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Copyright Violations/Humor/Satire/Michael J/Wierd Al/etc.

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mer...@sequent.uucp

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Mar 22, 1984, 7:00:00 PM3/22/84
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<- This is where the chomper line should go

Alright guys, you asked for it...

REPEAT IT (sung to "Beat it")

You always go and post anything to the net
No copyright can stop you, I even bet
You'd post any source code, that you now could get
So repeat it
Just repeat it...

You're typing in the words that belong to the stars
You're playing with their rights
This ain't how "Weird Al" starts
There's attorneys in line
Just to state the charge
But repeat it (and you'll be hearing from them)...

Repeat it (repeat it)
Repeat it (repeat it)
Doesn't matter if they (C)-ed it
Show your big brother
Show Uncle Tim
It doesn't matter
If it's copied again...

Repeat it (repeat it)
Repeat it (repeat it)
If you get caught, just beat it!
Take it from records
Take it from books
It doesn't matter
if they call you crooks
just read it, type it, post it [pant pant!!]

[guitar interlude]

Repeat it (repeat it)
Repeat it (repeat it)
If it says (C), delete it!
Send it all over
Distribute, away
Even take lyrics
From young Michael J. ...

Repeat it (repeat it)
Repeat it (repeat it)
If they catch you, just eat it!
Don't pay no 'tention
to copyright laws
they were all written
for your ol' gran-pa's
Just read it, type it, post it...

Repeat it (repeat it)
Repeat it (repeat it)
Don't think you've been defeated
When someone starts yelling
"you've broken the law"
Point out the net
isn't publishing at all
and feed it, feed it, feed it...

[repeat ad naseum...]

Randal L. Schwartz, esq. (does anyone remember "Let's get Visicalc (TM)"?)
Sequent Computer Systems, Inc.
UUCP: ...!tektronix!ogcvax!sequent!merlyn
(official legendary sorcerer of the 1984 Summer Olympics)
BELL: (503)626-5700

Original Material (C) 1984 by Randal L. Schwartz [ALL RIGHTS RESERVED]

d...@hocsl.uucp

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Mar 24, 1984, 9:09:27 AM3/24/84
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Three cheers for Randal Schwartz, whose contribution was
right on and totally in the spirit of the debate.
Randal, may I have your permission to show your lyrics
to my pre-teen kids, who are fans of Michael J. and Wierd Al.
They'll love it. Please send reply to my lawyer at . . . :-)

r...@opus.uucp

unread,
Mar 25, 1984, 5:41:00 PM3/25/84
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<>
> Alright guys, you asked for it...
Satire "Repeat it" follows in cited news article, followed by the author's
signature and then...

> Original Material (C) 1984 by Randal L. Schwartz [ALL RIGHTS RESERVED]

OK, if we're going to play the copyright game on the net, I want to know
the rules. I may be jumping to conclusions - but I'll jump anyhow. How
does Mr. Schwartz simultaneously place his satirical "Repeat it" in the
public domain and reserve ALL rights to it??? Does this make even 14 g. of
sense? The net is clearly distribution into the public domain since there
is no provision in its operation for restricting distribution based on the
presence of a copyright notice within the news item.

Could we PLEASE be serious about honoring existing copyrights without
getting obnoxious and arrogant, putting a copyright on everything that gets
posted?
--
{hao,ucbvax,allegra}!nbires!rcd

T C Wheeler

unread,
Mar 27, 1984, 8:45:09 AM3/27/84
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[]
Mr Schwartz has every right in the US to post and claim copyright.
This method is recognized by the courts. If you ever write something
you wish to be published, put a copyright notice on the material, make
a copy, then mail the copy (making sure you get a post office date stamp
on it) to yourself or anyone else you wan to hold it. Then send the
other copy to the publisher. According to copyright law, this is sufficient
to protect your rights. It is done all the time by authors to protect
themselves from unscrupulous publishers. You can then apply for an
official copyright from the government. Copyrights are good for 54
years and are renewable for 17 year periods thereafter. Very few
authors take advantage of the renewing process. But, beware of trying
to republish anything Mark Twain did, the family has been renewing his
copyrights right along. There is very little of Twain's that is not
still protected under copyright.

T. C. Wheeler

mer...@sequent.uucp

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Mar 28, 1984, 1:29:19 PM3/28/84
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<- Eat it, line gobbler (where's the beef?)

~~...!nbires!opus!rcd in opus.275 sez:

....How


does Mr. Schwartz simultaneously place his satirical "Repeat it" in the

public domain and reserve ALL rights to it???...The net is clearly


distribution into the public domain since there is no provision
in its operation for restricting distribution based on the

presence of a copyright notice within the news item....

