>I'm watching the special. Apparently it was a big Hollywood star-- who??
>
The rumor circulating for years is Kirk Douglas.
"Cinefan1969" <cinef...@aol.com> wrote in message
news:20040302012552...@mb-m16.aol.com...
> Kobe Bryant
LOL and feeling guilty about it!
>I'm watching the special. Apparently it was a big Hollywood star-- who??
>
>
Did anybody watch this who is familiar with the way all those stars looked back
then? The guy they got for Beatty looked just like him. And the woman who
played Natalie looked just like her oldest daughter. I'm wondering if they
tried to find a lookalike for the rapist, so we could know who did it without
them specifically accusing him. He can't bring a lawsuit that way, could he?
They showed the rapist's face for a couple of seconds but I'm not familiar with
what anyone looked like, so I don't have a clue.
What A Friend We Have In Cheeses.
I really enjoyed the movie, though. The young Warren Beatty was perfect. The
girl who played Marilyn Monroe was much too skinny. The drowning scene was
hard for me to watch.
>From: veecks...@yahoo.com (Veecksterama)
The guy they got for Beatty didn't look like him at all. Had it not been for
the fact that he did a great job SOUNDING like him I would not have know who he
was playing. The Walken guy, not even close, the Wagner guy was similar, the
Natalie girl did look a lot like Natasha and that Marilyn Monroe was laughable.
I have no idea who the "rapist" was but if they did the same job in getting
someone to LOOK like the real person as they did with the other cast members
you may never know who it actually was.
That's one in the eye of the time-space continuum.
Alex
------------
Since both Walken and Wagner are still alive, the network would have had a
big fat lawsuit if they tried to implicate either of them criminally in
Wood's death. We're getting used to people slandering and libeling dead
people and that anyone can get away with. But when it comes to living
people, slanderers and libelers have to be very careful.
Corse
That was a separate issue (and chronologically previous to the rape, according
to Suzanne Finstad's biography, _Natasha_).
--
Visit my Iron Age Pages for technical and fun stuff (holiday specials, too)!
http://pages.prodigy.net/feaudrey
That's NOT in Suzanne Finstad's recent biography. It says that Mr.
Ray initiated the sex with Natalie. He also initiated it with James
Dean.
Kirk Douglas is the only movie star who was alive at the time of Ms.
Finstad's publishing deadline who fits the description of the
anonymous star. But Kirk will never get bad press for it. When he
dies, every journalist who ever sat through Fatal Attraction and Basic
Instinct will celebrate Kirk as the patriarch of a dynasty. Oops,
don't forget Traffic, which will be a classic as long as drugs are
illegal.
As long as it wasn't murder or manslaughter (explain a motive for mere
manslaughter), then why should Walken or Wagner ever come forward with
whatever trivia they know?
>
> I really enjoyed the movie, though. The young Warren Beatty was perfect. The
> girl who played Marilyn Monroe was much too skinny. The drowning scene was
> hard for me to watch.
You mean you would be less frightened to take one of the many tourism
boats that go from LA to Catalina? Sunday night's movie was totally
staged fiction in your living room.
I didn't read the latest book but the author who apparently knew who the
rapist was (emphasis on apparently) claimed it was a famous actor/producer
who was famous for his grin. That doesn't sound like Raymond Burr, it
sounds more like maybe Clark Gable?
>I didn't read the latest book but the author who apparently knew who the
>rapist was (emphasis on apparently) claimed it was a famous actor/producer
>who was famous for his grin. That doesn't sound like Raymond Burr, it
>sounds more like maybe Clark Gable?
I think Raymond Burr was gay. When was this movie on, I would have watched it.
Miracle on 34th Street is one of my holiday favorites.
In the newest book by Gavin Lambert and sanctioned by Robert Wagner,
the author says that Natalie Wood lost her virginity to Nicholas Ray
at the age of 16. I wonder if she may have been raped.
"km39497" <krei...@nospamforme.com> wrote in message
news:c23ev1$pkj$1...@news.netins.net...
I have that book. I don't suppose it names the person. I am reading so
many books at one time I haven't gotten through the book.
