Min's Planetary Awareness Technique Chapter 7
Dr. Min
CHAPTER 7
LIBRA IS the benefic superior aspect of beautiful Venus,
"tipharet" centered in the balance of the kabalah "tree
of life", and was the planetary sojourn of Jesus-Christ
at his birth about an hour forty minutes before sunrise,
at approximately 3:39 AM LAT at the grotto in Bethlehem
near coordinates 35E13 31N42, on Monday August 12, 3 BC,
Venus rising on the Ascendant--third house of horoscope.
The ideal-beauty of Venus is the hope of the world, the
hope of eternal life. Thus it is fitting that the empty
sarcophagus at the end of Taurus, in the King's Chamber
of the Great Pyramid star Alnitak (zeOri at 29Tau53'36"
-25:17'38" J2000) it is perfectly appropriate that the
monumental tomb be filled with the eternal archetype of
life, the aetheric pattern of eternity as symbolized by
the ankh, the hope of resurrection to eternal life that
can never be contained, but is everywhere in the cosmos.
As Cayce said the interpretation of death is made clear:
"(Q) What definite details are indicated as to what
will happen after we enter the period of the King's
Chamber?
(A) When the bridegroom is at hand, all do rejoice.
When we enter that understanding of being in the
King's presence, with that of the mental seeking,
the joy, the buoyancy, the new understanding, the
new life, through the period.
(Q) What is the significance of the empty
sarcophagus?
(A) That there will be no more death. Don't mis-
understand or misinterpret! but the INTERPRETATION
of death will be made plain.
(Q) If the Armageddon is foretold in the Great
Pyramid, please give a description of it and the
date of its beginning and ending.
(A) Not in what is left there. It will be as a
thousand years, with the fighting in the air, and
- as has been - between those returning to and
those leaving the earth."-Cayce\readings\5748-006
Taurus, the malefic or inferior aspect of Venus, is the
rushing forth of mans temporal, sinful i.e. mortal life
beginning at Algol (bePer 1Tau22'40" +22:25'48"), which
is best known as the "evil" star, since it marks the be-
ginning of carnal life, as is made clear in the book of
Exodus, the second book of Torah in which Aaron casts a
"molten" bull-calf then fashions it with a graving tool
[Exo 32:4]--literally a graven image of a youthful bull.
Even the ancient Hebrew word for a bullock or bull-calf
is "lge" {ay-ghel}, which derives from "lwge" {aw-gole},
meaning to revolve or come back around ergo reincarnate.
Clearly the malefic reputation of Algol is specifically
based on the fact that it begins the caelestial sign of
Taurus and no other reason. Whereas, the King's Chamber
specifically signifies eternal life, precisely the ankh
which is the symbol of Venus who empowers both the sign
of Libra and the sign Taurus. Above all, remember it is
the planet who makes its signs, not the arbitrary group
of fixed stars in the sky. Rather those familiar groups
of brighter stars (typically brighter than magnitude 5)
are archetypical iconic projections of souls own images
of the infinite ineffable sephiroth of the major arcana
and the twelve infinite ensigns of the universal zodiac.
Each of the ten planets unique to our solar system is a
vast region bound thereto, i.e. a vast planetary sphere
created according to the same universal law which makes
all systems in the universe tend to conform to the same
divine balance of power, seven by twelve or eighty-four
key signatures of the Gods characteristic of the cosmos.
Terpsichore the beautiful muse of Venus, Goddess of the
dance, one who participates to the music of the spheres.
She is the beautiful ideal woman. She is mature but not
old, fully grown but not aging, the lover of Adonis who
is risen from the depths of Hades. She is called Adonai
and Aphrodite, as the perfect woman for the perfect man,
exactly as Even is for Autumn by the account of Genesis.
Her modality is Ionian. Her pitch key is C above middle
C, the perfect octave at the crest of the wave he mould.
Venus (Tipharet) has been notoriously confused with the
Sun (Hod) by kabalists since about the first century AD.
