[Checking this post before I hit the send button I
realize it doesn't contain anything substantial.
But I couldn't be bothered to write another one.
So congrats on another CD fellas. I'm out.]
Anyways, let's get to it:
The line-up is really none of my business, but as much
as I'm pleased to see one of the old school alt.rap heads
on this CD (Laze), I regret that someone like Mr. Bravo
is not on it. Oh well, he probably didn't submit.
Artwork is once again doper than on many other
independent releases.
"Intro" (Timid)
Timid pitched down. The reference to 'alt.rap.unsigned.tape'
def. gets the thumbs up. Timid has some type of refined
accent that makes him perfect for the job: "The gods have
re-convened their council once more...", dope.
Not sure about the rap part though. Is this a freestyle?
I don't think freestyles should be on albums, but... moving on...
"Half Yall" (Analyze)
"Y'all out there don't know me all". Indeed... Track is
interesting. Flow is too hysteric, forced 'conversational'
tone a la Cam'ron. Okay concept, decent lyrics.
"1st Infiltry Radio" (All Topics and Fayce)
Guess the beat programming is supposed to be on some
military vibe? Flows are solid, but damn these keyboard
sounds. Cheesy as hell. That just won't do.
"The best runners-up since Eric B. For President", haha.
The fast fade-out is not very professional.
"Blood-Ink" (Timid)
Dope intro. The rhythm is a notch too experimental.
But probably done on purpose. Nice bass tone.
The chorus is another thing that's weird. What's
the connection between "I bleed ink from pens
like blood from veins" and "I'm sick/ill/dope/hot"?
Makes not much sense.
Other than that, quality lyrics from Timid, albeit
a tad bit simpler than usual.
"Gun Symphony" (Killah and Analyze)
Nice idea to mix up gunfire and strings for the
chorus. Not executed to pefection though.
Kinda diggin' the Killah slang. Good thing he's not
shouting but keeps his voice at normal level.
The same goes for Analyze who sounds more
natural than on "Half Yall". Very dope final
minute.
"2 in the Mornin'"
See my "inTimidation" review. Nice to see it
included here. I swear this is one of my most
played songs this year. Oh, and has this one
been 'mastered' as well? Methinks so. There's
definitely an improvement.
"Alt.Rap Idol" (skit)
Is this a Paget parody? ROFLMAO.
Who did this? Dave himself? This is
hilarious. WTF.
"You Wanna Battle Me?" (Rhythmic AKA Parks and Chill)
Finally something that you might read in an alt.rap online
battle coming alive, especially Parks' part. Very nice beat.
First track that really impresses me.
Would be even doper if it was a Parks solo cut.
"Save Me" (Analyze)
I appreciate the personal touch. Thankfully none
of the forced delivery. But that's the third time this
guy pops up and it's only the 9th track. Does he
know what alt.rap is? Just being sarcastic now.
Anyway, thumbs up.
"Bitches don't understand this shit / I'm a man
and shit / when I piss I hold my own dick."
Nice way to put it. ;)
"Bloody Basics 3" (Killah and Timid)
Uhm...okay.
"Showboat" (Skrabble)
That's Holy Child, the Dirty South representative, haha.
Where is this guy, BTW? Wasn't he kinda spiritual?
Right, there it is. And all the way still "bangin' chopped up
Screw". Anyway, don't like the voice at all. Flow is okay,
very varied, rappin' robots should take notice.
"Final Magnus 2" (Killah and Darth)
Magnus? Sounds like Latin. Or a Swedish first name.
As usual they put in a lot of work with sound effects,
building tracks, creating moods, etc. Lots of polishing
diamonds in the rough, but so far no real banger from
anything that had Killah's name on it.
Indimidating voices and unusual lyrics, that's their forte.
"Voicemail"
Nice touch. There's no MJ on it because there doesn't
need to be.
"Who's that Writing?" (Laze)
Oh boy. You got years of experience adding up to a
nice little ditty that doesn't take itself too serious.
Serene, superior. One of the top 3 cuts here.
"Speak on It (Timid and Rhythmic AKA Parks)
Glad to see Rhythmic making another appearance.
But when it comes to reflective stuff like that, Timid's
the reference. Not much going on w/ the beat.
"Lick it Bitch" (A to the L)
A to the L is a man of many talents but does he really
have to rap? I mean I dug the "Battle Mode" songs
because they had a lot going on, but here he sounds
like the average wanna-be rapper. Just sounds forced.
Props for getting personal, but what's the purpose of a line
like "A to the L is back, a shining light in the field of rap"?
Sounds like he's seriously considering a rap career.
"I do your ass worse than Freaky Tah." Damn kid, you slippin'.
"When Darkness Reflects" (Andrew Octopus, Killah and Darth)
Octopuss does some poetry/battle mixture thing. Somewhere
between chilling and wack. What's really dope though
is the contrast to the Killah/Darth vocals. Eerie effect.
They'd be a dope crew. Diggin' the surreal track.
