On Thursday, September 5, 2019 at 9:51:48 AM UTC-4, Hieronymous Corey wrote:
> FYI, The Phenix City Story is playing on TCM. What a scumbucket town.
>
It's not showing up on my on demand list (yet).
Here are my picks from what's currently available:
"Sadie Thompson," 1928. Gloria Swanson, Lionel Barrymore. Dir. Raoul Walsh.
Compares well with Lewis Milestone's sound remake with Joan Crawford and Walter Huston, four years later. It's missing the final reel which is reconstructed using stills and still manages to pack an emotional wallop.
"The General," 1927. Generally considered to be Buster Keaton's masterpiece as well as one of the greatest films of the silent era -- and lives up to its reputation.
"The Gold Rush," 1925. This is considered to be Charlie Chaplin's masterpiece, but I much prefer "The Circus" and "City Lights." It still has a lot of classic moments and is always worth a watch.
"Broken Blossoms," 1919. Lillian Gish, Richard Barthelmess and Donald Crisp. I used clips from this in one of my poetry videos, so my appreciation for it goes w/o saying. It contrasts poetically sentimental passages with scenes of brutal, gut-wrenching terror. It gets my vote for being D.W. Griffith's greatest work.
"Scarface," 1932. Paul Muni, Anne Dvorak and George Raft (introducing his iconic coin flip). Dir. Howard Hawks. Forget the tacky 80s update by Brian de Palma -- this is the classic!
"Of Mice & Men," 1939. Lon Chaney, Jr. & Burgess Meredith. Dir. Lewis Milestone. Lewis Milestone was one of Hollywood's greatest directors and this screen adaptation of John Steinbeck's novella/play is first rate on all counts; however it's Lon Chaney, Jr.'s brilliant performance as the tragic, mentally-challenged Lennie that really stands out.
"A Star Is Born," 1937. Janet Gaynor, Fredric March. Dir. William Wellman. I haven't seen the latest remake starring Lady Gaga, but this version easily beats those starring Judy Garland and Barbra Streisand.
"Blackboard Jungle," 1955. Glenn Ford, Anne Francis, Sidney Poitier. Dir. Richard Brooks. This is the film that kicked off the rock 'n' roll era by playing "Rock Around the Clock" over the opening credits. A teacher takes on a class of juvenile delinquents in this violent "exposé" about the terrifying state of inner city schools.
"No Way Out," 1950. Richard Widmark, Sidney Poitier, Linda Darnell. Dir. Joseph L. Mankiewicz. Richard Widmark makes Tommy Udo seem tame in this film about inner cit race wars. His "Ray Biddle" gets my vote for being the most gloriously hateful villain to ever grace the big screen.
"The Treasure of the Sierra Madre," 1948. Humphrey Bogart, Walter Huston. Dir. (and cameo), John Huston. The classic tale of greed driving men (well, one man) crazy. It's the film that gave us the classic line: "We don't need no stinking badges!"
"The White Tower," 1950. Glenn Ford, Alida Valli, Claude Rains. Dir. Ted Telzlaff. It's Hitch's "Lifeboat" transported to the Alps. The narrative could have been improved, but the performances are strong and there is breathtaking color footage of two of the great natural wonders of the world: the Swiss Alps and Valli.
"Cape Fear," 1962. Gregory Peck, Robert Mitchum, Polly Bergen. Dir. J. Lee Thompson. Martin Scorsese's remake plays like a campy comic book adaptation compared to the original. It's relentlessly brutal throughout -- right down to the final shot in the Darwinistic swamp.
"The Searchers," 1956. John Wayne, Jeffrey Hunter, Natalie Wood. Dir. John Ford. Generally cited as the greatest western ever made, I place it as a close second to "Shane." John Wayne's portrayal of Ethan Edwards should have won him an Oscar -- it's one of the cinema's greatest. My youngest son's middle name is Ethan in honor of it.
"The Picture of Dorian Gray," 1945. Hurd Hatfield, Angela Lansbury, George Sanders. Dir. Albert Lewin. Albert Lewin is one of my all-time favorite directors even though he only made six films. "Dorian" is one of his two masterpieces (the other one being "Pandora & The Flying Dutchman," which was offered until a day or two ago). It's even better than Oscar Wilde's novel.
"Gunfight at the O.K. Corral," 1957. Burt Lancaster, Kirk Douglas, Rhonda Fleming. Dir. John Sturges. Rhonda Fleming has little more to do than look gorgeous in this (fairly accurate) depiction of the famous showdown between the Earps and the Clantons. Douglas' "Doc Holliday" steals the show. As an added bonus Frankie Laine's title song plays as a sort of Greek chorus throughout.
"Spartacus," 1960. Kirk Douglas, Tony Curtis, Jean Simmons and an all-star cast. Dir. Stanley Kubrick. In a word: Kubrick.
"Lust for Life," 1956. Kirk Douglas, Anthony Quinn. Dir. Vincente Minelli. Visually stunning biopic on Vincent Van Gogh with the screen images fashioned to look like VVG's paintings. Douglas, as always, delivers a powerful performance.
"Downstairs," 1932. John Gilbert, Virginia Bruce (Mrs. Gilbert). Dir. Monta Bell. Written by Gilbert who plays an amoral chauffeur who sleeps with, and blackmails, robs, bullies into subservience, virtually every woman in sight. Contrary to the popular urban legend, Gilbert had a fine speaking voice (think Ronald Coleman without the accent) and a talented actor. This film is the best of his talkies ("Queen Christina" included).
Honorable Mentions go to:
"Uncertain Glory," "Little Women," "Young Man With a Horn," "The Strange Love of Martha Ivers," "The Big Sky," "Along the Great Divide," "The Bad & the Beautiful," "Meet John Doe," "Lifeboat," "Beyond a Reasonable Doubt," "Top Hat," "A Kiss Before Dying," "Charge of the Light Brigade," "The Love Bug."
Other entries that I've seen:
"The Three Musketeers," "Dodsworth," "The Prisoner of Zenda," "Street Scene," "The Private Life of Henry VIII," "Band of Angels," "One Million B.C.," "The Inn of the Sixth Happiness," "I'll Cry Tomorrow," "Watch on the Rhine," "Confessions of a Nazi Spy," "Good News," "Gambit."
On my watch list:
"Trog," "Captain Fury," "The Lusty Men," "There Was a Crooked Man."