I've only had a chance to listen to it once so far, but I love what I
hear: the restored Deep in My Heart, Dear with Ann Blyth -- her Come
Boys, Let's All Be Gay Boys is included as well, incidentally -- which
manages to combine the best of the various takes (from both singers),
and which must have taken Mike weeks to splice together; Summertime in
Heidelberg (as we hear it in the film, with Ann's voice overlapping
Mario's velvet-voiced entry); I'll Walk With God in the best possible
sound, with that final B-flat ringing out gloriously; Serenade with
the magical orchestra intro (and another clever edit from two
different sources); and many other highlights. In fact, the only track
that didn't work for me was the (non-Mario) Tavern Song, which didn't
sound anything like the Romberg I know :-)
Mike's even included Lanza recordings from the film that didn't appear
on RCA's version: A Mighty Fortress (the hymn that Mario sings at the
beginning of the film) and Ergo Bibamus. The only thing we're missing
is the elusive What's To Be, which presumably still exists in a vault
somewhere (though I don't know anyone who's heard it).
Above all, what Mike has done is bring together the best sound sources
for every one of the 1952-3 Student Prince recordings. No commercial
CD achieves this; nor, for that matter, does the film soundtrack.
Mike's version also fleshes out the musical itself so that we hear
more of the score -- the Prelude to Golden Days, for example. While
we'll never have a "complete" Lanza recording of Romberg's score, this
CD comes perilously close to achieving that goal.
Bravo, Mike!!
Having just received and listened to the CD, I fully concur with
everything Derek has written- what a magnificent job Mike has done!
As I have said to Mike privately, I am absolutely delighted with the
sound-with Mario sounding as if he is right there in front of me.
Mike has also done a wonderful job in blending and editing the various
numbers-I particularly love the prelude to Golden Days. An added bonus
is the inclusion of the remaining songs from the original soundtrack
that have never seen the light of day on any RCA release.
Great art work as well, with a beautiful cover and some clever
superimposing of Mario’s head on Purdom’s body.
This is by far the best and most complete compilation of a score that
includes some of Lanza’s greatest performances in the English idiom.
A magnificent achievement Mike!
I too have been a bit tardy in replying due to some issues that arise for all of us from time to time.
I must agree with Tony. I think this is your best effort yet and that's certainly saying something after the other two wonderful CD's you produced. Want a pity the world in general can't hear them.
You put Sony and RCA to shame...but then this was a labour of love and theirs were only commercial productions.
You certainly did Mario proud and if he could hear this CD I am sure he would grab your hand,give you a bear hug and say "Thank you, my friend"
Jan | ||
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I loved the way you began "Thoughts" with the orchestral lead-in and
then Ann Blyth, etc, before reverting to Mario. Very effective -- and
real lump-in-the-throat stuff.
Promise me that you'll remaster Caruso Favorites for us one of these
days! In fact, the lusciousness of the sound on Thoughts Will Come to
Me makes me want to hear all of the 1959 recordings similarly restored
:-)
It's been over three months since the last post on this thread, but I can't let the year end without adding my two cents worth to the praises that have been heaped on Mike’s magnum opus. My copy of the CD, a replacement for the one that got lost in the mail, was sweet-naturedly handcarried by Mike to a friend of mine in New York City, who in turn handed it to me in Manila two days before Christmas. It was the only non-Christmas CD that was played during our family Christmas dinner.
There may be no such thing as magic, but to my ears, Mike’s Student Prince CD comes pretty close. Showing no audible signs of “cobbling,” the sound offers astonishing clarity even on my low-end headphones, together with the sense of Lanza singing right there in the room with me. This aural sleight-of-hand has kept me coming back to get lost in his ravishingly dreamy Serenade with its magical prelude, his rapturously passionate Beloved, his achingly haunting Thoughts Will Come to Me, and his deeply moving I’ll Walk with God.
Extra points for the marvelous, meticulously crafted artwork
and the professional-quality, setting-the-record-straight liner notes. As I
told Mike privately, the amount of time, talent, and himself that he has put
into his labor of love is awesome and humbling.
A million thanks, Mike, for this treasure. If I were a music
critic, I’d call it “indispensable.” But since I’m just a garden-variety music
lover, I say it’s “to die for.”
Cheers,
Lou
The raw material for this "opus" came from five different sources, don't ya know; from LP, tape, Laserdisc and from a couple of different CD’s. As the end result has delighted so many recipients out there, I'm quite pleased (over 30 copies sent out to date). Aside from the obvious blending of multiple sources in Thoughts Will Come To Me and the Tavern Song / Mighty Fortress composite (to try to emulate what was seen & heard in the film) the Orchestral Intro was the version from the ‘Original Album Classics’ CD and the Orchestral Conclusion was concocted from the LP of the 1959 stereo remake.
There were a couple of not-too-evident "fixes”: I took the time to remove Ann Blyth's vocals from Deep In My Heart, Dear and carefully insert those from a soundtrack outtake (on the subsequently-withdrawn-from-release Rhino MGM CD). That was quite tricky as the pitch was slightly different. ) I also had to change the pitch on the previously unheard Prelude insert (from an old LP source) to match Mario's vocal on Golden Days. I was quite pleased with the results there (many of you indicated to me privately that this was your favourite bit of ‘Macadamedia' manipulation).
For the record: Summertime In Heidelberg, the Serenade, Summertime (Reprise), Deep In My Heart, Dear and I'll Walk With God were taken directly from the soundtrack of my copy of Armando's M-G-M Laserdisc (the Serenade’s prelude was spliced in from the film outtake on the aforementioned Rhino MGM CD). These were the best renditions of all the takes available. They were all processed and dynamically balanced through the Audio Editing Suite here in my multimedia "dungeon".
I had not listened to this work for awhile, so today I put on Mike's gorgeous treatment of the SP.....WOW!....Sounds like you are actually on stage with Lanza and the orchestra. Kinda makes you sad when you are shown what the commercial producers could have done to enhance the technology and choices of the Lanza products. I am forever indebted to the glory of Mario's voice as well as to the charity and technology of our Mike McAdam. Bravo. Mike, Joe
I want to join all of you who have praised Michael's work on his "Student Prince" CD. You did it, Michael! My copy got to me yesterday and on a beautiful day in Connecticut,
my wife and I sat on the deck with a cool drink and listened to the entire CD. Your sound production is excellent and, as Derek stated, the packaging is delightful. If only Mario
and Ann had been able to do it together. I admire the juxtapositioning of the numbers. You should go on line, Mike, and see if Sony has an opening for engineering supervisor
with a special key to its vaults!
All the best to everyone and thanks for the fresh memories.
I think this topic is closed but just had to post about what happened this last week... I was very sick with Flu & chest/throat infection but I had been asked to sing at a funeral, I lined up a very good Mezzo-Soprano to take my place but the family had asked for "I'll Walk With God", their mother's favourite song. I agreed to set a good sound system & play Mario's recording at the service, well, Mike I listened carefully to several versions I had of Mario's "I'll Walk With God" up to the new mono RCA release but I couldn't go past your amazing reproduction on your ultimate Student Prince cd. I played the recording in our Cathedral at great volume & it just made everybody crumble, they remarked on never having heard the recording sound so good & the mezzo who had never heard Mario or this recording said she wasn't going to follow that... I have to say it have me goosebumps!!!