No Country for Old White Men
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I don't care if our species would never reproduce again, why can't everybody
be like me? Old, stupid, uneducated, white and impotent.
Emasculated white men love Donald Trump: The real reason a billionaire bozo
rules the GOP
Trump's rise is directly related to a certain white male limpness -- and their
fear of a female president
1. The Siegfriedian super-provider
The Donald instinctively appeals to them in their moment of prolonged personal
crisis that has deep cultural and economic roots.
With his near-Neanderthal looks, albeit one with hair that is beyond the range
of human evolution, Trump provides a perfect shield to protect men against
their current existential fears.
Many American men have fears of failing their wives and families as
“providers.” Enter Trump, the instinctive, but – despite occasional missteps –
at the core amazingly sure-footed psycho-political strategist.
With his constant references to how many people he employs and pays, he casts
himself, at least subliminally, as a super-provider.
Talking of archaic forces in play, it is no exaggeration to say that today’s
American men feel downright emasculated, especially considering how they were
raised with, or socialized to, rigid gender norms and expectations.
2. The anti-Hillary shield
Not only do they have to contend with a world where women are more successful
at university level.
Coordinating careers and family lives, American women have also proven vastly
superior to men when it comes to multitasking – a pivotal attribute in our
ever more complex lives and workplaces.
U.S. women have also managed to shrink the income gap. The “glass ceiling” – a
longstanding construct to protect less productive men from better-qualified
women – is seriously cracking in the United States.
Among young professionals, women are ever more widely recognized as the real
performers. And, according to photo-rich essay features even in such noble
places as The New York Times Magazine, in colleges it is now increasingly the
women who go on the hunt.
In addition to reversing the old hunter-gatherer model, it is also no longer
men who necessarily bring home the larger share of “the bacon.”
As a result, American men – by tradition presumed to be the “strong” ones –
now increasingly feel as if they are the weak gender.
It is not an overstatement to say that the constant references to male
“strength” may have been human history’s most successful PR campaign.
The fact that they cannot really admit to weakness in a society that still
emphasizes male strength so much – just witness the still existing contrast
between hunky American football players and cheerleaders – only makes the
problem worse for them.
3. The American dreamer
As the contrast between that expectation and men’s self-perception as meek and
beat becomes ever more undeniable, Donald Trump enters the stage. Whoever
feels the blues that way must be smitten by the performance of Donald, the
Primordial.
While Arnold Schwarzenegger’s entire image is rooted in being muscle-packed,
Trump’s is that he gets his way with good-looking women, whether on reality TV
or in real life (and all of it while doing high-powered business deals).
His admiring audience is sure of one thing: The Donald never backs down when
challenged by women, including by the steeliest of them.
The implicit message and his direct appeal is clear: How many other men do you
know who are as folksy and down to earth as Trump, while also being
spectacularly rich?
To be sure, Trump’s is the vulgar version of the American Dream. But, unlike
so many of his admirers, at least he still gets to live it – and in a truly
full-throated version.
His may be an admittedly garish version of that dream. Nevertheless, a vast
pool of people who no longer harbor any delusions about themselves longs to
partake in his dream life.
4. The lancer
In many ways, Trump acts like the rough-hewn courtier of a bygone era. He
operates on the basis of some very straightforward principles.
These may be repugnant to some, but prove remarkably effective in an American
operating environment: Never apologize. Never back off. Always be on the
offensive – and count on the other side retreating.
Based on this stance, despite all his relative ignorance and rudeness, Trump
simply oozes confidence. Under his wing, men feel paradoxically protected.
He acts a bit like the medieval knight who, full of unshakable belief in
himself, rides straight ahead at the opposing knight, certain that he will
knock him off his horse.
Most amazing of all, Trump doesn’t seem to care even to put his visor down as
he accelerates on horseback to lance his opposing number.
5. The underdog
At a popular level, Trump manages to capture the emotional elixir of many
Hollywood movies devoted to the subject of being elected President of the
United States. Kevin Kline’s “Dave” (1993), Chris Rock’s “Head of State”
(2003) and Robin Williams’ “Man of the Year” (2006) — all in their own ways —
are thus scripts for the Trump campaign.
What these Hollywood dreams all have in common is that they feature a
completely unlikely candidate as being on the road to take the White House.
Virtually every of these movies has a moment at which the prospect of getting
elected president has become wholly unlikely. Only a truly bizarre turn of
events unfolding could still deliver what is otherwise a certain failure of
the campaign.
As with Trump, these movies’ particular narrative arc is that the candidate’s
ultimate success becomes all the more certain as serious, basically
insurmountable obstacles are thrown his or her way.
6. The mirror image
Trump is a true nightmare for the Republican Party. In the past, it excelled
in driving forward policies that benefitted the country’s rich, while putting
up candidates for President who were not all that rich — and certainly not
ostentatious about it.
Trump makes mincemeat of that finely calculated “modesty.” He personifies the
exploitation of nearly every business loophole game ever served up by the U.S.
Congress. For Democrats, he is the personification of the “greed is good”
message which Michael Douglas first made famous, playing Gordon Gekko (what a
perfect moniker for Trump) in his 1987 movie “Wall Street.”
