How to count "akshara" in तत्सवितुर्वरेण्यं

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Vineet Chaitanya

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Sep 8, 2020, 3:26:57 AM9/8/20
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I have no background in छन्दशास्त्र, so kindly excuse me for a very elementary question:
How to count "akshara" in तत्सवितुर्वरेण्यं? Should I first break it as:
तत् सवितु: वरेण्यं?
I have practically not much background in Sanskrit. So you may direct me to some English or Hindi online source.
Regards

उ॒ज्ज्व॒लः

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Sep 8, 2020, 3:43:04 AM9/8/20
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आप वर्णविच्छेद करके स्वरों की संख्या गिन सकते हैं। वही अक्षरसंख्या है।

Nagaraj Paturi

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Sep 8, 2020, 3:45:40 AM9/8/20
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त  (1) त्स ( 2) वि (3) तु (4) र्व (5) रे (6) णि( 7) यं( 8) 
भ  (1) र्गो ( 2) दे (3) व (4) स्य (5) धी (6) म ( 7) हि ( 8) 
धि (1) यो ( 2) यो (3) नः (4) प्र (5) चो (6) द ( 7) यात्‌ ( 8) 

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Nagaraj Paturi
 
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Director,  Inter-Gurukula-University Centre , Indic Academy
BoS, MIT School of Vedic Sciences, Pune, Maharashtra
BoS, Chinmaya Vishwavidyapeeth, Veliyanad, Kerala
BoS Veda Vijnana Gurukula, Bengaluru.
Member, Advisory Council, Veda Vijnana Shodha Samsthanam, Bengaluru
Former Senior Professor of Cultural Studies, 
FLAME School of Communication and FLAME School of  Liberal Education, 
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Sreejit Datta

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Sep 8, 2020, 3:55:30 AM9/8/20
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Thank you for the scansion, Dr Paturi. This is very helpful. 

With gratitude,
Sreejit Datta

Venkatakrishna Sastry

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Sep 8, 2020, 4:46:08 AM9/8/20
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Namaste

 

 

I made a simple table, as below, to see how would this mantra -akshara classification by scripting, saying and transliteration models.   

 

The ' akshara- count' traditionally refers to ' varna- akshara -svara' combine'  as basis for classification.( This  accounts for the time , elongation:: maatraa -kaala, accents).

 

The script based ' akshara classification is helpful to identify the  units -sequence needed for pronunciaiton; but may need a different template to calculate the 'akshara -count/ word -letter unit count'.

Still contemplating on the implication of this analysis .

 

 

 

 

BY SCRIPTING CONVENTION OF DEVANAGARI (CURRENT PERIOD )

Laghu-guru prastara of Chandas

(Laghu- ; Guru- | )

IAST Transliterated

ISO1919

1

  (1)

|

ta  (1)

ta  (1)

2

त्स ( 2)

 

tsa ( 2)

tsa ( 2)

3

वि (3)

vi (3)

vi (3)

4

तु (4)

|

tu (4)

tu (4)

5

र्व (5)

rva (5)

rva (5)

6

रे (6)

|

re (6)

rē (6)

7

णि( 7)

i( 7)

i( 7)

8

यं( 8)

 

|

ya( 8)

 

ya( 8)

 

9

  (1)

|

bha  (1)

bha  (1)

10

र्गो ( 2)

|

rgo ( 2)

rgō ( 2)

11

दे (3)

|

de (3)

dē (3)

12

(4)

|

va (4)

va (4)

13

स्य (5)

sya (5)

sya (5)

14

धी (6)

|

dhī (6)

dhī (6)

15

( 7)

ma ( 7)

ma ( 7)

16

हि ( 8)

 

hi ( 8)

 

hi ( 8)

 

17

धि (1)

dhi (1)

dhi (1)

18

यो ( 2)

|

yo ( 2)

yō ( 2)

19

यो (3)

|

yo (3)

yō (3)

20

नः (4)

|

naḥ (4)

naḥ (4)

21

प्र (5)

pra (5)

pra (5)

