On Saturday, March 12, 2016 at 12:08:40 PM UTC-5,
ANMC...@alum.wpi.edu wrote:
> On Saturday, March 12, 2016 at 8:48:39 AM UTC-8, Peter T. Daniels wrote:
> > On Saturday, March 12, 2016 at 11:33:23 AM UTC-5,
ANMC...@alum.wpi.edu wrote:
> > > On Friday, March 11, 2016 at 1:33:13 PM UTC-8, Peter T. Daniels wrote:
> > > > On Friday, March 11, 2016 at 10:47:08 AM UTC-5, Charles Bishop wrote:
> > > > > One of the main reasons for a two story house is heating (and cooling
> > > > > it). Even when there was land enough, houses were two stories since it
> > > > > was cheaper to heat them, and a second story would aid in cooling the
> > > > > upper story. Also, where houses had to have a basement, or at least a
> > > > > foundation below the frost line, this meant that there was less work
> > > > > doing that for a two story house.
> > > > > Out west in the US, where the climate was less fierce, a ranch house was
> > > > > possible.
> > > > But the "ranch house" was developed in imitation of Wright's "Prairie Style"
> > > > houses, which were designed for, well, the Prairie -- long, low lines that
> > > > would fit into the landscape as if they'd grown there: "organic architecture."
> > > > The first examples were around Chicago and Madison, and heating was a major
> > > > concern.
> > > Absolute, complete, total nonsense. The "ranch style" grew out of actual ranches, from the vernacular architecture of the Californios and the early Anglos. The Alvarado place, from 1824, is obviously similar to thousands of tract developments built in imitation of its kind. Estudillo's place in San Diego could be dropped into hundreds of towns and cities from Monterrey to Ensenada without comment; it, too, was built before Wright was even born.
> > "Ranch house" clearly means something different to you than to 20th-century-
> > architecture historians.
>
> Not at all. (Unless you are advancing the very general claim that Wright's ideas influence the whole trend toward low structures with strong horizontal lines, and a more open floor plan. Wright, of course had a huge amount of influence on domestic architecture...most of it bad.
What are you, Prince Charies?
> Wright brought "half-baked" to a new level, creating designs and using techniques that were literally ahead of their time...i.e., unbuildable or unmaintanable with current technology.)
>
> For anyone who us ignorant of the subject, like Mr Daniels, and interested in learning about it, unlike Mr. Daniels, a simple Image search of "prairie style" along with some historical and recent ranches would be enlightening.
I was so fascinated by Wright's work when I was 7 years old that my mother
brought home from the library one of his recently published books, and she
took me to visit the Guggenheim Museum the weekend after it opened, in \
September 1959.
In 1970 I think it was, when we drove my grandmother to Uniontown, PA, to
see my cousin in a summer-stock production of *Man of La Mancha*, I arranged
a visit to Fallingwater, which was maybe an hour away. It was surprising to
find that the exterior was not whitish, but painted a pale peach. Olgivanna
was still alive at that time and may have dictated the color. She died
between my two visits to Unity Temple, and at the second one the interior
had been repainted in its original colors, replacing the fairly garish ones
she had demanded.
I have read probably every book on Wright published in English. One of the
first things I did upon moving to Chicago in 1972 was persuade a dorm-mate
to drive us (in his rotary-engine Mazda) to every surviving Wright building
listed in the first edition of Stoller's catalog that was within a reasonable
radius. When I visit other places with Wright works, I try to see them too.
It's fairly pointless, though, to attempt to negotiate the winding dirt lanes
of Usonia, Pleasantville, Westchester Coounty, New York, because most of
the residences are not or are barely visible from the street.
Chicago also provides stellar examples of the work of other Prairie School
masters, such as George Maher and Walter Burley Griffin (who subsequently
designed Canberra).