You can find this in any book or website on the subject,
where the center of the tree of life shows the Sun, not
Venus, in the place of beauty, justice and balance--all
which are definitive qualities of Venus and not the Sun.
This sacrilegious obfuscation among sectarian adherents
has corrupted directly-related studies, particularly in
tarot and astrology for those unaware of this confusion.
This is important since it draws attention to how Venus
intimidates those who fear her tarot trump, the Empress,
the great Goddess of evening whom they don't understand.
The sheer beauty of a woman in the eyes of a man is the
pristine demonstration of Venus' power to beautify life
beyond compare. Thus the universally feminine archetype
of Venus is the crest or apex of the diatonic orbits of
the planets, "crowning" the greater-perfect Ionian mode
on the high C above the center Mnemosyne--who is mother
of the seven diatonic modalities then two more repeated
modes, adding the bass of Urania, making eight diatonic
tones, then Thalia, making nine, then Mnemosyne herself
who completes the ten spheres that are bound to the ten
ineffable sephiroth i.e. the 10 heavens of the universe.
Hence we see Urania, Thalia and Mnemosyne are the three
mothers, having eight, nine and ten tones, respectively.
But Gaea, who is mother of all, is mother of nine muses,
and is number ten Mnemosyne at her geocenter with Pluto.
There is a fundamental difference between the ascending
scales and descending scales. An ascending scale rushes
forth, while the descending scale returns prostrate. Or
as W. Wynn Westcott's translation of the SePheR YeTzYRH
(Third Edition, pub. 1887) reads "running and returning
hence was the covenant made". The covenant, bow or iris,
is made by the ten planets together: the twelve ensigns
which the Gods (Heb. Elohiym) make to the Earth and all
living creatures hereon. The Elohiym, or Vessels of God,
refer to the ten heavens that complete our solar system.
Note that the terms "heaven" and "planet" are perfectly
synonymous as used in this context. Ten heavens/planets
are innately interrelated and dependent upon each other.
There can be no Poseidon without the other nine planets
As each of the heavens orbit the Sun, they make aspects
to the Earth. These aspects are the twelve ensigns that
the Gods make to Earth, each from his position in space.
Remember this golden rule: a planet approaches superior
conjunction on the far side of the Sun, then approaches
inferior conjunction on the near side of the Sun. There-
by is the covenant made. In a nutshell, the ten Gods do
make the covenant with Earth, with all living creatures.
The Gods number ten, and the covenant they make numbers
twelve. Ten planets make their twelve planetary ensigns,
betokening the seven doubles in Hebrew, Greek and Latin,
which letters symbolize the seven planets out to Saturn:
Beth / Beta /B /Mercury
Gimel / Gamma /G /Sun
Daleth / Delta /D /Moon
Kaph / Kappa /K /Saturn
Peh / Pi /P /Jupiter
Resh / Rho /R /Mars
Tau / Tau /T /Venus
And also, the twelve simples in Hebrew, Greek and Latin,
which are the twelve planetary ensigns of this alliance
of the Gods with man, literally of the planets with man.
These signs are the five planets of evening and morning
plus the sign of the Moon Cancer & sign of the Sun, Leo:
He / Epsilon /E
Waw / Digamma /F/V
Zayin / Zeta /Z
Heth / Eta /HE
Teth / Theta /TH
Yodh / Iota /I
Lamedh / Lambda /L
Nun / Nu /N
Samekh / Xi /X
Ayin / Omikron /O
Tzadhe / ~ /TZ
Qoph / ~ /Q
By knowing what this covenant actually is, then we will
recognize who is confirming this covenant with many for
seven calendar years...Messiah the Prince [Dan 9:24-27].
"Let us call a spade a spade."
-old Roman proverb
The apocalyptic battle of Armageddon is being fought in
the war of ten sidereal years, i.e. between souls in de-
parture and souls incarnating. Remember, as each planet
completes one 360-degree orbit of the Sun, then that is
the equivalent of one sidereal year for that particular
planet. Naturally, we earthlings count in earthly terms
like hours, days, weeks, months and years. So we number
Saturn's sidereal year as about 29.45 tropical years on
Earth. One sidereal year of Venus is a lot faster since
she is so much closer to the Sun, taking 0.615 tropical
Earth-years to orbit the Sun once full-circle. Since it
is less than one tropical year, we can count by days or
weeks or months, in this case, Venus takes about 224.70
solar Earth-days for a single sidereal orbit of the Sun.
