MOPO FAQ V.1.0
Evan Zweifel
This has not been posted in a while, and has recently disappeared from the
web. Expect an updated version to be posted soon and a web version as well
from Scott Burns (sbu...@ee.net).
Evan.
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FREQUENTLY ASKED QUESTIONS (FAQ) FOR T h e M o P o L i s t
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V.1.0 <Last Update 17 October 1995>
This is the FAQ for the MoPo Mailing List (and its gated newsgroup:
bit.listserv.movie.memorabilia).
FAQ Editor: Scott Burns (sbu...@ee.net)
Contributors: Michael Danese (dane...@ttown.apci.com)
Barbara Franchi (fra...@tiac.net)
James Kisner (Jim...@aol.com)
Mahtab Moayeri (mmoa...@students.wisc.edu)
Acknowledgements: All the folks on the MoPo who supplied useful
information and generously gave recommendations & advice.
This FAQ is an evolving document. Suggestions, contributions and comments
are welcome. Please send them to the FAQ editor Scott Burns (sbu...@ee.net).
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*!* indicates a CHANGE/ADDITION from the last update (15 September 1995).
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The MoPo FAQ is copyright (c) 1995 by Scott Burns. However, permission is
granted for electronic distribution via any on-line service as long as
this document is transmitted in its entirety and includes this copyright
notice. No permission is given for storage of this document on CD-ROM nor
any distribution for financial gain. This FAQ may not be included in any
commercial collection or compilation without written permission of the author.
Listings of commercial businesses in this FAQ should not be considered
an endorsement of that business. Such listings are provided for your
information only. No one has paid a fee to be listed in the MoPo List FAQ.
Any problems or complaints about a listed company should be directed to
the FAQ Editor (Scott Burns / sbu...@ee.net).
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CONTENTS
1.0 The Basics: How the MoPo List Works
1.1 How do I subscribe or unsubscribe?
1.2 How do I post to the MoPo?
1.3 What is bit.listserv.movie.memorabilia?
1.4 What is appropriate for discussion on the list?
1.5 Are business ads welcome?
1.6 When should I use a private reply instead of posting to the list?
1.7 How Do I get past MoPo files?
1.8 What does MoPo mean?
1.9 When did the list begin?
2.0 The ABC's of Collecting Movie Posters and Other Memorabilia
2.1 What are the standard posters sizes and items available?
2.2 What are the various "grades" used to describe poster condition?
2.3 How is the value of an item determined?
2.4 How do I know what to buy?
2.5 How do I tell an original poster from a copy?
2.6 What else should I know about movie posters?
2.7 What about other movie-related memorabilia?
3.0 Caring For Your Collection
3.1 How should I take care of my paper memorabilia?
3.2 How do I remove tape residue or other undesired markings safely?
3.3 What are some sources of archival materials?
3.4 Why should I have a poster restored?
3.5 What is linen mounting?
3.6 What will restoration work cost?
3.7 Are there alternatives to linen mounting?
3.8 What about dry-mounting?
3.9 How do I find a qualified restorer?
3.10 How do I frame a poster?
3.11 What are some sources for framing materials?
3.12 What are the 2 worst places to store your collection?
4.0 Reference Materials on Movie Memorabilia
4.1 What magazines/newspapers deal with movie memorabilia?
4.2 What price guides are available?
4.3 Are there any good books about collecting movie memorabilia?
4.4 Where else on the Internet might I find information?
5.0 Sources for Buying Movie Memorabilia
5.1 Are there any annual shows or events?
5.2 What about auctions?
5.3 How do you find a reputable dealer?
5.4 What are other possible sources for memorabilia?
5.5 How do I SELL my collection?
6.0 Dealer List
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1.0 T H E B A S I C S How the MoPo List Works
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1.1 How do I subscribe or unsubscribe?
To subscribe to the MoPo List send an e-mail message to:
In the BODY of your message type:
SUBSCRIBE MOPO-L your full name
An automated response and welcome message will be sent to you from the
listserv that operates the MoPo List.
If you want to leave the list send an e-mail message to:
In the BODY of your message type:
SIGNOFF MOPO-L
1.2 How do I post to the MoPo?
To post a message to the MoPo, send your message via e-mail to:
When your message is received by the listserv it is then "reflected" to all
members of the list. When you first join the list, you are automatically set
up so that any message YOU post is NOT sent back to you by the listserv.
If you are the untrusting type and wish to have verification that your
message did indeed make it to the list you should tell the listserv that
you want a copy of your message sent back to you.
To do this send a message to list...@listserv.american.edu with the
command SET MOPO-L REPRO in the body of your message. If you prefer just
a simple acknowledgement from the listserv that your message has been sent,
send a message to the listserv address with the command SET MOPO-L ACK
NOREPRO. To turn off the acknowledgement feature send this command to the
listserv: SET MOPO-L NOACK NOREPRO.
NOTHING else should be in your message to the listserv, including SIGS!
A command of QUERY MOPO-L to the listserv will generate an e-mail listing
of how your MoPo list options are currently set-up.
A command of REVIEW MOPO-L to the listserv will cause the listserv to send
you a list of all non-concealed subscribers to the MoPo List.
For more listserv options send the command INFO REFCARD to the listserv
address and a more complete guide will be e-mailed to you.
1.3 What is bit.listserv.movie.memorabilia?
The MoPo is "gated" to a Usenet newsgroup, meaning that all postings
to the listserv are automatically posted to the bit newsgroup and any
postings to the bit group are automatically sent to all MoPo list members.
The choice is yours whether to read MoPo postings via e-mail or newsgroup,
although it is more convenient to have our postings waiting for you daily in
your mailbox instead of having to search out the newsgroup.
Bit groups are redistributions of the more popular BitNet Listserv Mailing
Lists and are carried by sites that choose to make them available. Bit
groups are available via CompuServe and America Online.
1.4 What is appropriate for discussion on the list?
Anything related to the hobby of collecting movie memorabilia is acceptable
for discussion. This includes all paper memorabilia (such as posters,
inserts, lobby cards, stills, press kits, banners or standees), autographs,
books and soundtracks. Also welcome are want lists, for sale lists,
discussion about auctions or upcoming special events, and particularly
encouraged, personal exchanges about what you collect and why.
1.5 Are business ads welcome?
A very guarded "yes." Companies that specialize in movie memorabilia, be
it a large operation or an individual, are often the only way for many
collectors to obtain items. Therefore such postings are welcome. But the
list owners reserve the right to remove anyone who makes a nuisance of
him or herself.
1.6 When should I use a private reply instead of posting to the list?
If someone posts a list of items for sale and you wish to strike a deal
with that person, PRIVATE e-mail is appreciated. The same goes if you are
responding to a person's want list. Just remember, when you're trying to
make a deal you don't want a few hundred people listening in to your
private transaction!
One item to be particularly careful of: Many mail systems will automatically
use the REPLY TO address that the listserv places on each MoPo posting. If
you want your message to be PRIVATE, make sure you mail it ONLY to the
individual.
1.7 How do I get past MoPo files?
All contributions to the list are automatically archived. You can get a
list of the archive files by sending an e-mail message to:
With the command INDEX MOPO-L in the body of your message.
You can then order these files with a GET MOPO-L LOGxxxx command.
There are additional listserv commands. To receive a list, send the
command INFO REFCARD to the listserv address above.
1.8 What does MoPo mean?
MoPo is short for Movie Poster. In keeping with Internet tradition, a
short, hopefully unique, name had to be created to name the list. You can
blame (praise?) the author of this FAQ for MoPo. It could have been worse...
originally I planned to call it the MoPoCo (for movie poster collectors)!
By the way, the 2 o's in MoPo are long--the name is pronounced mow-po.
1.9 When did the list begin?
The idea to start the MoPo began in January 1995. Scott Burns (sbu...@ee.net)
and Mahtab Moayeri (mmoa...@students.wisc.edu) discussed the formation
of a Usenet group for movie memorabilia. Since rec.arts.movies was just
beginning a discussion on reorganization (which has since come to pass),
it was proposed that a movie memorabilia group be included in the reorgan-
ization. The leaders of rec.arts.movies thought that due to the complexity
of the reorganization (and its controversies), we should wait until later
to try for an official Usenet group and they proposed we try the mailing
list idea first.
Not having a site available for an automated listserv, a crude distribution
list was created with 11 MoPo pioneers. The MoPo began in early February
1995. The original members were Scott Burns, Mahtab Moayeri, Michael Danese,
Donna Tschetter, Robert Ellis, Static555, Goh Kai Shen, Evan Zweifel, George
Nichol, Cynthia Johannsen and Adam Ehrlich.
On February 24, 1995 Adam Ehrlich (bir...@american.edu) was able to get
the MoPo on American University's listserv and the official MoPo List began.
Shortly thereafter, the list was gated to the bit.listserv.movie.memorabilia
newsgroup. Current owners of the MoPo List are Adam Ehrlich and Scott Burns.
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2.0 T H E A B C ' S of Collecting Movie Posters and Other Memorabilia
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2.1 What are the standard posters sizes and items available?
