Released in 1998 by Mexican designer Armando Hernandez Marroquin, Merida is arguably the most ubiquitous chess font in existence. Inspired by a book with 5000+ chess puzzles in a similar chess font, its name pays homage to the capital of the Yucatán. Merida was a pioneer in the digital transition; its later Unicode remapping ensured it became the “default” look for nearly all web-based chess platforms today.

Stylistically, Merida is defined by “warmth” and weight. Eschewing the sharp, cold lines of earlier digital efforts, Marroquin designed solid, filled silhouettes with soft curves that remain legible even at the smallest scales. The Knight is the set’s signature piece—a compact, sturdy bust with a rounded snout that strikes a perfect balance between classical gravitas and modern digital efficiency.
Leipzig is the “high-definition” ancestor of the group, digitized by Marroquin but in its essence already found in the 1843 classic Handbuch des Schachspiels by Paul Rudolf von Bilguer (although his pawns looked rather like today’s bowling pins!). Its global reach was confirmed by its appearance in the 1897 Specimens of Printing Types by the American Type Founders Company, proving it was the professional choice for printers on both sides of the Atlantic long before the digital age.

The design is noticeably richer and more detailed than its peers, mirroring the craftsmanship of 19th-century woodblock printing. It is an “engraver’s” font: the Rooks feature individually rendered bricks and the Knight is an expressive, anatomically detailed bust inspired by classical Greek sculpture in the British Museum. Today, Leipzig remains the favorite for high-quality print publications and players who prefer a historically grounded, “old-world” aesthetic.
Chess Alpha (or simply: Alpha) was created by Eric Bentzen, a Danish designer in 1998. Unlike Marroquin’s historically sourced fonts, Alpha is an original design. It was updated in 2006 by Peter Strickland (Alpha2).

Alpha’s defining characteristic is its clean, outline-based style. The pieces are drawn with clear, uncluttered contours, making the font especially suitable for output on printers and photocopiers. There is no decorative engraving or historical ornamentation; every piece is reduced to its essential recognizable silhouette. The knight is arguably Alpha’s most charming piece: a simple but graceful horse’s head that balances legibility with a hint of personality. Alpha's design has proven especially popular as a foundation for extended piece sets like the Alfaerie collection.
Berlin: The Ideological Artifact
Also the work of Eric Bentzen, the Berlin font is a digital preservation of the East German Sportverlag aesthetic. It draws on the tradition of the Berliner Schachfiguren—a distinct German lineage characterized by slender, elongated, and geometric silhouettes. For many players from the former Eastern Bloc, Berlin carries a nostalgic weight, representing the rigorous instructional manuals and state-sponsored tournaments of the Cold War era.

The most striking detail of the Berlin set is its King, which carries a visible political “scar”. In a deliberate adjustment for the officially atheist German Democratic Republic, the traditional cross—referring to the monarch’s power as derived from God—was removed and replaced with a simple ball. This makes Berlin the only one of the four classic sets included with PicoChess to bear the direct imprint of 20th-century political circumstance, turning a simple diagram into a historical-ideological artifact.
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