The point is made. Each of the ten planets has one side-
real year in space. The Moon is fastest of all at 27.32
solar days on Earth. Next up is Mercury, Venus, the Sun,
Mars, Jupiter, Saturn, Uranus, Neptune and lastly Pluto.
This is the actual source of the classic myth about the
"Titans vs. Olympians in the war of ten years" in which
Jupiter reigns victorious over Saturn, leaving Atlas to
hold up the world for the Gods to rule. The iris or bow
is the sign of light just as the octave signifies sound.
As a mans life blood rushes forth red then returns blue,
so the planets go running in red-shift then return pure-
bred, the body is purified and its waste is carried off.
Each inhale is soft, gentile. Then each exhale is harsh
or asperated. Soft is in blue-shift, harsh in red-shift.
|<----Inferior----->| |<-----Superior---->|
| "red-shift" | | "blue-shift" |
| | | |
Aqu Pis Ari Tau Gem Can Leo Vir Lib Sco Sag Cap
Sat Jup Mar Ven Mer Moo Sun Mer Ven Mar Jup Sat
| | | | | |<->| | | | | |
| | | | |<--------->| | | | |
| | | |<----------------->| | | |
| | |<------------------------->| | |
| |<--------------------------------->| |
|<----------------------------------------->|
The fundamental basis for learning, playing and writing
music is the C-Major scale played on the piano keyboard.
This is how one begins learning music theory and proper
fingering--essential elements in basic musical training.
Standard notation for music is the five-line staff with
four spaces between lines. There are normally two clefs
of five lines and four spaces each, the treble clef and
bass clef, also called the G clef & F clef respectively.
The beginner learns mnemonics like "Every Good Boy Does
Fine" for treble-clef lines, and "FACE" for spaces. The
bass-clef lines are "Good Boys Do Fine Always" and "All
Cows Eat Grass". Both bass and treble staffs are joined
together by the middle-C ledger line, thereby extending
the staff above or below its five-line four-space limit.
For musical composition, these combined bass and treble
staffs form the grand staff, which is subdivided by bar
lines delineating whole measures. Each measure contains
either notes or rests between notes, or frequently both.
The duration of any note or rest is indicated by common
time signatures shown at the beginning of a composition
and appear as two numbers, one directly below the other.
The top number is the number of beats per measure while
the bottom number is what kind of note gets one beat. A
time signature of 4/4 for example, indicates that there
are 4 beats per measure and that each quarter note gets
one beat. A time signature of 6/8 indicates 6 beats per
measure and that each eighth note is worth one beat. In
classical and formal composition, entire symphonies and
scores of music have been written for a large orchestra,
or for any instrument or group of instruments within it.
Beyond this the sky's the limit where music's concerned.
Universally, music is deemed the highest form of expres-
sion in existence, and is the best vehicle for teaching
and learning about astrology and its related scientific
and psychic disciplines since music is the basis of the
whole universe and everything in it. Name one exception?
Of all seven primary diatonic modalities (the planetary
muses) none equals Ionian in playability, listenability
and global popularity. The default key signature regard-
less of chromatic pitch is Ionian. A song written in Gb
or F# is automatically major unless specified otherwise.
A song in Gb has 6 flats, and a song in F# has 6 sharps.
An ascending scale is notated in sharp notes, while the
descending scale favors flatted notes. Same exact tones,
but one is ascending while the other is descending. The
sharpened scale tends to be "running away", as a planet
begins to recede after inferior conjunction. In today's
modal nomenclature, we think of steps and half-steps as
moving upward hence the sharpened scale. By the ancient
nomenclature, however, we think of modes as moving down-
ward by steps and half-steps, hence the flattened scale
tends to be "returning". Rushing forth and returning as
the ancient SePheR YeTzYRH so aptly described planetary
motion. That's why the modern-day Ionian is W-W-H-W-W-W
moving up the scale and the ancient mode is W-W-W-H-W-W
moving down the scale, which is Lydian, not Ionian. The
only difference between ancient to modern modalities is
that ancient modes descend and modern modes ascend. See?