22

चो (6)

|

co (6)

cō (6)

23

( 7)

da ( 7)

da ( 7)

24

यात्‌ ( 8)

 

|

yāt– ( 8)

 

yāt– ( 8)

 

 

 

Regards

BVK Sastry

Vineet Chaitanya

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Sep 8, 2020, 7:19:56 AM9/8/20
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Ujjwala ji,
I counted that and I am getting 7 but it should be 8 as far as I know.
Regards


On Tue, Sep 8, 2020 at 1:13 PM उ॒ज्ज्व॒लः <ujjwal....@gmail.com> wrote:
आप वर्णविच्छेद करके स्वरों की संख्या गिन सकते हैं। वही अक्षरसंख्या है।

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vasantkumar bhatt

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Sep 8, 2020, 7:37:55 AM9/8/20
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नमस्कार ।
मूल संहितापाठ में,  प्रथम पाद में 7 अक्षर ही हैं । त-त्स-वि-तु-र्व-रे-ण्यं- ।। किन्तु एक अक्षर कम होने पर, उसको अष्टाक्षर पाद बनाने के लिए,  प्रातिशाख्य के नियमानुसार,  ण्यं  -अक्षर में एक अक्षर नया जोड़ कर,  णियं - बनाया जाया है,  = उस तरह से उच्चारण किया जाता है । ऐसी अक्षर बढाने की प्रवृत्ति को,  प्रातिशाख्य में "व्यूह " संज्ञा दी गई है  ।।
वसन्त भट्ट 



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Vineet Chaitanya

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Sep 8, 2020, 8:15:04 AM9/8/20
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नमस्कार वसन्त कुमार भट्ट महोदय जी,
                आपने मेरी समस्या हल कर दी.
                बहुत बहुत धन्यवाद.
सादर विनीत चेतन्य

Vineet Chaitanya

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Sep 9, 2020, 7:00:27 AM9/9/20
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I thank all the scholars who replied to my elementary querry.
I learnt some thing from each of the reply.
Regards
Vineet Chaitanya

Ashish Sharma

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Sep 9, 2020, 11:08:48 AM9/9/20
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Dear Learned Scholars

I have small confusion and hence request you all to clear that too:
1. वरेण्यं  and वरेणियम् has same meaning or different?
2. In other 2 ashtapada, it has been written in 8 aksharas then why first pada, rishi has written in 7 aksharas? They have written in 7 aksharas while speaking, we are using 8 aksharas. Why they followed this style? Any insight behind this system?

Waiting for your answer.
Best Regards

Ashish Sharma
OSD to the President
Indian Council of Astrological Sciences

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Ashish Sharma

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Sep 9, 2020, 11:08:49 AM9/9/20
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Dear Learned Scholars

I have a small confusion and hence request you all to clear that too:
1. वरेण्यं  and वरेणियम् has same meaning or different?
2. In other 2 ashtapada, it has been written in 8 aksharas then why first pada, rishi has written in 7 aksharas? They have written in 7 aksharas while speaking, we are using 8 aksharas. Why they followed this style? Any insight behind this system?

Waiting for your answer.
Best Regards

Ashish Sharma
OSD to the President
Indian Council of Astrological Sciences

Nagaraj Paturi

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Sep 9, 2020, 11:47:03 AM9/9/20
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Dear Sri Ashish Sharma-ji,

There is no difference in meaning between वरेण्यं  and वरेणियम् . 

Rishis did not WRITE any of the mantras. 

Veda mantras have been oral right from their origin. 

They have been metrical in their origin. 

The metrical regularity in them is by / from their birth. 

So the वरेणियम् version is part of the mantra right from its origin and has been preserved all through in the tradition of its recitation from the guru to sishya and his sishya and so forth. 

  वरेण्यं  version is reconstructed by those who looked for the grammatically correct version from this metrically correct natural original version.

They provided an explanation for why sometimes the metrically correct versions are different from the grammatically correct versions. 

That is the explanation mentioned by Prof.  Vasantkumar Bhatt.  


