Trevor's advice is rock solid. You can go CRAZY with recording equipment, but a lot of it comes down to your goals. I also have the weird perspective of having had a brief career in audio engineering when I was a lot younger, so I learned a lot about how to suss out the best on a budget.
We don't have a dedicated studio but we do have all of the gear available in one of our meeting rooms, which we've also given some light (but essentially invisible) acoustic treatment.
We decided to keep it simple and focus on people recording 1 or 2 people max (but the same setup would be easy to upgrade to 4x)
- This
Tascam 2x2 Audio Interface is $150 USD. It takes approx 60 seconds for any mere mortal to learn even if they've never used a piece of audio gear. The quality is very good for the price, you can get slightly better for more but not that much better without spending way more.
- We got a pair of
these Shure 87A's and they are incredible. You want the
super-cardioid style because they are VERY directional, basically only picking up the person directly in front of the microphone. This removes crosstalk of your people being picked up on each others' microphones, and even more importantly, makes it so you don't need an isolation booth to keep the outside world out of your audio.
Good microphones make everything else easier. We've had ours for 3ish years now, there might be a newer option out there but I'm very very very happy with these microphones. - Basic XLR cables to go between the Tascam and the microphones are pretty cheap, you can get whatever Amazon recommends.
- Since we use the room for things other than recording, we learned that the spring loaded boom stands are in the way the rest of the time....and frankly the cheaper ones fall apart quickly anyway. More recently we opted for tabletop microphone stands like these. - This is a "nice to have" but a good idea: we got one of these headphone splitters so that at least the host could put on a pair of headphones on to listen in live and make sure the audio quality is good. Some guests like wearing studio headphones too. Many don't (it's weird AF to listen to yourself in real time as you talk and takes practice getting used to). I like having both options and for $7 yeah.
I also really like the ATR2100's as a microphone to keep in my backpack for doing things like intros and ad reads, but for the studio I wanted something that would make editing easier and better mics will essentially always cut time/costs on the editing side.
That's about it for audio gear. With this setup people can record directly into their own computers using Garage Band (mac only) or Audacity (cross platform) both of which are pretty easy to learn the basics on Youtube, or through a quick informational session as a newbie on the recording rig.
For the room itself, our room happens to be a strange shape (one wall is at a 45 degree of the rest) which is good for keeping the sound from bouncing around at right angles. Our floors are carpeted with basic FLOR carpet tiles, and ceilings have basic acoustical tiles in the grid. The big thing is to avoid or hide unnecessary flat/glossy surfaces cuz they are echo machines. We hung a curtain rod over our whiteboard so a curtain could be pulled to cover it. We also mounted some foam tiles behind 3 pieces of art, basically tucked inside the recess of the canvas. The art looks awesome and the panels help soak up some sound.
With the door closed on this room there's a little bit of sound leakage if someone is being loud on either side, but those super-cardioid microphones don't pick up anything unless you're within a few inches of the mic.
The best part about the podcasting setup is how it's brought people together.
We have members who know how to use the rigs, do basic editing, podcast promo/marketing, etc. This means newbies interested in creating a show can turn to each other for help. I know Trevor's crew has a whole podcast network in place, which is something we're definitely aspiring towards this year.
The other really cool thing is how it's been a way to invite people who don't come to work during the day to come and hang out, and introduce their podcast guests to Indy Hall.
We don't charge for recording time right now, you just need to be a member. In a few cases we've started asking people to mention us in the show, especially if we know that their audience overlaps with ours.
In more than one case, a podcast has become someone's "gateway drug" for getting more connected into our community. Plus it's hella fun.
-Alex