There are several. Here is a brief look at the items and sizes usually
available:
8 X 10 stills These could be black and white or color. Color stills
are often available in sets of eight, called "still
sets" while black and white are usually offered as
singles. An "original" still will usually have studio
info and the release year listed at the bottom. B/W
stills are the easiest item to copy. These copies are
found over the counter in many retail stores.
Lobby Cards These measure 11 X 14 and are available in sets of 8,
called a lobby cards set, or available as single cards.
Each card in a set is numbered one through eight. The sets
up to the 1960's also featured a title card. This is the
first card in the set and was basically a mini-poster,
with art similar to the one-sheet. Title cards are very
desirable because they are usually the best art available
on a film, plus the convenient 11 X 14 size makes them
easy to store and display. This goes for lobby cards in
general. They are printed on card stock (heavy paper).
Lobbies not only feature a photograph from the film, but
some really nice graphic elements in the borders. The
cards from the 1930's and 1940's are very desirable
because of the bright colors and superior graphics,
although this varies from studio to studio since each
company had its own unique style. Some cards in the 30's
& 40's were printed on a card with a linen finish. These
are noted in the dealer's ads as "linen." Some common
terms used by dealers include: LC - Lobby Card; LC SET -
Lobby Card set of Eight; TC - Title Card; SC - Scene Card
(all cards that are NOT TC's); PC - Portrait Card (this
is a lobby card with a close-up portrait shot of the
main star or stars); DC - Dead Card (this is a card that
does not feature any of the major stars).
Window Cards These were printed on a heavier card stock and measure
14 X 22. They have a large white space at the top where
the exhibitor would write the theatre name. They were
to put in the windows of local stores to help promote the
film. The art is usually similar to the One-Sheet. They are
obviously worth more if there is no writing on the top,
but they are also very rare in that condition. Most
studios stopped printing them in the 1960's. It has also
been reported that there are two additional Window Card
sizes: a mini Window Card & Double Window Card (20 X 28).
Both are very rare.
Inserts Also called Insert Cards. These are 14 X 36 and are
printed on heavy card stock similar to Lobby Cards. They
are rolled, but many have been folded by a previous
owner. They feature art similar to the one-sheet, but
in a more vertical design due to the size. Most studios
stopped producing inserts in the 1980's.
Half-Sheets Also called 22 X 28's because that is their size and are
printed on a heavier stock than One-Sheets. They are
roughly half the size of a one-sheet and often feature
similar art but in a horizontal lay-out. They are rolled
when issued. The art on the Title Lobby Card is usually
the same as on the Half-Sheet. Notice that this poster is
exactly twice the size as the Title Lobby Card with the
same proportions. Sometimes there will be different
"styles," appropriately called Style A, Style B, etc.
These are completely different posters, with completely
different art. Most studios stopped producing Half-Sheets
in the 1980's.
One-Sheets These are the standard, almost generic, movie posters.
Since the 1930's, they have always measured 27 X 41. In
the 1980's, Disney started to produce their One-Sheets a
little shorter, perhaps 27 X 38 or 39, but 27 X 41 is
still the standard size. Until the early 1980's they
were ALWAYS folded. Now they are rolled or folded, with
the rolled being the more desirable. They are printed on
a thin paper stock. Note: Some post-1990 One-Sheets are
also reported to be smaller than the standard size.
For major releases there can be several One-Sheets. An
"advance" One-Sheet comes out before the film (as in
"Coming Soon..." A series of One-Sheets are produced
depending on the scope of the film's advertising campaign.
You could see Styles A through D, each with different
art. Also, as a film is "re-released" you can find dif-
erently designed posters for each release. Films like
"Gone with the Wind," "The Wizard of Oz," "Star Wars," etc.
have numerous posters in all of the sizes because these
titles were released to theatres more than once.
Usually the original release posters are more colorful,
better designed and obviously more desirable to the
collector. But the early re-release posters for films
like "Oz" and "GWTW" are also very nice and VERY collect-
ible. Horror fans will note that the Realart re-release
posters of the classic Universal monster films ("The
Mummy," "Bride of Frankenstein," "The Wolfman," etc.)
produced in the 1950's are very colorful and valuable.
Many One-Sheets produced currently are double-sided--with
printing on front and back. These are designed to be used
in lightboxes in theater lobbies.
30 X 40's *!* These are larger versions of the One-Sheet art, rolled
40 X 60's and printed on heavier stock. They were produced by
National Screen Service in relatively small numbers.
These sizes are not often seen. The art is usually
different than what is found on One-Sheets. 40 X 60's
also tend to be worth more.
Three-Sheets These posters are three times the size of a One-Sheet.
They measure 41 X 81, are printed on thinner paper and
because of their size come in two sections. A few years
ago, you could not give them away--now like everything
else, they are becoming very popular.
Six Sheets A Six-Sheet is six times larger than a One-Sheet (81 X 81)
24-Sheets & a 24-Sheet is 24 times larger than a One-Sheet. Both are
printed on thinner paper and come in several sections.
The 24-Sheet size if for billboards.
Most studios also stopped producing these large size
posters in the 1980's.
Foreign Posters Posters are printed around the world and these foreign
posters are becoming increasingly popular. Posters from
Japan, Italy, Germany, France, Belgium, Spain, Mexico,
Australia and Argentina are available. They range in
size from 8 X 10 to nearly Three-Sheet size. Due to the
varying sizes, when a dealer lists foreign posters the
size and description are almost always noted. There are
a few foreign posters that have been around long enough
to become standards:
British Quads - Measure approximately 30 X 40 and
generally feature colorful art in a horizontal format.
Quads can also be Australian. Other British items include
the Double Crown (20 X 30) and the FOH (8 X 10), same as
our Lobby Cards but used in British and European theaters,
usually in full-color.
Belgium Posters - Measure approximately 14 X 22 and are
becoming very desirable due to the art, often superior
to the US version. Titles are generally in Belgian, with
a small English title printed somewhere on the poster.
Printed on a very thin and fragile paper stock. Collectors
should be careful when dating Belgian (and French)
posters. During the 1970's these posters were extensively
reprinted from the same plates as the originals. One
way to confirm an original is to look for a Belgian tax
stamp that was required by authorities. Not all originals
have the stamp, but the presence of such a stamp leans
one to believe the poster is more likely original. The
down side is that you have an ugly tax stamp cluttering
up your beautiful artwork.
*!* Italian & French Posters - French titles measure 38 X 54
(one piece) resembling US One-Sheets, 55 X 78 (two pieces)
and a small size similar to Belgian posters (14 X 22).
Italian posters are printed primarily in 3 sizes--one
closely resembles the US Insert, then Two-Sheets and
Four-Sheets.
Japanese Posters - Generally smaller than US One-Sheets
and often feature "busy" yet colorful artwork.
Most Foreign Posters feature art that is different than
the US posters. In Canada, the US posters are usually
stamped with a "Canadian Censor Stamp." This is a small
round black ink stamp that can appear anywhere on the
poster. Dealers usually mention the stamp in their ads.
Snipes Also called "minis," these posters are produced
by the studios/production companies (NOT by National
Screen Service) usually for use in non-theatre
locations to promote a film. These posters are also
given out at sneak previews and other promotional events
to generate interest in a movie. They received the name
"snipe" since "to snipe" meant pasting advertisements
up (on walls, telephone poles, etc) illegally at night.
Size varies, but they are generally 11 X 17 and printed
on glossy paper.
2.2 What are the various "grades" used to describe poster condition?
This is an area where even the veteran collectors disagree. Generally
these seven grading terms are recognized by poster dealers/collectors:
MINT (M) An unused poster. Minor signs of aging could be present,
but overall a superb piece that appears to be like new.
NEAR MINT (NM) A superb piece. Unused or very carefully used, but with
some minor storage defects, minor tears, or some other
very minor flaw on an otherwise unused collectible. As
good a specimen as you're likely to find (in the real
world). Folds on pre-1980 One-Sheets are not considered
flaws.
EXCELLENT (EX) Sometimes called VERY FINE (VF). Extremely fine condition
with minimal signs of use. No significant fading,
browning, tears, ink stains, pinholes, fold damage or
wear. Should have a clean and bright image.
VERY GOOD (VG) Sometimes called FINE (F). The typical used collectible in
average condition. It may have minor discoloration but
not brittleness or flaking. It may also have a small
amount of writing on it. Still visually striking.
GOOD (G) Below average but still collectible. Worn and used, with
significant signs of use that affect the overall eye
appeal of the piece. Small areas could be missing (always
should be described by a dealer). Could have tape, writing
or tears.
FAIR (F) Well-used poster showing considerable damage, including
missing pieces, some fading, or other flaws that
distract from its appearance. Just slightly better than
POOR.
POOR (P) A worn, damaged example. Crumpled and worn areas. Tape,
pinholes, waterstains, writing, brittleness, areas
missing, heavily soiled, etc. is to be expected in this
grade. Considered a filler piece in a collection, but
could be considered for professional restoration.
A new & simpler grading scale has come into use in recent years, primarily by
Christie's and other auction houses. There are 3 grades in this system:
CONDITION A EXCELLENT - Posters in pristine condition. Minor
damage (at folds) is acceptable. These posters would rate
as near mint to mint in the above list.