--------------------
Clark Gable didn't produce. Burt Lancaster was an actor/producer known for
his grin. If any of this story is remotely true, he would be an excellent
suspect. Of course Kirk Douglas was also a smiley actor/producer. So I
guess it would be either one of them.
Corse
Thanks. Maybe they will show it again.
FWIW this is from the A-List.
"Douglas, Kirk. "The most hated man in Hollywood." Difficult to work with
(obviously). Sex addict, and was willing to physically force women to have sex
with him (which is to say, he was a rapist; among his victims were Jean Seberg
and Natalie Wood). Linked with Lauren Bacall, Joan Crawford, Marlene Dietrich,
Rita Hayworth, Patricia Neal, Gene Tierney, and Lana Turner."
Here's an interesting article on the newest book of her life from the
gay magazine The Advocate.
http://www.advocate.com/html/stories/910/910_wood.asp
Her splendor
Gavin Lambert's page-turner of a biography captures the magic of
Hollywood legend Natalie Wood
By David Ehrenstein
From The Advocate, March 16, 2004
Natalie Wood: A Life • Gavin Lambert • Knopf • $25.95
"I first met her in the fall of 1956, when I was working as Nick Ray's
personal assistant and living with him in his Chateau Marmont
bungalow," Gavin Lambert notes matter-of-factly on page 220 of Natalie
Wood: A Life. "After she left, Nick described in his laconic way how
they were quickly attracted to each other when he interviewed her for
the part in Rebel Without a Cause; and he seemed offhandedly proud of
having taken her virginity."
That's fairly shocking in and of itself. But then on page 221 Lambert
tops it, relating a meeting he had with Wood in the 1960s when she was
preparing to star in his adaptation of his great Hollywood novel
Inside Daisy Clover. "I recalled our first meeting at the Chateau
Marmont, and the gleam of curiosity in her eyes. ‘I was wondering
exactly what was going on with you and Nick Ray,' Natalie said. ‘What
was going on,' I said, ‘was exactly what you wondered.'"
That the brilliant bisexual filmmaker Nicholas Ray was the one degree
of separation between a noted novelist, screenwriter, and film
historian and one of the most iconic stars the motion picture industry
has ever produced may sound pretty damn sensational. But as Lambert
relates it in this scrupulously written and highly insightful book, it
was just an ironic twist of fate. Even if he hadn't met her through
Ray or come to work with her years later on Inside Daisy Clover,
Lambert would have wanted to write a biography of Natalie Wood.
Miracle on 34th Street, Rebel Without a Cause, West Side Story, and
Splendor in the Grass will enthrall audiences as long as celluloid or
video copies of these films exist. Central to their success is the
startling beauty and sadly underrated talent of Wood. And Lambert,
whose nonfiction works include Norma Shearer, On Cukor, Nazimova, and
Mainly About Lindsay Anderson, is the ideal writer to illuminate it.
One of the very few child stars to make the transition to adult roles,
Wood arrived as the studio system was on the wane. Yet unlike so many
others, she managed to prove herself adaptable to the shifting demands
of Hollywood over three tumultuous decades in which she married,
divorced, and remarried actor Robert Wagner—with a marriage to agent
Richard Gregson and a host of affairs in between.
And this in turn brings up the gay angle, for besides Nicholas Ray,
Natalie Wood was the "Grace" to an army of Hollywood "Wills,"
including James Dean, Tab Hunter, Nick Adams, Scott Marlowe, and
Raymond Burr. The brilliant but utterly self-loathing Jerome Robbins
even asked her to marry him. No fool, she politely declined,
preferring to do her part for gay history by supporting Mart Crowley
in a manner that made it possible for him to write his seminal The
Boys in the Band. He had planned to do something for her by adapting
Dorothy Baker's novel about twin sisters, Cassandra at the Wedding,
for the screen. But Hollywood wasn't ready for twin Natalie Woods—one
of whom would have been a lesbian.
Lord knows it would be just the ticket for today. But we'll have to
content ourselves with the movies she did manage to leave behind and
be grateful that Gavin Lambert was given the opportunity to illuminate
her life so well.
Ehrenstein is the author of Open Secret: Gay Hollywood, 1928–2000.
