StageBuzz presents Bharat Rang Mahotsav Daily Report from the Festival

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Jan 13, 2011, 9:45:41 AM1/13/11
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Bharangam 13

Choose your Plays before you buy your tiks

This year  the BRM will be presenting a fare of 81 productions selected out of nearly 450 proposals received from across India and from around the world. Taking forward the ‘Young Experimenters’ component of last year, BRM 13 also includes productions by graduates of the school in a synthesis of experience, new energy and vision. We present the synopsis of all the plays so that you can pick and choose

Read More...



Curtain Raiser

NSD's 13th Bharat Rang Mahotsav Theatre Festival

 

The 13th Bharat Rang Mahotsav, marks the beginning of the New Year with another milestone for the prestigious National School of Drama, as its annual national and international theatre festival opened with concurrent shows at multiple venues in Mandi House over two weeks from 7 to 22 January 2011. Read More...

In This Issue StageBuzz welcomes two new writers in its fold:

Poet Laxmi Shanker Bajpai

Station Director, AIR, Delhi

and

Ravindra Tripathy

Senior Film and Theatre Critic


Bharangam 13

Arunachal Pradesh on the Theatre Map of India

Ravindra Tripathy's Daily Diary

No doubt, the Hindi language has many local dialects. But have you ever heard of Arunachali Hindi? Yes, it exists. You want to know where it is?  It is in Arunachal Pradesh of course. But why is it Arunachali Hindi, it is difficult to say because it is just like standard kharibolichaste Hindi. But whatever it is, it was a nice experience to watch the play and listen to the language. Read More...

Featured Poetry by Laxmi Shanker Bajpai

 

Those People

Those were the people who

with tiny boxes filled with fine sugar

would go in search of anthills

 

They would scatter seeds on terraces

for birds to feed on.

  Read More...


Bharangam 13

Snake Love & Sexuality fromJapan

Ravindra Tripathy's Daily Diary

 

There are a lot of stories in Indian mythology and folklores where you find the snake or the serpent as sexual motif. Some modern plays  are also based upon it. For example Girish Karnad’s play Nagmandala. The snake as sexual motif is not limited only to India. In 13th bharat rang mahotsav, the Japanese play Ugetsu Monogatari(directed by Madoka okada) also presents the snake as a charmer and lover of human being. Read More...

 


Check out the Bharat Rang Mahotsav Program. Click the link below

Bharangam Schedule


Bharangam 13

Begam ka Takiya from India orMuare from Argentina?

Ravindra Tripathy's Daily Diary

Tuesday the 11th Jan was not as cold as the previous days.  The sun was in the sky and the earth was having a sigh of relief.  The atmosphere in the food hub (In 13th Bharat Rang Mahotsav) was a little bit warmer.  Theatre fans and enthusiasts were talking about the plays being staged in different auditoriums. The question before me was whether to see `Muare’an Argentinean play or`Begam Ka Takiya, a Hindi play Read More...


A political play from Bolivia

Ravindra Tripathy's Daily Diary

 

We, in India, are familiar with South American writers like Gabriel Garcia Marquez, Mario Vargas llyosa and others. But we know very little about theatre of Bolivia, ChileArgentina and other Latin- American countries. Fortunately, in 13th Bharat Rang Mahotsav there are some plays from these countries which show how lively the theatre scene is there.Read More...


Dilemma of Chau
To Be or Not To Be Folk

 

To categorize and delineate any dramatic performance as being folk, traditional or modern would be simply dispensing them off that can endanger our readings and interpretations for it. All dramatic performances display set codes and conventions such as costumes, makeup, text, use of diction prose or poetry and evolved choreography, movement or premeditated action. Gouri Nilakantan's attempt in this thesis is to look at Chhau as one such dramatic genre that goes beyond such simplistic compartmentalization.    Read More..


Bharangam 13

The Park

Ravindra Tripathy's Daily Diary

There are three benches in 'The Park', so there should be no problem for separate and independent spaces for them.  But the problem starts when all of them want a particular bench for themselves. No one wants to  leave his preferred bench. They argue and fight over their `rights’. The play starts as a comedy  but slowly and gradually it becomes serious. Read More...

IAWRT CALL FOR ENTRIES


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