(Deadline: December 15, 2017)
The first three TENOR conferences (2015 Paris, 2016 Cambridge, 2017 A Coruña) have established the growing relevance of emergent technologies of notation and representation for a wide range of musical practices: composers, performers, theoreticians, performance researchers, historians, ethnomusicologists, archivists etc. The fourth TENOR conference in Montréal will continue to offer a lively forum for current research into situative scores, softwares, hardware, performance practices and theories of notation and representation in musicking, but we also intend to expand the scope of the conference by calling for papers on
Submission guidelines
Proposals will be accepted as oral presentations or posters. Please state which presentation mode is preferred in the submission form. The Program Committee reserves the right to switch categories upon acceptance of a submission.
The duration of an oral presentation will be 15 minutes followed by a question period of 5 minutes. Posters must be printed by the presenters in A1 format before the conference and will be presented in dedicated sessions.
All accepted papers will be published in the conference proceedings, under an ISSN/ISBN reference, and will be archived online after the conference.
Submissions as PDF file only. Upon acceptance, all sources (.tex or .docx) and embedded graphics will be required as a zipped package. The use of the LaTeX template is strongly recommended. Download the Paper Template from the conference website http://tenor2018.tenor-conference.org
Submission via EasyChair:https://easychair.org/conferences/?conf=tenor2018
Please note: we accept only full papers, not abstracts.
TENOR 2018 will be hosted by Concordia University, McGill University and Université de Quebec à Montréal and their institutes matralab, CIRMMT, Hexagram Network and Milieux.