"Alt.Rap 2K2" (Timid, A to the L, UNIVERsON, Pizon, Analyze, Killah)
The grande finale. Do you guys realize how absurd it is to put
UNIVERsON and Pizon on the same track? Especially when
the one's echo still lingers when the other has already begun...
A to the L sounds a lot better on this one. Too bad UNIVERsON is
limited to this one performance. He's one rapper that catches
you off guard with his sheer engery/speed. Pizon came nice as well.
Ultimately prolly better than the "Battle Mode" posse cut.
"Gangsta Medley (Outro)" (Rane)
"Scarface" soundbites are always welcome. Is there
a better sounding version available?
Matt
>"Alt.Rap 2K2" (Timid, A to the L, UNIVERsON, Pizon, Analyze, Killah)
>A to the L sounds a lot better on this one.
damn you really know how to hurt someone *sniff*
actually the verse for the posse cut is one of the weakest things I've
ever done IMO - not to get all Paget-ified on y'all, but I was dying
from a cold, and Drill Sergeant Timid was barking for a verse so I
cobbled this together real quick...
Lick It Bitch was also a last minute type thing - it wasn't meant to
take itself seriously, hence the non-relevant name, and a lot of the
lines were scribbled down to fit in around a few lines I already had
sitting... it was originally set over a different beat, but I forgot
about the Mike S one, and thought it would be cool to use it...
I don't mean to bring down the tone of the compilation together by
saying shit was thrown in at the last minute either - I simply meant
that it was submitted at the last possible second before the deadline
because:
1) I'd said I would come thru with something
2) I thought it came out pretty good...
Damn you Swiss boy, damn you...
:)
PEACH
A to the L (MJ is off my Xmas card list)
Check the sites y'all... www.altrap.com www.raredj.com
"A to the L owns all your stankin asses. Man can rap his ass off. The rest are scrubs." - Fatboy Roberts
"...let's just say that I think that A to the L is an artist because of his ability to quantify different SHITS into words. That's art." - Alvin Smith
this was horrible. the cheap ass keyboard guitar effect (yea i know you
actually have a cheap keyboard now timid, i saw it in yer vid) is
abonimable, the silly lyrics, the exaggerated sense of drama, yeeeuch
> The chorus is another thing that's weird. What's
> the connection between "I bleed ink from pens
> like blood from veins" and "I'm sick/ill/dope/hot"?
> Makes not much sense.
thats a sick chorus...not everything has to make perfect sense Matt....
> "Alt.Rap Idol" (skit)
> Is this a Paget parody? ROFLMAO.
> Who did this? Dave himself? This is
> hilarious. WTF.
yeah it was dave...funny as fuck, except why did you fade dave out in mid
sentence? I guess it would have been hard to get a definite end to that
actually, so that was probably right thing.
> "You Wanna Battle Me?" (Rhythmic AKA Parks and Chill)
> Finally something that you might read in an alt.rap online
> battle coming alive, especially Parks' part. Very nice beat.
> First track that really impresses me.
> Would be even doper if it was a Parks solo cut.
this was such a fucking piss track. Generic wack battle netcee checklist -
gay pimply teenager voice? check. wordplay on "bar"? check. wordplay on
"mic"/"mike"? check. silly puns that dont even make sense? check. forgot
about dre-style rhyme pattern that strings together a whole load of
completely unrelated phrases? check. horrible.
> "Save Me" (Analyze)
> I appreciate the personal touch. Thankfully none
> of the forced delivery. But that's the third time this
> guy pops up and it's only the 9th track. Does he
> know what alt.rap is? Just being sarcastic now.
> Anyway, thumbs up.
> "Bitches don't understand this shit / I'm a man
> and shit / when I piss I hold my own dick."
> Nice way to put it. ;)
yeah this was worlds apart in quality from Half Y'all
> "Bloody Basics 3" (Killah and Timid)
> Uhm...okay.
c'mon man, this was the sickest song on here
> "Showboat" (Skrabble)
> That's Holy Child, the Dirty South representative, haha.
> Where is this guy, BTW? Wasn't he kinda spiritual?
> Right, there it is. And all the way still "bangin' chopped up
> Screw". Anyway, don't like the voice at all. Flow is okay,
> very varied, rappin' robots should take notice.
abomination
> "Speak on It (Timid and Rhythmic AKA Parks)
> Glad to see Rhythmic making another appearance.
> But when it comes to reflective stuff like that, Timid's
> the reference. Not much going on w/ the beat.
beat is boring as is park's verse. Timid comes nice.
Too bad UNIVERsON is
> limited to this one performance. He's one rapper that catches
> you off guard with his sheer engery/speed.
"he sounds like a damn fool!!"
> Ultimately prolly better than the "Battle Mode" posse cut.
duh
> "Gangsta Medley (Outro)" (Rane)
> "Scarface" soundbites are always welcome.
yeah but.....what's the relevance here?
Ad......
I think the contrast is what makes it, too. Killah and I are actually (sort of
slowly but surely) working on an EP to come out later this year.
Thanks for taking the time to reply. I would've e-mailed it to just you but
have no idea what your e-mail is.
