The Lies of nigger History
Tom Shelly, Legendary White God
Lies for Profit: The Myth of Black History
- Part 1
by National Vanguard, August 1982
Who Was Dr. Charles Drew?
Every high school student has had the story drummed into him: Dr.
Charles Drew, the brilliant Negro
medical researcher who discovered how to preserve human blood plasma
so that it could be used for
transfusions, is responsible for saving countless lives of wounded GIs
during the Second World War. Five
years after the war, however, White racism was responsible for Drew's
own death.
The poignant story was first told by William Loren Katz in his high
school textbook, Eyewitness: The
Negro in American History (1967). On page 449 of the book Katz writes:
"On April 1, 1950, Dr. Drew
was injured in an auto accident near Burlington, North Carolina.
Although he was bleeding profusely, he
was turned away from the nearest 'white' hospital. By the time he was
taken to another hospital, the
scientist had bled to death."
Every major element in this story is untrue. First, Drew was hardly a
"Negro." He was of mixed race, at
least three-quarters White, as his photograph clearly reveals.
Second, his actual contribution to the technology of the modern blood
bank was minimal. His work for
the Red Cross Blood Bank was more logistic and administrative than
scientific, and it involved nothing in
the way of a scientific breakthrough or a major technical innovation.
Third, the claim that Drew bled to death after being turned away from
a White hospital has been flatly
contradicted by virtually everyone, including Blacks, with firsthand
knowledge of his death. When Drew
fell asleep at the wheel of his car on April 1, 1950, it ran off the
road, threw him out, and rolled over him.
He suffered massive brain damage and chest injuries. One leg was
nearly severed.
He was rushed to Alamance General Hospital, where three White
physicians worked desperately for two
hours to save his life. One of the witnesses to the emergency room
drama in the hospital on that morning
was Dr. Charles Mason Quick, now a 67-year-old Black physician
practicing in Fayetteville. In an
interview in Greensboro last month [July, 1982], Quick told newsmen
what he had seen. He says he
wants to establish a North Carolina scholarship in memory of Drew
"that would go a long way toward
dispelling this terrible myth."
Another witness was Marvin Yount, the White administrator of the
hospital. Yount demanded an apology
from Katz for his false version of Drew's death, and in May 1971 Katz
acknowledged his "error" in a
letter to Yount. The latest edition of Katz's book has quietly dropped
the story, but Katz has made no
effort to undo the mischief already caused by the earlier editions.
The History of "Black History"
Indeed, Katz, a Jew, earns his living peddling stories designed to
make minorities look good and
Whites feel guilty. He has been a major figure in the promotion of the
"Black history" craze which has
overtaken the U.S. educational system in the last 15 years, inventing
Black gunfighters who won the
West, a Black explorer who discovered the North Pole, Black military
heroes responsible for America's
freedom, and Black scientists who launched the scientific revolution
of the 20th century.
In addition to Eyewitness: The Negro in American History, Katz has
also written Teachers' Guide to
American Negro History (1968); American Minorities and Majorities: A
Syllabus of United States
History for Secondary Schools (1970); The Black West: A Documentary
and Pictorial History (1971);
A History of Black Americans (1973); Minorities in American History
(six volumes, 1974-5); and four
other books dealing with the same general subject matter. He is also
the editor of several series of
monographs on Black history and is a member of the editorial board of
the periodical Black Studies.
A BLACK HISTORY POSTER distributed to America's schools by
Anheuser-Busch, Inc., portrays
Cleopatra as a Negress. Text on the poster says that she is "often
erroneously portrayed as Caucasian."
Another poster in the Anheuser-Busch series shows the Carthaginian
general Hannibal as a Negro.
America's teachers shrink from exposing this fraud, from fear of being
labeled "racists."
The real Cleopatra had her image preserved in a portrait statue, now
in the British Museum. She was
Macedonian, a descendant of one of the generals of Alexander the Great
[Ptolemy], who conquered
Egypt in the fourth century B.C. Unfortunately, America's school
children aren't taught enough genuine
history to know that.