 

vasantkumar bhatt

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Sep 9, 2020, 9:55:54 PM9/9/20
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प्रिय आशिषशर्मा, 
एक दूसरे उदाहरण को देखिए:-
त्र्यम्बकं यजामहे,  सुगन्धिं पुष्टिवर्धनम् । . .. इत्यादि मन्त्र के पहले पाद में भी 7 अक्षर हैं । अतः वहाँ  पर भी 8 अक्षर बनाना आवश्यक है । इस के लिए व्यूह करके ( = इको यणचि । सूत्र से प्राप्त होने वाली सन्धि में,  जहाँ संयुक्ताक्षर में यकार अथवा वकार सुनाई दे वहाँ, ) इय एवं उव - जैसा उच्चारण करके, पाद को अष्टाक्षर बनाया जाता है । यथा- त्रियम्बकं यजामहे ।।
शुभाशंसाः ।

Sivasenani Nori

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Sep 9, 2020, 10:19:48 PM9/9/20
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Please refer to the sutra of Pingala इयादिपूरणः ।३.२॥ which sanctions usage of इय and उव for the sake of pada purana, as found in तत्सवितुरवरेणियम् and दिवं गच्छ सुवःपते. This is the sutra explained by Dr. Bhatt. 

Regards 
N Siva Senani

Madhav Deshpande

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Sep 9, 2020, 11:25:15 PM9/9/20
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नमस्ते डा. वसन्तकुमार भट्ट जी,

मैं ने "त्रयम्बकं यजामहे" ऐसा पाठ भी सुना है । अष्टाधयायी के "इको यणचि" सूत्र में जो सन्धि सिखाया गया है, वह संस्कृत की और बोल भाषाओ में अन्य रूप से होता था इसका प्रमाण टीकाओं में उद्धृत किये हुए इस वचन से मिलता है - "इकां यण्भिर्व्यवधानं व्याडिगालवयो:" । व्याडि और गालव के अभिप्राय से "त्रियम्बक" रूप सिद्ध होने में कोई प्रत्यवाय नहीं है ।

धन्यवाद

Madhav M. Deshpande
Professor Emeritus, Sanskrit and Linguistics
University of Michigan, Ann Arbor, Michigan, USA
Senior Fellow, Oxford Center for Hindu Studies

[Residence: Campbell, California, USA]


Ashok Aklujkar

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Sep 9, 2020, 11:29:25 PM9/9/20
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The following two publications should help in the present context:

by Barend A van Nooten; Gary B Holland; Harvard Oriental Series. Publ. by the Department of Sanskrit and Indian Studies, Harvard University,  Cambridge, Mass. USA. 1994. 

Thomson, Karen and Jonathan Slocum, eds. 2006. The Rigveda: Metrically Restored Text. A corrected version of the preceding. Linguistics Research Center, The University of Texas at Austin.

I do not know if either is available as an electronic text.

a.a. 

Venkatakrishna Sastry

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Sep 10, 2020, 12:01:46 AM9/10/20
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Namaste  Ashish Sharma

 

I am responding to your question in two parts. First part is from Classical langauge position. Second is from Vedanga Jyotisha position.

 

Classical langauge position:  The conceptualization of 'AKSHARA' for ' articulation ( uccharana)' - is not dependnet upon the scripting mode.

 

The < वरेण्यं  and वरेणियम् >  difference  carries articulation place and effort differences  ( sthana-prayatna of ' VARNA- AKSHARA SAMYOGA/ AANUPOORVI' ) .

 

Different splits- differing results is the simple logic and insight. Wave graphs will be different for both.  This has a pointer to the right teaching - learning- use of  Gaayatri mantra per veda.