*****************
CASHLESS SOCIETY mixtape drops Dec. 1, 2002!
For information on appearances, distribution, etc.
e-mail Andrew Octopus at
DrFr...@aol.com, subj: CASHLESS SOCIETY
Bravo was gonna submit and he sent me two cd's in the mail with stuff on it
but it was the wrong stuff and the cd's were messed up in places.
> Artwork is once again doper than on many other
> independent releases.
thank you, I try.
> "Intro" (Timid)
> Timid pitched down. The reference to 'alt.rap.unsigned.tape'
> def. gets the thumbs up. Timid has some type of refined
> accent that makes him perfect for the job: "The gods have
> re-convened their council once more...", dope.
> Not sure about the rap part though. Is this a freestyle?
> I don't think freestyles should be on albums, but... moving on...
yes it's a freestyle off the top of the head.
> "Blood-Ink" (Timid)
> Dope intro. The rhythm is a notch too experimental.
> But probably done on purpose. Nice bass tone.
> The chorus is another thing that's weird. What's
> the connection between "I bleed ink from pens
> like blood from veins" and "I'm sick/ill/dope/hot"?
> Makes not much sense.
> Other than that, quality lyrics from Timid, albeit
> a tad bit simpler than usual.
well the song just came from listening to the bassline...just started
babbling to myself and the chorus came out. the "I bleed ink from pens like
blood from veins" is basically saying that this is in my blood and natural
to me. the odd voice saying it is me fuckin around and i was like....hey i'm
gonna use that it. just buggin, gotta have fun with ya stuff ya know. and
the "I'm sick/ill/dope/hot" was delivered the way it is; plain and with
boredom to show that it's just so natural and easy for me to be this
way..."oh yea i'm dope whatever it's normal, nothing new...i'm actually
kinda tired of it"
> "2 in the Mornin'"
> See my "inTimidation" review. Nice to see it
> included here. I swear this is one of my most
> played songs this year. Oh, and has this one
> been 'mastered' as well? Methinks so. There's
> definitely an improvement.
this isn't on "inTimidation" but on "Growing Pains". Yea, unless you missed
Pizon's rant...(can't see how) the whole cd was mastered.
> "Alt.Rap Idol" (skit)
> Is this a Paget parody? ROFLMAO.
> Who did this? Dave himself? This is
> hilarious. WTF.
this is a parody of the American Idol tv show. yes that's Paget and the
emcee in the background getting dissed is Pizon. Pizon's idea, we wanted
DOKool to be the emcee but he wouldn't do it. Paget is only finding out that
he was dissing Pizon now as he is reading this because I had him record his
shit and email it to me before the rest of it was put together. Pi went
ahead and put himself out there for the benefit of getting it done. Paget go
ahead and jizz on yourself, you get to diss Pizon on CD. YOu should buy all
the copies and distribute them for free just for that. haha btw, Pizon was
the one that faded out the end....i thought he should have left it...Dave
said some funny shit in his next few words on that Snoop Dogg freestyle bit.
> "Speak on It (Timid and Rhythmic AKA Parks)
> Glad to see Rhythmic making another appearance.
> But when it comes to reflective stuff like that, Timid's
> the reference. Not much going on w/ the beat.
why does everyone not feel this beat...i heard it and was damn i want to
record on that.
> "Lick it Bitch" (A to the L)
> A to the L is a man of many talents but does he really
> have to rap? I mean I dug the "Battle Mode" songs
> because they had a lot going on, but here he sounds
> like the average wanna-be rapper. Just sounds forced.
> Props for getting personal, but what's the purpose of a line
> like "A to the L is back, a shining light in the field of rap"?
> Sounds like he's seriously considering a rap career.
> "I do your ass worse than Freaky Tah." Damn kid, you slippin'.
agreed....pretty much wack shit.
> "When Darkness Reflects" (Andrew Octopus, Killah and Darth)
> Octopuss does some poetry/battle mixture thing. Somewhere
> between chilling and wack. What's really dope though
> is the contrast to the Killah/Darth vocals. Eerie effect.
> They'd be a dope crew. Diggin' the surreal track.
ill contrast and Andrew gets off some nice lyrics.
> "Alt.Rap 2K2" (Timid, A to the L, UNIVERsON, Pizon, Analyze, Killah)
> The grande finale. Do you guys realize how absurd it is to put
> UNIVERsON and Pizon on the same track? Especially when
> the one's echo still lingers when the other has already begun...
> A to the L sounds a lot better on this one. Too bad UNIVERsON is
> limited to this one performance. He's one rapper that catches
> you off guard with his sheer engery/speed. Pizon came nice as well.
> Ultimately prolly better than the "Battle Mode" posse cut.
like I said, Pizon bent over to take it for the team. Dave and Pizon came
off nice? Timid, what about TIMID???
> "Gangsta Medley (Outro)" (Rane)
> "Scarface" soundbites are always welcome. Is there
> a better sounding version available?
this was a nice instrumental bonus beat type ish. Quit hatin' Ad
good lookin MJ. hit me on that other matter.