CONDITION B FINE - Slight restoration is allowed and some fading or
minor marks are permitted in the image area. These
posters would rate as very good to fine in the above list.
CONDITION C GOOD - Significant damage (which may have been restored),
missing pieces of the border, or other tears, and faded
colors/images. These posters would rate as poor to good in
the above list.
2.3 How is the value of an item determined?
There is no set value for a poster or any item. The old adage of "what the
market will bear" comes to mind. A poster (or car, coin, painting, etc.) is
worth whatever someone is willing to pay for it. But in recent years the
prices paid for posters and other original movie memorabilia has continually
increased. The law of supply and demand should continue to keep prices
going up. The most important thing to do is keep whatever you have in the
best condition possible. The better the condition, the better the price.
While novice collectors can still find many bargains out there, don't
expect to find an original One-Sheet for "The Wizard of Oz" in mint condition
for $10.00. Those days are gone forever. All most of us can do is hope
grandpa stuck one in a trunk (but hopefully not in the attic--heat is a
poster's enemy). We can only dream of such "buried" treasure.
As a shocking example of where prices are going read on:
One dealer recently advertised the following for sale...
* Casablanca (1942) INSERT $12,000.
* The Wizard of Oz (1939) LOBBY CARD $3,000.
* Breakfast at Tiffany's (1961) 1-SHT $1,800.
* Seven Year Itch (1955) 41 X 81 $5,500.
Another dealer wants to buy at these prices if you have a poster to sell...
* Bride of Frankenstein (1935) Style C,D,E $65,000.
* The Invisible Man (1933) $35,000.
* King Kong (1933) $30,000.
* Citizen Kane (1941) $9,000.
* Werewolf of London (1935) $17,000.
But there are literally tons of posters, lobby cards, stills, etc. that
can be had for just a few dollars. So don't despair.
2.4 How do I know what to buy?
Simple. Buy what you like and can afford and you can't go wrong. Before
you send your money to a dealer, make sure that you are getting what you
want. Ask questions about condition, graphics, release year, etc. Never
buy from someone unless they give you the option of returning the item
if you are not satisfied. This protects both you and the integrity of the
dealer. Do NOT buy for investment purposes only! Buy what you like.
Don't lose sight that this is a HOBBY.
2.5 How do I tell an original poster from a copy?
If someone wants to make a copy of a movie poster and they do their very
best, it will be very hard to tell the fake. But a few facts remain--FOLDS!
Most, if not all, One-Sheets produced before 1980 were folded. After around
1980 ROLLED One-Sheets became available. If its pre-1980 it had better have
folds!
NSS Markings - Most One-Sheets, until recently, had a National Screen
Service line at the bottom in the white border. This number looks like this:
66-436. The first number is the release year, the next is the film number.
So you can tell that 66-436 came out in 1966 and was the 436th release that
NSS printed that year.
You should also use a sharp eye to examine a poster. If it has a "hazy"
uncrisp look to it, especially in the fine print of the credits, then it
could be a fake. Another factor is size--most reprints are not 27 X 41
which is the standard One-Sheet size.
2.6 What else should I know about movie posters?
As mentioned above, all posters have a date on them. This date, usually
found on the border at the bottom marks the release year, or re-release
of the film. The "Style" is also noted here. An "R" indicates the poster
is a re-release of the film. So a mark of R56 means that the poster was
re-released in 1956 and this is the poster for that re-release.
A poster can be restored and mounted on a linen backing. A dealer will
note this as LB or linen-backed. Sometimes you will see posters listed
as "craft-backed" or "paper-backed." These are done to protect the poster.
The process is costly, but for a poster valued a several hundred dollars,
this is a worthwhile investment. See section 3.4 for more on linen-backing
and restoration.
2.7 What about other movie-related memorabilia?
The amount of movie-related collectibles is staggering. But we are mainly
concerned with original studio-produced promotional materials. In addition
to posters and lobby cards already discussed there are:
Pressbooks These were produced to aid the distributor, advertiser
and the press in the promotion of a film. These are
booklets ranging from small, four-page B/W ad slicks
to massive campaign books. Most usually contain
information about the cast and the production, articles
that can be run in a newspaper and illustrations of the
available posters. The "Campaign Books" from the
1930's, 1940's and 1950's were massive, splashy items.
They featured full-color covers, many of which are
suitable for framing. They also have full-color
illustrations of the posters, several articles, complete
credits and a herald. A herald is a small, sometimes
colorful (but usually B/W or duotone) handout. They
were used as giveaways at the theater. Values for
pressbooks are on the rise. In May 1995 a "Bride of
Frankenstein" pressbook (13 X 26, 14 pages) sold for
$800. at an auction in Columbus, Ohio, despite the fact
it was missing its cover.
Souvenir Programs Hard or soft cover books given out or sold in the
theater, usually at the opening or during the film's
first-run engagement.
Banners/Standees Banners are designed to be hung in the lobby of a theater.
They can be made of vinyl or paper and sizes vary. They
are large, cumbersome items to collect and until recently
there wasn't much demand among collectors. While many
banners are fairly plain-looking, a few feature
outstanding art, very different from that available on
the One-Sheet. Standees are another lobby item. Many
produced today are very elaborate and often include
self-contained lighting and motors for moving parts.
During the 1930's, 1940's and 1950's it wasn't unusual
for theater owners to design and build their own one-of-a
kind standees for display. These were constructed from
materials obtained from the studios. Very few of these
remain today. The market for today's mass-produced
standees is somewhat limited, primarily because of the
large size of this item and difficulty in storing it.
Magazine Ads These are ads cut from magazines like "Life," "Look" and
"The Saturday Evening Post" that feature full-page art
for a film. Sometimes they are full-color and look great
in a frame. Movie and personality magazines that feature
movie stars are also found from time to time. "Life" &
"Look" covers are of interest when they feature portrait
shots of movie stars.
Non-Sports Many popular films will have trading cards issued. Disney,
Trading Cards "Star Wars," "Indiana Jones," and other films that
attract a young audience may also be celebrated in trading
cards. This, like comic books, is "a whole 'nother
ballgame" and we won't go into it here. Just be aware
they are out there and available.
Autographs Whether current stars or past, autographs are a hot
commodity. Autograph collecting is a huge hobby on its
own. For more information on autograph collecting check
out the Usenet group alt.collecting.autographs. There
is also an excellent FAQ that is posted periodically to
that newsgroup, or contact its author Eric Rager
(era...@primenet.com). If you're after an autographed
photo of your favorite celebrity, try contacting the
Screen Actors Guild (1-213-954-1600). They can tell you
what agency represents that star and you can send your
autograph request via the agency.
Soundtracks Again, since the MoPo primarily deals with paper memora-
bilia, soundtracks (on vinyl or CD) will not be discussed
here. Check out the Usenet group rec.music.movies for
more information.
Everything Else This category includes film props, (such as costumes),
postage stamps, scripts, toys, books (novelizations,
making of, etc.) dolls & collector's plates. All of these
items are on the edges of the hobby. Any "experts" out
there are welcome to contribute to this category. Send
submissions to the FAQ editor.
-------O-------
Thanks to Michael Danese for contributing a substantial amount of information
to section 2.0.
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3.0 C A R I N G F O R Y O U R C O L L E C T I O N
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3.1 How should I take care of my paper memorabilia?
The primary enemies of your valuable and treasured collection are light,
heat, humidity and rough handling. The less additional wear and tear you
give your paper collectibles the better.
Most people advise that you NOT store your posters folded. This is easier
said than done, since there is no easy way to store a large number of un-
folded One-Sheets (or shudder the thought, a Six-Sheet).
If you do open your posters, place them between pieces of low-acid foam
board. Don't use regular cardboard due to the high acid content. The damage
can take years to show up, but it will destroy your posters.
3.2 How do I remove tape residue or other undesired markings safely?
First a warning. Be very careful when working on a valuable poster.
If the job looks too big to attempt, please don't. Leave it to a professional
restorer or leave it alone.
With that warning said, a small amount of tape residue, unwanted labels,
china marker and even Magic Marker on some surfaces, can be removed by
using rubber cement thinner. Use a Q-tip and very lightly rub the spot with
a small amount of the thinner. Be very careful that you don't remove any
of the ink on the poster! One brand of thinner recommended by a MoPo List
member is Bestine. This product will also remove the residue left by price
stickers or other labels. (tip from James Kisner <Jim...@aol.com>).
3.3 What are some sources of archival materials?
When looking for protective materials you should be careful that any plastic
materials contains NO polyvinyl chloride (PVC) which can cause paper damage.
Off limits for storage of your valuable paper collectibles are kitchen bags
(like Baggies & Glad) as well as dry cleaning bags.
Here are some sources for storage materials:
-------O-------
BAGS UNLIMITED
7 Canal Street
Rochester, NY 14608
1-800-767-BAGS
This company offers a wide assortment of storage bags and prices include
shipping for people living east of the Mississippi. In FL, LA, MO, & MN
you must add 10 per cent to the prices. The protective bags offered
by Bags Unlimited are made from 100 per cent pure virgin clear polyethylene.
A free catalog and sample are available upon request.