Ancient Phrygian downwards equals modern Dorian upwards,
since ancient Phrygian descends by H-W-W-W-H-W, and the
modern Dorian ascends by W-H-W-W-W-H. It's all very sim-
ple, really, but its connotation is profound since both
ascending and descending scales have a definitive place
in our planetary awareness. As with Venus, her modality
is Ionian ascending and Lydian descending. But the rela-
tive position of Venus to the Earth and the Sun reveals
its radial motion and thereby we know its active ensign.
Taurus is Venus "rushing forth", hence ascending Ionian
is the mode of Venus receding by radial velocity. Libra
is Venus "returning", thus descending Lydian is exactly
the mode of Venus closing the distance by radial veloci-
ty. This means that a song written in the key of Taurus
must be written in the key of C#. Likewise, any song in
the key of Libra must be written in Gb. This is not the
same as a planet's sidereal modality but is exclusively
the aspect that the planet is making to the Earth & Sun.
When the soul of a body leaves its body in the dust and
sojourns among the heavens, that soul is moving in real-
time with the sphere of its regathering ergo out of the
white oblivion of death, out from the focus of the iris,
in favor of that sphere(s) where the most remedial work
is needed in the pantheion of its development. Diatonic
coexistence means that the ten heavenly spheres do live
simultaneously in our solar system, and more profoundly,
all ten spheres coexist throughout an infinite universe.
The order of heaven is always inclusive of every planet
in their sidereal orbital order. We can't say Moon with-
out considering the Moon's Aeolian mode as ascending up
the scale rushing forth, and also the Moon's Hypodorian
mode as descending down returning. As with every planet,
the mode of each is made by the six planets of creation
plus the seventh planet of rest with only outer planets'
sidereal modes composed of all seven planets and itself,
so Uranus is eighth, Neptune is ninth and Pluto's tenth.
Hence, the mode of Venus returns to Venus, third heaven
in the sidereal order of our solar system. In the pitch
key of Libra, Venus rules superior, thus is "returning"
by flats in the descending-Lydian mode, commencing on F,
so the descending Lydian order goes precisely like this:
W W W H W W
/ \ / \ / \ / \ / \ / \
7/ \6/ \5/ \4/ \3/ \2/ \1
F Eb Db B Bb Ab Gb
Vir Can Tau Pis Aqu Sag Lib
Mer Moo Sat Jup Mar Sun Ven
R R R R
As you see, the above chart shows that Venus is the des-
tination of the descending Lydian mode beginning on the
F, which is the root tone of the ascending Lydian modal
structure. The order is exactly reversed for the Ionian
ascending mode of Venus inferior which rules in the key
of Taurus, so begins with Venus and runs away in sharps:
W W H W W W
/ \ / \ / \ / \ / \ / \
1/ \2/ \3/ \4/ \5/ \6/ \7
C# - D# F F# G# A# C
Tau Can Vir Lib Sag Aqu Ari
Ven Sun Mar Jup Sat Moo Mer
R
So you see, the music of the spheres is in concert with
the seven fixed diatonic modes transposed across twelve
fixed chromatic tones, which I remind you is the eighty-
four key signatures of the Gods. Once you see this, the
kabalah, tarot, astrology, astronomy, metaphysics, they
all fall into place, and you recognize these are all of
one universal discipline. You see there's no separation
of one from another, but all share light & sound as the
common denominator. Those who claim otherwise are liars,
plain and simple. The music of the spheres is very real.
Venus gets overlooked more than any other planet in our
solar system, not only astrologically or mythologically,
but even the kaballists supplanted her with the Sun cen-
turies ago. Indeed the sojourn of Jesus was the Empress
of heaven Venus--conjunct the Emperor of heaven Jupiter.
