"Alan Meyer" <
ame...@yahoo.com> wrote in message
news:l3l74o$tnf$
1...@dont-email.me
> > I'd use white wood glue, personally. Paint it onto the
> > back of the paper so the moisture from the glue softens
> > up the paper, and then use the roller to press the
> > paper to the particle board. White wood glue cleans up with a damp
> > sponge and dries
> > clear.
>
> Interesting ideas. I'll experiment with different
> rolling techniques before I put the glue on.
>
> However I'm more inclined to use contact cement than
> white glue because the paper has some "spring" in it and
> I don't think I can get it to lay flat long enough for
> the glue to dry. With contact cement that should be much
> less of a problem - though it also means I have to get it
> right the first time and can't slide things around.
There are two other ways to use white glue.
1. Heat. White glue is thermoplastic which means that heat softens it. I
often use it to attach veneer as edge bands to plywood. I do so by painting
on a heavy layer of glue to the ply, letting it dry and then using a
household iron set at "high" to iron on the veneer.
2. Wet. When I was a photographer i used to mount largish (16x20 or larger)
B&W paper prints to 1/4" masonite for regidity and to keep the corners from
getting dinged. I did so by applying a heavy layer of glue to the masonite
and letting it dry. Once dry, I would use a wood chisel to cut off any
bumps caused by glue bubbles; I would then take the sopping wet photo and
squeegee it on to the masonite. Once dry, dynamite wouldn't get it off.
Note that the paper has expanded when wet; after it dries it shrinks and
becomes drum tight; it can also bend the substrate a bit.
I have done similar with edge banding: put glue on the ply, let dry then
spritz the veneer and/or ply edge with water and apply. This needs some
light pressure for a bit until the glue grabs.
Not saying either of these would be good for you, just saying.
--
dadiOH
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