Timid
>Timid, what about TIMID???
talking to yourself is the first sign of madness, cocklicker...
PEACH
A to the L (dissects posts to diss Timid with ease)
"MJ" <dont...@try.it> wrote in message news:<3d824...@news.bluewin.ch>...
> Artwork is once again doper than on many other
> independent releases.
I look forward to seeing a full size version of it, because the thumbnails
looked skewed and shit. Not a comment on the artwork, a comment on the
thumbnails.
> "Intro" (Timid)
> Timid has some type of refined accent that makes him perfect for the
> job: "The gods have re-convened their council once more...", dope.
Timid - Refined accent? dayem! be you never thought you'd hear that Timid?
Reading what you've commited to the intro "the gods...." it sounds contrived
and ugly, kinda wu/asshole sounding stuff, i'm confident it won't be, but
it looks bad in text form.
> Not sure about the rap part though. Is this a freestyle?
> I don't think freestyles should be on albums, but... moving on...
Why not? Weirdo.
> "Blood-Ink" (Timid)
> quality lyrics from Timid, albeit a tad bit simpler than usual.
I dunno. Not a positive/negative comment, but everything i've
heard or seen from/by Timid recently has been ultra simplistic
mono-syllable stuff (and those are the long words, hehe)
> "2 in the Mornin'"
> See my "inTimidation" review. Nice to see it
> included here. I swear this is one of my most
> played songs this year. Oh, and has this one
> been 'mastered' as well? Methinks so. There's
> definitely an improvement.
I need to be probed wrong on this one. I heard it online and
it sounded wack as fuck, but everyone, well, some people seem
to be liking it a lot, so maybe it didn't come out online atall
good, but it's nice really? Like I said... i'm interested...
> "Alt.Rap Idol" (skit)
> Is this a Paget parody? ROFLMAO.
> Who did this? Dave himself? This is
> hilarious. WTF.
Timid asked me to do something, gave me an outline, 3 minutes later
I sent him my bits, he worked whatever magic he did... I say it like
that, 'cos I have no fucking clue what it sounds like in the end...
he may have shown me it, I just don't remember.
> "You Wanna Battle Me?" (Rhythmic AKA Parks and Chill)
> Finally something that you might read in an alt.rap online
> battle coming alive, especially Parks' part. Very nice beat.
> First track that really impresses me.
> Would be even doper if it was a Parks solo cut.
You have got to be joking right? Parks is wack as fuck.
Interesting comment about that "alt.rap online" thing...
Maybe this is the truest reflection. After all... He
has posted here a few times (haha) and he is wack as fuck,
just like all of your text rhymes.
> "Save Me" (Analyze)
> But that's the third time this guy pops up and it's only
> the 9th track. Does he know what alt.rap is? Just being
> sarcastic now.
Sarcasm does not mean your words hold no truth.
> "Showboat" (Skrabble)
> That's Holy Child, the Dirty South representative, haha.
> Where is this guy, BTW? Wasn't he kinda spiritual?#
Christian, does that count?
> Right, there it is. And all the way still "bangin' chopped up
> Screw". Anyway, don't like the voice at all. Flow is okay,
> very varied, rappin' robots should take notice.
We have found our winner of the 2002 Dokool-Artificial MC Award.
> "Final Magnus 2" (Killah and Darth)
> Magnus? Sounds like Latin. Or a Swedish first name.
He used to host Mastermind.
> Indimidating voices and unusual lyrics, that's their forte.
UM? Intimidating...
> "Voicemail"
> Nice touch. There's no MJ on it because there doesn't
> need to be.
This comment may be applied to the whole CD?
> "Who's that Writing?" (Laze)
> Oh boy. You got years of experience adding up to a
> nice little ditty that doesn't take itself too serious.
> Serene, superior. One of the top 3 cuts here.
I live it when hiphop is called "a nice little ditty"
> "Speak on It (Timid and Rhythmic AKA Parks)
> Glad to see Rhythmic making another appearance.
> But when it comes to reflective stuff like that, Timid's
> the reference. Not much going on w/ the beat.
Timid's the reference?
Do you mean - that Timid is the better?
or that Rhythmic is timid about such topics?
> "Lick it Bitch" (A to the L)
> but here he sounds like the average wanna-be rapper.
> Just sounds forced.
Still better than 90% though eh?
> "Alt.Rap 2K2" (Timid, A to the L, UNIVERsON, Pizon, Analyze, Killah)
> The grande finale. Do you guys realize how absurd it is to put
> UNIVERsON and Pizon on the same track? Especially when
> the one's echo still lingers when the other has already begun...
> A to the L sounds a lot better on this one. Too bad UNIVERsON is
> limited to this one performance. He's one rapper that catches
> you off guard with his sheer engery/speed. Pizon came nice as well.
> Ultimately prolly better than the "Battle Mode" posse cut.
It is absurd. I commented before that I had initially wanted to be
taken off when I heard that it had become wack (Timid had assured
me that Pizon wasn't going to be on it, then later he told me that
Pizon had recorded a verse). I guess it's my Echo that lingers, I know
that it got one added to it.