Her ascending Ionian and descending Lydian are the mode
of man's creation. The evening of Venus is her feminine
aspect, the evening star who is closing the distance by
radial velocity to Earth, by the descending Lydian mode.
While Lucifer's is the morning star, receding by radial
velocity, running away in the ascending Ionian modality
which is the masculine aspect of Venus, those cast down
from heaven to Earth, those born to live and die in sin.
When Jesus was born, Venus was in inferior aspect right
on the Ascendant above the predawn Sun at approximately
3:42 LMT (+2:20) with Jupiter practically kissing Venus,
both Venus and Jupiter third house aloft ruling Mercury
which just transited the cusp seconds before the Advent:
Mon 12-Aug--2 35E13 31N42
Aldebaran: 15Tau00 -5:36'
/Venus : 28Can24 +0:42'
/Ascendant: 28Can33 ______
\Jupiter : 28Can35 +0:38'
\Psi Leo : 28Can43 +0:12'
Subra : 29Can34 -3:52'
Fortune : 11Leo54 ______
/Mercury : 14Leo01 -3:16'
\2nd Cusp : 14Leo08 +0:00'
Sun : 19Leo10 +0:00'
Moon : 2Vir30 -1:19'
Thus Jupiter was in superior aspect but is fallen under
the weight Mercury, with Moon fourth house, Mars eighth
house, Uranus eleventh house, Saturn first of horoscope.
Looking at Jupiter & Venus from a topocentric viewpoint
at the time must have been breathtaking, since parallax
shows the King and Queen of heaven are nearly conjoined.
This astronomical union is called the Star of Bethlehem,
and he who was born of Jupiter & Venus is called Prince
for exactly this reason: the union of Venus and Jupiter.
The view from Babylon ~44E24 32N33 was nearly identical,
so it's no wonder the magoi (i.e. judicial astrologers)
understood this marriage as portending Messiah's advent.
They set out for Jerusalem arriving 10 1/2 months later
on June 17, 2 BC, with Jupiter & Venus drawing so close
together as to appear as one shimmering star in the sky,
a star so bright as to be visible in the broad daylight,
as the magoi journeyed some six miles to the south from
their meeting with Herod and arriving after sunset with
this perfect union of Venus superior & Jupiter inferior
setting hours after sunset in the western twilight with
the Full Moon rising to the east. Here's the chart 8 PM,
an hour after sunset looking west towards Venus-Jupiter:
Tue 17-Jun--1 35E10 31N42
/Rho Leo : 11Leo38 +0:03'
/Jupiter : 11Leo07 +1:02'
\Venus : 11Leo07 +1:02'
Mercury : 21Can27 +0:46'
/Mars : 11Can00 +1:08'
\Descendan: 10Can06 ______
Fortune : 9Can25 ______
Sun : 25Gem45 +0:00'
Aldebaran: 15Tau00 -5:36'
Moon : 26Sag26 -2:52'
Ascendant: 10Cap06 ______
Notably, the first conjunction before sunrise finds the
planets Venus & Jupiter rising above the Sphinx's right
paw star, Subra (Omikron Leo) on the date & time of his
birth at the grotto in east Bethlehemjudah. This second
conjunction marks the date and time of the Magi's visit
to then 10 1/2 month old baby Jesus, now to the western
part of Bethlehem with Venus and Jupiter together above
the sphinx's left paw star, Rho Leo. Remember, that the
fiducial star Regulus is the royal, ergo "bearded" star,
and marks the heart of the Lion which Sphinx represents.
Even the name of Jesus' birthplace "Bethlehem of Judah",
Heb. "Beyth Lechem Yaohuwdah", means "house of bread be
praised the LORD" (Ge 29:35). Judah is the strongest of
the tribes, hence Jesus is "Lion of the tribe of Judah",
"Root and Offspring of David", "Bright and Morning Star"
or a dozen other revelations which refer to the messiah:
"How you are cut off from the heavens, O Lucifer son of
morning! You are cast down to the earth, making sinful
humans vulnerable"-Isa 14:12 Min's literal translation
Clearly a planet needn't be receding for the sojourn to
occur but is the active-tense of separation, distancing
of the soul from its heavenly realm to its earthly body.
