I was contacted last week by an artist in Kidderminster who wishes to modify
his artwork (stretched canvas paintings over a wooden frame) to include a
option to have them illuminated from behind.
He wishes the solution to be self-contained i.e. battery powered, and will
just work "out-of-the-box" so to speak.
After discussing in detail with him about the feasibility of this, he has
done some preliminary testing using mains powered light sources to create
the effect he is looking for. He is using some sort of polycarbonate sheet
on the rear of the canvas to diffuse the light over the entire rear surface
so the position of the light source is not critical. He requires the light
source to be turned on/off via a small pull cord drilled through the centre
of the frame bottom so that the painting may me turned on/off without
removing it from the wall and without disturbing the hang hence the central
position for the pull cord. Naturally he would like the solution to be as
economical as possible. The intended donor paintings are approx 18-24"
square using a frame thickness of 2".
The only thing I can come up with so far is a battery powerd 12" mini
fluorescent T8 Tube at 8W modified to use a pull cord.
Does anyone have any solutions that are financially viable for a painting
that may retail for Ł50-60 ?
Can anyone think of a rechargable solution possibly using solar power
through the daytime to trickle charge the batteries for use at evenings ?
Help !!!!
--
Ellis Greensitt, Site-Admin, UK Electrician's Forum
http://supplychain.org.uk/phpBB2/index.php
"Ellis Greensitt" <e...@supplychain.org.uk> wrote in message
news:d824f8$bc5$1...@news6.svr.pol.co.uk...
It's almost certain that this is impossible - a similar question was asked
over on sci.engr.lighting.
Batteries will at best give weeks of service, if thousands of pounds are
spent on them, and even exotica (tritium powered lights) are very dim.
If he wants it to run for a few hours, that's possible.
Every night for a year, impossible.
In very few cases will solar be an option.
Only if the painting is in direct sun for several hours a day, and the
solar panel attached to it similarly.
And even then, if it's cloudy, it's going to go out.
Specifications.
How long does it need lit for?
How bright?
Can the artist get to it to charge/replace batteries?
Is it for a sold work?
For all but "a couple of hours, dimly", the vastly cheapest, and often only
possible answer is going to be a wall-wart.
>Can anyone think of a rechargable solution possibly using solar power
>through the daytime to trickle charge the batteries for use at evenings ?
Fit a battery box, and a DC power inlet socket too. If anyone wants to
mains power it for permanent use, then they can plug a suitable external
wall-wart into it. As this is all LV inside the box, then it also
avoids the CE marking issue.
Osram are selling lots of small 6V hand torches with fluorescent tubes
these days (Lidl keep having cratefuls). They're only small, but
they're very cheap.
<snip quoted message incorrectly placed at bottom>
For the same level of illumination, LEDs use about 2-5 times the power of
fluorescants.
And, getting close to 2 requires inefficient fluorescants, and bleeding
edge LEDs.
Good idea - it can be fast-charged between viewings, especially with NIMH
cells?
Not so - they are less efficient than fluorescents for this task.
--
*I don't suffer from insanity, I enjoy every minute of it *
Dave Plowman da...@davenoise.co.uk London SW
To e-mail, change noise into sound.
I'd go for caravan fittings. You should be able to get those in 18"
Depending on spacing, you may need to use a thin sheet of white perspex
etc between them and the display to 'soften' the light sources.
IMHO, anything run off dry cells will cost too much to run.
--
*A bartender is just a pharmacist with a limited inventory.
> Good idea - it can be fast-charged between viewings, especially with NIMH
> cells?
If wires are a problem then you could use a inductive loop to connect to
the charger. You could even build the charging loop into the wall behind
the frame.
--
Cheers,
John.
/=================================================================\
| Internode Ltd - http://www.internode.co.uk |
|-----------------------------------------------------------------|
| John Rumm - john(at)internode(dot)co(dot)uk |
\=================================================================/
Gonna be orders of magnitude easier just to put a FCU behind the piccy.
> Gonna be orders of magnitude easier just to put a FCU behind the piccy.
Yup. Unless mains simply isn't available any battery solution is gonna
cost. But then it's only stating the obvious. ;-)
--
*Many hamsters only blink one eye at a time *
For the lamps you could consider using the cold cathode tubes found in
scanners.
I recently did something very similar to that described by the OP
although in my case I was happy to power it from a wall wart. Our
local recycling centre gets tens of scanners per day and they were
happy to set a few aside for me. Carefully rip the scanner apart and
inside you will find a white cold cathode lamp which is extremely thin
(about 3mm) along with a small inverter PCB to drive it. Such a thin
tube can easilly be hidden in the frame of the artwork. To make life
easy for yourself look out for the internal working voltage of the
scanner, many are 12V but some are as high as 24V, 12V is easy to
provide with a wall wart for a fiver, 24V is harder.
The trickier problem was diffusing the light enough so that the
illumination was even and became a pleasing part of the whole rather
than a distraction. In the end I routed a groove in each side of the
frame and bounced the light off a rough surfaced white card backing.
It works quite well but I still would like to get it more even if I
could.
Good luck with your project.
> Heres a good one for you !!
>
> I was contacted last week by an artist in Kidderminster who wishes to modify
> his artwork (stretched canvas paintings over a wooden frame) to include a
> option to have them illuminated from behind.
Haven't noticed anyone mentioning electroluninescent material. It's ages
since I tried any out, and all you see in Maplins these days is EL
"string", but you used to be able to get it in sheets which could be cut
to size with a sharp scissors. The downside is that it needs a driver.
In the days I was looking at it (for backlighting LCDs) it was only
available in colours (bluish or greenish IIRC) but maybe there is a
white nowadays or an "almost white"?
Hwyl!
M.
--
Martin Angove: http://www.tridwr.demon.co.uk/
Two free issues: http://www.livtech.co.uk/ Living With Technology
... Constant change is here to stay.
Much easier.
http://www.ebuyer.com/ case modding.
They used to be 1.50 for 1*12" white, but have about doubled in price IIRC.
Run on 12V.
Irrelevant.
The problem is not the light emitter, for which fluorescants are probably
a good match, if used appropriately, but the "no mains cable" requirement.
IIRC, EL is much less efficient than fluorescants.
I have a number of these and they're fun, especially the UV type. They
now come in pairs driven from a single driver circuit so a doubling in
price isn't too unreasonable.
For this application though they can be a bit bulky and hence more
difficult to hide. You see, I think the OP is yet to discover that for
artwork diffusing the illumination is critical and much harder then you
imagine it should be. The only solution I've yet come up with is to
mask the light source so that it is not viewed directly, you're then
left with having to diffuse the reflected light which is lots easier as
the contrast ratio is much lower. The tubes from scanners really are
very thin and I was able to route a 3mm groove in the frame sides and
set them back quite a way so that even from about 45 degrees off axis
they were hidden.
It's possible to get an even soft source using fluorescents direct but
with a defuser between them and the eye. That's how most illuminated shop
signs work. But to do it properly costs.
--
*60-year-old, one owner - needs parts, make offer
The tubes from these are the same ones as from scanners basically.
You just need to rip off the plastic cover, which admittedly can be
moderately tricky, but takes moments with an abrasive disk.