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Just a small comment on the Edo usage of nanikuni-no-kami names that Luke already knows because he reviewed the forthcoming book Religion, Power and the Rise of Shinto in Early Modern Japan (Bloomsbury, May 2021): In this collective volume, Yannick Bardy mentions the case of the Yoshida who regularly distributed these titles when they issued certificates for shrine priests. Thus they established a symbolic relationship to the court. There seem to have been some local priests who rejected these titles, however, because they felt no connection to the respective country. This shows that the usage was not quite as commonplace and remote from its courtly origins as names like Saemon or Gonbei.
Bernhard Scheid
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On Apr 13, 2021, at 11:40 AM, Scheid, Bernhard <Bernhar...@oeaw.ac.at> wrote:
Just a small comment on the Edo usage of nanikuni-no-kami names that Luke already knows because he reviewed the forthcoming book Religion, Power and the Rise of Shinto in Early Modern Japan (Bloomsbury, May 2021): In this collective volume, Yannick Bardy mentions the case of the Yoshida who regularly distributed these titles when they issued certificates for shrine priests. Thus they established a symbolic relationship to the court. There seem to have been some local priests who rejected these titles, however, because they felt no connection to the respective country. This shows that the usage was not quite as commonplace and remote from its courtly origins as names like Saemon or Gonbei.Bernhard ScheidVon: pm...@googlegroups.com [mailto:pm...@googlegroups.com] Im Auftrag von Luke Roberts
Gesendet: Dienstag, 13. April 2021 16:48
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Betreff: Re: [PMJS] 国司 kokushi end of authorityThanks everyone so far for your thoughtful comments. These all give us much to think about.David Eason, I find that statement in the Kenmu Formulary very interesting as 上古 seems to imply that the imperial offices are already somehow in the past. I also appreciate the your observation on the complexity of the authorization of provincial governor titling. Indeed I rememember reading somewhere that various aristocrats used to sell documents “granting” such titles to regional warriors too.
Yoshihiro Man’i thanks for the reference to Ishii Susumu’s work. It was natsukashii as he was my first teacher of 古文書学入門when I was a research student at Todai long ago. I also did not know about the名国司in the Heian period. That I will certainly follow up.
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Prof. Farris,
Thank you for the follow-up questions. You touch on a number of things one of my chapters in my dissertation covers much better than I can here, but I can provide some shorthand answers here in hopes that it will be helpful. The Kitabatake function differently than most of the other kokushi at the time for which ‘absentee court appointment’ tends to be a fair enough estimation. So my responses will be based off of the Kitabatake rather than the rest (though there is some overlap). The Kitabatake are also quite different from Nara/Heian kokushi so many of those institutions changed significantly before the Kitabatake ever took over in Ise.
1) The ‘staff’ that the Kitabatake had was very different from the original district officials (gunshi) and similar organs of the Nara/Heian. The Kitabatake had several branch families which they appointed over the various fortifications that they held for much of the Nanbokucho conflict (1336-1392). The branches served as local ‘staff’ in terms of tax collection and troop requisition. They treated people within their house organization as ‘bugyonin’ in a kind of older non-Ashikaga related sense of the word. This allowed them to expand their bugyonin registers over time to include influential locals in and around the Ise shrines. They used their title as kokushi (and a healthy amount of coercive force) to extract taxes, labor, and troops for most of the fifteenth century (as they did not acquire the shugo post of Ise until 1471) even after the court and Ashikaga gave up trying to collect national taxes which they used for the vicennial rebuilding of the Ise Shrines (among other things) in the first half of the fifteenth century.
2) They occupied fortifications in the mountains between Yoshino and the Ise shrines and used those fortifications as their bases of operations. Letters, bugyo requests, land grants would pass through wherever the senior ranking member of the Kitabatake house was located at the time. The older physical administrative structures of the kokushi from before the Kitabatake were not of great importance to them.
3&4) My answer for these two is somewhat linked in that there do not appear to be any term limits forced on the Kitabatake, but the title of kokushi tended to be given to a relatively young and prospective future ‘head’ of the house as a means by which further rank advancement could be obtained. After it was transferred to a young son, the senior member would officially ‘retire’ but write accompanying missives whenever a request went out from the active kokushi. There were stipulations in the Engishiki (that the Kitabatake appear to be responding to) which stated that a kokushi with years (number could vary) of experience in their post could be granted a position as a sangi in the Grand Council of State without obtaining the 3rd rank. This would make them officially a ‘kuge’ and capable of issuing documents through their own mandokoro. This ends up being important to them in the maintenance of their own house, as multiple branches within the house had access to court ranks and being a senior member with the best… ‘resume’ of sorts was crucially important. The Kitabatake are rather unusual for their time because they did indeed frequently reach the level of ‘kuge’ despite being a ‘military’ focused family. The kokushi title was a means for them to make the hurdle over that barrier that only the Ashikaga really had done contemporaneously.
5) There doesn’t appear to be any serious system of appraisal for the Kitabatake. But it’s not too much of a stretch to say that after Ashikaga Yoshimochi’s death in 1428, there are not many powerful groups in Japan that were more friendly with the court than the Kitabatake. The Kitabatake stay in the good graces of the court until their fall to Nobunaga. The kokushi title appears to be granted when and to whom the Kitabatake wanted in exchange for military support and financial aid.
