Dorian or Aeolian or both?

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coo...@gmail.com

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Apr 9, 2026, 6:11:50 AMApr 9
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Esteemed singers, greetings,

Actually, I have two questions, which I hope you can indulge me with. The first is if there would be any problem in taking a Sacred Harp song that doesn't specifically say "Copyright" on it (in this case, DETROIT) and change the words with another in the same meter. I know it has been done historically, but I'm wondering if it's legal under current copyright law. I want to use the Japanese words to GOD OF THE NATIONS, NEAR AND FAR, by John Haynes Holmes, 1911.

So if I can do that, I wondered about the sixth-degree notes that are commonly made sharp to be in the Dorian mode. DETROIT only has two, the first in the first measure in treble and the second at the end of the ninth measure (counting the two half measures in the middle as two measures) in tenor. To my ears, the first one sounds like it ought to be sharp, but the second one sounds like it ought not to be. Or have I been hearing this wrong all along?

Here's the song so you don't have to look it up:


Thank you all for your learned guidance.

Tim Cook
Iwaki, Japan

Will Fitzgerald

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Apr 9, 2026, 6:36:48 AMApr 9
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Tim,

I am not a lawyer, so remember that. I am certainly not a lawyer with expertise in international intellectual property law. 

But I believe that any song without a copyright notice in the 1991 or 2025 edition can be, legally, used in any way you feel appropriate. I think the words you want to use are also out of any copyright restrictions in the US at least. 

I leave others to answer the mode question. 
--
Will

On Apr 9, 2026, at 6:11 AM, coo...@gmail.com <coo...@gmail.com> wrote:

Esteemed singers, greetings,
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S Sommers

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Apr 9, 2026, 10:53:09 AMApr 9
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Hello, Tim et al:

I tend to agree with you about hearing the raised sixth in the treble part. I thought I raised it in the tenor part, but when I really try to sing it that way, it doesn't seem right. I believe it's nearly a neutral (halfway between "fa" and "fi") sixth then.

In a YouTube clip of Hugh McGraw's singing school, the seventh seems to be raised ascending, while the sixth is decidedly raised while descending. I think that may be some Sacred Harp minor mode which university trained musicians have declared Dorian.


Thanks. 
Samuel Sommers

Karen Willard

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Apr 9, 2026, 12:36:36 PMApr 9
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On behalf of typesetters, I will point out that the appearance on the page is copyrighted. So without permission you cannot legally simply scan or photocopy the song. You can retypeset it yourself, of course.

Karen Willard


Robert Vaughn

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Apr 10, 2026, 12:33:09 PM (13 days ago) Apr 10
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Tim, 

Here (below) are a couple of places where copyright.gov discuss copyright law. (Sometimes I find it easier to find a library, university, or other site that breaks it down into simpler terms.) Like Will, I am no lawyer and speak based on knowledge that is generally understood to be correct.


Some things to consider.
  • The above is in reference to U.S. copyright law. Laws will differ in other countries.
  • Kind of a general rule re Sacred Harp – if it is in one of the books published in 1927 or prior, it should be in the public domain.
  • Sometimes tricky with old songs that did not have alto – a few of the alto parts are recent enough to be protected.
  • Generally, if a copyright notice is not on the page, the publishers are indicating that the song/arrangement is not under copyright; if uncertain about the status, contact the SH Publishing Company or SH Book Company.
  • (For an example of 3 & 4, I would point to 291, MAJESTY. The page does not show a copyright, but the alto was written by Hugh McGraw in 1971. While the tune is an old one by William Billings and might be freely used, I wouldn’t use the alto without asking.)
Just sitting alone looking at DETROIT, I “would think” of both incidents as not raised. However, I expect your observation is correct, about raising the first one in treble, and not raising the second one in the tenor. I also think Samuel’s observation is a good one, as well as recognizing it is most often university-trained musicians who think in terms of Dorian and Aoelian. To me it is just minor, and sometimes the sixth (or the seventh) is raised and sometimes not.

Sing On,
Robert Vaughn 
Mount Enterprise, TX
Ask for the old paths, where is the good way
For ask now of the days that are past...
Give ear, all ye inhabitants of the land.


Peter Schinske

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Apr 10, 2026, 9:32:46 PM (13 days ago) Apr 10
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Hi,

I'm no lawyer, but I looked into this a little bit ago. Here is the clearest explanation of US copyright law I have seen: https://guides.library.cornell.edu/copyright/publicdomain
They link to a useful FAQ here: https://web.archive.org/web/20260313002843/http://onlinebooks.library.upenn.edu/renewals.html

As of 2026, any works before 1931 are out of copyright, as it's been more than 95 years (the longest possible copyright length). Before 1964, copyrights needed to be renewed manually at the Library of Congress Copyright Office in their 28th year, and so this rarely happened. The records of those copyright renewals are online, and show no listings under "Sacred Harp", "Original Sacred Harp, "Denson", etc.

