Arthur Kramer
Visit my WW II B-26 website at:
http://www.coastcomp.com/artkramer
Yes, take Photo Techniques for example. After Camera and Darkroom's demise,
PT was about the only pub devoted to analog technology (for a while). Now
see how they have progressed!(?) OBTW, I'm letting my subscription lapse.
Not-so-truly, dr bob.
One subscription does not a summer make. Or something like that.
--
Images and Photography Information www.ellisgalleries.com
"ArtKramr" <artk...@aol.com> wrote in message
news:20030719072841...@mb-m05.aol.com...
Make it two... I too am very disappointed in the ratio of analog related
article to digital in PT. I subscribed for the analog articles in the first
place. No reason to renew... There was not a single item of interest in
the last issue - at least for me.
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I am curious how people feel about the ratio of traditional to digital in View
Camera and then in CameraArts.
steve simmons
Art in photography is no less in digital than in analog therefore digital has
a rightful place in Camera Arts. The art of photography spans both disciplines.
And as time goes on the predominance of digital will be overwhelming.
This is a poor place to hold such a survey since digital interest is far lower
here than in the general photographic community. Try the rec. photo. digital NG
for more valid opinions.
CamArtsMag wrote:
--
Robert D Feinman
robertd...@netscape.net
Landscapes, Cityscapes, Panoramas and Photoshop Tips
http://robertdfeinman.com
> think your balance is about right. I continue to
>use film for taking the pictures, but have switched
>to inkjet for almost all my printing (except b&w).
>So I find articles about both areas interesting.
>here is also a good mix of how to and portfolio articles.
I agree. I also have gone digital for all printing and am slowly selling off
my darkroom equipment. I have gotten rid of my 8x10, 5x7 and three 4x5
cameras. but still retain one 4x5, my Leica M-6, Nikon F-4 and Rollei TLR. But
I can see where they will; all go except for the 35mm cameras as a result of
problems in scanning the larger formats. SInce I have 7 lenses for my Nikon F-4
I have ordered a Nikon D100 to make use of those lenses. The handwriting is on
the wall. Upward and onward. Especially since digital software makes greater
controls possible in digital than in analog.
Steve, I wouldn't mind one significant digital related article in an issue
if it still pertained to making a fine print (rather than just a picture
for a CRT.) And I don't want to see a whole lot about Photoshop. Adobe
has a fine resource for that subject.
The risk of digital articles is that they can be so ephemeral - obsoleted
by the next 'greatest' digital advancement. I don't see your magazines as
ephemeral: it is a singluar, historically important testimony to the
silver process and conventional photography, and will never grow obsolete.
Just my two-bits worth.
"ArtKramr" <artk...@aol.com> wrote in message
news:20030721095509...@mb-m26.aol.com...
>Digital may, as you say, be of less interest here than other places
>but at least there is some interest in digital here and some interest in
>film. In rec.photo.digital film is of absolutely no interest at all so why
Not true. Many on the digital NG shoot film and finish digitally. Thus the
intense interest in neg scanners, especially ones that can scan negs larger
than 35mm up to 8x10. There are those who love film but hate darkrooms.
I am going to keep shooting film. I hope the magazine stays the same
way.
Bill
>You must have another group in mind. Virtually all of the messages in
>rec.photo.digital are devoted to digital cameras. Take a look for yourself.
>I just skimmed the subject lines for the last 300 messages posted there.
>While I wasn't reading each word carefully, in quickly skimming them
Go back and read each word. I myself posted scanner stuff.
In article <WFUSa.14884$Mc.11...@newsread1.prod.itd.earthlink.net>, "Brian Ellis" <bell...@earthlink.net> wrote:
> You must have another group in mind. Virtually all of the messages in
> rec.photo.digital are devoted to digital cameras. Take a look for yourself.
> I just skimmed the subject lines for the last 300 messages posted there.
> While I wasn't reading each word carefully, in quickly skimming them I saw
> none devoted to scanners. There were a handful, maybe three or four, devoted
> to printers, all the rest were devoted to digital cameras and accessories
> for digital cameras (batteries, storage cards, etc.).
--
Check out My Homepage at
http://members.bellatlantic.net/~gblank
Support bacteria - they're the only culture
some people have." -Stephen Wright
> In my opinion, Digital is still nowhere close to film. I can't believe
> all the photographers out there that are selling all their film
> equipment, and buying digital. One area of disapointment for me is the
> way digital records highlight detail. I keep getting told that I need
> to expose for my highlights. If I were to do that, then everything else
> will go very dark, or black. I have used the Nikon D1X, and seen the
> Canon 1Ds, and I was not awestruck by either.
Nor will it be until your year 2020.
--
There was a man so wise he jumped into a sandy place
and burnt out both his eyes. And when he knew his eyes were
gone he offered no compliant. He summoned up a vision and made himself a saint.
Images and Photography Information www.ellisgalleries.com
"ArtKramr" <artk...@aol.com> wrote in message
news:20030721135645...@mb-m26.aol.com...
I like the digital darkroom as well Art, but a D100 to replace a 4x5? No
way.
What goes around comes around.
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I used to be on the fine arts roadshow circuit/competitive art faire circuit
in the mid 1970's. I had a new Deardorff 4x5 special and used Royal X and
Press B film with a used Dagor 8 1/4" and a new 150mm Symmar convertible. I
was, as we all were, totally analog at the time. Got out of it after a
while and got a real job for 20 years before getting back into it. New film
emulsions with unparalleled fine grain and high quality scanners with
archival printers are the only reason I got back into LF.
I used to be a very good b/w printer and won several fine art competitions
back then. When I look at the work I am doing now in digital, scanning the
old negatives (10K X 8K pixels 16 bits) and printing on an Epson 2200, the
fine tonal scale, detail and unique subtlety of a LF analog print are all
there and more. (particularly in the larger prints) I actually prefer the
scanned/printed version of the prints. The analog archival prints from that
era sit in their boxes, the digital versions are framed and on my walls.
Steve, thanks for the substantive articles in View Camera, and keep
providing us with a mix of analog and digital content.
A new subscriber,
Dave Anderson
P.S. Arthur Kramer--As you get out of analog, if you have any 4x5 Royal X or
Press B in the freezer let me know. I also got a D100 and the 35mm film
cameras are going away--but not the 6x7 or 4x5's.
"CamArtsMag" <camar...@aol.com> wrote in message
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Super Panchro Press Type B was also my favorite film years ago. But it is all
long gone. Sorry. I sold off 5 view cameras, but still have one left.Think I'll
keep it.