6) The last question is the most difficult to adequately respond to other than to say... it’s a case-by-case sort of deal. I don’t suggest to have a complete grasp of all of the different examples of kokushi in the period. Some ‘courtiers’ still had ties to locals (some of who had weak ties to old kokushi/gunshi institutions) that enabled them to bring in income from their estates and lands that they held titles over. In the fourteenth and fifteenth centuries a lot of those (relatively few existed in the first place) connections broke down. There are a number of good studies in English and Japanese that talk about the relative decline of the court and rise of the shugo over provincial lands and to a considerable extent those studies can be applied here.
The Kitabatake are not a Nara/Heian-style kokushi by any means... they are ‘restoring’ something to a state that it never really existed in before. The conditions in the province didn’t allow for that to happen, and it probably wasn’t their aim in the first place. Their battles (physical and ideological) with the Ashikaga in the fourteenth century created the need for a position which existed outside the shogunate which could ostensibly do the things that they wanted to do. Political cache was certainly part of the aim, but it also formulated a kind of authority which (at least in their neck of the woods) enabled them to create a role for a kokushi as a primary administrator over a given geographic area. They didn’t cling to the title as their only means of authority, however. The post enabled them to acquire more and more prestige while still having rights to pull taxes, etc. but, they treated it and the shugo post (which they eventually acquired) as two possible venues to reach out to different groups (kokujin, jigenin, Ise shrine priests, etc.) throughout Ise for assistance through different lines of authority.
Is it a “last gasp”? I’m not so sure. In some ways it’s a contemporary reimagining of the post which had some utility for them. It might have created space for others to see similar utility in such a title. The Kitabatake way of acquiring higher rank and avoiding sole-dependence upon Ashikaga lines of authority is what a number of important daimyo at the end of the period end up shooting for. Nobunaga’s own son ended up being the final ‘head’ of the Kitabatake line and Ise kokushi. Nobunaga is well-known for his aversion to bakufu titles. Nobunaga opted for court titles which he collected and retired from in a not dissimilar way to the Kitabatake. Some similarities are there… as are some differences.
———
Thank you for everyone’s interest. I hope I don’t come off as too authoritative. My work is certainly still a work-in-progress (with bright-yellow construction tape/warning signs surrounding it). And there are more than a few holes when one describes 900 years of institutional history on an online forum. I hope to have it in better shape in the months and years ahead. I’m glad if my comments were of some interest to some.
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On a very different topic, I would like to point your attention to an exhibition of early Japanese ceramics currently taking place in Geneva, Switzerland. The exhibition, Chrysanthemums, Dragons, and Samurai: Japanese Ceramics from the Collection of the Ariana Museum of Art will run until January 9, 2022. It is surely not the best time to travel, bur perhaps things will improve toward the end of the exhibition?
A comprehensive publication with the same title has also been published and is available at various internet sites, such as Amazon.fr
See also:
The Musée Ariana is the only museum in Switzerland – and one of the key examples in Europe – that is devoted to ceramics. Housing a total of over 27,000 objects, the museum contains objects that span over a millennium of ceramic production and stem from diverse locations, such as Switzerland, Europe, the Middle East, and East Asia. The Ariana collection of East Asian ceramics is the largest in Switzerland with more than 770 Japanese and over 2,670 Chinese examples. The Japanese collection stands out for its large group of early ceramics from the 17th and 18thcenturies, its superb collection of Satsuma ceramics, and objects made for 19th century world expositions. An encyclopaedic breadth of techniques is represented in the collection and the objects tell us of the knowledge transfer and the global networking of ceramics over the last centuries. In addition to the above numbers, the museum also has outstanding examples of 20th-century ceramics from across the globe, including a collection of works by Sueharu Fukami.
In 2016, a collaboration was started between the museum, the Section for East Asian Art History of the University of Zurich and the National Museum of Japanese History (Rekihaku) to exhaustively survey the Japanese collection. The Japanese side dispatched leading ceramic researchers Kōji Ōhashi (Saga Prefectural Museum of Ceramic Art), Professor Yoshirō Watanabe (Kagoshima University), Professor Masaaki Arakawa (Gakushuin University), and Dr. Miki Sakuraba (Kanda University of Foreign Studies; at the time, an institutional researcher at Rekihaku) to provide their expert knowledge. The survey was also conducted with the help of students and faculty of the University of Zurich, complete with university courses carried out in the Ariana museum storage.
The ongoing exhibition is noteworthy as a large-scale exhibition of Japanese ceramics that provide a comprehensive view of the development of techniques and decorative styles of Japanese ceramics across its history, including many early examples from the Imari, Kakiemon, Nabeshima, Satsuma, and Kutani kilns, as well as the monumental objects made for 19th-century world expositions in Vienna and Paris. Select parts of the museum's diverse collection of Japanese ceramics have been exhibited in the past, but the entirety of the collection has never been introduced to the public.
The exhibition catalog is a substantial bilingual publication written in English and French, and features images and close descriptions of the important objects in the collection as well as accompanying essays by specialists. It is our hope that the exhibition and the accompanying publication will help to highlight Switzerland's rich collection of Japanese ceramics, which has received little attention in the past, and that it will draw attention to overlooked aspects of Japanese ceramic history.
Best regards,
Hans Thomsen
University of Zurich
Hans Bjarne Thomsen