>"Douglas, Kirk. "The most hated man in Hollywood." Difficult to work with
>(obviously). Sex addict, and was willing to physically force women to have
>sex with him (which is to say, he was a rapist; among his victims were Jean
>Seberg and Natalie Wood). Linked with Lauren Bacall, Joan Crawford, Marlene
>Dietrich, Rita Hayworth, Patricia Neal, Gene Tierney, and Lana Turner."
He was a real snake. His son and daughter in law apparently learned from him.
Excerpt:
On the evidence of Mr. Lambert's book, Natalie Wood had a life that
might gently be termed "uneasy." Born Natasha Gurdin, the fruit of an
extramarital affair, she was pushed into show business by her mother,
a real-life Mama Rose. Natasha was very Russian, very emotional: She
lost her virginity to the bisexual, addictive personality who went by
the name of Nicholas Ray and served as another notch on Warren
Beatty's bedpost, which seems to have induced a mysterious suicide
attempt.
Wood had rotten luck, some of it self-induced. While she was filming
the hideous Penelope, Mr. Beatty offered her the role of Bonnie in
Bonnie and Clyde, but she turned it down because she didn't want to be
separated from her psychiatrist by a long location shoot. She turned
down William Wyler's The Collector in order to do Gavin Lambert's own
adaptation of his novel, Inside Daisy Clover. Both films were downbeat
hothouse flowers, but Wyler wasn't about to be manhandled by the
studio, while Inside Daisy Clover was bound to be. For too much of her
limited time, Wood was stuck churning out gilded turds like The Great
Race.
She knew it, and so put a lot of emotional energy into her
relationships. She was a spectacular friend, warm and supportive to
her circle, which included Guy McElwaine, Mart Crowley, Howard
Jeffrey, Asa Maynor and the late Norma Crane. What Natalie wanted in a
friend was humor, intelligence and emotional directness; to qualify,
one had to pass what Norma Crane called "the kindness test."
It's all very odd: In life, she was sharp and funny ("What killed your
father?" she was asked. "My mother, I think," she replied), but you
couldn't say she was a natural screen comedienne. It's almost as if
acting was some sort of violation of her essential nature, even as it
fed her need for drama, for notice.
Physically, Wood was the quintessential star—emotionally, too. She was
nervous and prone to short-term liaisons with inappropriate men:
Dennis Hopper, Henry Jaglom, Steve McQueen, Frank Sinatra and, most
ridiculous of them all, Ladislow Blatnik, known as "The Shoe King of
Venezuela." Then there was Jerry Brown, at the time California's
secretary of state, whose equipment Wood described as being "like a
wand."
snip
The last time Mr. Lambert saw her, she asked him if she looked her
age. She was thinking of Barbara Stanwyck, who had seemed bitter and
lonely when Wood had dinner at her house. "To stay on an even keel,"
Mr. Mankiewicz said, "Natalie needed all her cards, and she was very
afraid of losing her beauty card."
Reduced to nothing parts in theatrical movies and ostensibly meaty
parts in déclassé TV movies, Wood began planning a comeback on stage
as Anastasia.
When Christopher Walken sparked to her on the set of Brainstorm—yet
another lousy movie—it seemed like a chance for creative rebirth. He
was from New York, handsome, serious about acting, "edgy." He was also
younger. The woman who told friends that she had never cheated on
Robert Wagner was smitten; Mr. Lambert believes there was an affair.
Certainly, she was drinking during working hours and behaving in a
less-than-professional manner.
The psychodrama continued on board Wagner and Wood's yacht. Everybody
was drinking; Mr. Wagner isn't entirely clear about exactly when Wood
left the cabin, or what a woman who had always been terrified of the
water was doing trying to get into a dinghy. The last notation in
Wood's daybook reads: "This loneliness won't leave me alone." Song
lyric or ruthless self-appraisal?
Wood's vivid personality and turbulent life compel a certain amount of
attention, but the career is punctuated by dreary failure. She helps
render West Side Story unwatchable on those too-frequent occasions
when Jerome Robbins' dancers aren't snapping their fingers. And if
you're looking for proof that Jack Warner was way over the hill,
there's the otherwise inexplicable fact that he didn't shut down Gypsy
after the first week of shooting, recast every part and fire Mervyn
LeRoy.
