On Saturday, February 7, 2015 at 7:33:46 PM UTC-8, Quadibloc wrote:
> On Saturday, February 7, 2015 at 12:36:03 AM UTC-7, Brian M. Scott wrote:
> > The question isn't what the song is about; the
> > question is whether it's so well known that it's put an
> > indelible stamp on the phrase for too many people.
How many is "too many"?
> Looking again at your precise wording, I see your point here. While black
> Americans would be highly conscious of lynching as part of their history,
> your hypothetical is consistent with that undeniable fact; you're only
> saying that the specific song might have failed to create a well-known phrase
> associated with that historical fact.
Well known to whom? When I first read it, I thought it had something to do with sexuality.
> In *that* case, though, certain questions can be asked:
>
> Was Billie Holliday popular or obscure? (Note that she could be popular among
> blacks while being obscure among whites.)
In the 1930's? Quite popular across racial lines. Check her Wikipedia article.
> Would the song "Strange Fruit" have stood out, because at that time few
> people spoke out loud about lynchings in the South?
>
> In *that* connection, it might be noted that the Hays Code, besides
> restricting sexual content in movies, also essentially prevented movies in
> the United States from serving as an instrument in raising public
> consciousness about either racial injustice or about the unionized labor
> movement.
Jazz was very nearly as "un-American" as most of the things the Hays Code banned. The mere fact that she was black made her career, um, interesting.
> The problem isn't that you're some kind of racist. The reason that people are
> having a hard time wrapping their heads around any expression of exculpation
> for this PR firm on the basis you're using is, basically, that, to people who
> lived through that era - even as white people, for whom, indeed, racial
> discrimination was happening to somebody else - it just seems as though we're
> not dealing simply with a lack of knowledge about one specific song or singer.
Discrimination happened to white people too. You might be surprised how many whites had to be convinced that they shouldn't hang around with "those people". If you dared resist the indoctrination you were subject to the same coercions up to and including lynching, depending on location ("we gonna make a example of you, bwah"). I think I've told the story here of my (frankly) cracker father telling me not to write the numeral one "like a nigger", when I was four. Later in life, I was surprised by how many people shunned me for not hating Mexicans. Then again, I was raised in southern California, not Mississippi, under a different sun so to speak...
> Instead, it seems like we're dealing with a lack of awareness of the
> realities of those times - realities as pervasive as the fact that the Sun
> rises in the East and sets in the West.
I currently reside in Washington State, where for most of the year you don't see the sun at all.
I'm 62, more or less white, and never had any interest in jazz. Maybe being an Aspie makes (especially improvisational) jazz just too damn messy for my brain to cope with. I didn't find out about Billie Holiday until my Jewish stepfather married my mother, and my stepbrother introduced me to the blues and jazz in a way I could handle, as the foundations of the rock and roll I already liked. That doesn't mean I embraced her repertiore, I just knew who she was.
What I knew of racial tensions confused me immensely. I experienced the Watts riots first-hand at an aunt's home at age thirteen. The roots of that weren't something focused on in civics classes at the time, and the actions taken didn't seem to me to be particularly well aimed at remedying anything.
This reminds me of the word "cultured". To be considered cultured at one time in the past, you had to have read certain classical authors in their native languages, be able to identify certain pieces of music, wear certain clothing, have certain mannerisms, and hold certain social values. In public anyway, some cultured people got up to considerable uncultured behaviors in private.
These days I guess I'm uncultured because I didn't immediately associate the phrase "strange fruit" with Jim Crow. And you know something? I don't want to be that kind of cultured. I don't want to spend that much time thinking about, and looking for connotations of, racism, sexism, and all that crap in everything that goes by. I really wish the rest of the world felt the same way and would just kill it when it happens, and otherwise drop it and get on with life.
Does that mean I want to pretend none of it ever happened because I'm not a "victim"? No. It means that I'm not addicted to drama and don't hold grudges.
But I've also been to Texas, and if I had been asked if the name was a good idea, I'd have Googled it and said "who do you want to piss off today"?
Mark L. Fergerson