Virtually identical to the Mayan myths of "Quetzalcoatl"
for whom the Mayans reckoned the 584-day synodic period,
which is Venus past inferior conjunction, living in sin
until Venus contends with the Sun in duel near superior
conjunction, and is reborn in the evening skies eternal.
I've covered this in detail in my Compleat Tarot Manual.
Notably, Venus exalts in the aspect of Jupiter-inferior,
which is Pisces, which Neptune co-rules. This is Lydian-
ascending, and is examined in later chapters on Jupiter
and Neptune ergo chapters nine and twelve, respectively.
The popular myth that "Men are from Mars Women are from
Venus" pertains to archetypal qualities of planets, the
eternal archetype of the ten planets and twelve ensigns
which explicitly compose the major arcana of tarot, not
the temporal aspects of planets and signs which pertain
to the daily horoscope, i.e. of eternal soul and mortal
body which explicitly compose the minor arcana of tarot.
The archetypes are spiritual ideals, eternal, universal,
illimitable. Temporal existence draws upon soul's ideal
as it manifests uniquely in our solar system. Similarly,
every solar system in this boundless universe is unique
in its own development, with as many life-forms/species
unique to its solar system as are unique within our own
solar system--provided it has at least one planet which
is able to sustain life...not necessarily as we know it.
Given the tremendous diversity of living organisms that
have come and gone on planet Earth over several billion
years of creative-evolution or evolving-creation, which
ever construct you find favorable to your sensibilities
(those who are creation-only or evolution-only are sure
to see error of their ways someday, just not in my life
time and probably not in yours) our favorite William of
Ockham's razor favors an average solar system as having
at least some lifeform appear over the course of its ex-
istence, from alpha to omega, swirling primordial "star
stuff" until its eventual disintegration, over billions
of years, not Earth years, but as each inhabited planet
counts time. Before Venus' day, the creation account of
Genesis has all earthly existence existing and evolving
by the evening and morning of Jupiter's aspect to Earth,
the fifth day of creation, whose synodic orbit averages
four hundred solar Earth-days, as we've already learned,
i.e. from evening to evening or from morning to morning.
Thus evening to morning/morning to evening is half that.
Before the sixth day of creation is completed, all life
on Earth with every living creature, every beast, every
thing from one-celled amoebae to the most sophisticated
dolphins, every plant, every thing on land, sea and air,
animal, vegetable, mineral from the tropic to the poles,
all is well under way and has evolved for some billions
of years when the pronouncement is made. Man is created:
"The Gods saith 'Let Us make man in Our image,
according to Our likeness, and let them rule
over...all the earth...and God prepareth the
man in His image; in the image of God He pre-
pared him, male and female, He prepared them
... lo, very good; and there is evening, and
there is morning--day the sixth"-Gen 1:24-31
Now the evening and morning of Venus averages 584 solar
Earth-days from evening to evening & morning to morning.
Half that from evening to morning or morning to evening,
i.e. superior to inferior, inferior to superior, respec-
tively. Recall from chapters one, two and three, herein-
before, that the minimum of corporeal existence must be
at least three-dimensional in order to exist in reality.
One or two dimensions are concepts only since they have
no y- or z- axis, or just no z-axis, respectively. Thus
the minimum for the minor arcana to be applicable takes
three or more dimensions, since the major arcana is the
archetypal, non-temporal projection of consciousness or
mental image of ten planets and twelve signs of eternal
universal mind--the supreme "I AM" of the Gods, by whom
the elements of creation were created: Fire, Air, Earth
and Water. As with Venus, her three major arcana trumps
are the Empress, Justice, and Hierophant, which are the
archetypes of Venus, Libra and Taurus respectively. See?