I love the way you say I catch you off gaurd. But i'm laughing, because
it wouldn't be the energy/speed of the track I submitted that would
catch you off gaurd.
Last comment on this... How the eff could it be any worse than last
years posse cut? I backed out after hearing a couple of the verses
knowing that they were all going on. URGH...
and that's it for now.
Dave
I still don't know about this skit, everyone seems to like it, but I
thought it was a pile of arse. I just did it for the hell of it, 'cos
Timid begged me and that...
>"Adrunk" <jam...@NOSPAMukgateway.net> wrote in message news:<altk56$k51> >
To paraphrase a Jazzy Jeff and Fresh Prince record, he's the
DJ, I'm... nothing, really.
> > Not sure about the rap part though. Is this a freestyle?
> > I don't think freestyles should be on albums, but... moving on...
>
> Why not? Weirdo.
Of all people I thought you'd realize that a well-written verse
(forget that we're talking about the in your opinion lacking
alt.rappers here) is worth more than just a random succession
of words that rhyme.
> > "2 in the Mornin'"
> > See my "inTimidation" review. Nice to see it
> > included here. I swear this is one of my most
> > played songs this year. Oh, and has this one
> > been 'mastered' as well? Methinks so. There's
> > definitely an improvement.
>
> I need to be probed wrong on this one.
It creates a great mood. You know - music - mood.
Or is that concept foreign to you?
> > "Alt.Rap Idol" (skit)
> > Is this a Paget parody? ROFLMAO.
> > Who did this? Dave himself? This is
> > hilarious. WTF.
>
> Timid asked me to do something, gave me an outline,
I'm glad it's you.
> > "You Wanna Battle Me?" (Rhythmic AKA Parks and Chill)
> > Finally something that you might read in an alt.rap online
> > battle coming alive, especially Parks' part. Very nice beat.
> > First track that really impresses me.
> > Would be even doper if it was a Parks solo cut.
>
> You have got to be joking right? Parks is wack as fuck.
I'm not gonna argue with you what's wack and what's not.
But my overlenient ass likes it.
> > Right, there it is. And all the way still "bangin' chopped up
> > Screw". Anyway, don't like the voice at all. Flow is okay,
> > very varied, rappin' robots should take notice.
>
> We have found our winner of the 2002 Dokool-Artificial MC Award.
No really, this is the opposite of robotic. That doesn't make
it good, but at least there's some variation in the flow.
> > Nice touch. There's no MJ on it because there doesn't
> > need to be.
>
> This comment may be applied to the whole CD?
Not sure what you mean. Just want to make it clear to you
that I don't rap. Never have, never will.
> > But when it comes to reflective stuff like that, Timid's
> > the reference. Not much going on w/ the beat.
>
> Timid's the reference?
> Do you mean - that Timid is the better?
> or that Rhythmic is timid about such topics?
It means that so far Timid is the one rapper on this
newsgroup that IMO has the most lyrical depth.
You are free to object.
> I love the way you say I catch you off gaurd. But i'm laughing, because
> it wouldn't be the energy/speed of the track I submitted that would
> catch you off gaurd.
The Mark Hitchcock thing? Hopefully I'll get to hear it.
It's simple: your performance stands out here because of your
high energy level. But if I might add, it would be interesting to
hear you do some full tracks, without any sore throat, no
throwaway tracks on your pal's sexual escapades.
Show your, uhm, superiority - if there is any.
Matt
nope I never said that Pi wasn't going to be on the track...I told you that
he was on it from the get go...hell he had his verse done before anyone and
I told you that it wasn't going to change and was up to you if you wanted to
be on it or not.
Timid
You might consider talking less shit about High-C, considering...
--
Fatguy vs. Fuckhead
http://www.altrap.com/fvc.html
High-C & DJ Manticore - Doper Than You - http://www.mp3.com/manticore
GORTICIAN - http://www.mp3.com/gortician
FESTERING SORE - http://www.mp3.com/festeringsore RAMPAGE! -
http://www.mp3.com/thetruerampage HIGH-C - http://www.mp3.com/highc
High-C's RAP AND METAL CLOTHING EMPORIUM -
http://www.cafepress.com/angeldevil
You missed a spot. ; )
_______________________________
> "Lick it Bitch" (A to the L)
> A to the L is a man of many talents but does he really
> have to rap? I mean I dug the "Battle Mode" songs
> because they had a lot going on, but here he sounds
> like the average wanna-be rapper. Just sounds forced.
> Props for getting personal, but what's the purpose of a line
> like "A to the L is back, a shining light in the field of rap"?
> Sounds like he's seriously considering a rap career.
> "I do your ass worse than Freaky Tah." Damn kid, you slippin'.
agreed....pretty much wack shit.
_______________________________
You dumbfuck. I knew this AGES ago. Infact i've already written this
in my
response (may or may not have shown up yet). You told me AFTER I
recorded it
that you were gonna add someone else... Immediately afterwards... Then
you told
me that you were gonna get DOKool to do it, but his funny bone was
broken, so
Pizon put his boice into it. I wasn't dissing Pizon on the CD, he just
happened to assume that role. Same way that you asked me to act like
that Pop Idol guy etc... It is an amusing result though. As for buying
a copy - fuck that, as for pushing shit - fuck that.....
