The playwright is likely to be Wole Soyinka. Those “limited qualifications” are likely to be a BA, an MA and few publications of the conventional academic type.
A dilemma.
Soyinka’s three major essays in Myth, Literature and the African World are great works in dramatic theory, Yoruba philosophy and perhaps philosophy in general.
What kind of academic recognition would such poetic, impressionistic and yet great works get in academia for its author even though academia is compelled to study that book on account of its significance?
On Ikime, my mum has never stopped talking about his pedagogical genius and his superb scholarly writing skills from her encounter with him when he was at the University of Benin for a sabbatical 40 years ago or more.
I mentioned that sabbatical to Ikime’s son and he remembered it as an event of long ago, which is not so for his former student for whom the creative impact is evergreen.
I had a similar experience with Dan Izevbaye from UI during his sabbatical with us at the University of Benin.
When I mentioned that sabbatical to Izevbaye at UI about 10 or 20 years later he recollected it as something that happened long ago, in the distant past.
I smiled within myself but did not tell him I could still almost visualize him striding onto the podium on that first day of lectures in our third year of the BA, smart, agile, conservatively dressed in his customary French suit, delivering lectures the sheer power of which kept the class always full.
We salute great teachers.
Thanks
Toyin