Perhaps we should not be surprised that America's big
businessmen-Anheuser-Busch is only one of
many large corporations which have sponsored Black History Month-have
become participants in the
fraud. After all, they have never been noted for a sense of social or
racial responsibility. Their aim in life
is to make money and avoid trouble with the government, and they have
learned that catering to
minorities at least helps with the latter.
What is deeply disturbing is the abject cowardice of the academic
establishment. Every historian worth
his salt knows that neither Hannibal nor Cleopatra had the least trace
of Black ancestry; and even
though the educational level of America's educators has declined
sadly, there are many high school
principals and high school history teachers who also know it. Their
silence is shameful.
It may seem a small thing, this caving in to the counterfeiters of
history, but think what it means: all over
America, in every school district in the land, those who have been
entrusted with the education of
our children have said, in effect, that they will teach lies rather
than risk being labeled "racists." It
is a national phenomenon, part of a long-term national trend, and it
tells us that the nation is dying. It also
tells us that, regardless of the methods we personally may choose to
use, we must be on the side of the
Seattle Ten; we must take up their fight, and, one way or another, we
must destroy the evil against which
they struggled.
Who Were Hatshepsut and Cleopatra?
Last month was decreed "Black History Month," and so the February 1
[1983] issue of the Washington
Post contained a feature article titled "Ancient African Heroines."
The two principal heroines treated were
Hatshepsut, an Egyptian queen of the XVIIIth Dynasty, and Cleopatra,
who reigned over the same land
14 centuries later. The clear implication of the article is that the
former queen was a Negress, and that the
latter may have been. Actually, both were White women, and nothing
that is known about either
suggests the least Negro taint to her blood.
The Washington Post article begins with the not-so-subtle insinuation
that the words "African" and
"Negro" are synonymous:
"Women of African descent-whether called Creole, Afro-American, black
or even 'colored'-are
typically depicted as women without a history. . . Unfortunately,
works on the development and
influence of African civilizations usually have been overlooked and
relegated to near obscurity in
the stacks, the achievements of ancient black women with them."
The article then introduces Hatshepsut, but in case any reader has so
far failed to make the desired
assumption that the great queen was a "woman of color" (the term used
later in the article in referring to
Cleopatra), there is a portrait. It is supposedly an artist's
rendering based on a photograph taken in
Hatshepsut's tomb, but one can only suspect that the Washington Post's
artist used Aunt Jemima as his
model, rather than anything photographed in an Egyptian tomb.
The lie is given to the Washington Post by Hatshepsut's life-size
portrait statue (see above), found in
her temple at Deir el-Bahri, near Thebes, and now residing in New
York's Metropolitan Museum of Art.
Numerous portrait statues of Hatshepsut's close relatives are also
extant, and they all show distinctly
Europid features. Her nephew, the renowned Pharaoh Thutmose III,
regarded as ancient Egypt's
greatest ruler, could pass easily as a Swede or an Englishman.
Queen Hatshepsut, who ably ruled Egypt for 21 years during the 15th
century B.C. and is the first great
woman known to history, has been dipped in the tar pot and converted
into an instant Black by the
history-destroyers of the controlled news media.
Hatshepsut's mummy has not been identified with certainty, but the
only reasonable candidate, found in
the tomb of her grandson Amenhotep II, has long, slightly wavy,
brown-blond hair. Blondness was not
an uncommon trait among the Egyptian nobility of Hatshepsut's time.
Two other XVIIIth Dynasty mummies, both of which have been identified
positively, are those of Yuya
and Thuya, the maternal grandfather and grandmother, respectively, of
Amenhotep IV, the famous
Akhenaton. They are also the paternal grandparents of Akhenaton's
cousin-wife, the beautiful Nefertiti.
The mummies of both Yuya and Thuya have well-preserved, long,
reddish-blond hair.
As for Cleopatra, though she was a queen of Egypt in the first century
B.C., she was of pure
Macedonian descent, ruling one of the many lands conquered by her
great countryman Alexander three
centuries earlier. On the matter of her race there is not the
slightest doubt; her ancestry can be traced back
to Alexander's marshal Ptolemy.
That does not stop the Washington Post from attempting to paint
Cleopatra as a mulatta, citing William
Shakespeare, of all people, as an authority, because he describes her
as "tawny" in a play. (His Antony
and Cleopatra opens with one of Mark Antony's friends complaining
about Antony's infatuation with
Cleopatra: "... his goodly eyes ... now turn the office and devotion
of their view upon a tawny front ...")