Thanks to the ridiculously furtive Robert Redford—it's as if he were
embarrassed to be seen acting—Wood is the best thing in Inside Daisy
Clover. And yes, she's very moving in Splendor in the Grass, but Elia
Kazan could have drawn good work out of Lash La Rue. (Mr. Lambert
reveals that Kazan's first choice for Deanie was the doomed Diane
Varsi—not sexy enough; his second choice was Jane Fonda—too sexy.)
For me, the best performance Wood gave was Love with the Proper
Stranger, directed by the underrated Robert Mulligan. It's a part—nice
Italian girl gets knocked up—that requires being, not acting. Freed up
from the big emotional arias that tended to reveal her structural
flaws as an actress, Wood's natural likeability and charm came
through.
"Corse" <Tse...@pobox.com> wrote in message
news:oDb1c.5344$LK3....@newssvr27.news.prodigy.com...
I am wondering if they are not named because they are still living.
------------
Lancaster is no longer with us. Kirk Douglas, of course, is. Who knows.
Corse
It's from the A-List, doesn't Billie run that site? I think Billie does, and I
believe everything she says : ).
Isn't this the same guy who was living with James Dean for a while too?
::::::Tina::::::
----------------------------------------------------------------------------
"Sacred cows make the best hamburger". - Mark Twain
I don't know if he was a producer or not but maybe it was Lex Barker? He liked
teenage girls and supposedly raped Lana Turner's daughter when she was young
too.
I read the Finstad book and I've currently got the Lambert book. Another
clue in the Finstad book: was that she later turned down a role in 1958
because it meant working with this actor/producer. She had just married
Wagner and told the studios that she didn't want to leave Wagner's side
to go to England. What movies were made in England in 1958/1959?
Good guess but in the book it said that this actor/producer told her that he had never
had a teenager before.
I wonder what his nickname was for Diane Keaton.
Re: Who Raped N atalie Wood?
Group: alt.gossip.celebrities Date: Wed, Mar 3, 2004, 1:34am (EST+5)
From: Tse...@pobox.com (Corse)
>: Beatty's nickname for her was MA for mental anguish.
>
>I wonder what his nickname was for Diane Keaton.
>: Beatty's nickname for her was MA for mental anguish.
>
>I wonder what his nickname was for Diane Keaton.
Also MA for manly attire.
> x-no-archive: yes
>
> "Roofshadow "Administering Intoxicant With Intent To Molest" Jackson"
> <Roofsha...@removespamtrap.yahoo.com> wrote in message
> news:nqSdne8AKba...@comcast.com...
>
>>AnthonyM1970 wrote:
>>
>>
>>>Kobe Bryant
>>
>>LOL and feeling guilty about it!
>>
>
>
> Yeah right. Kobe hadn't even had his third birthday when Natalie died.
>
>
Really?
You mean that was just a joke??
Gosh I had no idea!
>I read the Finstad book and I've currently got the Lambert book. Another
>clue in the Finstad book: was that she later turned down a role in 1958
>because it meant working with this actor/producer. She had just married
>Wagner and told the studios that she didn't want to leave Wagner's side
>to go to England. What movies were made in England in 1958/1959?
>
>
I'd guess it was "The Vikings" with Kirk, and the role went to Janet Leigh.
Billie
Please submit your suggestions for 'Website of the Day' to: pusss...@aol.com
http://artwc.org/Billie/AGCWEBSITES04.html
BLIND ITEMS:
http://artwc.org/Billie/MAINPAGE.HTML
I had heard stories about Robert Wagner from my parents that he played
for both teams. Didn't know that about Raymond Burr.
Why is Hollywood such a loser magnet of a town?
> I read the Finstad book and I've currently got the Lambert book. Another
> clue in the Finstad book: was that she later turned down a role in 1958
> because it meant working with this actor/producer. She had just married
> Wagner and told the studios that she didn't want to leave Wagner's side
> to go to England. What movies were made in England in 1958/1959?
"Sparticus?"
> I'd guess it was "The Vikings" with Kirk, and the role went to Janet
> Leigh.
