On Monday, October 10, 2016 at 2:49:38 PM UTC-7, Kevrob wrote:
> On Monday, October 10, 2016 at 4:52:55 PM UTC-4, Magewolf wrote:
> > I have been reading these with great interest but I am having a hard
> > time understanding some of the young people's thinking. When I was
> > young ,oh those many years ago, I routinely read books and stories that
> > where written 20,30,100,300,1000 years or more before I was born and I
> > never had the problem understanding that the past was a different
> > country that many of them seem to. If I ran across something I did not
> > understand I tried to find out about it which meant asking my parents,
> > looking it up in the encyclopedia, or going to the library. Yet it
> > seems any differences from their experience knocks them out of a story
> > and they have no desire to find out why that difference was there.
> Me, too, but I _liked_ history, and also stories set in a past I wanted
> to learn about. I wound up with a history B.A. I remember some of
> my fellow students had no use at all for history, unless it were the
> history of something they were otherwise interested in: sports, music,
> films, for example. Even then, it was often just a game of trivia
> for them. They didn't want to learn about, let us say, the rapid
> growth in transportation and communication in the mid-to-late 19th
> century. Knowing about that might help put similar growth in our
> time in perspective, which would be something they would have to deal
> with, and probably still are.
You're outlining what my massively incomplete reading suggests may be
the history of historical fiction.
Among the writers in my current log, two relevant here are Ann
Radcliffe and Charles Major. In the 1790s, Radcliffe wrote Gothics
set in the past, but not only were her characters all essentially her
contemporaries in antique dress (most of them extemporise late 18th
century English poetry, in fact), she got historical facts wrong
several times. Most spectacularly, in <The Romance of the Forest>
she sets an idyll of Catholic-Protestant harmony exactly where, in
our world, Catholics had massacred Protestants three years before her
novel's supposed date. This was criticised at the time, and she
shaped up for her later books, including the best-known (and arguably
best), <The Mysteries of Udolpho>.
Charles Major wrote a book titled, I kid you not, <When Knighthood Was
in Flower>, published in 1898, that's full of Mauve Decade cynicism.
He made it pretty obvious that his historical errors were intentional;
to quote from my log (on a different book of his):
"This book is set during the reign of Charles II of England and
Scotland. The year in question must include the sale of Dunkirk by
that monarch to Louis XIV of France in 1662, and also must be after
both Nell Gwynn, born 1650, and Sarah Jennings Churchill, the future
Duchess of Marlborough, born 1660, came of age. Oh, and the Duchess
of York must still be Anne Hyde, who died in 1671."
His characters weren't always late-19th or early 20th-century
characters, but they were never the mediaeval or early modern people
they were supposed to be, either.
I've seen it said that Naomi Mitchison's historicals of the 1930s
always featured contemporary rather than historical characters, and
were faulted for it, but I vaguely remember bouncing off her <The
Corn King and the Spring Queen> for its strangeness. I've read post-
WWII fiction by Bryher and by Rosemary Sutcliff (the latter
publishing technically, and at first actually, for kids) which made
serious efforts to depict historical characters, and although I
haven't read Mary Renault, I'd expect that to be true of her too.
But even today, historical fiction not only often gets the facts wrong
whether from ignorance or intent, but routinely puts moderns into past
times. Some writers look for ways to explain their characters'
modernity - I have no doubt, in particular, that there were, in fact,
English-speaking men of the kind called, in the 1970s, "sensitive" in
the period 1750-1850, but more have been written about than could
possibly have lived then. Some just ignore the issue.
> As an SF fan and a history buff, I see
> looking ahead and doing thought experiments about the effects of
> scientific discovery and new tech and examining the roots of how we
> managed to get where we are now equally fascinating.
I doubt it's an accident that historical fiction that really imagines
its way into the past is, by this (fundamentally ill-informed)
analysis at least, more or less contemporary with science fiction and
secondary world fantasy, and I doubt it's an accident either that so
many writers of good historical fiction have also written one or both
of the others.
- Of the above-named, Mitchison wrote both, Sutcliff fantasy.
- Of those not, note Gillian Bradshaw, Sharan Newman, and C. S.
Lewis's <Till We Have Faces>, which though fantasy is also a
serious attempt to imagine his way into a past.
- And then there are writers like John Crowley and Avram Davidson
whose good historical fiction is also spec-fic (though not, in
Crowley's case, in his more recent work).
This is, of course, *also* an incomplete list.
Joe Bernstein
--
Joe Bernstein, writer and tax preparer <
j...@sfbooks.com>