Bob Jersey <bobj...@ptd.net>: May 14 06:25AM -0700
No article (there was one recently at Vanity Fair, but it might be
paywalled), but a string of thought-provoking tweets from the one and only
Justine Bateman, a veteran of guilds and a techie...
https://twitter.com/JustineBateman/status/1657476895972413440 (link)
B
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Tom Wolper <two...@gmail.com>: May 14 10:38AM -0400
Until someone actually produces an AI generated script and it gets acclaim
there’s not much to get excited about.
On Sun, May 14, 2023 at 9:25 AM 'Bob Jersey' via TVorNotTV <
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PGage <pga...@gmail.com>: May 14 08:47AM -0700
I don’t know about getting excited, but I think she illustrates well the
ways in which AI could easily impact the industry, in the near future or
almist present, and is making the point these issues need to be locked into
the current contract, or they never will be.
Actually, her last point applies in many ways. In 3-5 years a talent strike
won’t mean much if studios/streamers can create content using non Union
digitally stored images and AI scripts.
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Sent from Gmail Mobile
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"Kevin M." <drunkba...@gmail.com>: May 14 09:29AM -0700
In 3-5 years, the programmers who created the AI that write the scripts
will want compensation, and if they don’t get it the AI will go on strike.
Begs the question: Who gets the Emmy or Oscar nomination for best
screenplay or script of it is generated using AI?
Begs the bigger question: What’s the point of AI generated media?
I know there are people who watch TV to enjoy mindless pablum, but that is
not me. I like to be challenged by the media I consume. I like it to be
about more than what’s on the surface. I have no doubt that AI will one day
generate content that is thought provoking, but a computer has no interest
in being thought provoking. A computer has no interest in being heartfelt
or earnest or comical or capricious. I don’t watch media whose sole purpose
is to make money. And that would be the sole purpose of every bit of media
conceived by AI. I’m sure it will happen. And I’m sure it will make money
for somebody. But is that the point?
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Kevin M. (RPCV)
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Tom Wolper <two...@gmail.com>: May 14 02:12PM -0400
I’m not advocating a head in the sand approach. The entertainment industry
takes advantage of technological innovations all the time and it impacts
what we see on the big and small screen whether it’s digital cameras, CGI
special effects, or AI generated images or scripts. If the WGA sees the
economics of streaming an existential threat then they have to focus their
negotiations on that. If they want to add AI to the negotiations they are
going to have to give up something in streaming rights.
The kinds of movies and shows Bateman cites have no interest to me. But I
won’t be who they are targeted to and younger generations are brought up on
video games and CGI graphics. So I don’t see it as an imminent crisis but
that could also be my bias.
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