"The Thirteenth 'Bak'tun" will be finished (on) Four Ajaw, the Third of Uniiw (K'ank'in). ? will occur. (It will be) the descent(??) of the Nine Support? God(s) to the ?."
This is it. The term following uht-oom is the main puzzle, and largely effaced. The "descent" reference is highly tentative, too. The enigmatic deity Bolon Yookte' K'uh has been known for some time from many sources, and I suspect that he (or they) has some tangential relationship to the Principal Bird Deity, as well as war associations. Interestingly, he is a protagonist in the deep time mythology of Palenque, as recorded on Palenaue's Temple XIV tablet. A long-lasting character who's still around somewhere waiting, I suppose.
Markus Eberl and myself have worked on Bolon (y)okte k'uh and presented a paper on that topic during a conference on war in the Americas entitled "Roads to War and Pipes of Peace: Conflict and Cooperation in the Americas, Past and Present" (Bruxelles, 2002). The proceeding has recently been published in a conference volume.
Please read our abstract:
Markus Eberl (Tulane University, New Orleans, USA) and Christian Prager (University of Bonn, Germany):
Bolon Yokte K'u: Maya conceptions of war, conflict, and the underworld.
The deity Bolon Yokte K'u is shown here to have had a consistent association with underworld, conflict, and war from the beginning of the Classic period into Colonial times. Bolon Yokte K'u provides not only an insight into the Maya conceptions of conflict but is also helpful to see how the conceptions were implemented by the elite. The authors demonstrate that the deity is a recurrent theme in Classic period inscriptions, Postclassic codices and the Books of Chilam Balam from the Colonial period. The variety of documents allows them to apply a diachronic perspective that heightens the understanding of the deity and that evinces variation over time. The concomitant appearance of Bolon Yokte K'u in art and writing enables the authors to identify the iconographic attributes of the deity. Several monuments can be shown to depict elite persons dressed up as Bolon Yokte K'u. The identification of Bolon Yokte K'u on the "Vase of the Seven Gods" (K2796) underscores its importance as one of the gods that were present during the creation of the present world.
> "The Thirteenth 'Bak'tun" will be finished > (on) Four Ajaw, the Third of Uniiw (K'ank'in). > ? will occur. > (It will be) the descent(??) of the Nine Support? God(s) to the ?."
> This is it. The term following uht-oom is the main puzzle, and largely > effaced. The "descent" reference is highly tentative, too. The > enigmatic deity Bolon Yookte' K'uh has been known for some time > from many sources, and I suspect that he (or they) has some tangential > relationship to the Principal Bird Deity, as well as war associations. > Interestingly, he is a protagonist in the deep time mythology of > Palenque, as recorded on Palenaue's Temple XIV tablet. A > long-lasting character who's still around somewhere waiting, I suppose.
A very interesting identification. I would like to know if this deity also appears on the Vase of the Eleven Gods (K7750)(here is the link to high resolution images of the text.)http://www.mayavase.com/eleven.html If not there is an inconsistency. Justin Kerr
On Behalf Of Pusilha Sent: Friday, April 07, 2006 8:22 AM To: UT Mesoamerica Center Discussion Board Subject: Re: The Tortuguero prophecy
Dear all,
Markus Eberl and myself have worked on Bolon (y)okte k'uh and presented a paper on that topic during a conference on war in the Americas entitled "Roads to War and Pipes of Peace: Conflict and Cooperation in the Americas, Past and Present" (Bruxelles, 2002). The proceeding has recently been published in a conference volume.
Please read our abstract:
Markus Eberl (Tulane University, New Orleans, USA) and Christian Prager (University of Bonn, Germany):
Bolon Yokte K'u: Maya conceptions of war, conflict, and the underworld.