Sample Prices (as of August 1995)
Item Size Catalog # Thickness Price
----------------------------------------------------------------------------
Lobby Card 11 1/4 X 14 1/4 SLMLC2 2.0 mil 50/$4.95 100/$8.50
(w/ 1 1/2 inch Flap 500/$37.00
SLMLC3 3.0 mil 50/$6.35 100/$10.15
500/$44.60
----------------------------------------------------------------------------
One-Sheet 27 5/8 X 43 SOSP2 2.0 mil 25/$14.20 50/$25.80
100/$45.50 500/$216.25
SOSP4 4.0 mil 25/$20.60 50/$37.50
100/$63.75 500/$302.80
----------------------------------------------------------------------------
Also available are bags designed for 8 X 10 stills, movie magazines,
window cards, half-sheets and British quads. The company also offers
acid-free backing boards cut for use with all poster sizes.
-------O-------
BILL COLE ENTERPRISES
P.O. Box 60
Randolph, MA 02368-0060
1-800-225-8249 (orders only)
1-800-FAX-BCE8 (order FAX/24 hours)
1-617-986-2653
1-617-986-2656 (FAX)
This company offers supplies specifically designed to preserve movie
memorabilia. Its specializes in Mylar Snugs (tm), heavy-duty (4 mil thick)
true archival protective sleeves, made of clear Mylar D, with rounded corner
cut tab openings for easy insertion; and Time-x-Tenders (tm), true acid-free
backing boards, 42 mil thick, 8.5 ph with 3 per cent calcium carbonate
buffer throughout. A free catalog is available which includes a $5.00
merchandise coupon good for your first order.
Sample Prices (as of August 1995)
Mylar Snugs Catalog # Price
----------------------------------------------------------------------------
Lobby Card 11 1/2 X 14 1/2 65 50/$115.00 100/$198.00
500/$865.00
----------------------------------------------------------------------------
One-Sheet 27 3/4 X 41 3/4 71 50/$438.00 100/$760.00
500/$3,300.00
----------------------------------------------------------------------------
Time-x-Tenders Catalog # Price
----------------------------------------------------------------------------
Lobby Card 11 1/4 X 14 1/4 35 25/$18.00 50/$32.00
100/$53.00
----------------------------------------------------------------------------
One-Sheet 27 1/4 X 41 1/4 36 25/$165.00 50/$300.00
100/$500.00
----------------------------------------------------------------------------
The company also offers its products in the following sizes: 8 X 10 stills,
movie magazine, insert, half-sheet and window card. Shipping charges are
extra and determined by UPS zone in the US. Foreign orders are shipped via
parcel post.
-------O-------
*!*
Light Impressions
Rochester, NY
1-800-828-6216
95-page catalog available upon request.
Specializing in archival supplies, including storage sleeves, mylar film,
desiccants, anti-acid treatments, cut-to-order frames, temperature and
humidity recording devices (for use in storage facilities) and much more.
The company caters to both individuals and museums.
(recommended by MoPo List Member Robert Barritz (rbar...@pipeline.com)
3.4 Why should I have a poster restored?
Since movie memorabilia was not produced for the public-at-large, but rather
for use only by theaters, items were not printed in large quantities.
That fact, coupled with the fragility of paper memorabilia, has made
restoration work necessary, since the relatively small number of available
pieces makes even a badly damaged one potentially valuable. Enter the
professional restorer and the reason you should consider this option.
Poster restoration can achieve dramatic results, not only in how much better
your poster looks, but in its value as well. Generally, if you have a poster
that is worth more than $150.00 and has some noticeable damage, it is a
possible candidate for restoration.
3.5 What is linen-mounting?
A restorer fuses the poster onto acid-free, chemically inert linen fabric
using a chemically inert water soluble paste. This strengthens the poster
and allows for any necessary repairs (such as filling in missing pieces).
The key to proper restoration is that it does no additional HARM to the
piece and, if necessary, is reversable. For an excellent overview on
poster conservation, particularly linen-mounting, point your web browser
to http://www.musicman.com/mp/conserv.html.
3.6 What will this restoration work cost?
Mounting a One-Sheet should cost about $50 to $60. This would not include
any extensive repairs. Further restoration work is billed at $30. and up
per hour, depending on the restorer. You can (and should) ask for an
estimate before you commit. Remember, faces are the most difficult part of
a poster to restore, and therefore, will take more time. If only the back-
ground lettering has been damaged it will cost less.
3.7 Are there alternatives to linen-mounting?
Using the same techniques as linen-mounting, a restorer somtimes uses rice
paper instead of linen, or a combination of rice paper and linen. Rice
paper does glue the loose bits of a poster together, but doesn't make the
poster as durable as mounting on linen.
If you have posters that are splitting at the folds but don't want to go to
the expense of total restoration, you can make minor repairs yourself. (But
proceed with caution--you don't want to do more damage than you are trying to
repair!) Art supply stores (such as Charette's) sell archival paper tape.
This is an acid-free paper tape that is primarily used to repair books. Its
adhesive is water-soluable and it will not discolor your poster. The tape
also is available in linen which can be used for items printed on a heavier
stock, like Half-Sheets or Inserts.
It is worth saying again--most repairs and restoration are left to an
experienced professional. Don't destroy something valuable because you're
too cheap to pay for a pro.
3.8 What about dry-mounting?
The simple answer? Don't do it. Never have anything you wish to preserve
dry-mounted. Only water-soluable, therefore reversible, methods of
preservation are acceptable. Traditional dry-mounting is NOT reversible and
will destroy the value of your poster.
3.9 How do I find a qualified restorer?
If you have a poster dealer you trust, ask for his/her opinion, or ask other
collectors on the MoPo List. Below are a few restorers. However, no endorse-
ment should be implied from their being listed here. Ask for references.
And a final word of caution...while the best restorer in the world would be
ideal to do your restoration work, if he is in 1500 miles away you will have
to rely on the Postal Service or some other carrier to get your valuable
item TO him. That in itself is a risk. If you can find someone locally (and
you can hand deliver your item) you have substantially reduced the risk of
catastrophe. Just something to ponder.
Gary Goss
Funny Face Productions
320 Riverside Drive
Northhampton, MA 01060
413-586-0778
(Recommended by Barbara Franchi of The Nostalgia Factory (fra...@tiac.net)
Igor Edelman
7466 Beverly Blvd. #205
Los Angeles, CA 90036
213-934-4219
(Can reportedly repair/restore items not printed on thin paper, such as
lobby cards, window cards, inserts, 40 X 60 posters, etc.)
J. Fields
25 West 17th Street
New York, NY 10011
212-730-7821
(Restorer used by many auction houses)
Daniel-Harry Steward
110 Harvard East
Seattle, WA 98101
206-329-0127
(Works on One-Sheets, Half-Sheets, Inserts, & Lobby Cards)
3.10 How do I frame a poster?
Perhaps this question should include the phrase "as cheaply as possible,"
since most collectors experience sticker shock when getting price quotes for
custom framing. Most people are seeking an easy and inexpensive way to
frame and display their posters.
You'll probably find doing it yourself as the least expensive approach to
framing. There are many mail order companies that will custom cut metal
(aluminum) frames to your measurements. You'll have a rainbow of color
choices and sometimes even different styles, or "profiles" of frames
are available. You can also check with local frame stores for pricing
information on custom metal frames, but generally the mail order firms will
give you the better deal. Some craft and art supply stores also sell metal
frames pre-cut in 1 inch increments.
To give you a ballpark idea of frame prices: An aluminum metal frame for
a One-Sheet (27 X 41) would run you $12.10 at one company; $13.65 at another.
This is for the frame ONLY. Glass, mats and backing board are extra.
The most critical step in framing is to accurately measure your poster. Since
cutting off the border is forbidden (it will destroy the value of your poster)
carefully measure the exact outer dimensions of the item to be framed.
If you wish for the white border on your poster NOT to show after framing,
you might want to consider having a mat custom cut. This takes careful
planning since you will have to increase the overall size of the frame to
allow for at least 1 1/2 to 2 inches of mat board and you have to calculate
just where you want the inside of the mat to fall on the artwork of the
poster. I suggest you use some cheap paper (such as a paper tablecloth) to
cut out a template for your mat so you can get a better idea of the outer
size you'll need as well as the size of the mat opening that will "frame"
the artwork on your poster.
The outer dimensions will not only be used to purchase your frame, but you
will have your backing board cut to this size as well. It is best to buy
an acid-free, archival quality, foam-core backing board. Do NOT use regular
cardboard or mat board as the acid content is too high and will eventually
destroy your poster. Check around--prices vary widely. Read section 3.3
for mail order sources for backing board.
You will also use your outer dimensions to buy glass or plexi-glass. You
can use single strength window glass (available at hardware and home
improvement stores), non-glare glass (also at the same stores), standard
plexi-glass (basically "plastic" glass), or a special plexi-glass that
protects your poster from ultraviolet rays (sunlight) that will cause the
ink on the poster to fade over time. For this last option you will probably
have to visit a custom frame store to find it. Prices for UV filtering
plex-glass will run around $4.00 for lobby card size (11 X 14).
While I prefer using single-strength glass, some people think it is too heavy.
Non-glare glass sometimes has a tendancy to soften (or blur) the artwork.
Plexi-glass, while lighter than glass, can scratch easily or cloud. The
decision on what to use is up to you.