The minor arcana is where the three archetypes of Venus
are temporized into this realm of matter, where planets
are manifest in 3-dimensional existence and beyond with
physical laws which govern its creation, sustaining and
destruction, the realm where elemental triplicities and
qualitative quadruplicities form the twelve court-yards
of heaven of which Venus rules the Court of the King of
Swords (seventh house of horoscope), and Queen of Penta-
cles (second house of horoscope). Venus is always the 3
of Wands, Pentacles, Swords or Cups in conjunction with
the King, Queen and Knight of that elemental triplicity.
It's important to remember what the "elements" of tarot
and astrology actually are, which is charted as follows:
Element Physical Force Quality Suit
Fire - Strong Nuclear - Self - Clubs
Earth - Gravitation - World - Diamonds
Air - Electromagnetic - Consciousness - Spades
Water - Weak Nuclear - Unconscious - Hearts
Of course the suit of "Clubs" is synonymous with "Wands"
"Diamonds" go with "Pentacles", "Spades" equals "Swords"
and "Hearts" are also called "Cups". Likewise the "King"
is "Creator", "Queen" "Sustainer" & "Knight" "Destroyer"
in the twelve houses of the horoscope & whose numbering
is adjudged by the predominant hierarchy of the planets
therein which you'll recall are harsh & soft by letters:
D-Moon,B-Mercury,T-Venus,G-Sun,R-Mars,P-Jupiter,K-Saturn
by their sidereal order. Soft is returning & descending
in superior aspect, while harsh is receding & ascending
by inferior aspect. This is the material basis of Tarot,
as explained thoroughly in the initial chapter of Torah.
As we open the second chapter the heavens and earth are
completed/limited by the seventh of Saturn's mixolydian
modality which is the F or sidereal pitchkey of Jupiter.
I.e. Jupiter limits Saturn (Kronos, Father Time) on his
seventh ascending tone, which is the first hypophrygian
tone descending or returning to Saturn's pitch key of G.
Hence, in the diatonic war of ten sidereal years/orbits,
the key of Jupiter limits the modality of Saturn...it's
that simple. You can hear this by playing in mixolydian
using only white keys of the piano, thus beginning with
G ascending or ending with G descending in hypophrygian.
See how the F-key audibly limits the modality of Saturn.
That's the basis of myth about Jupiter defeating Saturn,
since sidereal is diatonic--all seven white keys of the
piano; synodic is chromatic--adding the five black keys.
Sidereal are the seven doubles & synodic are the twelve
simples that the planets make via rulership in the iris.
Edgar Cayce's psychic insight into mans great antiquity
resulted in hundreds of readings on antediluvian events
and cultures dated hundreds of thousands to millions of
years BC or else in reference to Ab-Ram (Father-Abraham)
or other pivotal persons and events of human prehistory.
Oftentimes, Cayce's readings would indulge the prospect
or client to participate in the psychic reading session,
be that participation unconscious or otherwise. Sources
for information would be tailored to the subject matter,
e.g., astrology readings tapped his astrological source.
As with the Genesis account of Adam & Eve penned by the
old testament saviour Ra-Moses, whose God delivered the
Hebrew-Egyptian slaves out of bondage in Egyptian lands,
Moses repeatedly referred to the first men as the "red"
race (Heb. Mda, pronounced aw-dawm), and first women as
"living" (Heb. hwx, khav-vaw). Hence, Autumn & Even are
commonly used to describe the "fall" and the "night" re-
spectively, just as the night of a calendar year begins
with the autumnal equinox, when nights grow longer than
daylight, and is rightly the evening of the calendar in
the fall, in contrast to the morning of the calendar in
the spring, when daylight begins to exceed the hours of
night. Ever since the fall of Autumn & Even, with Earth
tilting some 23 degrees on its axis and the instability
of the seasons, time has been counted in "times" as two
times per year, divided first at the fall equinox, then
followed by the vernal equinox. The book of Daniel uses
this nomenclature pristinely to describe Nebuchadnezzar
seven times bit-rabid as a beast in the field, in which
the Aramaic Nde (pronounced id-dawn) means from equinox
to equinox, from fall & winter to spring & summer, from
spring & summer to fall & winter (two seasons per year).
