On Tue, 30 Jun 2015 14:58:18 -0500, Konrad Gaertner
<
kgae...@tx.rr.com> wrote
in<news:mmusa9$acp$
1...@dont-email.me> in rec.arts.sf.written:
> On 6/30/2015 12:12 PM, Kevrob wrote:
>> I also love Thorne Smith, especially
>> "TOPPER" and "THE NIGHT LIFE OF THE GODS."
> I missed the start of this thread, but how exactly are we
> defining "Modern" here? I don't think I've seen anything
> less than 20 years old mentioned.
I started the thread, and I implied that (with one
exception) I was taking ‘modern’ to include anything after
LoTR and _The Once and Future King_. _The Curse of
Chalion_, whose mention started the thread, is from 2001.
Streiber’s _A Rumor of Gems_ is from 2005. McKinley’s
_Sunshine_ is from 2003. _The King of Attolia_ is from
2006. The three books by Valente that I mentioned are from
2006, 2007, and 2011.
> I'm reading stuff published this year, but by authors who
> have been around for quite a while: Robin Hobb, Michelle
> Sagara, Adrian Tchaikovsky, Patricia Briggs, and Jo
> Walton.
> Who are the good, *new* authors of fantasy?
I quite like Ben Aaronovitch’s Rivers of London urban
fantasy series, which started in 2011; he’s new in the
sense that this was his first independent novel (after a
few Doctor Who tie-ins).
Ilona Andrews’s Kate Daniels series is another automatic
purchase; it began in 2007 with the authors’ first novel.
Elizabeth Bear’s first novel came out in 2005 and was
science fiction. Since then she’s written much more
fantasy than science fiction; I especially recommend the
Edda of Burdens trilogy, and most especially its first
volume (2008), _All the Windwracked Stars_. She also has a
couple of good novels written with Sarah Monette, who (as
Katherine Addison) recently wrote the excellent _The Goblin
Emperor_.
Robert Jackson Bennett’s _City of Stairs_ (2014), his fifth
novel, was rather different and quite good; I’ve not read
his first four (starting in 2010).
Aliette de Bodard’s Aztec fantasy trilogy (2010-2011), her
only novels to date, is both unusual and very good.
Marie Brennan’s first novel came out in 2006; my favorite
of hers is _Midnight Never Come_ (2008), the first volume
of her Onyx Court tetralogy.
Max Gladstone has three novels, starting with _Three Parts
Dead_ in 2012. All are set in the same fictional world,
which has enough cultural variety to allow some very
different tales to be told, and all are very good.
Kevin Hearne’s Iron Druid Chonicles are quite good; his
first novel is from 2011.
Helen Lowe’s first novel was the excellent YA _Thornspell_
in 2009; she has since written _The Heir of Night_ and its
sequel _The Gathering of the Lost_, and I understand that
the third volume, _Daughter of Blood_, has been written;
the series is very good high fantasy.
Melissa Marr started in 2007 with _Wicked Lovely_, the
first of a decent YA series. The unrelated _Untamed City:
Carnival of Secrets_ is nominally also YA and is, I think,
better; I’d like to see a sequel. Her adult _The Arrivals_
is good.
Seanan McGuire’s Toby Daye series, which started in 2009
and currently stands at eight books with five more under
contract, is excellent. I’m less taken with her InCryptid
fantasy series, but her novel _Indexing_, originally an
Amazon serial, is quite good.
Henry H. Neff’s first novel was _The Hound of Rowan_
(2007), first of the Tapestry pentalogy. Don’t be fooled
by the opening, which has a slightly-younger-than-YA feel:
the protagonist of the pentalogy starts young but is forced
to grow up very quickly. It’s an ambitious effort, and
Neff pulls it off well.
Rachel Neumeier’s first book, _The City in the Lake_, came
out in 2008; it has some of the same feel as the
Riddle-Master trilogy. She has since written a complex
high fantasy trilogy (the Griffin Mage trilogy), the
excellent _House of Shadows_, and the YA fantasies _The
Floating Islands_ and _Black Dog_. I can recommend all of
them.
Gaie Sebold’s _Babylon Steel_ (2011), her first novel, and
its sequel _Dangerous Gifts_ are solid fantasy entries in
an interesting setting -- three settings altogether,
actually.
Nalini Singh’s Guild Hunter and Psy/Changeling series are
definitely paranormal romance, but each has a long-term
story line that advances significantly in each book, and
she’s a good storyteller. If you don’t mind the requisite
romance elements, both series are enjoyable.
Dianne Sylvan’s first novel was her first Shadow World
novel, _Queen of Shadows_, in 2010; there have been five
more in the series since then. Not exceptional, but solid
urban fantasy.
Eileen Wilks’s Lupi series started as decent urban fantasy
with a romance element and has steadily improved and moved
even further away from romance; the series is now one of my
handful of automatic purchases. It started in 2004, with
her first novel.
All of these have been published traditionally. There are
also some self-published writers whose fantasy I’ve
enjoyed, among them the following:
D.K. Holmberg’s Cloud Warrior Saga, currently at five
books, is readable high fantasy. His Painter Mage series,
currently at two books with a third due in a month, is
readable urban fantasy. Nothing special, but as good as
much that is published traditionally.
Andrea K Höst has been self-publishing fantasy with a bit
of science fantasy since 2010; her most recent book, _The
Pyramids of London_, is the start of a fantasy alternate
history series and is very good. Her Touchstone trilogy
(with the novella ‘Gratuitous Epilogue’) is more science
fantasy than straight fantasy, but I also greatly enjoyed
it.
L. Shelby has been self-publishing novels since 2014; she
writes very stylish fantasy emphasizing culture rather than
traditional typical fantasy elements.
Frank Tuttle started self-publishing the Markhat Files in
2008; these feature the finder (think private detective)
Markhat in a world of vampires, ogres, trolls, etc.
Somewhat in the vein of Glen Cook’s Garr Garrett P.I.
novels. _All the Paths of Shadow_, in a very different
setting, is even better.