Ninapenda Jibini <
taus...@gmail.com> wrote:
> David Johnston <
davidjo...@yahoo.com> wrote in
> news:p4edtj$16d9$
1...@gioia.aioe.org:
>
> > On 2018-01-25 8:25 PM, Dorothy J Heydt wrote:
> >> In article <
YLadnbPbRfMKBPfH...@earthlink.com>,
> >> David DeLaney <
d...@vic.com> wrote:
> >>> On 2018-01-25, Robert Woodward <
robe...@drizzle.com> wrote:
> >>>> Some say that women have a built-in "advantage" for this, but
> >>>> the following applies to everybody. Any author who encounters
> >>>> any of the following is very likely to be completely
> >>>> forgotten.
> >>>
> >>> Was.
> >>>
> >>>> 1) Die
> >>>>
> >>>> This means no more books and thus, an every decreasing number
> >>>> of reprints (though the rate depends on just how big a
> >>>> presence and backlist the author left behind).
> >>>
> >>> This is changing even now; e-publishing and e-books make
> >>> storing an author's works and offering them along with current
> >>> authors', to catch the long tail of royalty payments, viable
> >>> in a business model. It's not the Singularity yet -- but look
> >>> at youtube, for example.
> >>>
> >>>> (after all, other than experts, who* can name 1590-1630
> >>>> English playwrights not named Shakespeare).
> >>>
> >>> You mean like Kit Marlowe? I'd have to check whether Ben
> >>> Johnson was a playwright, so you do get some points there.
> >>>
> >>>> Not writing a will (with the
> >>>> naming of a literary executor), even though suffering from a
> >>>> chronic illness known to cut years off lifespans this leaving
> >>>> the estate to relatives who despise that work, will speed up
> >>>> the process.
> >>>
> >>> We're looking at you, estate of John M. Ford... Pleadingly.
> >>>
> >>>> 2) Stop writing
> >>>>
> >>>> This has the same result as dying, but the author can witness
> >>>> the diminishing of royalties.
> >>>
> >>> And these days is subject to the same "not forgotten, just
> >>> backgrounded" effect if their books are e-vailable.
> >>>
> >>>> 3) Go out of favor
> >>>>
> >>>> Being dropped by publishers is similar to stop writing, but
> >>>> more frustrating. I believe that one or two regular posters
> >>>> to rec.arts.sf.written could address this from personal
> >>>> experience.
> >>>
> >>> Here a different current phenomenon (doo du, du dudu) is
> >>> taking up the slack, as mentioned by others: REALLY easy
> >>> self-publishing. So easy that, with minimal assistance,
> >>> Dorothy Heydt can do it... so YOU, whoever you are, dear
> >>> author, have little excuse.
> >>
> >> After some twenty years of people telling me why didn't I.
> >> Because I grew up in an age when tooting your own horn,
> >> particularly if female, was the sin against the Holy Ghost. I
> >> still couldn't have done it without Bill Gill.
> >>
> >> BTW, _A Point of Honor_ will, God willing, eventually go
> >> online; I'm waiting for a friend to do the "cover."
> >>
> >> I still can't figure out why an e-book has to have a "cover,"
> >> but apparently it does.
> >>
> >
> > If you think about it, there's no reason why a physical book
> > needs cover art either.
>
> Not a reason you care about, perhaps, but Marketing would disagree.
> And while cover *art* is not, practically speaking, needed (once
> you've got the book), an actual physical cover *is* highly
> desirable. So once you have that, it's a useful place to put the
> picture that Marketing wants to catch the eye anyway.
>
In the UK the range of SF books that I could trust and be interested in
was Gollancz - easy to spot them plain yellow and no art.
O like some cobver art but I can't remeber ever buying becaiuse of it,
How ofdten does the art maytch the story?
> (And a lot of books even today don't actually have cover *art*.
> Mostly, cheap-ass reprints of public domain stuff. A lot of ebooks
> don't, either.)
--
Mark