On Dec 9, 9:15 am, marvin <
marv...@gmail.com> wrote:
> I agree with Barry that sometimes the instant fame of a reality
> show does not always prepare an artist well for a long career. Looking
> back at Barry's career, his early years writing and singing commercial
> jingles, being a pianist accompanying hopeful singers, and going to
> music school all helped prepared him for his ability to come up with
> well written songs when he starting making albums. Without the
> grounding Barry had, he probably would not have been as good as he
> became had he been discovered when he was young on a reality TV show.
> Marvin
And yet do you honestly believe a 31-year-old Barry Manilow would be
as successful today as he was in 1975 when "Mandy" skyrocketed his
career? What about James Taylor? Carole King? John Denver? The
Carpenters?
You're comparing apples and oranges, Marvin, because we live in a
different world now. The singer/songwriter doesn't get nearly the
respect he/she used to. If you're a young man, someone like LA Reid
isn't likely to look at you unless you can rap out your street poetry
with your pants bagging off your butt, and if you're a young woman,
try making it if you don't look like Britney Spears.
Yes, there are exceptions. God bless Norah Jones and the few others
who've managed to break out in spite of it all, but c'mon ... last
night on X Factor was a perfect example of what's wrong with music
today. Rachel Crow has the most magnificent voice I've ever heard on
a teenager her age; she was positive, she sparkled, she was a darling
Yet she was eliminated because she lost on audience voting. The public
voted for a couple of mildly talented hood rats over a truly gifted
kid.
Does the public place a greater value on mediocrity because it's what
the recording industry has been feeding them? Or is the recording
industry merely responding to what they already know the people want?
If you can answer THAT question, I'll call you a genius.
Brenda