Image Clarity: High-Resolution Photography
by John B. Williams
Boston: Focal Press, 1990.
Edge of Darkness: The Art, Craft, and Power of the High-Definition
Monochrome Photograph
by Barry Thornton
The manual of modern photography
by Theo Kisselbach
The Leicaflex Book, and
Leica R-4 Reflex Manual
Theo Kisselbach
Michael Scarpitti wrote:
>
> The Leicaflex Book, and
> Leica R-4 Reflex Manual
>
> Theo Kisselbach
Does this last one give you the correct shutter lag?
I've read reviews of Edge of Darkness that sound interesting, but never seen
a copy to look at. How do you find it? And how do you rate it against the
others you mention?
Thanks,
Peter
Don't have a copy right now. Read it years ago. I'll check the library.
> The Leicaflex Book, and
> Leica R-4 Reflex Manual
The current editions carry the disclaimer "best read with rose-tinted
spectacles"
--
Martin
*insert wit here*
> And how do you rate it against the
> others you mention?
Image Clarity is broader, and covers lenses and Kodachrome as well as
B&W.
Each has its merits. What is your primary area of interest?
>
> Thanks,
>
>
>
> Peter
My B&W - landscapes and city scapes - have in the past tended to be taken on
fairly fast and high-ish contrast films giving a 'gritty' look that I like
for certain subjects. I'm just interested in looking at approaches to the
other end of the spectrum - the fine grained long tonal range B&W picture.
Not sure if I want to do it or not, but it is a different approach to the
one I've used in the past and I'd like to understand it better.
There are some fine grained B&W films that I like a lot in my still life
work, and I'm interested in thinking about whether I might find a good
application for them in landscape too: at the moment I don't as they simply
don't suit my approach to B&W landscapes.
Peter
For that sort of thing I suggest Pan-F or FP4 in Acutol.