{hao,ucbvax,allegra}!nbires!rcd

~~ end quote

First off, I wanna know why opus!rcd always sez that his return address
is "nbires!rcd". Is this a deliberate attempt to hide? (:<})

Second (actually first)... "Publishing" my "song" on the net DOES NOT
place it into the PUBLIC DOMAIN any more than publishing the C spec in
K&R's White C book. If you'll look after the front cover, you'll see
that it says "Copyright (C) 1978 by [BTL]." and later says "All rights
reserved.". What "ALL RIGHTS RESERVED" means is that ANY copying is
done WITHOUT my PERMISSION, but my permission is needed to do it
LEGALLY. I alone, reserve that right fully. This also mean that IF
you copy MY song, THEN I have the RIGHT to have you NOT DO THAT. Of
course, anything you could do to my song, you could do to the White C
book. And it would be just as illegal either way. Truely, I am not a
traffic cop. I will not come looking on every system to see that you
haven't done that. Actually, I implicitly gave permission for
distribution throughout the net by the news programs by posting it on
the net. BUT, ANY OTHER COPYING THAT I WANT TO STOP, I HAVE THE RIGHT
TO STOP IT! The song is not automatically in public domain. In fact,
the Copyright Notice I gave at the end of the song, DEFINES it as NOT
being PUBLIC DOMAIN, by mere declaration.

By the way, if anyone chooses to republish the song in hardcopy form
for redistribution, I will grant republishing rights, provided I AM
NOTIFIED AND AGREE TO IT FIRST. (Royalties will not be collected, and
I usually ask for a personal copy.)

Not afraid to name that tune,
Randal L. Schwartz, esq. (mer...@sequent.UUCP)
(Official legendary sorcerer of the 1984 Summer Olympics)
Sequent Computer Systems, Inc.
UUCP: ...!XXX!sequent!merlyn where XXX is one of:
allegra!{decwrl,ogcvax,pur-ee,vax135} ariel!vax135 cdi
cornell!{ogcvax,vax135} decvax!decwrl decwrl dual!unisoft eagle!pur-ee
floyd!vax135 fortune!nsc harpo!pur-ee heurikon!unisoft
ihnp4!{pur-ee,shell} intelca!pur-ee inteloa!ogcvax lab135!vax135
masscomp!pur-ee nsc ogcvax philabs!vax135 pur-ee purdue!{decwrl,pur-ee}
rocks34 rocksvax!rocks34 shell tektronix!ogcvax
ucbvax!{decwrl,nsc,unisoft} ukc!vax135 unisoft ut-sally!shell
utah-gr!vax135 vax135 verdix
ANALOG: (503)626-5700

Original Material (C) 1984 by Randal L. Schwartz [ALL RIGHTS RESERVED]

(Does anyone want to see "Let's get Visicalc(TM)?")

ric...@sequent.uucp

unread,
Mar 28, 1984, 9:48:56 PM3/28/84
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>> From: we...@pyuxa.UUCP
>> ... If you ever write something

>> you wish to be published, put a copyright notice on the material, make
>> a copy, then mail the copy (making sure you get a post office date stamp
>> on it) to yourself or anyone else you want to hold it....

Sorry, but this method won't hold up. Nothing prevents people from
sending unsealed letters through the mail. So someone could send
a letter to himself today, then in three years copy a best-seller,
seal it in the envelope, and then what?

The method I heard is to send the letter via *registered mail* - the
nice person at the post office will make sure it's sealed, and when
you sign for it at home, simply don't open it. With the seal unbroken,
it's good enough for the courts. The prefered method, of course,
is to have it notarized.

___________________________________________________________________________
The preceding should not to be construed as the statement or opinion of the
employers or associates of the author. It is solely the belief...

from the confused and bleeding fingertips of
...!sequent!richard

Jeff Sampson

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Mar 30, 1984, 2:52:04 PM3/30/84
to

I think that it would be much easier just to apply for a copyright.
Last time I checked it was only ~$10-$15, and it will stand up in
court a *lot* better than a sealed envelope.

--
Curt Sampson
alberta!jeff
"Watch out Mr. T--From Edmonton, Alberta, it's the *** eh? team ***"

Eric Strobel

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Mar 31, 1984, 2:54:29 PM3/31/84
to

Does this mean that all I have to do to protect something that
I distribute is put the copyright thingie and appropriate words
on a line at the end???? If so, if someone does this and I
"steal" something and make a fortune, how is the "victim" going to
prove the material is his (especially with the anomalous dating on
the net!)?? After all, I could remove the old copyright line and
substitute mine. If copyrights work this way, then they are pretty
worthless. In that case,

Hoist the Jolly Roger, me buccos,
it's time to get down to some
serious pirating....

(`') (`')
\\ _____ // Writing cause I got work, hanging by
\\ / \ // my bruised ,bleeding and mangled thumbs
\/ O O \/ at the off-the-wall teddy bear keyboard of
| o |
\_____/ ERIC STROBEL
/|+++|\
//-----\\ decvax!pur-ee!Physics:els
// \\
(_^_) (_^_)

r...@opus.uucp

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Mar 31, 1984, 11:34:41 PM3/31/84
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<>
For constructive comments on copyright on the net, skip down to <<flame
off>>.