The deity Bolon Yokte K'u is shown here to have had a consistent association with underworld, conflict, and war from the beginning of the Classic period into Colonial times. Bolon Yokte K'u provides not only an insight into the Maya conceptions of conflict but is also helpful to see how the conceptions were implemented by the elite. The authors demonstrate that the deity is a recurrent theme in Classic period inscriptions, Postclassic codices and the Books of Chilam Balam from the Colonial period. The variety of documents allows them to apply a diachronic perspective that heightens the understanding of the deity and that evinces variation over time. The concomitant appearance of Bolon Yokte K'u in art and writing enables the authors to identify the iconographic attributes of the deity. Several monuments can be shown to depict elite persons dressed up as Bolon Yokte K'u. The identification of Bolon Yokte K'u on the "Vase of the Seven Gods" (K2796) underscores its importance as one of the gods that were present during the creation of the present world.
Kawil wrote: > As promised here's a quick translation of the final passage of > Tortuguero Monument 6, recording the 2012 Bak'tun ending:
> "The Thirteenth 'Bak'tun" will be finished > (on) Four Ajaw, the Third of Uniiw (K'ank'in). > ? will occur. > (It will be) the descent(??) of the Nine Support? God(s) to the ?."
> This is it. The term following uht-oom is the main puzzle, and largely > effaced. The "descent" reference is highly tentative, too. The > enigmatic deity Bolon Yookte' K'uh has been known for some time > from many sources, and I suspect that he (or they) has some tangential > relationship to the Principal Bird Deity, as well as war associations. > Interestingly, he is a protagonist in the deep time mythology of > Palenque, as recorded on Palenaue's Temple XIV tablet. A > long-lasting character who's still around somewhere waiting, I suppose.
If you are interested in reading our paper: Our article on that topic appeared in the following book (I unfortunately have any pdf file of that)
Wars and Conflicts in Prehispanic Mesoamerica and the Andes. Edited by Peter Eeckhout and Genevičve Le Fort, BAR International Series 1385, 2005. ISBN 1 84171 706 1, 146 pages.
Justin Kerr wrote: > A very interesting identification. I would like to know if this deity also > appears on the Vase of the Eleven Gods (K7750)(here is the link to high > resolution images of the text.)http://www.mayavase.com/eleven.html > If not there is an inconsistency. > Justin Kerr
> -----Original Message----- > From: utmesoamerica@googlegroups.com [mailto:utmesoamerica@googlegroups.com] > On Behalf Of Pusilha > Sent: Friday, April 07, 2006 8:22 AM > To: UT Mesoamerica Center Discussion Board > Subject: Re: The Tortuguero prophecy
> Dear all,
> Markus Eberl and myself have worked on Bolon (y)okte k'uh and presented > a paper on that topic during a conference on war in the Americas > entitled "Roads to War and Pipes of Peace: Conflict and Cooperation in > the Americas, Past and Present" (Bruxelles, 2002). The proceeding has > recently been published in a conference volume.
> Please read our abstract:
> Markus Eberl (Tulane University, New Orleans, USA) and > Christian Prager (University of Bonn, Germany):
> Bolon Yokte K'u: Maya conceptions of war, conflict, and the > underworld.
> The deity Bolon Yokte K'u is shown here to have had a consistent > association with underworld, conflict, and war from the beginning of > the Classic period into Colonial times. Bolon Yokte K'u provides not > only an insight into the Maya conceptions of conflict but is also > helpful to see how the conceptions were implemented by the elite. The > authors demonstrate that the deity is a recurrent theme in Classic > period inscriptions, Postclassic codices and the Books of Chilam Balam > from the Colonial period. The variety of documents allows them to apply > a diachronic perspective that heightens the understanding of the deity > and that evinces variation over time. The concomitant appearance of > Bolon Yokte K'u in art and writing enables the authors to identify > the iconographic attributes of the deity. Several monuments can be > shown to depict elite persons dressed up as Bolon Yokte K'u. The > identification of Bolon Yokte K'u on the "Vase of the Seven Gods" > (K2796) underscores its importance as one of the gods that were present > during the creation of the present world.
> Kawil wrote: > > As promised here's a quick translation of the final passage of > > Tortuguero Monument 6, recording the 2012 Bak'tun ending:
> > "The Thirteenth 'Bak'tun" will be finished > > (on) Four Ajaw, the Third of Uniiw (K'ank'in). > > ? will occur. > > (It will be) the descent(??) of the Nine Support? God(s) to the ?."