ण्यं  = (ण्  + य् + अनुस्वार )  =  मूर्धानुनासिक  व्यञ्जन + अन्तस्थ व्यञ्जन +    अनुनासिक व्यञ्जन  transformed to अनुस्वार  =  एकाक्षर - ( गुरु अक्षर)

 

 

णि-य-म्   = ( ण् + इ + य + म् ) =  मूर्धानुनासिक व्यञ्जन +  तालु स्वर + अन्तस्थ व्यञ्जन + अर्धाक्षर ओष्ठ अनुनासिक  व्यञ्जन = अक्षर द्वय  or   सार्ध-अक्षर-द्वय (लघु- गुरु अक्षर )

 

 

I hope that this detailing  helps you to see the difference: ( I have not elaborated on Swara and Kaala- bala - samyoga -devataa - part, speed of pronunciaiton called ' gati', level of ' japa'-pronunciation called  loud- soft/ upaamshu - maanasa  .  These details are public knowledge in practicing  tradition for  over a millennia ; and are   part of Samskruth Vyakarana studies in   ' Vaidika -Sandhya- vidhi/ training and practice'.  

This entirety is technically called ' Maitra- upaasanaa':: (simply) tri-kaala sandhyaavandanam'. 

The importance of  this is  explained  by  Manu: :    कुर्यात्- अन्यत्- न - वा - कुर्यात्मैत्रो ब्राह्मण उच्यते . Each of the gaayatri mantras in  practice as    मानव- गायत्री , विश्वामित्र गायत्री, देवता-विशिष्ट गायत्री  are different.   (Detailing on this  is not needed at this point.)

 

The same mantra occuring in two different vedas  with different applications -context invoke different  langauge- context sensitive phonation and articulation related  praatishaakhya rules.  

 

To learn the details of these, for practice and application, one needs a  full  theory and practical discourse on'  Shikhsaa  and Pratishaakhya  of each veda and   prayoga -difference' . That is learning the theory and practice of the phonation of sounds and sequences  as  prescribed for  ' Chandas' and ' Bhashaa' parts.  Scripting is an important necessary part of document; but not sufficient.

 

This part of ' Oral and Practical Traditional knowledge' has sufferend a great deal  in the past three centuries due to several reasons.  One of the  main reasons being dismemberment of 'Yoga' part of Samskrutham, known as ' Vak-yoga' in Vedas. The agencies responsible for this dismemberment are the educational institution syllabus makers themselves.

 

In the current mode, Panini studies have taken approach of  ' historic langauge -study model' than the real traditional guidance as ' Muni-Traya Sampradaya with anchor to srimad Bhagavad-gita - Vak-yoga sampradaya'.  The technical definition of Muni  comes from Gita:   मुनिर्मोक्ष-परायणः   ( यतेन्द्रियमनोबुद्धिर्मुनिर्मोक्षपरायण: | विगतेच्छाभयक्रोधो य: सदा मुक्त एव स: ||-२८|| ) . Therefore, Munitraya sampradaya needs to be understood as   'Moksha parayana- (Yoga) Traya sampradaya'.  

 

The contribution of 'Astrologers and ayurveda practitioners' is  no less in making this damage to ' Veda and Samskruth studies'. Assessing this damage and setting a course correction for this is a different issue , which can not be detailed on a public forum exchange of views.

 

Vedanga Jyotisha position:  I  am responding on this second part as I notice your signature line  reading    < OSD to the President Indian Council of Astrological Sciences   > .  If in the tradiiton, as Prof. B.V. Raman said,  Jytoisha and Vastu  are  in reality  ' Vedanga / Upa-Vedanga',  the  veda -mantras provide the 'parihara':: remedial solutions for human problems. The two versions of gayatri mantra  < वरेण्यं  and वरेणियम् > have different ' parihara- phala', as they belong to different vedas and different aplication modes.   The apparent split in script is not due to scripting convention. It is not even slackness of pronunciation, regional difference, deviant  pronunciation  ( =  Desha- Vaktru - kaala - uccharana bheda/ dosha ).

 

  It is  a specificity  of  ' Articualtion for Meditation to delvier a 'phala- parihara'.  In the current period, the teaching and practitioners of ' Jyotish' seem to carry fancy ideas of ' Graha-chaara related Phala- Parihara' . Much of the prevelant practice of yajna-vidhi, mantra parihara  prescription and consumer practice  needs a tremendous clean up for langauge and  yoga-science part of it.

