Start here:
http://www.amazon.com/exec/obidos/tg/detail/-/0817435506/ref=pd_sim_books_1/
102-6071534-7928938?v=glance&s=books
--
Bob Fowler
sax...@superlink.net
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Er, Bob... you need to start HERE: http://makeashorterlink.com/index.php
Tom
> Google search was too much info , any specific book or procedures would be
> greatly appreciated.
<http://www.bhphotovideo.com/bh4.sph/FrameWork.class?FNC=CatalogActivator
__Acatalog_html___CatID=1075___SID=F3F3F4C9A90>
or, go to <http://www.bhphotovideo.com/> and, under the departments list
on the left, choose "books and tutorials." There are several "lighting"
options, each with many books listed, each with a description. Haven't
used any though. When B&H sent out their lighting sourcebook, it had
several quotes from the Amphoto book "50 Portrait Lighting Techniques
for Pictures That Sell (Revised Edition)" which all seemed pretty good.
--
Drew W. Saunders
dru (at) stanford (dot) eee dee you
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http://www.chapelhillnoir.com
home of The Camera-ist's Manifesto
The Links Pages are at
http://www.chapelhillnoir.com/links/mlinks00.html
"Wyatt80" <wya...@aol.com> wrote in message
news:20030304144314...@mb-fk.aol.com...
Oops! Thanks for the link!
Bob
Serious lighting is a continuum from a simple flash to large setups
involving eight or more lights and various modifiers. Start at the
beginning and work your way up as you perceive a need.
Although you can read a lot about this, most books just tell you what
a particular pro does. Your requirements may differ.
1. Start with one light.
2. Small light sources yield sharp, dark, shadows.
3. What people like for themselves, as opposed to what
artists/photographers like is straight on lighting from a broad source
(umbrella / softbox) placed directly above the camera. Firing the
SB28DX backwards into a medium sized umbrella under TTL control should
work just fine. Use Portra 400NC if you need extra range. There are
inexpensive brackets to mount a flash and umbrella to a small light
stand. You'll want an SC-17 to remote your TTL connection to the
umbrella mounted SB28DX. Put your F100 on a tripod and keep the face
of the SB28DX behind the front edge of the lens.
4. Before you get a second light, get a good flash / ambient meter
like a Sekonic L-358. Manual control is the only way you'll know what
you are doing with multiple light setups and the only way to be able
to repeat your results.
5. Before you start messing with hair lights, off axis key lights,
fill lights, grazing lights, or accent lights, work on lighting the
background. Once you can predictably light a background which is far
enough from the subject to eliminate shadows and get the exposure
balance correct to get good separation between the subject and the
background, the rest will be pretty easy to add.
6. If you can see the bright face of a flash unit from where the front
of your lens is, you will get ghosts and flare. Use a deep lens hood
or better yet a flag (light blocking panel) to shade the camera from
the light unit.
This portrait is going to be for a friend so it will be a learning experience ,
not a profit job. Eventually i want to end up with a 16x20 either digital or
film.
Thanks again !