"Tawny," says the Washington Post, "often has been used, throughout
history, for mulatto or mixed
blood personages ...."
The Washington Post goes from Cleopatra to "black Queen Tiy of Nubia
noted as the mother of King
Tut." Tiy was not Black, and she was not a Nubian; she was the
daughter of Thuya and Yuya.
Furthermore, she was not King Tutankhamon's mother, although she was
related to him in a
roundabout way; Tiy's daughter Nefertiti was the wife of Tutankhamon's
father, Amenhotep, IV, but one
of the latter's harem concubines was almost certainly Tutankhamon's
mother, since Tut himself does
show strong signs of a Negroid taint. Negro blood was introduced into
more than one Egyptian royal
family via harem slaves.
The article concludes with a boost for a "Great Kings of Africa"
series of paintings which, among other
things, portrays Hannibal, the great Carthaginian general, as a
coal-black Negro [see statue below].
Reproductions of the paintings have been distributed free-"as a public
service"-to schools all over
America to promote "Black History Month."
Thirty-five years ago the English writer George Orwell noted with
irony in his novel 1984 that those who
control the past also control the future. In his dark vision of our
present era he saw government thought
controllers continuously rewriting history to suit the political and
social needs of the moment,
changing the citizens' image of the past and, thereby, their attitudes
toward the present and their
expectations for the future.
Alas, grim reality has already outstripped Orwell's fancy. But it is
not the government which has
undertaken the task of revising Americans' understanding of the
past-at least, not the elected
government in Washington, as bad as it is, but instead the
self-appointed shadow government which
stands behind it: the Sanhedrin of the masters of the controlled
media. High, indeed, in the
Sanhedrin sits Katherine Meyer Graham owner of the Washington Post;
and important, indeed, is the
role of her newspaper in the Sanhedrin's program of falsifying history
in order to bring it into line
with the needs of the moment.
One of the foremost of those needs is the undermining of the White
man's racial consciousness. For
those who sit in the Sanhedrin belong to the most racially conscious
of all peoples, and they realize that in
their consciousness lies their strength. Their rule can only be
secure, however, so long as the majority
race among whom they live as a parasitic minority does not regain its
own self-consciousness.
Racial self-consciousness demands a consciousness of the history of
one's people; if a people can
be robbed of its history, then there will be no soil in which the
roots of its racial consciousness can
grow. That is the ultimate motive behind every aspect of the
Sanhedrin's history-rewriting
program.
Tom Shelly, White God Ž
Purveyor of Truth
Proud Recipient
AFN's Most-Hated Racist Award, 2002
Xander Cage
> Racial Realities
>
>
>
> Lies for Profit: The Myth of Black History
> - Part 1
>
>
>
> by National Vanguard, August 1982
>
<snip>
National Vanguard....??
August 1982....?!!
BWAHAHAHAHAAAHAHAAAHAHAHAAAA!
Now, that's what I call grasping at straws......LOL
--
Message-ID: <3B87DC20...@telocity.com>
From: Tom Shelly <toms...@telocity.com>
X-Mailer: Mozilla 4.04 [en] (Win95; I)
MIME-Version: 1.0
Newsgroups: alt.forsale.children
Subject: I would like to buy your child
W.J.
that... ; Jeffery Daumer and Colembine!!!, Hitler, Child kidnapper and
Murderer....Come on you Psychotic Crazy...Low self esteem parasitic
Automaton, six toed inbreed, use your moronic programmed pea brain and try
and squeeze out something more than that same old tired ..simple raciest
sludge that your big fat blubber whale pastey white Cracker mammy whispered
in your ear, when you were sleeping with her.. Or your liver spotted bland
Grand Mammy taught you during your intimate pillow talk, come on you low
life scum try and fart out some new and fresh racist slogans from that shit
hole that you call a brain...
Love Dad
"Tom Shelly, Legendary White God" <Tom_Shelly...@yahoo.com> wrote in
message news:qlhtcv0kljb3uqrhm...@4ax.com...