> > This is it. The term following uht-oom is the main puzzle, and largely > > effaced. The "descent" reference is highly tentative, too. The > > enigmatic deity Bolon Yookte' K'uh has been known for some time > > from many sources, and I suspect that he (or they) has some tangential > > relationship to the Principal Bird Deity, as well as war associations. > > Interestingly, he is a protagonist in the deep time mythology of > > Palenque, as recorded on Palenaue's Temple XIV tablet. A > > long-lasting character who's still around somewhere waiting, I suppose.
Christian -- thanks for the reference. I will be very interested to read the newly published paper.
Justin, yes the Bolon Yookte'' K'uh glyph is in both texts (Vases of Seven Gods and Eleven Gods). Perhaps Christian and Marcus have addressed this in their paper, but I think that the god names listed on these two Naranjo vessels are best seen as categories or groupings of gods. We already find these three transparent collective terms for the gods who are "ordered" on 4 Ajaw 8 Kumk'u (leaving out the ones that are hard to analyze):
Chan-al K'uh, "the heavenly gods" Kab-al K'uh, "the earrthly gods" Ux ? K'uh (the Triad title), "the three ? gods"
So, I simply wonder if Bolon Yookte' K'uh can be seen as a similar gouping of nine deities, even if these get to be collapsed as a more individual entity (a very mesoamerican concept of divinity, we know). certainly the impersonation of Bolon Yookte' K'uh by rulers, as on that Bonampak-area panel or stela, implies a more concrete individual. The question becomes: how do the "sets" of gods on the naranjo vessels correspond to the portraits? I have long been bothered by this, for there is no neat correlation between name glyph and image. The newer Vase oif the Eleven Gods makes this ambiguity all the more obvious. I suspect that what we are seeing are potraits of one or more "representatives" of the sets, such that the artist could pick and choose from quite a variety.
yes, the Vase of the Seven Gods is discussed in our paper. Since I am writing my Ph.D. dissertation about a possible cognitive approach to god concepts in Classic Maya culture (I meanwhile prefer the designation "counterintuitive agents", gods, deities, ghost are european concepts and phenomenology of religion is dead!!) - the main topic of my research is the study of K'UH in all its contexts - I agree with Dave that the representation of deities are not refering to an individual, specific agent, but to a group of agents that are related with the object, subject, place expressed in their name phrase: CHAB, CHAN, IK' "JEWEL" TAN. My list of X-K'UH is still growing. The latter one is interesting: it is a group of deities associated with IK' "JEWEL" TAN - the place of origin (one of the place or course) in the Palenque Creation texts. A study of all context reveals that in each group of agents, we find a specific number of individual agents identifiable with their proper name, as for example the 3 agents of the Palenque Triade - variations of that concepts can be found in Caracol and elsewhere, a more intense discussion will follow in my dissertation.
> Christian -- thanks for the reference. I will be very interested to > read the newly published paper.
> Justin, yes the Bolon Yookte'' K'uh glyph is in both texts (Vases of > Seven Gods and Eleven Gods). Perhaps Christian and Marcus have > addressed this in their paper, but I think that the god names listed on > these two Naranjo vessels are best seen as categories or groupings of > gods. We already find these three transparent collective terms for the > gods who are "ordered" on 4 Ajaw 8 Kumk'u (leaving out the ones that > are hard to analyze):
> Chan-al K'uh, "the heavenly gods" > Kab-al K'uh, "the earrthly gods" > Ux ? K'uh (the Triad title), "the three ? gods"
> So, I simply wonder if Bolon Yookte' K'uh can be seen as a similar > gouping of nine deities, even if these get to be collapsed as a more > individual entity (a very mesoamerican concept of divinity, we know). > certainly the impersonation of Bolon Yookte' K'uh by rulers, as on that > Bonampak-area panel or stela, implies a more concrete individual. The > question becomes: how do the "sets" of gods on the naranjo vessels > correspond to the portraits? I have long been bothered by this, for > there is no neat correlation between name glyph and image. The newer > Vase oif the Eleven Gods makes this ambiguity all the more obvious. I > suspect that what we are seeing are potraits of one or more > "representatives" of the sets, such that the artist could pick and > choose from quite a variety.