 

This dimension of 'Vednaga Jyotisha' is known only to some of the senior members,  in your central body. This area is a very special Vedanga Jyotisha related research  and can not be elaborated in detail on a  public forum post like this.

 

Suffice it to say, the question you have asked has < Deep Insights, linked to the right understanding and practice of ' Jyotisha ( Astrology) as ' Vedanga- Jyotisha' ( Veda- Yoga Science of Divine , the TIME -Yoga :: Kaala-Yoga). The applications relate to the right diagnostics   using D-20 chart  and identification of right ' Graha-Devataa- Mantra Gayatri  for the four Purusharthas, linking it to the dasha-bhukti-antara up to Sookshma- Prana  dasha.  The ' AKSHARAS/  BEEJA-AKSHARAS ' of Mantra have ' Devataa association'  and  ' PRAANA- YOGA' association. The split of < वरेण्यं  and वरेणियम् > splits the 'Devataa - Prana - yoga'. The out come will be different.

 

In this sense, Doctor and   Jyotishi both have to depend   upon the ' TRUST' of the  ' SEEKER- Client'. It is a call for responsible and respectable practice of Vedanga Jyotisha.   

If a doctor  advises/ administers  wrong medicine, using wrong diagnostics,   the  health of patient gets affected.

Similalry ,if Vedanga Jyotishi   advises/ administers  wrong Mantra/ Prayoga, using wrong and non-vedic/ non-yogic diagnostics,   the  ' Swasthya- Saukhya::  health and wellness, the  KARMA  of patient gets affected.  There are social and spiritual consequences.

 

Veda is  called ' MANTRA '.  Veda is realized and adminsitered through YOGA. The Langauge of Mantra , Veda, Yoga is called  SAMSKRUTHAM. The vedic name of  Samskrutham is VAK-YOGA.

In this sense, VEDNAGA JYOTISHA means  'MANTRA- ANGA - JYOTISHA/ YOGA- ANGA - JYOTISHA/ SAMSKRUTHA- ANGA JYOTISHA.

 

The right adminsitration of 'MANTRAS' is through right use and split of AKSHARAS .  

The JYOTISHI need  training in YOGA-SAMSKRUTHAM for use of 'Samskrutham as  VAK-Yoga.  Different splits- differing results is the simple logic and insight.

 

If interested , for  more information. please  write  privately. At least some of the members on your board know me in person and my views on the need to upgrade Jyotish to 'Vedanga Jyotish' studies. 

.

vasantkumar bhatt

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Sep 10, 2020, 12:19:17 AM9/10/20
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Respected A. A. Ji, 
अ अ । इति पाणिनिसूत्रानुस्मरणपूर्वकं (!) प्रणमामि भवन्तम् ।।
Namaste  ! 
I am obliged by this information.  I will try to find out the same. 
( I do remember about the long debates between Father Astreler and Pt. K. V. Abhyankar ji, in various A. I. O. C. Sessions.  about the topic.  )
Regards 
Vasantkumar M Bhatt 



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vasantkumar bhatt

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Sep 10, 2020, 12:26:30 AM9/10/20
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प्रो. देशपाण्डे जी, 
सादर नमस्कार । आपने उचित ही बताया है । तथा पिङ्गल मुनि के सूत्रानुसार महाकवि कालिदास ने भी कुमारसम्भवम् में "त्रियम्बकं " शब्द का विनियोग करके पादपूर्ति की है- ऐसा स्मरण हो रहा है ।।

Venkatakrishna Sastry

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Sep 10, 2020, 4:22:24 AM9/10/20
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Namaste

The invocation of 'Pingala Chandas Shastra/ sutra with Halayudha
commentary' makes the discussion more complicated and deeper. More
questions to explore open up.
The questions are like : Which of the 'Gayatri' and as what ' Structure,
text as given letters, akshara - division' is being taken as reference in
the debate ?
To justify which reading as valid as against the other one ? Why invoke
Panini for the Sandhi split rule, where Pingala looks for ' Filler (
Poorana) ?
How one justifies the rule base invoking < प्रातिशाख्य के नियमानुसार ….
एक अक्षर नया जोड़ कर …. बनाया जाया है, > ? A meddling with the mantra
structure - split and usage ??