>
> Billie
Darn good guess. My idea of Sparticus was wrong. It was done in '60.
Shot in Spain.
Maybe, but if the movie was to have been made in 1958/59, The Vikings was
released at the beginning of June 1958 (June 11, 1958) which means it
probably was shot in 1957 and early 1958. Natalie and Robert Wagner weren't
married until Decemeber of 1957.
What? Is this author saying that Marilyn Monroe was bisexual? News to
me. Has anyone else written about this?
That's what I heard and understood too. Being that they were both of
Russian immigrant stock, maybe he thought he had the right. But what
I find most ironic about it and about Douglas in general is that it
dovetails almost exactly with his role In Harms Way, including the
rape. What was up with that? They had to know in 1965.
Even so, Natalie was a beautiful actress. I always found her
fetching. Maybe like Marilyn, she never really had a chance.
That's been written about for years. It was rumored that she had an
affair with her drama coach Natasha Lytess.
And a rapist would never lie....
Especially since 3 of them were rumored to be gay. Wouldn't be raping any women
at least.
That must be the one. According to the Natalie Wood biography by Gavin Lambert,
"the Hecht-Hill-Lancaster Company requested her services on loan for 'The Devil's
Disciple.'" She would have a small role but would be in a movie with Laurence
Olivier, Burt Lancaster, Kirk Douglas and Eva La Gallienne. When it was decided that
the movie would be filmed entirely in England, Natalie wasn't sure that she wanted to be
separated from her husband for those months of filming. Jack Warner was informed
through her agent that the Wagners decided to stand by their prenuptial agreement
of not being separated for more than two weeks at a time.
Kirk Douglas also fits the description of actor-producer (he was
successful producer of Paths of Glory and Spartacus). Natalie's
mother referred to the rapist as "Mr. Showbiz." This could apply to
Douglas because he did have a time period in which he landed a huge
number of important roles for the biggest directors in Hollywood.
There had to have been something about how he carried on in his
personal life that prevented him from winning the Best Actor award, as
his talent alone certainly earned him the right to one or two such
Oscars. I'll bet that more than one biographer is out there right
now, working on tell-all accounts of Douglas' life. I get the feeling
that all the dirt that's been concealed about Kirk over the decades
will be quite extensive.
> Even so, Natalie was a beautiful actress. I always found her
> fetching. Maybe like Marilyn, she never really had a chance.
Totally agree. I had a crush on Natalie since I saw her in Marjorie
Morningstar when I was six or seven and then a few years later in Splendor
in the Grass. I've seen SITG maybe ten times and don't think I've ever seen
a more painfully personal performance. The scene where Natalie is trying to
lure Bud(Beatty) into the car to have sex with her has to be the most real
evocation of desperately vulnerable desire ever put to film. (Hey I know I'm
always something or other is the best ever put on film), but in that scene
outside in the night at that party Natalie evokes a wrenching sense of truth
which Kim Novak could have only fantasized about achieving in the famous
dance scene in Picnic, which is the best acting of Novak's career.
One only can wonder what Natalie might have achieved if she hadn't
wasted so much time and energy on bad films and sad relationships. For
instance, imagine her in Bonnie and Clyde, which Beatty offered or say
Klute.
My favorite imaginary role for Natalie would have for to have her play
Lara in Dr. Zhivago. Hell, at least we would have gotten an authentic
Russian vocal quality and a poetic sexual intensity that would have made us
(or at least me) believe Zhivago would throw his life away out of love for
her, instead of Julie Christie's incessant deep breathing which for some
reason passed as sexual desire in the mid sixties much like Jessica Lange's
annoying, low breathy moans did later in the eighties
On the lighter side imagine Natalie in the Katherine Ross role in Butch
Cassidy and The Sundance Kid. We already know Natalie had great chemistry
with Robert Redford. At least she would have sparkled with repressed
sexuality, which poor wooden Katherine Ross couldn't manage if she was
attached to jumper cables. Ah, to dream.
But Natalie's having been in the best troubled youth film ever made, and
having one of the greatest romantic kisses in film history (when she and
James Dean first kiss) will suffice for those of us fans who still love her.
Ambrose