The Denson book has always been unique with its tune copyrights, in that they have always been handed over to the Publishing Company. That's why e.g. 411 Morning Prayer says "Copyright 1936 Sacred Harp Publishing Company" and not "Copyright 1936 T. J. Denson." So the copyright renewals, if they existed, would be easily findable.

All this means I'm fairly certain the 1936 and 1960 Denson editions are out of copyright. After 1964, copyrights were automatically renewed, so the 1966 edition will not be public domain until 2061.

You'd want to be careful to copy an old version of the tune, from e.g. the scans of the 1911 James book on IMSLP (https://imslp.org/wiki/The_Sacred_Harp_(Various)). Changes have crept in over the years; the alto for 48t Devotion had a few notes changed in 1966. You can see the original alto in the Christian Harmony.

I'm second guessing myself about the raised sixths in Detroit. I'm pretty sure we do the first one, but IDK about the second.

Hope this helps,
Peter Schinske

Leslie Booher

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Apr 10, 2026, 11:06:56 PM (13 days ago) Apr 10
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Isn't the copyright on music 60 yrs?  

Robert Vaughn

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Apr 10, 2026, 11:24:34 PM (13 days ago) Apr 10
to Fasola Discussions, Peter Schinske
Peter, I would wonder whether renewing those songs (such as © 1936) Could be considered as included in renewing the copyright of the book in later years -- or, if the Publishing Company assumed that it was included. Certainly they did not bother to update the date.

Sing On,
Robert Vaughn 
Mount Enterprise, TX
Ask for the old paths, where is the good way
For ask now of the days that are past...
Give ear, all ye inhabitants of the land.

Jim Pfau

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Apr 10, 2026, 11:24:39 PM (13 days ago) Apr 10
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It is not 60 years. Peter's description is good. 

Here's a reasonably good summary of U.S. copyright terms: https://guides.library.cornell.edu/copyright/publicdomain

(FYI, I am a (now-retired) lawyer, but copyright was never a focus of my practice.)

Jim Pfau
Saint Paul, MN

Anne Gilliland

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Apr 11, 2026, 6:25:04 AM (12 days ago) Apr 11
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I'm going to wade here to say a few more things about copyright notice (the copyright statement with the (c) symbol, rights holder, and the date) and the public domain.  I am a lawyer who specializes in copyright, but I am not giving formal legal advice to anyone here or forming an attorney/client relationship. I'm also not making a final statement on the copyright status of DETROIT or any other material in any edition of the Sacred Harp or any other text.

As others have pointed out, If you're working a lot with retrospective copyright determinations, Cornell University's chart on Copyright Term and the Public Domain is an essential resource.  Cornell staff update it at least annually as the public domain grows and more often when the law changes.  Note that it is most useful for works first published in the United States as texts, and it doesn't attempt to identify every turn and twist of international copyright law.  

When using the chart, it’s important to remember that unpublished retrospective works have different copyright terms from published works and that works first published abroad often have different--and often longer--U.S copyright terms.  That said, works first published or first registered in the U.S. before 1931 are in the public domain as of today. That date will change with the new year, absent a change in the statute. 

If you keep reading down the section of the chart titled "Works Registered or First Published in the U.S.," you'll see that the rules for U.S. copyright terms from 1931 to 2002 are kind of a mess.  During that period, we had a series of shifting requirements about copyright notice, initial registration, and registration renewal.  

Mid-twentieth century copyright determinations can be difficult, because, on top of the changing rules, it is often challenging to track whether first publication included notice and because many of the Copyright Office's registration and renewal records are less than ideal.  John Mark Ockerbloom at the University of Pennsylvania has a comprehensive site on accessing and using the best versions of these documents: Copyright Registration and Renewal Records.  Another post in this thread links to some of the FAQs on John’s site. 

Currently in the U.S. neither notice nor registration are required  to form a valid copyright. Consequently, the lack of notice doesn't--by itself--mean that a work is in the public domain. You'll need to look at other factors, too.  As others have noted, the Sacred Harp and other hymnals and tune books are made up of many works by many creators, including texts, tunes, arrangements, fonts, supplementary material, and the compilation itself.  Some publishers acquire the copyrights to all materials that make up the work; others hold a license only. 