There area several later dates recorded in various sources, mentioning calendar stations or other events taking place in the far, far future. One text at Palenque mentions 1.0.0.0.0.0, the Piktun ending that will occur 7 Bak'tuns from now, more or less -- i.e., in about 2800 years.
I remain puzzled by the attempts to change accepted nomenclature whose meanings are well understood for new cumbersome phrases such as "counterintuitve agents," the meaning of which is cannot be clearly ascertained from the words themselves and must be supplied by reference to the creator of the phrase. Within the engineering field there is an international standards group which deals with precisely this type of issue and when approprite promulgates new definitions and standards which all persons in the field then accept. Our science does not have such a body and we should therefore be careful not to create what amounts to a private language the precise meaning of which is known best by the creator. If we are to communicate with each other on matters of substance, we should try to avoid letting definitional issues get in the way of the issues. Bertram Perkel
I guess I should've known I was creating a monster with that initial post. I particularly like "STOP THE PRESSES! AMAZING NEW DISCOVERY..." Isn't it revealing that New Agers who pretend to know so much about Classic Maya religion and prophecy consider the *one* ancient source on the 2012 date to be a "new discovery." The Tortuguero passage has been known to the community of epigraphers for a long time, but no one ever bothered to ask about it.
It might be easy to envision Tortuguero soon becoming a New Age pilgrimage site, except that it's now pretty much gone, destroyed in the 1960s by a cement factory.
An article that may be of interest to Mayanists is this recent one by Bob Sitler, who just posted a drawing of Tortuguero Mon. 6 on his website at http://www.stetson.edu/~rsitler/OxlajujB'ak'tun/
Sitler, Robert K. 2006 The 2012 Phenomenon New Age Appropriation of an Ancient Mayan Calendar, Nova Religio 9 (3): 24-38.
Abstract According to the ancient Mayan Long Count calendar, a cycle of more than 5,000 years will come to fruition on the winter solstice of 2012. While this date is largely unknown among contemporary Maya, some participants in the New Age movement believe it will mark an apocalyptic global transformation. Hundreds of books and Internet sites speculate wildly about the 2012 date, but little of this conjecture has a factual basis in Mayan culture. This paper provides an overview of the primary currents in the 2012 phenomenon, examines their sources, and speculates about developments as this highly anticipated date approaches.
The "AMAZING NEW DISCOVERY" is just that as far as the "2012 watchers" are concerned, because the epigraphers have been keeping the information to themselves, in fear if "creating a monster". However, this secretive attitude is not the answer, because it leads to essays by academics like Bob Sitler, who wrote the essay cited above by John, in which Sitler attempts to de-fuse the "2012 bomb" by stating that there are no unambiguos 2012 references in the Classic Maya texts. The closed shop is so closed that the information has failed to reach academics in adjacent fields, such as Sitler, who has a PhD in Hispanic literature, and has only found out about the Tortuguero Monument 6 after writing his essay, which is now rendered mostly redundant by the "discovery".
Not even Mike Finley seems to have included mention of Tortuguero on his site, THE REAL MAYA PROPHECIES: ASTRONOMY IN THE INSCRIPTIONS AND CODICES, http://members.shaw.ca/mjfinley/mainmaya.html The site is fairly academic and non-sensational and has a section which seeks to de-bunk various New Age misconceptions about the Maya. http://members.shaw.ca/mjfinley/myth.html However, Finley is open to the possiblity that the 13-baktun end-point was deliberately targetted.
I understand that it is necessary for Mayanists not to be seen as fanning the flames of a Y2K-like panic about 2012, but I also sense a curiosity among Mayanists here around the vague possibility that the Maya could have actually foreseen something at the end of the 13-baktun cycle, that might actually come true on some level.
