> The inference of 'quenching thirst' in VI.40 is consistent with a subtle hint regarding a quench incident for Geneva's Large Hadron Collider. And use of the verb "semondre" in IV.31 line 3 suggests the Chastisement, potentially meaning 'invited' as well as alternately 'reprimanded,' 'chided,' or 'chastised': this term should be applied to the mass-fatality action in the final line, yet line 3 ironically has the 'disciples' of a 'new sage' with unique notions chastising him into immortality.
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DAY AFTER MOCK WEDDING
IS NARBONNE AND ANCONA
22 March 2015, 9:52 a.m. CEST (3:52 a.m. EDT)
The 'wedding configuration' for Venus and Mars on 21 March now seems to be a 'buffer' day between the 20 March eclipse and the catastrophic event. Juno's current reign will terminate when Vesta enters Pisces on 29 March 2015 at 1:26 a.m. CEST. Ceres at Midheaven coincided with Venus at the East Point on 16 March at 9:47 a.m. CEST; on 22 March these aspects will be 19 minutes apart - the East Point will be only four minutes of a degree beyond Venus' position at 9:52 a.m. CEST. The hagiology of 22 March includes Saint Paul of Narbonne, along with Saint Benvenutus Scotivoli of Ancona: both Narbonne and Ancona have numerous mentions in the quatrains which could be relevant. The Narbonne references sometimes have 'Mars' connected, which could indicate the month of March (as well as the planet Mars), yet the original name of the port town established in 118 BC was Colonia Narbo Martius. For Ancona the list of verses would have II.74, III.43 and VII.74; Narbonne appears in a suitable context in I.99, II.59, III.92, IV.94, VI.56, IX.34, IX.38, IX63 and IX.64.
The date is also the 52nd anniversary of the release date for The Beatles' debut album (issued 22 March 1963), apparently prepared as a subliminal homage to Christ's Ascension, launching the legendary song catalog subtly featuring events throughout the life of Jesus. Even the lyric about "a week or two" in "Do You Want To Know A Secret" has a scriptural source regarding the timeline from Resurrection to Ascension. The public perception of sexual innuendo and dance rhythms dominated, so it was not considered their cover of the Isley Brothers' "Twist And Shout" was chosen for the operative lyric 'up,' as well as its orgasmic tonal ascents. Use of the 'heavenly' celeste doubling the guitar solo on "Baby It's You" was an instrumental clue.
With Juno reigning for about another week, the post-eclipse 'first-cousin marriage' done, the Venus at East Point trigger slipping further from the time Ceres is at Midheaven, the 22 March date seems ideal. That is in expectation of the Messianic Law of the Sun ultimately prevailing; under the seer's Venusian law, which currently holds the public consensus, such calculations are absurd, since all events are random. Most eschatologists reading Revelations literally cast other nations in villainous roles, awaiting some military denouement, oblivious to the possibility that the scenarios are playing out more figuratively, in unanticipated ways.
Venus-Babylon is an influence, yet perhaps only a stand-in proxy for the major transgressions of Humanity - the World feels no need to perceive how angels would mourn Jesus, so a divine being wishing to vindicate Him through an Apocalyptic agenda might allow some extreme wake-up call before making a final determination of how souls should be separated on that basis. This last chance could be wasted in negative emotions like anger or fear, without listening and understanding, which would serve to condemn those beyond being reached.