I had written, to little response* in the r.a.sf.movies group:
>>
'70s sf, a decade I believe can be described
with the sports reporters' phrase, "a tale of two halves." Actually,
it would be "a tale of the first three quarters and the last quarter,"
but that's a mouthful for a sports reporter, and -to be fair- they are
likely referring to the halftime break for regrouping and adjusting
that games have and decades don't.
Movies from the early part of the decade seemed dedicated to pointing
out how much the present sucked. On the sf front, it seemed the only
thing worse than the present is the future. To alliterate: Stepford
Wives, Smog Monster, Soylent Green, Silent Running. The most
optimistic of the bunch may have been Colossus: The Forbin Project.
Mankind may lose control of the Earth to our silicon creation, but at
least we are safe from nuclear destruction. Losing it to simians did
not give that guarantee, as Beneath the Planet of the Apes showed.
Not quite 75% into the '70s was the one-two punch of Star Wars and
Close Encounters of the Third Kind (with, arguably, Superman: The
Movie as the cementing blow) which separate what came after from what
came before.
>>
(On the literary side, my impression of the early '70s can be summed
up in two words: John Brunner. That may be unfair, _Total Eclipse_
did not make me feel like I should kill myself now.)
If TCM did air Star Wars (a project made difficult by their insistence
on showing a 1977 print (which I hope and believe they would insist
on)) a companion "road to Star Wars" set of '70s movies would be
Conquest of the Planet of the Apes (it is said the Wookiee in
McQuarries artwork reminded 20th Century Fox of their successful
series), Dark Star, Silent Running, and Lucas's own THX-1138. The TV
series Space: 1999 had effects Lucas admired, and technicians he would
later hire, but TCM is dedicating itself only to theatricals, so not
even the cobbled-together two-episode movies would get a showing.
--
-Jack
* None
--
-Jack