I have to disagree that Mayanists have kept the Tortuguero passage to themselves (ourselves), forn whatever reason. I posted the translation here a few days ago in a very matter-of-fact way, which should indicate that quite the opposite is true. And, anyway, it's not the way our field works. I'm certain that if anyone had ever posed the question "Do any Maya inscriptions mention 2012?" to us active epigraphers (me, Houston, Martin, Mathews, Grube, Zender, Lacadena, Macleod, etc.), that we would immediately say, "look at Tortuguero Monument 6." In these days of email, discussion boards, and frequent open workshops like we have at the Maya Meetings, there are endless opportunities to acquire, exchange and disseminate information about this stuff, and that's a wonderful thing. So, there is no "closed shop" in some ivory tower. Remember, we're still in the midst of a remarkable time that continues to assess the windfall that came from the recent decipherment, and there's lots of catching up to do. Frankly, the Tortuguero passage, buried in lots of other data, hasn't been a huge deal to most of us because it is damaged and very, very ambiguous. There really isn't a whole lot to say about it when all is said and done. And even if the glyphs there were clear and legible, no Mayanist I know honestly believes that the Classic Maya foresaw something that might actually come true in our day and age.
Dave is right - everybody can learn reading and UNDERSTANDING Maya hieroglyphic inscriptions - either during the Texas Meetings in Austin, or during the European Maya Meetings, this year to be held in Malmö, Sweden. We epigrapher do not hide information - the inscriptions is known since 30 years ... and the world, of course, does not end with 13.0.0.0.0 - a new cycle starts - Nikolai Grube has recently written a nice article on that in the German Archaeology Magazine "Abenteuer Archäologie".
Now another thing: Although I don't see any reason to defend the use of new designations I would like to pose the counter-question: are the terms god, deities, ghost really really well understood and is their meaning really transferable to our own culture to foreign ones? Please tell me, what is a god? Is an agent with ghost-like attributes in Nuer culture the same as in British Culture? How many overlappings must there be to say that a ghost is a gost? Christian Theologists (especialy Thomas of Aquine) define a god an agent with no body, with a human-like behavior, three-fold, a person that knows everything? Using these characteristics you would have problems finding "gods" in some other religions, the same is with ghosts, ancestors etc. This is a problem of categorizing, a problem well-know among ethnologist, anthropologist, philosophers (read Wittgenstein!) ; one meter is one meter in natural science, but a god is not a god! That's the difference. Cognitive anthropologists and scientists of religion etc, were among the first to discuss this matter in the 70s - and here´s the 'cognitive turn' in anthropology - please have a look at the very inspiring book of Benson Saler "Conceptualizing Religion: Immanent Anthropologist, Transcedent Natives, and Unboundes Categorie", 1993 - especially the chapters on categories and problems of defining "Religion".
Buddy wrote: > I remain puzzled by the attempts to change accepted nomenclature whose > meanings are well understood for new cumbersome phrases such as > "counterintuitve agents," the meaning of which is cannot be clearly > ascertained from the words themselves and must be supplied by reference > to the creator of the phrase. Within the engineering field there is an > international standards group which deals with precisely this type of > issue and when approprite promulgates new definitions and standards > which all persons in the field then accept. Our science does not have > such a body and we should therefore be careful not to create what > amounts to a private language the precise meaning of which is known > best by the creator. If we are to communicate with each other on > matters of substance, we should try to avoid letting definitional > issues get in the way of the issues. > Bertram Perkel
For the record (and this was kindly pointed out to me by David Mora -Marín), a drawing by Marc Zender of Tortuguero Monument 6 (with the Long Count date 13 B'ak'tun 4 Ajaw 3 Kan'k'in) and a partial translation of "Utam ?? Yem Ta???" was published as Fig. 120 of The Proceedings of the Maya Hieroglyphic Workshop, March 9-10, 2002, University of Texas at Austin, Palenque and Its Neighbors, presented by Nikolai Grube, Simon Martin, and Marc Zender. The transcription of the discussion of this monument (p. 112) says:
"Let's now finish with a happy text! This is the last passage from Tortuguero Monument 6 (Fig. 120). This text does not refer to the end of the world. It talks about the 13.0.0.0.0 4 Ajaw (O3) 3 K'ank'in (P3) Period Ending (December 10, 2012). This is the end of the 13th b'ahktun which we will see in the year 2012. What will happen? Well, utom, 'it will happen' (O4) followed by something that we cannot read (P4) and he 'will descend' yem (O5). The last glyph (P5) begins with ta followed by something. However, this is not the end of the world."