Once you have assembled all of your materials, its time to assemble the
frame. Most suppliers will provide you with instructions on assembling their
frame. Its very easy and all you'll need is a flat-head screw driver. A few
things to watch out for: make sure you insert any hangers into the track on
the back of the metal frame BEFORE you fasten the last frame section together
or you'll find that you have to disassemble your frame to slide them in.
When you have 3 sides of the frame assembled, sandwich your poster between
the back board and the glass (or plexiglass) and CAREFULLY slide this
sandwich into the frame. Watch for sharp edges on the glass that can slice
your poster (or your fingers!). Also, be very careful that you've cleaned
the glass completely and that it is totally DRY before letting your poster
near it! It is also advised that you buy "spacers" from a framing supply
store that will keep your poster from touching the glass. If you are using
a mat, this will not be necessary, since the mat will keep the poster from
touching the glass. Temperature and humidity fluctuations can cause paper
that is touching glass to wrinkle.
When you've finished the assembly and have added adequate picture hanging
wire to the hangers (the ones you remembered to slide into the back of the
frame BEFORE tightening up the last side) make sure the nail, hanger
or screw in your wall can support the weight of your framed poster. The last
thing you want to hear in the middle of the night is the sound of breaking
glass as your treasured poster falls to the floor.
If this do-it-yourself project seems too much for you, check out the prices
at custom frame stores. You can expect to pay around $70. to $100. for a
custom frame job on a One-Sheet. Doing it yourself will cost less than
$40.00 (depending on where you live).
Another option is to buy the acid-free back board at a frame store and have
them "shrink-wrap" your poster to it. While not as pretty as a custom frame
it will offer some protection and allow you to hang it on your wall. Be
careful about the type of plastic used in this process. Some plastics can
damage paper over time. Ask the pros at the frame store.
You can also purchase ready-made frames from the publishers of "Collecting
Hollywood" magazine. The product is called FameFrames (tm) and according to
the ads feature: frames made from ultraviolet inhibited styrene; non-glare
acrylic glass; foam core backing with low PH value; Acid-free color
coordinated matting; acid-free barrier sheet that helps prevent acid creep
from the rear; instant-off clip system that makes changing posters easy.
The frames are available in 4 colors: brite gold, black lacquer, rosewood
and burl walnut. Prices are:
One-Sheet 2 for $119.98 Shipping is $15.00 per order
Lobby Card 4 for $71.96
Insert 2 for $79.98
Half-Sheet 2 for $79.98
Note: Matting only comes with the One-Sheet size.
To order call 1-800-880-4289. Money back guarantee.
3.11 What are some good sources for framing materials?
There are many mail order companies specializing in custom frames. A good
source for information is THE ARTIST'S MAGAZINE, which features many
advertisements for frame suppliers in each issue.
Here are some custom frame suppliers:
FRAME FIT COMPANY
P.O. Box 8926
Philadelphia, PA 19135
1-800-523-3693 (CALL for catalog)
1-215-322-0683 (PA RESIDENTS)
1-800-344-7010 (FAX)
1-215-335-1772 (PA FAX) (recommended by MoPo Member Scott Burns
<sbu...@ee.net>)
CONTEMPORARY FRAME COMPANY
Need Address
1-800-243-0386
1-203-677-7787 (recommended by MoPo Member Michael Danese
<dane...@ttown.apci.com>)
DANIEL SMITH, INC.
4150 1st Avenue South
Seattle, WA 98134
206-223-9599 (recommended by MoPo Member Gary Naron <dr...@u.washington.edu>)
WHOLESALE FRAME SERVICE
P.O. Box 11047
High Point, NC 27265
1-800-522-3726
3.12 What are the 2 worst places to store your collection?
Simple--at the 2 extremes of your house: the attic and the basement. Heat
speeds deterioration of paper. The general rule of thumb with any chemical
reaction is that it doubles with each 10-degree increase in temperature.
So DO NOT store your valuable poster collection in the attic!
And DO NOT use the basement either. Humidity of more than 65 per cent
promotes mold and hastens the deterioration of paper. Even basements that
seem relatively dry tend to be too humid. The experts recommend storing
paper items in humidity of 50 per cent or less. Some humidity is necessary
since paper loses its natural moisture and becomes brittle when the air
is too dry.
-------O-------
Thanks to Barbara Franchi for contributing information on poster restoration.
----------------------------------------------------------------------------
4.0 R E F E R E N C E M A T E R I A L S on Movie Memorabilia
----------------------------------------------------------------------------
4.1 What magazines/newspapers deal with movie memorabilia?
There are several general periodicals that deal with paper collecting. There
are also many specialized publications that deal with a specific star, film
genre or item. This list is not close to being comprehensive.
-------O-------
MOVIE COLLECTOR'S WORLD
Published bi-weekly
Features hundreds of collectibles for sale/trade by dealers and collectors
from all over the world. Also contains information on auctions, shows and
events.
P.O. Box 309
Fraser, MI 48026
E-Mail Address: mcwa...@aol.com or aren...@ic.net
Web Site: http://www.arenapub.com/mcw
1-800-273-6883
1-810-774-4311
1-810-774-5450 (FAX)
Current USA Rates:
Sample Issue (Bulk Mail) $3.00
13 Issues (Bulk Mail) $25.00
26 Issues (1 Year/Bulk Mail) $40.00
26 Issues (1 Year/First Class) $100.00
6 Issue Trial Subscription $12.00
***INTERNET SPECIAL*** $9.95 Mention you saw this on the Web Page!
Outside USA:
26 Issues (Surface Mail) $60.00
26 Issues (Air Mail) $150.00
-------O-------
COLLECTING HOLLYWOOD
Published bi-monthly
Magazine-style publication which features an alphabetical list (by title)
of posters and other memorabilia for sale by dealers. Also contains 2 to 3
feature articles on each issue. Printed on newsprint. Published by Jon R.
Warren who also produces the "Movie Poster Price Guide."
P.O. Box 2512
Chattanooga, TN 37409
Current USA Rates:
6 Issues (1 Year/Bulk Mail) $16.95 (*10-14 DAY DELIVERY)
12 Issues (2 Years/Bulk Mail) $29.95
6 Issues (1 Yr/Priority Mail) $34.95 (*2 DAY DELIVERY)
12 Issues (2 Yrs/Priority Mail) $65.95
Current Canadian Rates:
6 Issues (1 Yr/Airmail) $38.00 (*7-10 DAY DELIVERY)
12 Issues (2 Yrs/Airmail) $62.00
Outside USA & Canada:
6 Issues (1 Yr/Airmail) $60.00 (*7-10 DAY DELIVERY)
12 Issues (2 Yrs/Airmail) $100.00
Also available from COLLECTING HOLLYWOOD:
MOVIE POSTER UPDATE
Published quarterly
This magazine serves as an interim price guide, supplementing the traditional
annuals. It features price updates taken from recent auctions and sales by
collectors. Use the Chattanooga, TN address above to order.
4 Issues $19.95
1 Issue (Sample) $8.95
-------O-------
*!*
HOLLYWOOD COLLECTIBLES
Published bi-monthly
This slick-paper magazine features articles on a wide assortment of movie-
related collectibles. A recent issue featured articles on collecting Batman
memorabilia, how to buy an Oscar, and an overview of poster collecting. Each
issue also contains an auction report.
4099 McEwen Drive, Suite 350
Dallas, TX 75244
1-800-715-2452
6 Issues $19.90
-------O-------
CELEBRITY COLLECTOR
Published quarterly
The magazine for the collector and film buff. Includes interviews with the
stars, articles on what's collectible and profiles of the collectors them-
selves.
P.O. Box 1115
Boston, MA 02117
No Phone Number Available
Current Rates: USA CAN/MEX EUR/S.AMER AUST/ASIA/AFRICA
4 Issues $19.00 $21.00 $28.00 $30.00
1 Issue (Sample) $6.95 $8.00 $9.00 $9.00
-------O-------
THE BIG REEL
Published bi-monthly
Large, tabloid size newspaper specializing in thousands of advertisements,
both from dealers and private individuals. Its primary focus is on the
collecting of film PRINTS, although there is a section dealing with paper
memorabilia. This company also publishes: ANTIQUE TRADER WEEKLY, TOY TRADER,
MILITARY TRADER, COLLECTOR MAGAZINE & PRICE GUIDE, BABY BOOMER MAGAZINE,
POSTCARD COLLECTOR and DISCOVERIES (music collectibles). The publisher
has been offering a free 2 month trial subscription to any of its
publications to Internet users. Contact QJX...@prodigy.com (Jimmie
O'Donley) for more information.
The Big Reel
c/o Circulation Dept.
P.O. Box 1050
Dubuque, IA 52004
1-800-334-7165
1-800-531-0880 (FAX)
1-319-588-2073 (Foreign Calls)
1-319-588-0888 (Foreign FAX)
Current USA Rates:
6 Months $12.50
1 Year $25.00
2 Years $45.00
Rates outside the US not available. Write or call for prices.
-------O-------
COLLECTING
Monthly magazine that serves the most popular areas of collectibles:
autographs, movie posters and memorabilia, television, rock & roll, props,
space collectibles and animation art.
