This might be very easy, but some testing is required to know if it will work, and you might need two cameras for each NDVI installation.
The typical trail camera has a near-infrared mode so that it can take photos or video at night using NIR LEDs as illumination. (It could also do this with visible light LEDs, but they might scare away the wildlife.) The camera might have two separate cameras for visible and NIR capture, or maybe a filter is moved behind the lens.
The camera probably decides to use visible or NIR mode based on a light sensor. This would make it easy to hack with a piece of black tape over the sensor which could put the camera into permanent NIR mode. That would allow you to take timelapse NIR photos at will. Another unmodified trail camera could take matching RGB photos and the pairs could be aligned and used to produce NDVI images.
An important issue is whether the NIR mode is pure NIR or just full spectrum. In other words, is it a camera with no IR cut filter or a camera with the IR cut filter replaced with a visible blocking filter. If it is a full spectrum camera, you should add a visible blocking filter like a Wratten 87. If you add this in front of the lens it will compromise the tidy weatherproofness of the camera, so some engineering might be required.
Another issue is whether the NIR mode can handle full sunlight. It is designed for night time photos with weak IR LEDs, so it might automatically crank the ISO way high. This adds crazy noise to the little sensor and the photos are grainy. A quick test can determine whether an NIR photo taken in daylight is acceptable.
Another issue is where the daylight sensor is. If this is a separate sensor, it is easy to cover up. But they might use the camera as the light sensor, and you can’t cover that up and also take photos. So you need to find the light sensor.
If the camera has a separate light sensor, it should be possible to make NDVI images with only one of these cameras. The sensor could be covered with a housing with an LED in it. When a normal RGB photos was desired, the LED could be lit by a microcontroller, and when an NIR photo was desired, the LED could be turned off. In this way, pairs of RGB and NIR photos could be taken sequentially. I’m not sure how you would synchronize the microcontroller and the trail camera intervalometer. This might require a clever hack, but there is plenty of clever around.
Another desirable hack would be to disable the NIR LEDs which waste battery power when you are taking NIR photos in daylight. This could be done either with a strategically directed soldering iron or a more generally aimed hammer.
Chris
Hi all- this is a great question, and we did try it a long time ago, when trail cams were not very good resolution:
https://publiclab.org/notes/warren/6-27-2011/slideshow-modifying-plantcam-timelapse-infrared
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Above: The Bushnell Trophy Cam. The light sensor which determines whether to use normal or NIR mode is labelled.
Above: This is a photo from the Trophy Cam in NIR mode with normal room lighting and the NIR LEDs covered up. It looks like a normal grayscale photo, so I assume it is a full spectrum photo (RGB with NIR mixed in). A pure NIR photo would be very dark and grainy (or require a long exposure) because the room lighting does not have a very large proportion of NIR.
Above: a color photo from the Trophy Cam with an 850 nm NIR LED in the scene. The color histogram is for the marquee on the purplish glow of the LED. The camera is apparently slightly more sensitive to 850 nm light in its red channel compared to the blue channel. Because this is a color photo, the IR cut filter was in place in front of the sensor, but some NIR obviously passes through it. This photo was taken by exposing the light sensor to lots of light but blocking most light from the scene captured by the camera.