What the fuck is up with Pizon fading me out before the end of every
track i'm on? and now I hear his verse starts before my echo ends on
the posse cut? haha, what the fuck has he got about trying to cut me
off? maaaaaan....
anyways, i thought you said it was professionally mastered, and then
you let Pizon near the dials?
> > "Alt.Rap 2K2" (Timid, A to the L, UNIVERsON, Pizon, Analyze, Killah)
> > The grande finale. Do you guys realize how absurd it is to put
> > UNIVERsON and Pizon on the same track? Especially when
> > the one's echo still lingers when the other has already begun...
> > A to the L sounds a lot better on this one. Too bad UNIVERsON is
> > limited to this one performance. He's one rapper that catches
> > you off guard with his sheer engery/speed. Pizon came nice as well.
> > Ultimately prolly better than the "Battle Mode" posse cut.
>
> like I said, Pizon bent over to take it for the team.
He did? hahaha, what about me? You had to beg me to actually be on it
after
I said I didn't want to be on it with the quality being compromised...
Oh how
memories fade.
>Dave and Pizon came off nice? Timid, what about TIMID???
My sentiment exactly - "what about timid?"
>You might consider talking less shit about High-C, considering...
considering what? I haven't really said anything about you dunny... I
told you I'd reserve my best opinions for when you send me the cd for
review...
I'm still waiting...
PEACH
A to the L
>what's the purpose of a line
>like "A to the L is back, a shining light in the field of rap"?
its a new compilation... I'm on it... most people won't have heard
anything since the last compilation... so "I'm back"... shit it's only
a line... whats the purpose of a line like "all I need is one mic?"
>Sounds like he's seriously considering a rap career.
what makes you think that? I'm seriously interested as to how this cut
makes me look like I'm considering a rap career...
>agreed....pretty much wack shit.
still waiting...
PEACH
A to the L (drums fingers on table)
blah blah...there you go frontin like you an oracle again.
Timid
yeah....quit talkin bullshit dave
Ad....
> On Sat, 14 Sep 2002 16:45:21 GMT, "FUCK THE WAR ON IRAQ with Jet's
> dead baby!" <spam@jasonzc@yahoo.comSPAM> said:
>
>
>>You might consider talking less shit about High-C, considering...
>
> considering what? I haven't really said anything about you dunny...
Really?
>I
> told you I'd reserve my best opinions for when you send me the cd for
> review...
>
> I'm still waiting...
>
Yes. You are...
> PEACH
>
> A to the L
>
>
> Check the sites y'all... www.altrap.com www.raredj.com
> "A to the L owns all your stankin asses. Man can rap his ass off. The
> rest are scrubs." - Fatboy Roberts "...let's just say that I think that
> A to the L is an artist because of his ability to quantify different
> SHITS into words. That's art." - Alvin Smith
>
--
> On Sat, 14 Sep 2002 16:48:48 GMT, "FUCK THE WAR ON IRAQ with Jet's
> dead baby!" <spam@jasonzc@yahoo.comSPAM> said:
>
>
>>agreed....pretty much wack shit.
>
> still waiting...
>
Now you're just being redundant.
> PEACH
>
> A to the L (drums fingers on table)
>
Put om Rakim's beat.
>
> Check the sites y'all... www.altrap.com www.raredj.com
> "A to the L owns all your stankin asses. Man can rap his ass off. The
> rest are scrubs." - Fatboy Roberts "...let's just say that I think that
> A to the L is an artist because of his ability to quantify different
> SHITS into words. That's art." - Alvin Smith
>
--
>> considering what? I haven't really said anything about you dunny...
>
>Really?
um... yeah - granted there was a bit of baiting at the start, but if
you think I've been hypercritical of you by what I've said so far, the
God help you if your cd is wack...
>> I'm still waiting...
>>
>
>Yes. You are...
problems at the pressing plant?
> On Sat, 14 Sep 2002 18:12:13 GMT, "FUCK THE WAR ON IRAQ with Jet's
> dead baby!" <spam@jasonzc@yahoo.comSPAM> said:
>
>>> considering what? I haven't really said anything about you dunny...
>>
>>Really?
>
> um... yeah - granted there was a bit of baiting at the start, but if
> you think I've been hypercritical of you by what I've said so far, the
> God help you if your cd is wack...
>
Well, considering you already said you hated it...what's the point?
>>> I'm still waiting...
>>>
>>
>>Yes. You are...
>
> problems at the pressing plant?
>
My living room? Nope. But I see no point in sending you the same tracks
you have allegedly heard and don't like. I have 6 more to be mixed down.
I'll send them all together. When I get around to it. And you can skewer
them, then.