This workshop was open to the public and attended by a large audience. The transcripts have also been available in libraries across the U.S. If the "2012 watchers" missed it, it's because they weren't paying attention.
The "Amazing New Discovery" is such only to people who have not even bothered to do the basic homework of getting to know the materials they claim to be at the basis of their assertions. The whole corpus of inscriptions has always been freely available to anyone interested. For many years, anybody could place an order for a copy of the Tortuguero inscriptions from Kinko's at Austin for a few dollars. This should show anyone how much truth there is in the accusation that "epigraphers have been keeping the information to themselves". As for learning how to read these materials, aside from the many workshops and forums across the US, there are a number of first-rate workbooks (readily available) designed to teach how to read the inscriptions even by people with no prior knowledge in the field (I should know, I am a commercial photographer and I can read glyphs in a not completely incompetent manner.) Accusing professional epigraphers of secrecy is not only grossly inaccurate, as any of hundreds of attendees to the Maya Meetings will be happy to confirm, but particularly unfair. I dare anyone to find an academic field that is as actively open and accessible to non-specialists as the field of Maya studies of which epigraphy is a big part.
Dear David (& others), I apologize for involving you in this when you were just being helpful. I had inquired about the existence of 2012 texts in a related thread on Aztlan, the query must have made its way to you, and you quite generously offered your expertise. Thanks so much.
Linda Schele worked on my dissertation committee at UT when I studied how Ladino writers such as Asturias created distorted portrayals of the Maya in their novels. The 2012 phenomenom has clear parallels, some that border on being neo-colonial.
The concept of world renewal imbedded in 2012 becomes especially interesting in the context of indigenous resurgence in Bolivia, Ecuador and (particularly this week) Guatemala. Since I wrote the article referred to by John Hoopes, Mayan participation in shaping 2012 ideology has expanded rapidly. There was even a panel on 2012 last summer at the Sexto Congreso Maya in Guat City. We all have six solid years of fascinating times ahead of us.
I'm sorry if offense was caused by suggesting that epigraphers have been keeping this to themselves. I accept that the information has been available, if one knew where to look, but John's apology for letting the cat out of the bag: "It's amazing how quickly word gets around the web. (It wasn't me, honest!)", (and Dave's reply of "Thanks, John. I'll believe it wasn't you!"), speaks for itself.
Anyway, Dave's translation is very interesting in light of the prophecies preserved in the Chilam Balams, which mention "descent" and the Nine gods, and which are associated with katun endings, if not (as argued by Makemson), baktun endings. The first one is from the Chilam Balam of Chumayel:
"Katun 4 Ahau . . . . The katun is established at Chichen Itzá. The settlement of the Itzá shall take place [there]. The quetzal shall come, the green bird shall come. Ah Kantenal shall come. Blood-vomit shall come. Kukulcan shall come with them for the second time. [It is] the word of God. (Book of Chilam Balam of Chumayel, XXII)"
In the Chilam Balam of Tizimin, (the version translated and with commentary by Makemson), it is pointed out that the prophecies are cyclic, and so would be pertinent to repeat endings of named katuns. The rest of the quotes are from Makemson:
Four Ahau is the katun for remembering knowledge and compressing it within annals. (Makemson p.57)
"The Nine shall arise in sorrow, alas...And when over the dark sea I shall be lifted up in a chalice of fire, to that generation there will come the day of withered fruit. there will be rain. The face of the sun shalll be extinguished because of the great tempest. Then finally the ornaments shall descend in heaps. there will be good gifts for one and all, as well as lands, from the Great Spirit, wherever they shall settle down. Presently Baktun 13 shall come sailing, figuratively speaking, bringing the ornaments of which I have spoken from your ancestors. Then the god will come to visit his little ones. Perhaps "After Death" will be the subject of his discourse."(Makemson p.30)