I place below some snippets from Pingala's chandas shastra with halayudha
commentary. My understanding is that more research is needed to educate and
understand the right use of 'Gayatri'- as a vedic technical structure, with
given letters, split and clustering of akshara segements ( by pairs,
triads, quintuplets…), the laghu-guru classification, the svara marking,
and a host of other factors like devataa. Simplistic and partial
justifications open up room for more confusion.

The snippets placed below seem to justify the usage < वरेण्यं and
वरेणियम् > in very specific contexts as explained in Pingala's commentary
. The change in application and meaning may have a similar, equally complex
' traditional debate and final verdict for a practice' in Vyakarana and
Nirukta. We have not touched these disciplines in their totality. The
floating popular view that ' Gayatri mantra' is universal and can be
chanted/ sung/ used in a free for all manner is not justified by any text
of tradition. The traditional stand is ' Get the required Samskara and use
gayatri mantra properly to get the benefit' . The name of the samskara is '
upa-nayana'. The 100 -level intro training is learning correct phonation
(Shikshaa- Chandas) before going to grammar and semantics (Vyakarana -
Nirukta).

The application of Gaaytri with this right backdrop yields the right '
parihara- phala' sought by the user, more specifically in vedanga Jyotisha.
This is the VINIYOGA ( as Dr. Yadu has said in many earlier posts;
VINIYOGA term is a part of the traditional declarations before Gayatri
mantra and pooja/ japa : Jape viniyogah'. Many seem to have inappropriately
substituted the 'Yoga sutra technicality of ' tajjapah tadartha-bhaavanam',
poorly ransalted as' understanding the meaning of the mantra ! Additional
justification for inappropriate action is drawn from Nirukta : yadadheetam
AVIJNAATAM, nigadenaiva shabdyate. The karma-yoga techniclity of the three
terms -< viniyogah'.- tadartha-bhaavanam', -AVIJNAATAM> are diferent and
distinct.


The start with ' general over view, this thread started on how to count
'aksharas' which needed deeper thinking, especially for Vedas. The
opening of this post contained a statement : < आप वर्णविच्छेद
<https://www.rbsesolutions.com/solutions-for-class-6-sanskrit-vyaakaran-varn
-vichaar/> करके स्वरों की संख्या गिन सकते हैं। वही अक्षरसंख्या है। > The <
वर्णविच्छेद
<https://www.rbsesolutions.com/solutions-for-class-6-sanskrit-vyaakaran-varn
-vichaar/> > got us to the point of < वरेण्यं and वरेणियम् meaning > .
The issue of < मूल संहितापाठ… अष्टाक्षर पाद बनाने के लिए, प्रातिशाख्य के
नियमानुसार…. एक अक्षर नया जोड़ कर …. बनाया जाया है, = उस तरह से उच्चारण
किया जाता है । ऐसी अक्षर बढाने की प्रवृत्ति को, प्रातिशाख्य में "व्यूह "
संज्ञा दी गई है |>. The technicality of < व्यूह > was explained as <
व्यूह करके ( = इको यणचि । सूत्र से प्राप्त होने वाली सन्धि में, जहाँ
संयुक्ताक्षर में यकार अथवा वकार सुनाई दे वहाँ, ) इय एवं उव - जैसा उच्चारण
करके, पाद को अष्टाक्षर बनाया जाता है । >

This got connected to Pingalas Chandas sutra 3.20 < invoking the rule : 3.20
snippet below.
https://archive.org/details/ChhandaSutra-Pingala/page/n36/mode/1up

Here came the difficulty , in understanding and applying the rule to the
context.




