On 11/06/2017 04:18, Guypers wrote:
> On Saturday, June 10, 2017 at 10:32:32 PM UTC-4, Garvin Yee wrote:
>>
>> But it was good for tennis that the more aggressive player
>> ultimately won.
>>
>> Tigran Pertrosian was a World Chess Champion, who played a
>> mostly defensive style, which although it made him an extremely
>> difficult man to beat, it caused most of his games to end with a
>> draw, which put the chess world to sleep.
>>
>> Too much defense leading to boring games....which is the same
>> for tennis.
>>
>>
>> Congrats to Ostapenko....let's hope she keeps it up....
>>
>
> Bobby Fischer beat Petrosian 6-0 ???? In the prelims, beat Spassky 6 1/2 - 2 1/2 ??? To win it all?
>
From Stephen Moss's "The Rookie: An Odyssey through Chess (and Life)":
"..Brady had been advising Tobey Maguire, who was making a film of the Fischer-Spassky match - the movie, "Pawn Sacrifice", surfaced a few months after Brady and I met. Maguire wanted to know how Fischer walked - 'rangy, like an athlete,' said Brady - and talked and moved the pieces. The fact that a movie was being made of Fischer's life underlined chess's problem. He remains box office. No one has come along to replace him, whatever the inflated claims made for the appeal of Magnus Carlsen. Fischer was difficult, unpredictable, brilliant, mesmerising; a genius and a madman. He had everything and many observers in the US say that, if he hadn't walked away from the sport after 1972, chess would have implanted itself on the American psyche far more forcibly. Fischer is both the blessing and the curse of US chess: even now, more than 40 years after he won the world title, he casts a long shadow. His is still the name the public know; his death in 2008 made front pages around the world; it is Fischer who is endlessly debated and memorialised on film. Fischer's rise and fall, and to a lesser extent Garry Kasparov's defeat by the Deep Blue supercomputer in 1997 (also being turned into a movie as I toured the US), were the only stories in town for the mainstream media. It was as if chess time had stood still.
..
..
In "Profile of a Prodigy" Brady has a beautiful phrase to sum up his endlessly frustrating hero: 'If he is the rainbow, he is also the storm.' That captures Fischer perfectly: the games he has left us are things of clarity, beauty, deep logic; his role in popularising chess in the 1960s and 1970s was immense; and yet his endless arguments with officialdom and his withdrawal from the sport without defending his world championship also did great damage. He was lonely, fatherless, had an intense but double-edged relationship with his brilliant and especially eccentric mother Regina, and once he had achieved his goal of winning the world championship went off the rails, spending more than a decade as a recluse in California and then another 20 years wandering the world looking for God knows what before dying from a kidney complaint which he refused to have treated. It was a sort of suicide - first as a player, then as a man. The once implacable Fischer had no resistance left. That he should die at 64 - the number of squares on the chessboard - was the ultimate irony, as fitting as it was tragic. What a waste, yet what a life. No wonder it is Fischer's story that film-makers still want to tell.
..
..
One question kept recurring throughout my odyssey: why do we play chess ? Hans Ree hymns its eternal beauty; Emanuel Lasker relished the fight; Fischer enjoyed crushing his opponents psychologically; Botvinnik sought to establish a scientific method; Tal loved the tactical possibilites; Bronstein delighted in the free play of the imagination; Arnold Denker saw it as an act of rebellion; Jon Speelman seeks transcendence; the chess hustlers in Washington Square - not unlike pros all over the world - are trying to earn a few dollars.
..
Professional chess is an affirmation of individuality, a cry for freedom - and a way of staying in bed until midday.
.."