Bruce <
docne...@gmail.com> wrote:
> Rich <
no...@nowhere.com> wrote:
>>Most mirror lenses are...trash. Nothing to do with the donut-bokeh, but
>>just crap optics. There are two mirror lenses I know of that aren't crap,
>>the Tamron 350mm f5.6 (rare and increasingly expensive, with very good
>>optics) and the best mirror lens ever made, the Questar 700mm. However,
>>I'm hoping this new one (hoping) is decent.
>>
>>
http://www.dpreview.com/news/2012/02/03/tokinareflex300_6p3
> This will be the first catadioptric lens that has been designed for
> digital. It should be near-telecentric to give best results. All
> previous mirror lenses were originally designed for film.
Is not the design of a long focal length mirror reflex lens inherently
near telecentric? Is not the only change required to adapt a mirror
lens designed for film adapting it to the greater reflectivity of
digital sensors? A change of final lens element coatings and perhaps
some more care given to blackening nearby surfaces?
If so those aren't difficult changes. In other words it should be very
easy to adapt a film-designed mirror lens for digital.
> The 300mm focal length is useful for Micro Four Thirds - it's the
> equivalent of 600mm on full frame FX or 35mm film. An APS-C version
> would be a 450mm equivalent.
> I hope the Tokina optics will be a significant step up from those of
> the Samyang/Rokinon/Opteka/name your brand/... 500mm mirror lenses
> that don't perform especially well with digital sensors.
What's the peformance problem introduced by the digital sensors? Or
are they simply poor lenses which weren't good on film either?
> The Tamron 350mm f5.6 is an outstanding optic that fully justifies its
> price tag. I have sold seven examples to buyers in Hong Kong, Japan
> and China where it is a cult classic. Prices are rising in Europe but
> that is largely because buyers from the far east are snapping them up,
> with a little help from me. ;-)
What do you think of the price the Minolta 250mm is commanding?
--
Chris Malcolm