--Anne Gilliland



Robert Vaughn

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Apr 11, 2026, 10:39:56 AM (12 days ago) Apr 11
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Anne, Jim, et al.

So, I am understanding correctly -- using  411 Morning Prayer as an example -- that copyright renewal would be required for any specific work written in 1936. That is, when The Original Sacred Harp as a book was copyrighted in 1960 (within 28 years) did that cover all copyrighted works in it, or would Morning Prayer (and each individual copyrighted song) need a specific application to the Copyright Office for copyright? The fact that the Publishing Company prints "Copyright 1936 Sacred Harp Publishing Company" at the bottom of Morning Prayer implies to me that they think it is under copyright. Or are they just providing historical information?

Thanks.

Sing on,
Robert Vaughn 
Mount Enterprise, TX
Ask for the old paths, where is the good way
For ask now of the days that are past...
Give ear, all ye inhabitants of the land.

Anne Gilliland

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Apr 11, 2026, 6:35:17 PM (12 days ago) Apr 11
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Robert, I'm going to give a very lawyerly vague answer to your question as best I can, given that I don't own a copy of the 1960 Original Sacred Harp.  In fact, the answer would be vague even if I owned a copy.  Often, compilations like hymnals and shape note books are collective works that are made up of a number of works with various copyright statuses.  The collective work has a copyright, and the various works that make up the compilation may have copyrights as well. Those copyrights may be of various durations or held by someone other than the compiler.  Other works in the compilation may be in the public domain. 

The Copyright Office has a circular on Multiple Works that discusses registration of the collective work vs. the individual works and lays out the limited situations where the registration of a collective work also covers registration of the individual works.  The circular is written for the present day; you might need to do some more research to confirm the Office's practice in the past and exactly how it applied to renewals.  

I'll be glad to talk more about this, but it would probably be best to take more conversation off the list in case others are ready to move on.

--Anne

Robert Vaughn

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Apr 11, 2026, 10:20:34 PM (12 days ago) Apr 11
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Anne, thanks. This is mostly just a curiosity to me, though I would like to understand it. I don't suppose it has much practical value -- unless perhaps there is someone out there who wants to do a revision of a 1936 copyrighted song and would need to be clear on whether it is actually under copyright. As far as the 1960 book, all I can say is that the cover page says it is copyright by the Sacred Harp Publishing Company. Interestingly, Paine Denson was a lawyer. I have no idea whether he had any expertise in copyright law.

Thank again.

Sing On,
Robert Vaughn 
Mount Enterprise, TX
Ask for the old paths, where is the good way
For ask now of the days that are past...
Give ear, all ye inhabitants of the land.

Cook Tim

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Apr 12, 2026, 3:09:28 AM (12 days ago) Apr 12
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Thanks to everyone for your information.

 

Samuel, yeah, I hear Hugh McGraw singing the raised 6th in that clip, too, but in my software, when I put a sharp on the last eighth note of "idol" in "And turn each cursed idol out," it just sounds wrong to me.

 

Karen, yeah, I retypeset DETROIT in Japanese using MuseScore. Not that any of y’all could correct my Japanese 😉 but here it is:

https://drive.google.com/file/d/1WOgSHeuu4D67t-3qoyIzwdHdqI_MDUN1/view?usp=sharing

 

To everyone else, I’ve found this song in lots of different books dating back to the 19th century, including the main Japanese hymnal used in Protestant churches in Japan, so I’m going to assume copyright of the tune itself isn’t an issue. However, I started wondering if Japanese translations of GOD OF THE NATIONS, NEAR AND FAR would be. There are two translations in Japanese hymnals, one in an older hymnal and the other in a newer one. I want to use one with DETROIT and the other with ST. AGNES, the latter of which being the tune that hymn is usually set to in English-language hymnals. Neither translation is really a translation as much as the same general sentiment, one just subjectively feeling to me more like the archetype of sweet church hymns like ST. AGNES and the other not exactly what you’d call “sweet.” The Japanese hymnals don’t even mention who the translator(s) is/are.

 

If use matters, the whole reason I’m doing this is to sing peace-related hymns at an anti-war rally I’m planning with other people. I’d hand it out to the singers/protesters and to passersby as well.

 

~Tim

 


差出人: fasola-di...@googlegroups.com <fasola-di...@googlegroups.com> Anne Gilliland <annetgi...@gmail.com> の代理で送信
送信日時: 2026412 6:29
宛先: Robert Vaughn <rl_v...@yahoo.com>
CC: Fasola Discussions <fasola-di...@googlegroups.com>
件名: Re: [fasola-discussions] Dorian or Aeolian or both?

 

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