Odyssey Publications
510-A South Corona Mall
Corona, CA 91719-1420
1-800-359-1359
Current Rates:
USA CAN/MEX OTHER COUNTRIES
12 issues $25.00 $47.50 $61.60
-------O-------
AUTOGRAPH COLLECTOR
Monthly magazine serving autograph collectors which features current
prices and trends, auction results, celebrity addresses, thousands of
offerings from autograph dealers around the world, secrets on building and
collecting for minimal cost and tips for beginning collectors.
Odyssey Publications
510-A South Corona Mall
Corona, CA 91719-1420
1-800-359-1359
Current Rates:
USA CAN/MEX OTHER COUNTRIES
12 issues $38.00 $72.00 $93.60
4.2 What price guides are available?
These are the major price guides:
"Collecting Hollywood: The Movie Poster Price Guide"
By Jon R. Warren
1994 saw the third edition of this guide published. According to the
author, the next update will be in 1996. The current edition includes values
for 25,000 titles and features more than 300 poster photos, including an
eight-page full color section. Cover price is $18.95 (at bookstores) or can
be ordered direct from the publisher for $22.45 postage paid. For more
information write:
Collecting Hollywood
MVPG Offer
2401 Broad Street
Chattanooga, TN 37408
Jon Warren can also be contacted via e-mail: JonRW...@aol.com
-------O-------
"Movie Poster Price Database"
By John Kisch
This guide is published approximately every six months and is based on
information obtained from auction results and dealer ads/catalogs.
Reported cost is $25.00 per issue. Also available on Mac disc at additional
charge. The last issue published was #9, August-December 1994. For more
information write:
*!*
The "Poster Price Almanac: 1995 Year End Review" will be available on
February 1, 1996 for $29.95. (foreign first class mail add $10.00). This
500 page hardbound volume contains 50,000 comparative prices from more than
150 dealers, taken from catalogs and advertisements during 1995. Computer
users can order the information on disk or it can be downloaded via the
Internet. Contact John...@aol.com for more information.
John Kisch
Box 114
Hyde Park, NY 12538
914-454-1998
914-454-7131 (FAX)
E-Mail Address: John...@aol.com
4.3 Are there any good books about collecting movie memorabilia?
There are many excellent books on collecting. Several of these may be out-
of-print, but when available, the Library of Congress shelf number has been
included to help you find the books in your local library (unless they use
the Dewey Decimal system, then you're on your own.)
"Starstruck: The Wonderful World of Movie Memorabilia"
By Robert Heide and John Gilman
Doubleday & Co. 1986 ISBN 0-385-19795-0
Library of Congress number: PN 1995.9 C53 H45
"The Movie Poster Book"
By Steve Schapiro and David Chierichetti
E.P. Dutton 1979 ISBN 0-525-47501-X (paper) 0-525-43069-8 (hard cover)
Library of Congress number: PN 1995.9 P5 M65
"Reel Art: Great Posters From the Golden Age of the Silver Screen"
By Stephen Rebello and Richard Allen
Artabras 1988 ISBN 0-89660-033-5
Library of Congress number: PN 1995.9 P5 R44 1988
"Collecting Movie Memorabilia"
By Sol Chaneles
Arco Publishing Co. 1977 ISBN 0-668-04048-3
Library of Congress number: PN 1995.0 C54 C5
"Lobby Cards: The Classic Films"
By Kathryn Leigh Scott
Pomegranate Press 1987 ISBN 0-938817-11-6
Library of Congress number: PN 1995.9 P5 S38 1987
"Lobby Cards: The Classic Comedies"
By Kathryn Leigh Scott (with Foreward by Bob Hope)
Pomegranate Press 1988 ISBN Not Available
Library of Congress number: PN 1995.9 P5 S33 1988
"Those Great Movie Ads"
By Joe Morella, Edward Z. Epstein & Eleanor Clark
Arlington House 1972 ISBN 0-870001-531
Library of Congress number: PN 1995.9 P5 M6
"The Movie Ad Book"
By Malcolm Vance
Control Data Publishing 1981 ISBN 0-89893-503-2 (HC) 089893-301-3 (Soft)
Library of Congress number: PN 1993.5 U65 V36
"Yesterday's Tomorrows: The Golden Age of the Science Fiction Movie Poster"
By Bruce Lanier Wright
Taylor Publishing Co. 1993 ISBN 0-878338-187 (HC) 0-878338-241 (Soft)
Library of Congress number: PN 1995.9 P5 W75 1993
"50 Years of Movie Posters"
By John Kobal
Bounty Books 1973 ISBN 0-517513-862
Library of Congress number: PN 1995.9 P5 K6
"MGM Posters: The Golden Years"
By Frank Miller
Turner Publishing 1994 ISBN 1-57036-10-53
Library of Congress number: PN 1995.9 P5 M55 1994
"A Separate Cinema: Fifty Years of Black-cast Posters"
By John Kisch
Farrar, Straus & Giroux 1992 ISBN Not Available
Library of Congress number: PN 1995.9 P5 K57 1992
"Movie Star Memorabilia: A Collector's Guide"
By Brian Mills
B.T. Batsford 1991 ISBN 0-713466-12X
Library of Congress number: PN 1995.9 C53 M55 1991
"The Official Identification and Price Guide to Movie Memorabilia"
By Richard De Thuin
House of Collectibles 1990 ISBN 0-87637-7886
Library of Congress number: PN 1995.9 C53 D47 1990
"Movie Gallery: A Pictorial History of Motion Picture Advertisements
Great Movies, Great Stars 1920-1970's"
By Emil T. Noah
Noah Communications 1980 ISBN Not Available
Library of Congress number: PN 1995.9 P5 N58
"Selling Dreams: British and American Film Posters 1890-1976"
By Welsh Arts Council
Welsh Arts Council 1977 ISBN Not Available
Library of Congress number: PN 1995.9 P5 W4 1977
"Graven Images: The Best of Horror, Fantasy and Science Fiction Film Art
From the Collection of Ronald V. Borst"
By Ronald V. Borst
Grove Press 1992 ISBN 0-80211-4849
Library of Congress number: PN 1995.9 P5 G74 1992
"The Disney Poster: From Mickey Mouse to Aladdin"
Hyperion 1993 ISBN 1-56282-9246
Library of Congress number: PN 1995.9 P5 D57 1993
"Book of the International Film Poster"
By Gregory J. Edwards
Tiger Books 1988 ISBN Not Available
"Born to be Bad" (Postcard book of 1950's exploitation film posters)
By Michael Barson
Pantheon Books 1989 ISBN 0-67972-5555
Library of Congress number: PN 1995.9 P5 B37 1989
"The Worst Movie Posters of All Time: A Treasury of Trash"
By Gregory J. Edwards
Sphere Books (London) 1984 ISBN 0-72213-2298
Library of Congress number: PN 1995.9 P5 E39 1984
"Movie Star Memorabilia: A Collector's Guide"
By Brian Mills
B.T. Batsford (London) 1991 ISBN 0-7134-6612X
Library of Congress number: PN 1995.9 C53 M55 1991
"Hollywood Collectibles"
By Dian Zillner
Schiffer Publishing 1991 ISBN Not Available
Library of Congress number: PN 1995.9 C54 Z5 1991
"Hollywood Collectibles: The Sequel with Price Guide"
By Dian Zillner
Schiffer Publishing 1994 ISBN Not Available
Library of Congress number: PN 1995.9 C53 Z55 1994
"Coming Next Week: A Pictorial History of Film Advertising"
By Russell C. Sweeney
A.S. Barnes 1973 ISBN 0-49801-102X
Library of Congress number: Not available
4.4 Where else on the Internet might I find information?
There are some postings related to movie memorabilia on these Usenet
newsgroups:
rec.collecting
rec.antiques
rec.antiques.marketplace
rec.arts.movies.misc
Web sites that have information on the hobby, including GIFS & JPEGS:
Hollywood Toy & Poster Company (Commercial Site)
http://www.hollywdposter.mb.ca/hollywdposter
Movie Collector's World (Newspaper) See section 4.1 for subscription info.
http://www.opendoor.com/MCW/MCWHOMEPAGE.html
Collector's World Movie Memorabilia
http://www.nmia.com/~coz/cworld/cworld.html
Autograph Information
http://www.io.org/~aKennedy/welcome.html
Hollywood Collectibles (Commercial Site)
http://www.sedona.net/memory/hw_coll.html
Movie Poster GIFS/JPEGS (primarily classic films)
http://www.best.com/~caddy/posters.html
http://www.best.com/~caddy/noir.html (Film Noir GIF/JPEGS)
(Also available via FTP: ftp.best.com/pub/caddy/
Rick's Movie Graphics (Commercial Site)
http://www.af.org/~23511/
Class Act Movie Posters (Commercial Site)
http://www.ip.net/cgi-bin/shopkeeper
FTP Site for poster GIFS/JPEGS:
ftp.uni-stuttgart.de/pub
User: pic
Password: pic
*!* Movie Poster Collecting
http://pages.prodigy.com/CA/posterman/moviepostercollecting.html
Note: Most major studios now have WEB sites that promote their current
films. You'll sometimes find posters for current films on these WEB pages.