> PEACH
>
> A to the L
--
>Well, considering you already said you hated it...what's the point?
when did I say this... (apart from the part at the start where I'd
already explained, when I was ragging on you)
truth be told I've barely checked any of your shit - those tracks you
gave me for the site I haven't even listened to, because I assumed you
were sending me them on cd along with other shit... so I deliberately
steered clear of listening to them...
I like to diss shit when its officially released :)
PEACH
A to the L
>>>> I'm still waiting...
>>>>
>>>
>>>Yes. You are...
>>
>> problems at the pressing plant?
>>
>
>My living room? Nope. But I see no point in sending you the same tracks
>you have allegedly heard and don't like. I have 6 more to be mixed down.
>I'll send them all together. When I get around to it. And you can skewer
>them, then.
>
>
>> PEACH
>>
>> A to the L
Check the sites y'all... www.altrap.com www.raredj.com
>You know, maybe he simply *used* you for comic relief ...
there's a momma/sister/girlfriend/transvestite punchline begging to be
tacked on here...
(but like Peter Parker considering whether to let Betty Brant know of
his secret identity, and then pulling back - I just don't dare.)
PEACH
A to the Lowest Common Denominator
This is a parody of the TV show "American Idol" ("Pop Idol" in the UK).
Get at me,
Pizon
http://www.lascalaentertainment.com
--
"I sit and stare, zone out, think a lot and never sleep, creating memories to
remember and then I forget to eat." -Sage Francis
>Are you on E-mail hiatus or are you just ignoring me? Three sent and
>0 received.
I haven't received anything from you mate... and I sent you one on the
10th... in answer to your "Whats a trade" one on 3rd - that was the
last one I got...
like a Hiphop fan trying to understand Cannibal Ox - try it one more
time...
PEACH
A to the L
Check the sites y'all... www.altrap.com www.raredj.com
1. I begged for more time - True.
I got it, couldn't really use it in the end anyway.
2. You begged me not to abandon contributing to the posse cut when I
heard Pizon was going to be on it. As my initial reaction was that
I didn't want to be on a track with him. Given that I had made sure
that I knew who was on it first. In the end, I gave in to your *ahem*
greater wisdom.
3. Adrunk - You weren't involved in this conversation (Posse verse
discussion mentioned above) because it took place on AIM in a
private convo. that Timid has no doubt forgoten (along with telling
me that Dokool was gonna be on the skit, and then that Pizon had
replaced him - cos he thinks I found out today, haha).
Timid <Timi...@hotmail.com> wrote in message news:<B9A8EF87.9FA6%Timi...@hotmail.com>...
"MJ" <dont...@try.it> wrote in message news:<3d836...@news.bluewin.ch>...
> > Why not? Weirdo.
>
> Of all people I thought you'd realize that a well-written verse
> (forget that we're talking about the in your opinion lacking
> alt.rappers here) is worth more than just a random succession
> of words that rhyme.
There is a place for "freestyles" on an album. I of all people
do recognize this... if they are executed appropriately (I have
no idea in this case), if they are illustrated as such, or if
they are thrown on to break it up a bit... to quote your next
comment "It creates a great mood"....
> > > "2 in the Mornin'"
> > > See my "inTimidation" review. Nice to see it
> > > included here. I swear this is one of my most
> > > played songs this year. Oh, and has this one
> > > been 'mastered' as well? Methinks so. There's
> > > definitely an improvement.
> >
> > I need to be probed wrong on this one.
>
> It creates a great mood. You know - music - mood.
> Or is that concept foreign to you?
Haha, I meant "proved" not "probed" - shit, someone will have picked
up on that... The concept isn't foreign to me atall. It's just that
in hearing this track on the internet, it sounded like a piece of shit
to me... My comment was, that with other people saying it was actually
a good track, maybe it was the internet version/compression that reduced
it to allow me to form such a contrasting opinion... You haven't actually
answered what I wrote atall, just explained what you liked about it.
> > > "Alt.Rap Idol" (skit)
> > > Is this a Paget parody? ROFLMAO.
> > > Who did this? Dave himself? This is
> > > hilarious. WTF.
> >
> > Timid asked me to do something, gave me an outline,
>
> I'm glad it's you.
But you thought it might be a parody of me?
Why? I don't talk/act like this, I was parodying someone else,
or was it that the voice was British, 'cos I tried to put on
a more Upper Class London Asshole accent or something, I dunno
what... just not my own.
> > > Right, there it is. And all the way still "bangin' chopped up
> > > Screw". Anyway, don't like the voice at all. Flow is okay,
> > > very varied, rappin' robots should take notice.
> >
> > We have found our winner of the 2002 Dokool-Artificial MC Award.
>
> No really, this is the opposite of robotic. That doesn't make
> it good, but at least there's some variation in the flow.
The Award is retracted.
> > to reflective stuff like that, Timid's
> > > the reference. Not much going on w/ the beat.
> >
> > Timid's the reference?
> > Do you mean - that Timid is the better?
> > or that Rhythmic is timid about such topics?
>
> It means that so far Timid is the one rapper on this
> newsgroup that IMO has the most lyrical depth.
> You are free to object.
