REMINDER Call for Proposals (July 12th), INTIME 2015
Tom Williams
| Reminder! INTIME 2015 abstract submission deadline Sunday 12th July 2015 | |
 |
|
| INTIME 2015 Landscapes and Environments: Experimentation and Transformation in Sound and Music Coventry University Saturday and Sunday 24th & 25th October 2015 |
|
| The annual INTIME Symposium is a two-day symposium of papers and performances hosted by the INTIME music research group at Coventry (UK) University. The symposium seeks
to discuss and theorise on current practice in experimental music. It aims to deepen our understanding of existing and emerging repertoires and practices. |
|
| Keynote Speakers Ray Lee Ray Lee is fascinated with what happens when sound moves. He creates spinning, whirling and pendulous sound installations/performances that explore 'circles of ether', the invisible forces that surround us. His large scale works have been toured to more than twenty different countries across three continents, and has won numerous awards including at Ars Electronica and the British Composer Awards, Sonic Arts Category. John Young John Young is a composer whose output includes multi-channel acousmatic pieces, large-scale radiophonic work, and music combining instruments and electroacoustic sounds. His music focuses on the use computer technology to transform, disassemble and reassemble sounds in innovative ways to create sonic drama and musical development. This involves fusion of sounds recorded in natural environments with more abstract sounds developed through electroacoustic processes, drawing on the capacity of ‘real-world’ sound to evoke novel imagery and natural points of reference for listeners. Some of his recent work has used oral history and archival recordings in a narrative-based approach to electroacoustic music. |
  |
|
We invite researchers and practitioners in fields such as (but not limited to) music composition, music performance, musicology, music history, music analysis and theory, ethnomusicology,
music psychology, philosophy of music, and music education, to submit abstracts for papers directly connected to works that would be performed in the INTIME concerts. We are particularly interested in submissions related to this year’s theme. This is an open
call regardless of nationality, age, or career stage. Types of Submission We welcome the following types of papers/lecture-demonstrations: Each composer's piece will be presented on the INTIME concerts. If live performers are involved, these will be the responsibility of the composer. Programmed compositions/performances
would typically be under 12 minutes in duration (although longer works may be considered) and we encourage performer(s)/creator(s) to give a seven (or twenty) minute paper on the work. Deadline for abstracts and proposals; Sunday, 12th July 2015 Submit online by clicking
here
|
|
|
Delegate Fees |
|
|
For more information on INTIME please see our website -
www.coventry.ac.uk/intime2015 |
|
RANKED 15TH BEST UNIVERSITY IN THE UK
MODERN UNIVERSITY OF THE YEAR 2014 and 2015
Source: Guardian University Guide 2016 and The Sunday Times Good University Guide 2014/2015
NOTICE
This message and any files transmitted with it is intended for the addressee only and may contain information that is confidential or privileged. Unauthorised use is strictly prohibited. If you are not the addressee, you should not read, copy, disclose or otherwise use this message, except for the purpose of delivery to the addressee.
Any views or opinions expressed within this e-mail are those of the author and do not necessarily represent those of Coventry University.
Principal Lecturer in Music Composition
Course Director BA Music Composition
Performing Arts
School of Art & Design
Coventry University
CV1 5FB
UK
www.tw-hear.com