Some years ago, the good folks at the Study Centre for Indian Literature and Translation at the American College in Madurai agreed to take my papers. And as I began to send them, I found old diaries and into those diaries, I would copy out passages that struck me as wise or beautiful and often both. I wondered when I had stopped doing this; and then wondered whether I could not start again.Ā
I decided also that I would copy out the lines I thought were important to me. My friend the painter Mehlli Gobhai filled endless notebooks with quotations and excerpts from art journals and magazines. So did my other friend the poet Adil Jussawalla.Ā
Here then is some of the wisdom from a yearās crop of books. I have resisted the desire to annotate them. Let them stand or fall for you on their own.
ā¦the goat owned in common dies of hunger.Ā
ā āAnthills of the Savannahā by Chinua Achebe.
Evil does not reach its perfect state simply by being committed. It is at least as important that it be wrongly named, since this guarantees that the mind cannot come to see it clear and whole, so long ass this state of affairs persists the evil can safely elude a judgment that sees it for what it was.Ā
ā āThe Book of All Booksā by Roberto Calasso as translated by Tim Parks.
āI would write and tear it up, write and tear it up,ā he says.Ā
ā Premchand as quoted by Sara Rai in āBurnt Umberā.
āHe produced the impression of keeping copies of everything he said.ā
ā āThe Enchanted Aprilā by Elizabeth von Arnheim.
āHating evilās just another hate.ā
ā āSoliloquiesā by Adil Jussawalla.
āItās not the hardest punch that kills you, Torres tells us, itās the one you didnāt see coming.ā
ā āThe Distanceā by Ivan Vladislavic quoting Jose Torres in Sting Like a Bee who is referring to Muhammad Ali.
āUnless is the worry word of the English language.ā
ā āUnlessā by Carol Shields.
āIād read about names in the Sami tradition, that besides having a word bestowed on them for a name they were often given a brief snatch of melody too, their own personalĀ joik, whose particular tone and clang sai something about the person they belonged to, his or her character.ā
ā āThe Pastorā by Hanne Ćrstavik translated from Norwegian by Martin Aitken.
āIn the world, I thought, there are so many voices and so many echoes.ā
ā Maurice Gee in āPlumbā.
āTowns can be burned down; bishops cannot.ā
ā āThe Impostorā by Jean Cocteau as translated by Dorothy Williams.
āEveryone has a monkey on his left shoulder and a parrot on his right.ā
ā Ibid
āIn God we trust. All others bring data.ā
ā NASA slogan quoted by David Epstein in āRange: How Generalists Triumph in a Specialised Worldā.
āA garden, no matter how good it is must never completely satisfy. The world as we know it began in a very good garden, a completely satisfying one ā Paradise ā but after a while the owner and occupants wanted more.
ā From the essay, āThe Garden I Have in Mindā by Jamaica Kincaid, In āThe Garden: Essays on Nature & Growingā, no editor mentioned, so the elves and gnomes at Daunt books probably put it together.
āHer heart was but a small lamp.ā
ā āIttehadā by Guli Sadarangani translated by Rita Kothari.
āā¦reality seems to me like a swarm of stray sentences.ā
ā From āAntwerpā by Roberto BolaÅo translated by Natasha Wimmer.
āGood fortune is a burden that oppresses the happy man, because it is no more than a particular state of mind.ā
ā āThe Year of the Death of Ricardo Reisā by JosĆ© Saramago as translated by Giovanni Pontiero.
āā¦it is always wise to remember, while it is true that it is man who proposes, it is God who disposesa and there have been very few occasions, almost all of them tragic, when both Man and God were in agreement and did all the disposing together.ā
ā āSeeingā by JosĆ© Saramago as translated by Margaret Jull Costa.
āIt was an odd friendship but the oddnesses of friendships are a frequent guarantee of their lasting texture.ā
ā āParadeās Endā by Ford Madox Ford.
āThere are more people with mental and emotional disorders in prisons than in mental institutions.ā
ā Angela Davis in āAre Prisons Obsolete?ā
āIf you need an explanation for your behaviour, then it isnāt innocent.ā
ā AN Wilson in āLove Unknownā.
āWhen we carefully scrutinise what other people think of us, we come to the somewhat disappointing but not altogether unwholesome conclusion, that the belief in the extreme superiority of our Western civilisation really only exists in the Western mind itself.ā
ā William Rivers, an early anthropologist, quoted by Lucy Moore: āIn Search of Us: Twelve Adventures in Anthropologyā.
āThe nature of our nature is not to be constrained by our nature.ā
ā Robert Sapolsky, professor of neurology and biology at Stanford, quoted in Gabor MatĆ© with Daniel MatĆ© in āThe Myth of Normal: Trauma, Illness and Healing in a Toxic Culture.ā
āPityās the most cruel trap ever invented. To take pity on you, I have to first cast us in unequal roles, looking down on your misfortune from some imagined perch. Even if there is an actual power gap between us in the world ā say one born of a racial or economic hierarchy ā treating it as if it is a permanent essential fact about us does neither of us any favours.ā
ā Said by the poet Jason Otter to Wolf Solent in āWolf Solentā by John Cowper Powys.
āThe writerās dilemma. Be scarred enough to be a good writer, but not so scarred as to be truly fucked up.ā
ā Viet Thanh Nguyen in āA Man of Two Faces: A Memoir, a History, a Memorial.ā
āMost immigrants learned their English [in Toronto] from recorded songs, or until the talkies came, through mimicking actors on stage.ā
ā āIn the Skin of a Lionā by Michael Ondaatje.
āAs long as the dying live, the living do not spare them.ā
ā John Updike in āGertrude and Claudiusā.
āBut a time comes when there are more important things than books.ā
ā āFoeā by JM Coetzee.
āA man can also have a female gaze.ā
ā Aparna Sen in āThe Worlds of Aparnaā by Suman Ghosh.
āIn the art and course of writing stories, there are two of the springs, one bright [independence] and one dark [guilt], that feed the stream.ā
ā Eudora Welty in āOne Writerās Beginningsā.Ā
āTo know and not to act is not yet to know.ā
ā Wang Yang-Ming quoted by Isao in āRunaway Horsesā by Yukio Mishima as translated by Michael Gallagher.
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