Hi Hugo,
Here are a few mostly more recent suggestions:
@inproceedings{yin2021good,
title={“A Good Algorithm Does Not Steal--It Imitates”: The Originality Report as a Means of Measuring When a Music Generation Algorithm Copies Too Much},
author={Yin, Zongyu and Reuben, Federico and Stepney, Susan and Collins, Tom},
booktitle={Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2021},
pages={360--375},
year={2021},
organization={Springer}
}
@inproceedings{janssen2019algorithmic,
title={Algorithmic Ability to Predict the Musical Future: Datasets and Evaluation.},
author={Janssen, Berit and Collins, Tom and Ren, Iris Yuping},
booktitle={ISMIR},
pages={208--215},
year={2019}
}
I still favour a rigorously conducted listening study with listeners of appropriate expertise:
@incollection{jordanous2019evaluating,
title={Evaluating evaluation: Assessing progress and practices in computational creativity research},
author={Jordanous, Anna},
booktitle={Computational Creativity},
pages={211--236},
year={2019},
publisher={Springer}
}
Kind regards,
Tom
Tom Collins, PhD
"Circus" by human-AI band, The elephants and the, is released Tue 1st Jun