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Irene
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There was, in some places still is a tradition of teaching Sanskrit as part of a PG course in regional Indian literature. Gradually students who are looking for ways of easily receiving the degrees for career advantages are finding inclusion of such courses an unnecessary burden imposed on them. But we need to make them realize that for a teacher and student of classical literature in regional Indian languages, background in Sanskrit and shaastras is at least as important as the background in classics and classical works in Greek and Latin for the students of classicist or neo-classical works if not all works in the modern European languages.
On Sat, Sep 7, 2019 at 4:25 PM Praveen R. Bhat <bhatp...@gmail.com> wrote:
--Namaste Prof. Nagaraj ji,I'd left a comment on this video in the earlier uploads at Gurukul Prakalp. Here it is just, FYI:Sir, unfortunately, some traditional Gurukulas have tied up with the Universities and while implementing the latters' syllabus to bring "modern value" to their teachings, they have dropped some Nyaya, etc, as well! I'm sure you all at Indic Academy know that the reason as to why (under what kind of influence) the University syllabi have dropped shAstras needs to be fixed as well, for this Gurukula-University effort to be more successful. Congratulations and thanks for all your effort.Kind rgds,
--Praveen R. Bhat
/* येनेदं सर्वं विजानाति, तं केन विजानीयात्। Through what should one know That owing to which all this is known! [Br.Up. 4.5.15] */On Sat, Sep 7, 2019 at 3:36 PM Nagaraj Paturi <nagara...@gmail.com> wrote:This is part of the playlist shared in an older post by Sri Dattaraj-ji.
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Yet if the only form of tradition, of handing down, consisted in following the ways of the immediate generation before us in a blind or timid adherence to its successes, “tradition” should positively be discouraged. We have seen many such simple currents soon lost in the sand; and novelty is better than repetition. Tradition is a matter of much wider significance. It cannot be inherited, and if you want it you must obtain it by great labour. It involves, in the first place, the historical sense, which we may call nearly indispensable to any one who would continue to be a poet beyond his twenty-fifth year; and the historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his own contemporaneity.
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Chair Professor, IIT-Madras.
Senior Fellow, ICSSR, New Delhi.
Academic Director, Swadeshi Indology.
Nominated Member, IIAS, Shimla.
Former Professor, CAHC, Jain University, Bangalore.Former Director, Karnataka Samskrit
University, Bangalore.
Former Head, Dept. of Sanskrit, The
National Colleges, Bangalore.