If Tim is still compiling lists of animals, I forgot to mention that
the Master prepared to sacrifice a chicken at the end of episode
4. This is edited out of the reprise in episode 5, meaning that
anyone who missed it first time round will have no idea what Jo
is reacting so strongly to.
I also forgot to mention how great Azal's face is. And I'm not the
only one who thinks so, since it was reused without permission
as a Fire Demon in the Horror Top Trumps cards:
http://hypnogoria.blogspot.co.uk/2015/09/tomb-of-trumps-06-devil-priest-pack.html
And now on to the fifth and final episode...
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Bok, who can and does disintegrate people, doesn't do so to
Mike Yates. Instead, he just settles for zapping Mike's gun out
of his hand. (That's the advantage of being a main character!)
Although the Master's alien allies have usually been ready to
betray him at the slightest opportunity, the villagers here have
to be persuaded to do. Does this mean humans value loyalty
more than aliens do? Or just that we're more stupid?
Miss Hawthorne shows some human stupidity of her own,
when the Doctor is trying to tell the villagers that the Master
isn't a wizard and the secret science of the Dæmons is still
science. Her blurting out "But that is magic! That's precisely
what black magic is!" isn't going to help. Is her pride in her
chosen belief system so great that she's prepared to see the
world destroyed for it?
Worse, the programme _never_ establishes what the difference
between magic and science actually is, despite everyone's
continued insistence on its importance. (For those of you
playing along at home: if something's reliable enough for you to
make testable, accurate predictions based on it, then it's
science; if it's not, then it isn't. I'm simplifying, of course, but
that's roughly the idea.)
Sgt Osgood has actually taken the trouble to make a printed
label saying "Boost" for the energy buffer's booster switch.
Maybe if he hadn't spent time doing stuff like that, he would've
finished a lot quicker!
Talking of the energy buffer device, I'm still not sure how it's
supposed to work. It's generating the tunnel in the heat barrier,
but the tunnel doesn't move when it does. It's powered by
cables from a nearby HT pylon going to what looks like a
normal three-pin socket on an extension lead, but it overloads
after it's been unplugged. Does any of this make sense to you?
Master: "You realise, of course, that you're a doomed man,
Doctor?"
Doctor: "Oh, I'm a dead man. I knew that as soon as I came
through that door, so you'd better watch out. You see, I've
nothing to lose, have I?"
The serial's first scene of Pertwee/Delgado verbal sparring. I
hadn't realised how much I missed it. Why did the writers have
to keep them apart for so long?
One bit of that verbal sparring became the focus of controversy
for fandom in the 90s. Some fans felt the Doctor was being too
soft on Hitler by only calling him a "bounder". That misses the
point about how the Doctor was taunting the Master with a
perfect example of the three-stage burn. First the Doctor almost
seems as if maybe he could be agreeing with the Master: "I seem
to remember somebody else speaking like that." Then he casts
doubt on that by calling the man a "bounder", and finally
reveals it was Hitler or Genghis Khan. In its proper context,
this is a great line.
What's not so great is the Doctor just plain refusing
custodianship of Earth. Even though he doesn't want it, he
could just accept, never use it, then formally set Earth free.
Instead his own stubborn pride means he'd rather try to
persuade Azal to set Earth free right now, even though that was
never going to work.
Meanwhile, back in the churchyard, the bazooka can
temporarily incapacitate Bok, but not destroy him. Why don't
they just keep firing it at him every time he recovers?
And now we come to the moment I've been dreading: the
resolution. To call it a "deus ex machina" is an insult to all
gods and all machines, ever. Azal the Dæmon gets so confused
by Jo's impulsive attempt at self-sacrifice that he acts like an
eighties Dalek: he glows, spins round, yells "Irrational!
Irrational! There is no data!" and explodes!
What must life be like on the planet Dæmos if its inhabitants
explode whenever they get confused? And why does Jo's
impulsive self-sacrifice confuse Azal, while the Doctor's earlier
"I know I'm a dead man," didn't? And why would aliens whose
entire science is based on people's irrational emotions be so
confused by someone acting emotionally and irrationally
anyway?
Maybe this ending could work as part of a supernatural-based
horror story. It would still be a cliché, but at least it would
make sense. It just plain doesn't work in a story that keeps
trying to tell us how rational and scientific it all is. The Dæmon
may be defeated, but the Doctor has lost the ideological battle.
(Luckily, next time he faces an ancient alien who helped inspire
the Satan myth, victory will depend on real science: the time for
a radio signal to travel from Mars to Earth.)
On the bright side, there's a really nice fakeout, where it looks
like the Master will get away at the end again, as usual, only for
the Doctor to bring him back using the remote control we first
saw in episode one.
Doctor: "Look after him [the Master]. I want to deal with him
later."
Master: "Do you, Doctor? You always were an optimist, weren't
you?"
Doctor: "Thank you for the compliment."
Here we have the first hint of the Doctor wanting to reform the
Master, which would eventually play out in Capaldi's last
season.
Finally, for Tim: Miss Hawthorne notices that the birds are
singing again.
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All in all, very uneven story. That's only to be expected, since
this is DW's first ever attempt at gothic horror, and that is a
very difficult genre to do well, just because it's all too easy just
to go for the spooky atmosphere without having a story that
makes sense.
Many of DW's later gothic stories would do it much better, just
because they learned from previous mistakes. (OTOH one very
gothic story didn't learn and repeated the whole "Sleeping alien
scientist in a buried spaceship is awakened and plans to
destroy the Earth because he thinks his research has been a
failure, but becoming confused by people's behaviour causes
him to explode, destroying him and the building he's in"
storyline completely. But that's an exception.)
But, ironically, it's because "The Dæmons" is so different and
experimental that makes it the most perfectly typical Pertwee-
era story, since the Pertwee era's Earth exile arc was in its own
way just as much of an uneven experiment.