>>excellent character actor, Denholm Elliott.
>>This episode, 8th in production, contributed several of the clips for
>>the opening titles. Normally you'd expect them to come from the first
>>couple of episodes but they must have done the titles after they were
>>all in the can, given the lengthy delay between production and actually
>>getting it on the air.
>Eighth in production and airdate order except ... TWO episodes of the
>first seven were pre-empted?
The two pre-empted episodes were rescheduled to air, then pre-empted
again!
>What possible airdate order are we following? And this came off my DVD
>set as ep SIX, so I guess that must be following *actually* aired and not
>'scheduled to be aired' dates.
I'm watching them in DVD order, ignoring original or scheduled air date
so I don't confuse myself.
>I had the same thought about 'there's that red car from the titles!'
>I'm not sure why Max yells Gray Beard but clearly these are meant to be
>seen in a specific order. And weren't.
It was Max's comment to Michael at the beginning of the episode.
>>After a vague attempt at comedy with Max and a hot red sports car that
>>Michael (the assasination target as Max reminds him so it's ridiculous),
>So Max drives off in the car (how's he going to get home?) and Michael
>walks off and ... who's (literally) minding the store?
It's bizarre as Max seems to have no permanent employees. I can't figure
out the restaurant, which seems to serve nothing but coffee and pastry
but is somehow a dance club with live music.
>>Michael is walking down a street I recognize. It's the canopy over the
>Hah, yes, it is!
I was right?
I had always assumed the apartment building overlooked Central Park, but
it's a couple blocks away, or they used multiple buildings to represent
their apartment building.
>>entrance to Felix and Oscar's building! He spots assasins and thinks
>>they're for him!
>Finally 6 minutes in we get the ep title and I confirm I'm watching the
>right one.
>>newspaper publisher and political prisoner from an island nation whose
>>dictator I could have sworn had been overthrown by the Impossible
>>Mission Force.
>Wouldn't it be easier to take off his shirt to treat the bullet wound
>rather than tear it asunder like Doc Savage?
>
http://1.bp.blogspot.com/-cia-i4o-BzA/UiiOp8zwzUI/AAAAAAAAFII/jrNu3AifYZc
>/s1600/docsteve3_zpsaff0f18f.jpg
Hah
>>There's a beautiful daughter, Miss Figalilly, the nanny on Nanny and the
>>Professor. That was a dumb show but it was on in second run syndication
>>when I was a kid and I watched it because Juliet Mills was adorable,
>Yes. And painfully young here; makes Michael seem like a lech!
He was born yesterday.
I have no idea what Michael's age is supposed to be. In episodes that
ignore the spy plot, they treat him like a young man in his early to mid
20s, but if he really was a spy, he should be a few years older than the
actor. He'd have undergone years of training to become an illegal.
>>and in the grand tradition of television, saddled with a stiff leading man.
>Like you wouldn't be stiff if Juliet Mills was saddled with you.
I was thinking about rewriting it to remove the double entendre, but
thought twice about it.
>>Hey anim! She was on "The Imposter" episode of A Man Called Shenandoah,
>>which fits in nicely with the theme of tonight's episode!
>Heh
>>This episode has loads of henchmen who have no trouble keeping Michael
>The henchman in the brown suit, black shoes, and white sox at the
>university is clearly Joe Santos from The Rockford Files!
I guess that's possible but there's no credit.
>>in line. Michael isn't too heroic this episode,
>he beats up the henchman who quit fighting
Yeah, then stole the girl.
>The next morning when Max arrives the chain is fixed on the door. I
>wonder when and how he did that?
>I guess Michael uses Max's restaurant as his home address. I have no
>idea how he got a drivers' license though.
Considering he was born yesterday.
>"the whole secret, if you wanna make great coffee, is you gotta make it
>in big batches, 100 cups as a time, like I do"
That was a weird conversation.
>>as we keep getting closeups of a gun pointed at his balls in Max's
>>restaurant, chosen as a meeting place to draw out Juliet Mills' father
>>and so they won't have to build another set. Actually, it's what the
>>third set they've used for Max's restaurant. Anyway, Michael clues Max
>>in on what's going on. Max gets to play hero, defeating the henchman! The
>>restaurant gets destroyed, which doesn't particularly concern Max.
>Max is a tough guy. That really took me by surprise.
Max's demeanor and special set of skills is inconsistent, yeah.
>>It turns out Denholm Elliott wasn't her father but a former friend whose
>>now an apologist for the regime but wants to keep her father alive for
>>reasons I couldn't figure out.
>I think he wants to turn him in for a reward.
Sorry, that was sloppily written. I'm clueless as to why the regime
wants him kept alive.
>"School sequences filmed at
>HORACE MAN SCHOOL FOR BOYS"
Thanks
>>It comes to a somewhat abrupt end; her real father claims he'll accept
>>an offer of asylum (which comes with a promise not to stir things up on
>>the island), an offer that must have been made off screen.
>And the offer that they spent the whole episode saying he'd never
>accept; I guess nobody ever asked *him* before.
Do today's assylum seekers know this? "I promise not work toward the
overthrow of the government of Guatemala." "Ok. I'm granting your
assylum application."
>>For the first time, Michael doesn't walk off at the end but drives her
>>back to school in the nifty car.
>>We completely forget about the henchmen who shot at Denholm Elliott at
>>the beginning. I still think they were after Michael, 'cuz how the hell
>>would the real guy have recruited henchmen?
>No, I was listening for that. Denholm Elliot said that they were
>friends of the girl's father (or possibly the girl's father's real
>friend), who were after him. When Michael saved him, he decided to use
>Michael in an impromptu scheme to catch the girl's father.
Right. I'm assuming that Denholm Elliot lied to Michael.
>I have no idea who the henchmen at Horace Man School for Boys worked for.
>I don't know why Denholm was at what I assume was the good guy's hotel
>in the first place. I don't know why, with the good guys shooting at
>him in front of their own hotel, the other good guys didn't know he was
>in the mix.
Yeah, all this is unwankable.
>I don't know why he had Nanny's photo (unless he was the one who told
>her he'd smuggle it in in the first place and never did, which has
>creepy implications).
I assume the regime took it from her father and gave it to him as a
prop, or just created a fake.
>I don't know why, since he knew Nanny was at the Horace Mann School
>for Boys all along, he didn't do some variation of this plan without
>Michael Long ago. I don't know how *any* of these people got ahold of
>the real father.
Why was her father in New York? It's not like he was addressing the
United Nations.
The only wank I can come up with: There are loads of people of the
island's ethnicity in New York (as New York has loads of Puerto Ricans).
So he was planning to recruit them to overthrow the regime. In which
case, the henchmen who shot at Denholm Elliot were his.