Hence Nebuchadnezzar was crazy for 3 1/2 tropical years,
not seven as was previously misconstrued by translators.
Daniel's "2300 evening-morning" prophecy (Dan 8:14) was
given in years, literally 2300 lunisolar calendar years,
with each year subdivided by evening (fall & winter) to
morning (spring & summer). That's no later than 2331 AD,
or 2300 calendar years after His crucifixion at Calvary.
Cayce makes it clear that the first "Red" men projected
their innate spiritual being into thought forms (364-3),
and that these forms were defined by the very nature of
their surroundings, their environment, as men did inter-
act with it to become physically active by the elements
of creation. And in his Dominion over the earth and all
life hereon, continued interactions of creator with his
creation developed soul's attachment with his body, and
its complementary division into the male & female sexes
which would eventually distract the creator into carnal
pleasures and self-gratification by habitual indulgence,
bringing about consciousness of guilt, awareness of the
"Adamic" fall to make a long story as short as possible.
So you see, it is befitting that Jesus souljourned from
Venus, given that Venus' evening-morning of creation is
the conception of humankind in the consciousness of the
universal Gods which are ten, not eleven, ten, not nine.
Perhaps it is mans inherent consciousness of guilt that
has kept Venus at a comfortable distance, the venerated
sphere of evening-morning and modality of Even & Autumn,
of Lydian descending and Ionian ascending, the superior
and inferior aspects of Venus, that is Libra and Taurus.
As an obvious example, consider the code of celibacy in
the Roman church. Since Caesar Augustus was the emperor
at the time John the Baptist and his first cousin Jesus
were born (5 months + 1 day apart), celibate males were
forbidden to inherit property under Roman law. Apostles
of Jesus were mostly married men, and women priestesses
were commonplace, presiding at eucharistic meals in the
early days of the church. Even the first pope Peter was
married. By the 4th century however, the Nicene Council
of 325 AD decreed that an ordained priest mustn't marry,
and by 352 AD, the Laodicean Council decided that women
could no longer be ordained. In 385, pope Siricius left
his wife and ordered priests stop having sex altogether.
And so the church has continued her descent into corrup-
tion ever since, but against many dissenting voices, as
many priests, bishops and popes have been married, some
with children in the centuries after the Second Lateran
Council of 1139 during which Pope Innocent II confirmed
Pope Calistus IIs decree invalidating clerical marriage.
It borders on Socratic irony that the top two saints in
Catholicism are Mary Mother Of God & the High Priestess
Elisabeth Mother of John The Baptist. Both were married,
both had children, both are topshelf. "Hail, Mary, full
of grace..the Lord is with thee..blessed art thou among
women and blessed is the fruit of thy womb Jesus-Christ"
etc. Has any mere mortal done better? Regarding a woman
in Luke 7:37-50 "And he said Thy sins are forgiven, And
he said to the woman Thy faith hath saved thee...peace".
Jesus had no problem with such women. And if that isn't
enough, the courtyard of the Roman and Neo-Roman empire
is the Queen of Cups, the terrestrial scorpion for Mars
superior, house of Death, pitch key of G and Dorian des-
cending (Phrygian ascending belongs to Ares and King of
Wands, house of Ego & Mars inferior). The Queen of Cups:
"And I saw the woman drunken with the blood of the
saints, and with the blood of the martyrs of Jesus,
and when I saw her I wondered with great admiration"
--Revelation 17:6 AV
The beauty of Venus is clearly divine in origin and yet
men have for some two hundred tropical millennia blamed
female humans for "beguiling" them with their unrivaled
loveliness and natural-born sex appeal. What is a woman
to do? Adam & Eve are to be fruitful and multiply, that
is, according to the first book of the Judeo-Xian bible.
The quality of Venus is ascending-Ionian and descending-
Lydian, or the greater perfect modality of the Universe.
Adonai & Adonis. These are divine attributions of Venus,
the Goddess of evening together with the God of morning,
as Hesperos is followed by Phosphoros...as night by day.
End Chapter 7. See Chapter 8 For Continuation...
Daniel Joseph Min
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