This rule applies to ' paada' of ' gayatri' as the third section adhikaara
reads. Thus in third chapter of Pingala, Gayatri- paada means eight
aksharas.

The rule seems to provide a POORANA (=FILLER) SVARA/ AKSHARA in
between at a specific point. The split of ण्यं -- to णियम् is step wise:


Rule Application:
[( ण्)+( यं) ] -- [ ( ण्)- पूरण स्वर ( इ) + यं/यम् ) ] [ णि +
( यम् / यं ) ] [ Vasant kumar bhats explanation is illustrated here. This
modification is in one special text of gayatri.
I did not what prevents the तु in सवितुर् not to be affected by
the same rule ?! The mantra would have become [ तत्सवि- तव----
र्वरेण्यं ] and still retain the 8 letters rule ]


Any rule in Pingala's Chandas shaastra refers to ' Akshara-count'.


The general tag of ' GAYATRI gets more specific classifications in Pingala .
The classifcation basis is explained :





The Commentator explains ' GAYATRI variations from ' One letter to
several letters, with illustrations . Pingala is not the only source to
explain the diversity of chandas in veda mantras :

The several names of Gayatri and its variants are : एकाक्षरं छन्दो गायत्रीति
संज्ञायते .... आसुरीगायत्री प ञ्च दशाक्षरा ....प्राजापत्या गायत्री
अष्ट्टाक्षरा भवति ...यजुषां गायत्री षडक्षरा भवति ...... द्विः-कृता
द्विगुणिता षट्-संख्या साम्नां गायत्री इतित् संज्ञायते ......त्रिगुणिता
षट्-सम्ख्या ऋचां गायत्री भवति । यत्र कवचित् वेदे अष्टादशाक्षरं छन्दः तत्
ऋचां गायत्रीति संज्ञायते .. साम्नां, ऋचां, प्राजापत्यं, दैवी, याजुषी,
आसुरी, ब्राह्मी गायत्री,





I hope this helps to deliberate more deeply on ' Gayatri' and all other
Chandas as well as Veda mantras .

Regards
BVK Sastry


From: bvpar...@googlegroups.com [mailto:bvpar...@googlegroups.com] On
<https://www.rbsesolutions.com/solutions-for-class-6-sanskrit-vyaakaran-varn
-vichaar/> करके स्वरों की संख्या गिन सकते हैं। वही अक्षरसंख्या है।
--

winmail.dat

Ashish Sharma

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Sep 11, 2020, 11:47:24 PM9/11/20
to bvpar...@googlegroups.com
Dear Sastry ji

Thanks for your reply. I'm really helpful for you.

I will be really happy if will get personal guidance from you.

Best regards
Ashish Sharma

Ashish Sharma

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Sep 11, 2020, 11:47:25 PM9/11/20
to bvpar...@googlegroups.com
धन्यवाद वसंत महोदय जी
आपके द्वारा मार्ग प्रशस्त करने पर मैं कृतार्थ हुआ।
आगे भी मार्गदर्शन मिलता रहे, यही अनुकंपा बनी रहे।

सेवक

आशीष शर्मा


Nagaraj Paturi

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Sep 12, 2020, 12:38:09 AM9/12/20
to Bharatiya Vidvat parishad
Which is the right order ?

The mantra had वरेणियं from the beginning and we are viewing it as a metrically suitable version of वरेण्यं ? 

or 

The mantra should ideally have had  वरेण्यं and we are reading it as  वरेणियं for a correct count of syllables as per the meter and such a reading as per the requirements of meters is 'sanctioned' by the shaastra ? 

My view is that the former is the right approach. 

Not just in the case of Veda mantras and not just because of the sacred attitude. 

When you collect folk songs too, you collect them as they are sung. When you see 'ungrammatical' elongations, shortenings etc., you would look for the grammatically correct versions of them and see them as the musically/metrically adjusted variants of the grammatically correct versions. 

But nevertheless, the 'ungrammatical' elongated, shortened etc., versions are the naturally, originally born versions and hence the 'right' versions. 

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