Some of the major studio WEB sites are:
http://www.paramount.com
http://www.mca.com
http://www.sony.com
http://www.pathfinder.com
http://www.hollywood.com
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5.0 S O U R C E S For Buying Movie Memorabilia
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5.1 Are there any annual shows or events?
Your best bet for finding affordable posters is to attend the many film
conventions and collectible shows that are held around the Unites States.
In addition to the many dealers who set up shop during these events, you'll
have the chance to meet other collectors and view some classic films on
the screen, since many of the shows feature non-stop screening rooms.
The best part buying at at film convention is that you can carefully inspect
your potential purchases before buying. And you also have the opportunity to
haggle over price--something we don't get to do very often in today's world.
At a convention, haggling is not only welcomed, its nearly expected! Don't
be shy about it!
The major shows (in the US) are:
Memorial Day Weekend (Last weekend in May)
CINEVENT
P.O. Box 13463
Columbus, Ohio 43213
1-614-229-3555 (24 Hour Hotline)
Cinevent '96 will be the 28th annual event. Held at the Columbus Radisson
North Hotel, the convention features non-stop classic film screenings and
nearly 200 dealer tables featuring all kinds of movie memorabilia. You can
call the 24 hour number and asked to be added to the Cinevent mailing list.
Cinevent now has a web site with updated information:
http://www.ee.net/shaynes OR
http://www.colmicrosys.com/shaynes
-------O-------
First Weekend in March
CINEFEST
Syracuse, New York
NEED ADDRESS AND PHONE NUMBER
Cinefest features classic film screenings, including special 35mm showings
from the Eastman House archives at the restored Landmark Theatre. Many
dealers also attend the show. Cinefest is usually held at the Syracuse
Quality Inn, but the show is scheduled to move to the Holiday Inn in 1996.
-------O-------
Labor Day Weekend
CINECON
P.O Box 1632
Hollywood, California 90028
Cinecon is held at the historic Hollywood Roosevelt Hotel (site of the first
Academy Awards) and features classic film screenings, personal appearances by
many celebrities from Hollywood's Golden Age, and dealers selling movie
memorabilia. Cinecon is one of the oldest shows in the United States, having
begun in 1964. The Hotel also offers special room rates for Cinecon.
5.2 What about auctions?
When Christie's entered the movie poster auction business in 1990 the
investment potential of the hobby became shockingly clear--mainly in the
astronomical prices many pieces of movie memorabilia were getting.
Today, auctions can be a source of items for your collection, but you had
better have deep pockets. Even if you can't afford to purchase any
of the beautiful posters at an auction (or dare to bid!), an auction
does give you the chance to view otherwise unobtainable posters up close.
And the catalogs produced by the major auction houses are almost collectible
in themselves--usually featuring high quality printing on glossy paper, with
full-color reproductions of the items to be auctioned.
For information on upcoming auctions and available catalogs contact the
following auction houses:
BUTTERFIELD & BUTTERFIELD
220 San Bruno Avenue 7601 Sunset Blvd.
San Francisco, CA 94103 Los Angeles, CA 90046
1-415-861-7500 ext. 322 1-213-850-7500 ext. 259
To order illustrated catalogs: 1-800-223-2854 ext. 525
-------O-------
CAMDEN HOUSE AUCTIONEERS
427 N. Canon Drive
Beverly Hills, CA 90210
1-310-246-1212
1-310-246-0416 (FAX)
-------O-------
SOTHEBY'S AUCTION HOUSE
1334 York Avenue
New York, NY 10021
1-212-606-7000
SOTHEBY'S AUCTION HOUSE UK
34-35 New Bond Street
London, ENGLAND W1A 2AA
-------O-------
CHRISTIE'S AUCTIONS
291 E. 67th Street
New York, NY 10021
CHRISTIE'S AUCTIONS
85 Old Brompton Road
London, ENGLAND SW7 3LD
-------O-------
BONHAM'S AUCTION
65 Lots Road
Chelsea, UK SW7 1HH
5.3 How do you find a reputable dealer?
There are many collectors and dealers who have a large assortment of
memorabilia for sale and in some cases, trade. Your best source for locating
them are the various collector's magazines mentioned in this FAQ or ask
your fellow list members for recommendations.
While dealing through the mail to buy your posters is not ideal, it is often
the only way for many collectors. Insist upon complete (and accurate)
descriptions. It is NOT out of line to ask for a photograph, particularly if
you are spending a considerable sum of money. Reputable dealers will also
guarantee your satisfaction and allow for returns of material you are not
happy with.
You should also be aware that the Postal Service (and increasingly United
Parcel Service) can lose or damage your valuable collectible. Insure
your shipment accordingly!!
A list of dealers is available in section 6.0.
5.4 What are other sources for memorabilia?
If you are lucky enough to live in a large city there may be a movie
memorabilia store close by. Check out ANY collectible stores or antique shops
since you may get lucky and find a treasure trove of materials.
While there are stories (practically urban legends) of people who discover
huge poster collections stored in an attic, lovingly preserved by the widow
of a former theatre owner, these occurances are few and far between. You
have a better chance of being struck by lightning. Some people do stumble
upon posters at garage sales or inside old theaters that are about to be
demolished. Don't miss your chance at any opportunity. Just don't hold your
breath. The fellow near Cleveland who discovered his entire house was
insulated with classic film posters (true story) was one of those rare
lightning strikes!
Your best bet for finding affordable posters is to attend the many film
conventions and collectible shows that are held around the United States.
Read section 5.1 for more information.
5.5 How do I SELL my collection?
If you decide that its time to sell your collection (for whatever reason)
you will have to decide how much effort you want to put into this and how
much money you should reasonably expect to get.
Many people have found success selling posters on the Internet, but this
usually means having to deal with many buyers, the hassles of shipping and
insurance, and the chance you may not get top dollar for your items.
Selling to a dealer is usually quick (he/she will often purchase your entire
collection) and convenient, but you probably won't get top dollar since
the dealer will want to resell your items and make his profit.
Auctions are a possibility if you have some rare or highly collectible
items. Generally, auction houses want posters to be linen-mounted, which adds
quite a bit to YOUR cost if you have to have the mounting done. You can tack
on this cost to the minimum bid you'll accept for your poster. Auctions
can be fickle and you may end up NOT selling your posters if you place too
high a minimum of them. Then you have to figure the percentage the auction
house takes of the sale price (as their commission).
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6.0 D E A L E R L I S T
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IMPORTANT NOTE: Listing of a dealer or commercial business should NOT be
considered an endorsement. These listings are for your information only.
No one has paid a fee to be listed in the MoPo FAQ. Any problems or concerns
with any dealer or business listed here should be forwarded to the FAQ
editor Scott Burns (sbu...@ee.net). While the editor assumes no responsibilty
for any difficulties, dealer listings can be deleted at his discretion.
Many of these dealers were recommended by MoPo List members.
NOTE TO DEALERS: As a courtesy to the prospective customers you may meet
through the MoPo List, you should clearly outline your sales procedures
at the beginning of the transaction. If you accept personal checks but
require that they clear your bank before shipping, please inform your
buyer. Once you have payment, ship promptly and be sure to securely
package the posters. As of late both UPS and the Postal Service have been
damaging far too many shipments. If the poster is of substantial value,
the shipment SHOULD be insured.
Posters & other collectibles
THE NOSTALGIA FACTORY
336 Newbury Street
Boston, MA 02115
1-617-236-8754
Barbara and Rudy Franchi
E-mail: fra...@tiac.net (Barbara is a MoPo List Member)
Posters
ANN DAMAN
3663 Crescent Drive
Lafayette, CA 94549
E-mail: d...@hopf.dnai.com (Ann is a MoPo List Member)
Posters
CLASS ACT POSTERS
Ralph Capone
751 Ohio Street
Lisle, IL 60532
1-708-960-2465
1-708-960-2454
1-708-960-2526 (FAX)
E-mail: EAW...@prodigy.com (Ralph is a MoPo List Member)
WEB SITE: http://www.ip.net/cgi-bin/shopkeeper
Movie Props
STAR WARES ON MAIN
2817 Main Street
Santa Monica, CA 90405
Catalog: $3.00 ($5.00 outside the US)
1-310-399-0224
1-310-399-3835 (FAX)
Posters
BRUCE HERSHENSON
202 Aid Avenue
West Plain, MO 65775
(Bruce is an advisor for Christie's East poster auctions)
Posters
SAM SAROWITZ
23 E. 10th Street #321
New York, NY 10003
Stills, B&W/Color
S & P PARKER'S MOVIE MARKET
P.O. Box 1868
Laguna Beach, CA 92652
1-714-376-0326
1-714-376-0327 (FAX)
Free catalog available
Posters (all sizes)
CINEMONDE
138 Second Avenue North 1932 Polk Street, Dept. 462
Nashville, TN 37201 San Francisco, CA 94109
1-615-742-3048 1-415-776-9988
1-615-742-1268 (FAX) 1-415-776-1424 (FAX)
Catalogs available for additional charge.