In the commentary, we find, "There is an unusual prophecy about the end of the world on page 16: "...in the final days of misfortune, in the final days of tying up the bundle of the thirteen katuns on 4 Ahau, then the end of the world shall come and the katun of our fathers will ascend on high". It is entirely possible that there is a copyist's error here and that thirteen baktuns were intended, since the katun cycle began and ended with 11 Ahau, we are told elsewhere, and the thirteen baktun cycle ran from 4 Ahau to 4 Ahau. The prophecy continues: "These valleys of the earth shall come to an end. For those katuns there shall be no priests, and no one who believes in his government without having doubts...Pay heed to the truth which I present to you in the katun of dishonor. Shall my intercession, my pleading be in vain? I speak to you! I Chilam Balam, the prophet of the Jaguar! I recount to you the words of the true gods, when they shall come." (Makemson p.167)
Another prophecy concerning the last katun of a series, (katuns started being named after beginning instead of their ending, so katun 11 Ahau became katun 13 Ahau), may have some bearing on the final katun of the final baktun:
"Thirteen Ahau is the thirteenth katun and they shall count it at Cabal. In the assemblage of people they shall open the sealed katun. At dusk they shall smell the fragrance of flowers. Day shall be turned upside down;. their faces shall be disturbed. The genealogical tree shall descend. Stones shall descend and Heaven and Earth shall be universally consumed by fire. They shall make a divination concerning the living and the dead: 'The dead shall live! Dying from old age, they shall immediately ascend into heaven. They shall ascend quickly by good roads'. Evil roads descend, spreading out on the earth. At the end, in the final days of the katun, we will hear the words of the fathers of Heaven and Earth regarding the government of Katun 13 Ahau during his days, at the completion of the katun. Vale." (p.107-108)
By the way, I don't think, and never have done, that this all refers to the "end of the world".
> John's apology for letting the cat out of the bag... (and Dave's reply of "Thanks, John.
I'll believe it wasn't you!"), speaks for itself.
I beg to differ. There was no bag around that cat.
I began querying various Mayanists about their perception of the 2012 event as a followup to a discussion I had with Daniel Pinchbeck over the Labor Day weekend. I received comments to the effect of, "It's surprising that no one has yet cited Tortuguero Monument 6," but there was no hint of a coverup at all despite a general perception that the inscription would be interpreted by many 2012 aficionados as a big deal. The reaction was anticipated. I think it says a lot for epigraphers that they have been circumspect about contributing to the hype.
If any of you have an extra moment, please let me know if you see anything inaccurate or misrepresentative on my website of exclusively Mayan perspectives on 2012: http://www.stetson.edu/~rsitler/OxlajujB'ak'tun/ As you'll see, some of these Maya sources have been influenced by Christian and other external ideologies. BTW, is the word "b'ak'tun" in the glyphs, or is it a later invention? Thanks, bob
There is a newly published article in the most recent (July 2006) issue
of Ancient Mesoamerica that is pertinent to this thread:
García Quintanilla, Alejandra (2006) Saak' y el retorno del fin del mundo: La plaga de langosta en las profecías del katun 13 Ahau. Ancient Mesoamerica 16(2): 327-344.
Published online by Cambridge University Press 28 Mar 2006.
Whose theme this year is "Hope and Fear: The Future," and relates directly to Daniel Pinchbeck's upcoming "2012: The Return of Quetzalcoatl," which brings us back to the Tortuguero prophecy.
Hello All, I was recently directed to this intriguing exchange and I'm new to this list. I'd like to focus in on Geoff's final statement and David's
response. Geoff wrote:
"I also sense a curiosity among Mayanists here around the vague possibility that the Maya could have actually foreseen something at the end of the 13-baktun cycle, that might actually come true on some level. What do you think?"
David responded:
"no Mayanist I know honestly believes that the Classic Maya foresaw something that might actually come true in our day and age."
If we except the widely excepted December 21, 2012, isn't it striking that it falls on a winter solstice? Wouldn't that suggest that the creators of the Long Count had some interest in the future date when the 13-baktun cycle would end? Although the inscription on the Tortuguero monument is ambiguous, it does call attention to the cycle ending of the current 13-Baktun cycle. So, could the fact that the 13-baktun cycle ends on a solstice simply be a coincidence? None of this has to cue "end of the world" laugh tracks, but it does seem to be a direction for deeper inquiry.
As a brief teaser as to what we could explore here, please see: