Thanks for any help.
If you are using the built in flash, it is very easy to get dark pictures.
If you are using the SB600 with a dome diffuser, then all should be well
even with a slow lens like the 18-70 zoom.
I have found that my D70 does tend to under expose by about a stop. You
should avoid judging exposure with the LCD. Instead look at the histogram.
If the histogram shows underexposure, then you as the photographer have to
do something.
Jim
Any expensive DSLR has a flash exposure correction menu item that can be set
to make the camera call for more flash, and that may give you better results.
But the underlying problem is that nowadays camera default settings seem to
favor uising flash for fill-in only. There are several reasons why this is or
isn't a good idea, but it seems to be the current fad. Gisle Hannemyr, a
Norwegian writer/photographer, has written a fairly exhaustive treatise on
Canon's implementation of this phenomenon and how to adjust your settings to
make it work in your favor (or at least not get in your way). The last time I
looked, it was posted on his Web site. I don't remember the URL, but you can
find him with Google.
Bob
I have a Nikon 8400 I bought several years ago. I adjust the settings
so the picture looks good or bright on the LCD on the camera. After
the I take a picture I will zoom in 10x on the LCD to review the
picture and every detail including eyes look stunning. But on the
computer it looks and prints way too dark, even the computer at the
camera store shows dark pictures. Especially with the external flash
SB600 or with both the SB 600 & Metz 45 both in TTL or any mode the
pictures are too dark. I had at least 3 years to try every setting
including slow shutter, every megapixel, raw, every saturation, film
speed, exposure compensation and metering mode. I thought since it was
a Nikon it had to be a good camera. A bright vivid accurate picture
with detail cannot be made. With software the pictures can be made
printable, but nothing to be proud of, more like ashamed of. I
recently bought Panasonic Lumix 10x pocket camera, to take far away
shots without flash and unexpected shots that come up. The Panasonic
prints straight out of the camera bright, vivid and accurate even at
280 mm, no software touch ups at all. I still need a camera to take
great flash photos, but 3 years of my life has passed with so, so
photos. My recommendation is to take the "Nikon" camera back to the
store or send it in for warranty as fast as you can, don't get stuck
with it.
I set my D80 for plus one half-stop exposure compensation (read the manual)
for daylight shots and one full stop for flash shots. It works great. Always
check the exposure compensation icon on the screen before shooting, as it is
easy to reset this accidentally.
Dennis.
Two things, as one other poster said if you are going to use the D80
on full auto, why did you buy it? But use what you have learned about
photography to master the camera. With my D200 the most auto I get is
auto aperture, I mostly use it on manual, shooting RAW. Digital is
just another film with its own characteristics, under exposure saves
you from blowing highlights, but can bite you with excess noise, so
there is a spot where you can save highlights and have good noise
characteristics, you just have to find it. Then when shooting higher
ISO (above 800) you want to loose some hightlights to surpress the
noise. expose to the right on the histogram. Learning to use a
histogram can be a big thing in digital photography, your camera can
display one with every shot.
About flash, most on camera flashes are fairly low powered, not
suitable for subjects over 12 ft away, sometimes not even that. Have a
big room and you loose more light. If you need more punch you have to
go to one of the external flash units. I still use my old Metz 45CT1
with my D200, works quite well. The Nikon SB 800 or 600 seem to be
good units, I still have a preference for Metz, but mine has worked so
well for so long that I'm not familiar with current models.
Tom
Until you calibrate your monitor, you can't really make an accurate
assessment of your camera's exposure, IMO.
John
Agreed.
I find this page helpful:
http://www.jasc.com/support/kb/articles/monitor.asp
I use as a quick check it for setting the gain and offset (or contrast and
"brightness" in monitor-speak), and wrote my own program for display
testing:
http://www.david-taylor.myby.co.uk/software/imaging.html#GreyScale
which shows how near the full-black and full-white you can see small
brightness differences.
Cheers,
David
I have a D80 in which everything comes out dark also, and that's on 3 different monitors. Maybe my
FE2 and F3 spoiled me but every chrome I ever shot on those camera's came out properly exposed,
unlike my D80. Maybe Nikon should rethink their metering strategy. What's the sense of having an
"Auto" mode if it's worthless...... I didn't buy it to fuss with every exposure. I'm wondering if
the Canon's and the Pentax's shoot everything underexposed like the Nikons..........
Brian
Brian..........
Kill filters - The Enema Of The Usenet !!!!!
I'm thinking too much like a point and shooter. I need to be more
photographically minded. He explained that the whole idea behind slightly
underexposing photos is to guarantee that all the data and detail remain in
those photos. If you want to edit those photos later with photo editing
software, you can. However, if the photos come out of the camera
overexposed, detail and data are lost, and no amount of editing can restore
it. After his explanation, I understood that the D80 is a more
sophisticated, higher end camera than the typical tourist digital camera,
and why it does what it does in full auto mode. He suggested either editing
my photos if I wanted them a little brighter, or switching to "P" (Program)
mode, and compensating by adding a bit more exposure.
Thanks to all who posted, and thanks to David D at Nikon's tech support.