Posters
MOVIEART (Kirby McDaniel)
P.O. Box 4419
Austin, TX 78765-4419
1-512-479-6680
1-512-480-8225 (FAX)
Posters
LEMAY COMPANY
P.O. Box 480879
Los Angeles, CA 90048
1-213-935-4053
1-213-933-4465 (FAX)
Posters, scripts, autographs & more
CINEMA CITY
P.O. Box 1012
Muskegon, MI 49443
1-616-739-8303
Catalog $3.00
Poster and stills
RICK'S MOVIE GRAPHICS
P.O. Box 23709
Gainesville, FL
1-800-252-0425
1-904-373-7202
Catalog Free to Internet Users
*!* WEB SITE: http://www.atlantic.net/~ricks/
Posters, stills & scripts
HOLLYWOOD TOY AND POSTER COMPANY
1001 Banning
Winnipeg, Manitoba R3E2J1 CANADA
1-204-783-3717
Catalog $3.00
WEB SITE: http://www.hollywdposter.mb.ca/hollywdposter
Posters
ICONOGRAPHICS
1807 Second Street #4
Santa Fe, NM 87505
1-800-279-9779
Catalog $2.00
WEB SITE: http://www.newmexico.com/icon
Posters (Foreign)
EURO POSTERS
Werner H. Lehmann
531 Clayton Street
Denver, CO 80206
Posters, autographs & stills
HOLLYWOOD COLLECTIBLES
P.O. Box 4035
Sedona, AZ 86339
1-520-204-1965 Days
1-520-282-4006 Evenings
1-520-204-1631 (FAX)
E-mail: phy...@sedona.net
WEB SITE: http://www.sedona.net/memory/hw_coll.html
Posters, stills, scripts & books
CINEMA COLLECTORS
1507 Wilcox Avenue
Hollywood, CA 90028-7308
1-213-461-6516
Posters, stills & books
JERRY OHLINGER'S MOVIE MATERIAL STORE
242 W. 14th Street
New York, NY 10011
1-212-989-0869
Posters
PIX POSTER CELLAR
1105 Massachusetts Avenue
Cambridge, MA 02138
1-800-666-7499
1-617-864-7499
1-617-864-1565 (FAX)
Free Catalog on Request
Posters (Non-US, primarly Belgian & French)
SERGE WYHOWSKI DE BUKANSKI
Chaussee de Boondael, 129
B-1050 Bruxelles, BELGIUM
Phone: 32-(0) 2-648.91.11
Lobby Card Photographic Reproductions
DAVID GRAVEEN PHOTOGRAPHY
P.O. Box 1121
Glastonbury, CN 06033
1-203-657-3802 (Voice & FAX)
Sci-Fi & Horror Posters, Spanish Posters
BRIAN MORAN
P.O. Box 561307
Orlando, FL 32865
1-407-843-0971
Posters, Autographs, Disneyana
STAR MEMORIES
Robert Zarrillo
3908 Spanish Trail
Fort Wayne, IN 46815
1-219-486-6635
Catalog Available
Posters (primarily European)
VINTAGE EUROPEAN POSTERS
Richard Rudnitsky
345 Ocean Drive, Suite 1019
Miami Beach, FL 33139
1-305-673-8145
Celebrity address lists (for autograph seekers)
AUTOGRAPHS IN THE MAIL
Jim Weaver
322 Mall Blvd. #345
Pittsburgh, PA 15146-2229
E-mail address: JimW...@aol.com
Autographs
CMA AUTOGRAPHS
Carole Adams
P.O. Box 743702
Dallas, TX 75374
1-21-I-BUY-GWTW (1-214-289-4989)
1-214-289-7883 (FAX)
E-mail address: lom...@ix.netcom.com
Movie soundtracks on vinyl, CD & casette (Buy/Sell)
ROY'S COLLECTOR'S SHOWCASE
Roy Bonario
1-714-729-8411
Various movie memorabilia
CAPTAIN BIJOU
P.O. Box 87
Toney, AL 35773
1-205-852-0198
1-205-859-8946 (FAX)
E-mail address: ebl...@interserv.com
Catalog available for $4.00
*!* Posters, lobby cards and stills
THEATRE POSTER EXCHANGE
P.O. Box 752302
Memphis, TN 38175
1-901-795-6383
1-901-795-1826 (FAX)
Catalog available for $8.00
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T H E E N D Drive Safely on your way home from the theater...
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David Frame
here's the titles of some movie posters that i would like to add to my
collection. i'm really only interested if condition is vg+ or better. i
realize that some of these are pretty tough, but it can't hurt to ask.
if you got it (or them) for sale, send info on price and condition to
this account. here's a few listed by either actor or director.
arch hall jr.:
"wild guitar"
"the choppers"
russ meyer:
"motorpsycho"
"mudhoney"
"up!"
ray dennis steckler:
"the incredibly strange creatures who stopped living and became zombies"
"eegah"
"rat pfink a boo-boo"
frank henenlotter:
"basket case"
"basket case II"
"frankenhooker"
"brain damage"
also, "wild, wild world of jayne mansfield", "the rebel set", "beat
generation", "satan's sadists", "astro-zombies" and, finally, "she
devils on wheels". thanks.
dave
--
David Frame
Graduate School of Business Administration
CB 419
University of Colorado
Boulder, CO 80309-0419
Telephone: (303)492-5616
Email: fra...@colorado.edu
David Frame
i don't know about the rest of you, but i'm gettin' a little tired of
seeing star wars stuff for sale ten times a day every day. nothin'
personal, but i'm doing a little collection cleaning and am offering the
following sexploitation/exploitation posters for sale. a couple of
things:
grading--near-mint (nm) is an unused and unsullied poster that may have
one or two minor defects that do not affect presentation; excellent (ex)
is probably a used poster with defects that are either in the margins
(pinholes, small tears, tape) or in the main image that do not affect
presentation; very good (vg) is used and shows it but retains structural
integrity. assume folded unless stated otherwise and any major problems
will be listed. i guarantee the condition as stated and will accept
returns if notified within a few days of receipt. money (but not return
postage) will be refunded in full. it may take a day or two, but will
be happy to respond to questions about particulars relating to
condition.
pricing--i've tried to price these to sell. i will gladly accept offers
if interested in multiple posters and would be very happy to trade for
similar material in nice condition. first come, first served. postage
charge of $3 will be added and posters will be shipped priority usps.
russ meyer items:
1)"supervixen"/nm/one-sheet/$50/feast on it!
2)"the seven minutes"/nm,rolled/insert/$20/meyer's second and last
picture for 20th century fox. probably the least interesting of his
posters, but if you're a completist like i am, well...
al adamson items:
for the uninitiated, al made the best biker pic of the 60s, "satan's
sadists" as well as some other doozies before churning out soft-core in
the 70s and early 80s. he was found dead and presumably murdered
underneath the concrete that was to be used for his new patio a little
over a year back. please, a moment of silence for this underappreciated
auteur. both posters listed below are immaculate other than the fact
that they are folded.
3)"nurse sherri"/nm/one-sheet/$15
4)"cathouse cowgirls"/nm/one-sheet/$15
miscellaneous items:
5)"black klansman"/nm,rolled/half-sheet/$50/ted "corpse grinders"
mikel's saga of revenge and the klan.
6)"born wild"/nm/one-sheet/$25/originally titled "young animals" this
poster has the new title pasted over the original title and a sticker
over the rating. similar in design to "hell's belles". nice graphics
including a chris farley look-a-like attached by hooks to the hood of a
speeding car. go chris, go!
7)"caged heat"/nm/one-sheet/$45/before "silence of the lambs" jonathan
demme made this chicks in prison flick with both erica gavin and barbara
steele.
8)"food of the gods"/nm,rolled/half-sheet/$15/the amazing colossal burt
i. gordon rehashing h. g. wells for the millionth time. this time it's
oversized rats. kinda like "willard" on steroids.
9)"frankenhooker"/vg/one-sheet/$15/frank henenlotter's superior and
hilarious version of frankenstein involving exploding prostitutes and
rather unusual methods of mental stimulation. poster is, unfortunately,
folded. no other damage, but the wear along the folds is visible. as it
says on the poster, "a story of sluts and bolts". rent it, even if you
don't buy the poster.
10)"hot blooded woman"/ex/one-sheet/$20/not much i can say about this
one. it is pictured in daniel farris' grindhouse book (if you like this
kind of stuff, get this book).
11)"mister mari's girls"/nm/one-sheet/$35/the most infamous of
exploitation flicks during the 60s was the olga series directed by joe
mawra. these movies are often called "sickies" for their rather
disturbed and disturbing content. this is another one directed by him.
12)"mondo pazzo"/vg-ex/one-sheet/$20/the sequel to the mondo craze
inducing "mondo cane". poster is definitely presentable, some tape
shows through on the margins and there is some separation along the
folds. still, it holds together well and looks pretty good. i think
this is in grindhouse as well.
13)"sinderalla and the golden bra"/ex/half-sheet/$15/what else do you
need with a title like that?
14)"wild, wild world of jayne mansfield"/vg/one-sheet/$15/another victim
of black backgrounds, glossy stock and folding. rubbing along the folds
that detract from jayne's lovely visage. there are also few extra folds
in there, too.
thanks for looking and please feel free to email with questions. i may
not be able to respond until early next week, so please be patient.