Aha... your saying that he's the bench-mark that you are
judging other people by... that kind of reference... I understand now.
I do object, but that's opinion, and perhaps you haven't heard anything
to change your mind... yet.
> > I love the way you say I catch you off gaurd. But i'm laughing, because
> > it wouldn't be the energy/speed of the track I submitted that would
> > catch you off gaurd.
>
> The Mark Hitchcock thing? Hopefully I'll get to hear it.
> It's simple: your performance stands out here because of your
> high energy level. But if I might add, it would be interesting to
> hear you do some full tracks, without any sore throat, no
> throwaway tracks on your pal's sexual escapades.
> Show your, uhm, superiority - if there is any.
>
> Matt
yeah, that track... and um, yeah... when I get round to it, I will grace
you with some outstanding .... um..... stuff
Timid <Timi...@hotmail.com> wrote in message news:<B9A8E0BB.9F8D%Timi...@hotmail.com>...
At first I did think someone was parodying you. And then,
since you're the only English bloke (apart from Redeem
who would sound very diff.) involved, they might just
could have used anybody who was able to imitate a
stereotypical English accent and the tone of your voice.
Now I realize that you yourself gave a parody. Another
question can be also ruled out, given your answer: You're
not parodying yourself but ultimately the 'American Idol'
(or the UK version of it) show. STILL I inevitably think
of hypercritical Dave dismissing any newcomer (although
wack he may be) when I listen to the skit. The fact that
you're cutting Pizon short certainly does help.
Matt
I'm puzzled. The purpose of the line "all I need is one mic" is
that it stands for an entire song concept. Do I need to
explain "One Mic" to you now?
But back to your line. I don't object against the "A to the L
is back" part. Obviously you're back, feel free to state that
you're back. But "a shinging light in the field of rap"?! I'm not
saying that everything a rapper spits has to be the truth
and nothing but the truth, but this seems way off. You're
far from a shining light in the field of rap, quite simply.
But that is really besides the point. I find it hard to
stomach how easy you switch from "my life fell apart
like a fuckin' soap opera, etc." (personal stuff) to the
standard 'rapper' proceedure ("shining light", "you
wanna bring it over here, then by all means, step up").
> >Sounds like he's seriously considering a rap career.
>
> what makes you think that? I'm seriously interested as to how this cut
> makes me look like I'm considering a rap career...
It's lines like the "shining light" bollocks above. How about
something more casual? I liked it when you had fun on
"Battle Mode", where you obviously were playing around
just for the heck of it.
This time, I felt like you were serious. Why? Because you
had personal stuff in there. Apparently I didn't get the ambiguity/
irony, whatever. Taken at face value, rants like "I'm taking out you,
your faggot-ass crew, your moms and your pops and your bitch too,
I thought you knew" make you sound like the average new jack
trying to stir shit up on his little mixtape guest spot.
Matt
>You're
>far from a shining light in the field of rap, quite simply.
ouch... :)
>But that is really besides the point. I find it hard to
>stomach how easy you switch from "my life fell apart
>like a fuckin' soap opera, etc." (personal stuff) to the
>standard 'rapper' proceedure ("shining light", "you
>wanna bring it over here, then by all means, step up").
like I said the whole thing was built around a few lines I had lying
around - i agree it does jump around a lot... but I was going thru a
little drama at the time, so those lines were applicable and kinda
suited the mood I was in, and the aggressive tone of the rest of it...
call it my foul mood track if you will...
>It's lines like the "shining light" bollocks above. How about
>something more casual? I liked it when you had fun on
>"Battle Mode", where you obviously were playing around
>just for the heck of it.
well this was basically a continuation of that in my eyes (obviously
not in yours though)... its not serious at all which is exactly the
reason WHY its all over the place lyrically, but at the same time I do
admit that its certainly a little more aggressive perhaps than
before... like I said, its a temper tantrum thing...
>Taken at face value, rants like "I'm taking out you,
>your faggot-ass crew, your moms and your pops and your bitch too,
>I thought you knew" make you sound like the average new jack
>trying to stir shit up on his little mixtape guest spot.
point taken...
basically though, I think we're both analysing this a little too
much...
I wanted to have a track on there, I was a pissed off the day I did
it, so its a little more agressive than the Battle Mode tracks, but at
the end of the day, its still just A to the L bullshitting on the
mic...
Damn, that was harsh. Haha.
Don't think that you're a shining light in the field of rap. Haha.
Matt
at least not while i'm around...
Timid
--
"inTimidation" on sale @ http://www.timid.tk
"Timid's straight forward flow and storytelling abilities are accented by
solid production resulting in an ill DIY underground package." -
ADDReviews.com
so what? emcees make ridiculously untrue boasts all the time, such as
Pellegrino or Canibus for starters who have both said they are the "illest
nigga(s) alive"
> But that is really besides the point. I find it hard to
> stomach how easy you switch from "my life fell apart
> like a fuckin' soap opera, etc." (personal stuff) to the
> standard 'rapper' proceedure ("shining light", "you
> wanna bring it over here, then by all means, step up").
yeah i agree here
Ad.....