Trump embodies exactly what the current Republican Party and their highly
elitist and utterly materialist philosophy stand for — however much they
refuse to see that. His rhetoric and style are perfect displays of what the
Republican Party has wrought with its turns over the past two to three
decades.
7. The devil
Trump plays a doubly devilish game — not just regarding the Republican Party,
but especially so regarding Hillary Clinton.
Archetypal leitmotifs aid him in that effort. The late 17th century Salem
witch trials, which occurred in what was then known as the Province of
Massachusetts Bay, are the main reference point of mass hysteria directed at
women on the territory of today’s United States.
Recall that Hillary Clinton is regularly perceived among significant swaths of
the Republican Party electorate as a “witch” – if not a label even less
charitable – and is constantly made the scapegoat for all of America’s
problems (e.g., Benghazi), at least as far as they cannot be laid at the feet
of its first Black president.
Inserting crass and admittedly archaic approaches into political races is part
of the American political tradition, even though they have so far primarily
taken the shape of race-baiting and religion-baiting – not gender-baiting.
The rules of the campaign game in this regard are simple: You can do it, if
you can get away with it. That, in turn, requires one not to leave any
fingerprints during the act of transgression, so that one cannot be judged as
being out of line.
This goes beyond attacks on Hillary. As if to salvage himself from charges of
gender baiting, Trump is also acting as a “devil” vis-à-vis other Republicans
as he plays games with them on women’s issues.
The party has subliminally used its anti-abortion stance as a “wedge” issue,
to create a sharp contrast to Democrats. More fundamentally, it has used this
issue as its very own way to hold women in check to this very day.
Enter Trump. He upsets the Republican apple cart with a simple two-step
maneuver: First he deliberately highlights his rivals’ anti-women policies and
he then creates a strong contrast to his own positions – by vowing to stand up
for “the whole issue of women’s health.”
This move is designed to go right at the party establishment’s current
standard-bearer Jeb Bush.
During the recent flap about Planned Parenthood, the third Bush who finds
himself in the race for the White House has argued in favor of excising any
funds for the organization from the federal budget.
Hard though it may be to believe, on women’s issues – of all possible issues!
— Trump is really a master class in effective political communications.
While bedeviling the Republican Party, he manages at the same time at least to
neutralize some of those charges from the liberal camp about him being a
misogynist.
Achieving all this while knowing that his own political appeal very much rests
on capitalizing on nourishing deep-seated fears among men about being
dominated by women begs disbelief – if it weren’t so real.
Consider what may well happen next: If and when Trump gets to the main event,
being selected as the Republican candidate presumably against Hillary Clinton
as an opponent, he can then perform another masterstroke.
In the general election campaign, he could argue to Democratic voters that he,
Trump – with his views on women’s issues – has done more to alter traditional
Republican Party position than anybody else.
Trump’s goal is self-evident. He wants to further confuse the party faithful
and toss up the race.
8. The killer executive
Ever the one to up the ante, Trump has already cleverly staged his
self-inoculation against further charges of misogynistic tendencies.
Talking about women in business in particular, he has stated that “They are
amazing executives. They are killers.”
Ever the dialectician(!), what is ostensibly intended as a compliment to women
also creates further fear in men. In his own imagery and experience, Trump
isn’t just referring to them as competent executives, but – via the killer
analogy – as veritable business Amazons.
While using that phrase as an anti-misogyny shield for himself (toward women
and liberals) among his core constituency of meek men, that killer image also
conjures up the mortal fear of Hillary, the Democratic Party woman who is
marching ever closer toward being the country’s top executive.
To all those living in fear of that, the subliminal message is clear enough:
Who else but Trump, the “killer” executive, can stop her?
9. The gambler
We don’t know whether Trump has read his Dostoyevsky. Most likely, he hasn’t.
And yet, he surely acts like a character out of the 19th century Russian
novelist’s dark work.
Call it genius, dumb luck, unbelievable or whatever, but where it’s game over
for everybody else, Trump always manages to find a new trap door — for himself
as much as for other people’s emotions.
What is truly unbelievable, as shown above, is how he is often able, in one
fell swoop, to find an answer for the very different calculations and emotions
of both sides of the political equation.
Trump’s campaign manager may be none other than a famous imaginary character —
Alexei Ivanovich, the central character in Fyodor Dostoyevsky’s 1867 novel,
The Gambler.
Like a figure right out of Dostoyevsky, Trump himself – through often bizarre
turns – plumbs ever greater depths of the American national character.
To the frustration of both Republican and Democratic Party political
operatives, at least so far he has managed to get away with his big gambles.
10. The greatest reality TV producer
The missing link in transporting Dostoyevsky right into the America of today
is “reality” TV. It thrives upon keeping audiences hooked on wanting to know –
from one commercial break to the next, week to week and year after year — what
new, crazy low its main characters will reach.
The success or failure of each of those shows is directly related to the
ability of the producers of those shows to select the right characters.
Ideally, they have a totemic appeal (like Trump), which allows the show to
reach – and stay connected to – the largest possible audience.
Trump is a master of that art from his shows on NBC. His biggest campaign
weapon thus is the subconscious connection that is embedded in so many
Americans’ psyche today.
For the viewers, these shows are a pressure valve. For Trump, it is the
ultimate thing money cannot buy – a tool to entertain himself, while casting a
true spell over the entire nation.