<<flame on>>
Well, let's get one flame out of the way, just to set the mood...


> First off, I wanna know why opus!rcd always sez that his return address
> is "nbires!rcd". Is this a deliberate attempt to hide? (:<})

No, I'm not hiding, nor even trying. If Mr. Schwartz wants to send mail to
me, he can do so at nbires!rcd. See, folks, we have four machines but we
funnel all our traffic thru one (nbires) onto the net. Mr. Schwartz seems
to type a little faster than he thinks (mind you, I'm not accusing him of
being a fast typist :-) or he'd realize that this situation, and its analogs,
are quite common. I just don't happen to make my home on the machine which
is our gateway to the net. Let me also assure Mr. Schwartz, and anyone else who
cares, that although we give our mailing address as P.O. Box 9001, we do
not conduct business from within the P.O. box, but rather several miles
away, at 3450 Mitchell Lane. I assure you that NBI is not trying to hide,
either. It's really quite a simple idea...and I'll even be magnanimous
enough to assume that Mr. Schwartz is not hiding behind a login name of
merlyn.

> "Publishing" my "song" on the net DOES NOT
> place it into the PUBLIC DOMAIN any more than publishing the C spec in

> K&R's White C book...
Please go back and read what I wrote before flaming any more. The net is
in no way equivalent to a publishing house. The differences are enough to
confuse a flock of lawyers - but chief among them are (1) the completely
decentralized nature of the net, which makes it exceedingly difficult to
assign any responsibility and (2) the fact that material presented to the
net software is automatically copied, without control and without
restriction. The latter fact is the one which I think is significant; I
don't think that a legal opinion which ignores that fact is worth beans.
It's a unique characteristic of the net and it deserves some study. I
assume that everyone is aware that in arranging to have a book published,
the author transfers some rights (not all, of course) to the publisher, in
exchange for compensation (royalties) - but still, all of the rights are
reserved to either the publisher or the author and no one else.

Mr. Schwartz has presented material to the net's distribution mechanism. I
guess public domain is an overstatement; pardon my error there. Yet I
think that it must be assumed that he has transferred SOME rights to copy
the material - that this must be implicit in giving control of it to
distribution software of the sort we have. Any competent legal opinion
would be appreciated here.

I have some other, serious reservations about Mr. Schwartz' postings:
> ...LEGALLY. I alone, reserve that right fully. This also mean that IF


> you copy MY song, THEN I have the RIGHT to have you NOT DO THAT. Of

I begin to assume that one of three things is happening: (1) The "caps
lock" key on his keyboard sticks, (2) Somewhere, a site is turning 1's to
0's in transmission, turning lower case to upper, or (3) Schwartz is really
looking to be argumentative and shouting, terminal-style, a lot. I think I
have to guess #3. Then there's his propensity to slap a copyright notice
on anything, regardless of whether it needs it or merits it. Finally,
there's the 14-line or so signature block which we're expected not only
to endure but to transmit for him to the ends of the earth, at our expense.
I find it hard to feel camaraderie with that sort of person - it feels more
like he's sitting there waiting to say, "Gotcha! I told you so!" Is this
what the net is for? Hardly.
<<flame off>>

I'll even try to end on a positive note - which certainly isn't going to
offset all of my negativity; sorry about that. Here's a suggestion for a
REASONABLE copyright notice - if you post something which really needs one:
"Copyright (C) 1984 by <your name and identification>. Copying without fee
is permitted provided that the copies are not made or distributed for
direct commercial advantage and credit to the source is given. Abstracting
with credit is permitted. To copy otherwise requires a fee and/or specific
permission; for information contact <your name and address>"
The above is derived from the copyright notice which appears in
Communications of the ACM. [I am giving them credit in order to follow
their policy as I reproduce their policy.] I have modified the wording
slightly; the above is only a suggestion and has not been properly reviewed
for its legal ramifications. However, I will go one step further and
suggest that the above, or something like it, become the policy generally
agreed upon for posting to the net. I think that it protects the authors
without making the readers and commentators feel paranoid.
--
Relax - don't worry - have a homebrew.
{hao,ucbvax,allegra}!nbires!rcd

ric...@sequent.uucp

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Apr 1, 1984, 5:08:50 PM4/1/84
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The idea that the "automatic-duplication" feature of the net somehow
warrants special consideration seems somewhat dubious. It is still
only being broadcast within one forum, and the extent of that forum
is understood when one submits to the net.

It is quite unlikely that a network host would copy, automatically,
to a sheet of paper, subsequently sent to a local university newpaper,
correct? This may be a far-fetched example, but the idea holds.

With the copyright notice, Randal was saying that no copying could be
done beyond that he has originally intended. That original intent
was the network, including its normal distribution mechanism.

Any distribution beyond the network would be a clear violation of
the copyright.

Arguing that submitting to the net is essentiallyu publishing is
probably correct, but when an author publishes in one place, he
has not implicitly placed his material in the public domain.

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